Here are 100 books that The Conservationist fans have personally recommended if you like
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I’m a South African journalist turned novelist inspired to write biographical historical fiction about trailblazing women. As a lover of nature, I’m particularly drawn to characters who love animals and the outdoors and who are driven by curiosity. I’m fascinated not only by individuals but also by my continent and its history. Nothing gives me greater joy than to write about pioneering women from history and the interconnectedness of all living things.
First published in 1948, this book will forever occupy a special place in my heart.
Not only is the book partially set in the very countryside where I was raised in South Africa, but it was also responsible for awakening my young conscience to the harsh realities of what many South Africans endured leading up to and during the apartheid years.
I was forever moved by the story and characters, and discovered the power of fiction by reading it.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I grew up during the apartheid era of racial segregation and oppression. A Blade of Grass was written with a sense of exile and regret, but also with love. It is not overtly about South Africa and apartheid. It asks a fundamental question: Where is home, and how shall we live there?
"The seed is mine. The ploughshares are mine. The span of oxen is mine. Only the land is theirs."
Not a novel, but a biography of an illiterate sharecropper, invisible to history except in this book, who lived for almost 100 years farming land that was always owned by others.
As a child, I passed many farm labourers without much thought about their lives, their history, their identities. This dense social history was a revelation and a corrective to my ignorance.
Kas Maine’s story is a potent reminder of the need for justice, kindness, and respect toward every human being.
A bold and innovative social history, The Seed is Mine concerns disenfranchised black people who did so much to shape the destiny of South Africa. After years of interviews with Kas Maine and his neighbours, employers, friends, and family - a rare triumph of collaborative courage and dedication - Charles van Onselen has recreated the entire life of a man who struggled to maintain his family in a world dedicated to enriching whites and impoverishing blacks, while South Africa was tearing them apart.
Like the character of Wala Kitu in Dr No, I consider myself an expert on nothing. Heroes have to be flawed, right? And you don’t always have to like and admire them. They don’t have to be perfect. With perfect hair and teeth. Because I’m not. And I need someone to identify with. Someone to walk the roads I might or might not walk. A list of Nick Hornby, Michael K, Miles Jupp, Billy Liar, and Wala Kitu shouldn’t belong together. But they do. Right here. It’s absurd, right? The connection of different roads? Different stories? Different hurdles to jump? Different act of heroism I say.
It's not an easy read, but I read this one and Cormac McCarthy’s The Road back-to-back. These are two books about lost souls walking away from something, not knowing where they’re going.
Michael K is another character who invokes more sympathy/pity than admiration. Sometimes, I didn’t overly care about Michael K’s suffering, feeling he’d brought it on himself. Mostly, though, I wanted him to find his simple peace.
JM Coetzee is such a good writer. His sparse but full sentences always deliver something.
From author of Waiting for the Barbarians and Nobel Prize winner J.M. Coetzee.
J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.
In a South Africa turned by war, Michael K. sets out to take his ailing mother back to her rural home. On the way there she dies, leaving him alone in an anarchic world of brutal roving armies. Imprisoned, Michael is unable to bear confinement and escapes, determined to live with dignity. This life affirming novel goes to the center of human experience-the need for an…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
My mother’s family is descended from both Afrikaner and English South Africans, and the inherent tension between those two groups has always fascinated me. From Olive Schreiner’s The Story of an African Farm to Andre Brink’s Devil’s Valley, books that examine the reclusive, defensive, and toughened attitudes of white settlers make for the kind of discomforting reading that I find immensely compelling.
Untangling the roots of Apartheid is a thorny challenge, but Marq de Villiers’ approach—of telling the story of the Afrikaners, or South Africa’s “white tribe,” through one family’s complex and troubled history—does an excellent job of explaining the mentality that creates hateful systems of oppression.
This is a history of the Afrikaner as seen through the history of one family, the de Villiers, who first moved to South Africa in the 1600s. The book traces the history of the family and the Afrikaner, showing how the Afrikaner acted at the turning points in their history and revealing how that has made them what they are today. It also charts the development of the hallmarks of apartheid, including the pass system and tribe mentality. Journalist Marq de Villiers includes memorable scenes from the family's history culled from the diaries and papers.
While my childhood in a coastal community in South Africa contributed to my deep appreciation and love for nature, I was born and grew up as a person of colour in the apartheid era when barricades divided humans, the land, and the sea. I developed a profound understanding, rooted in my lived experience, of the interlinkages between justice, equity, and sustainability. I've remained actively involved and interested in developing and profiling transformative and inclusive approaches to sustainability from community to the international level. I've maintained this focus on the nexus between climate, nature, and inequality throughout my career, where I've led transformative and inclusive approaches to nature and climate policy and practice for 20+ years.
This book has been timely as policymakers in the carbon-intensive economy of South Africa is in the throes of a developing framework and plan for implementing a just transition to a low carbon economy.
It brings some of the best thinkers and doers in science, policy and academia to unpack the key shifts – social, economic, and technological and builds on thinking in earlier works on transitions.
Deliberations on the just transition in South Africa have intensified and will continue to do so for the next few years and decades. Climate change, widening socio-economic inequality, the precarious future of work and emergent approaches to financing arrangements have brought new urgency to the issues. It therefore remains critical to interrogate how South Africa can ensure a just transition to a low carbon economy.
This book underlines the fact that the low carbon transition in South Africa has to grapple with complex historical, social, economic, cultural and political factors. The main message is that the transition to a low-carbon…
While my childhood in a coastal community in South Africa contributed to my deep appreciation and love for nature, I was born and grew up as a person of colour in the apartheid era when barricades divided humans, the land, and the sea. I developed a profound understanding, rooted in my lived experience, of the interlinkages between justice, equity, and sustainability. I've remained actively involved and interested in developing and profiling transformative and inclusive approaches to sustainability from community to the international level. I've maintained this focus on the nexus between climate, nature, and inequality throughout my career, where I've led transformative and inclusive approaches to nature and climate policy and practice for 20+ years.
A great journey through how and why corporate South Africa is responding to the green transition.
It features case studies of leading national and multi-national corporations charting the sometimes bumpy road to integrating sustainability in business models.
From retail, energy, finance, insurance, and banking sectors businesses share the highs and lows of going green.
This book addresses hot issues pertaining to the manner in which corporate South Africa has engaged the emerging green global economy. Firstly, the book profiles the green and low carbon economy landscape in South Africa and interfaces it with global trends. This way, the book aligns very well in terms of the Rio+20 outcomes on 'The Future We Want' that fully embraces the green global economy in the context of sustainable development and poverty eradication. The rest of the chapters in the book profile breakthroughs from selected companies. The book also comes as the second in a series that is…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
As an African author, I find that my books end up on the ‘African fiction’ shelf in the bookstore, which can be a disadvantage if my novel is, say, about Henry James or the Trojan War, both of which I've written novels about. As a lecturer in English literature, I've become acquainted with a vast and varied array of literature. So, whereas of course there are many wonderful African novels that deal with specifically African themes, I think the label African novel can be constricting and commercially disadvantageous. Many African novelists see themselves as part of a larger community, and their novels reflect that perspective, even though they are nominally set in Africa.
The ex-pat novel has become something of a South African genre, what with many young people searching for new opportunities overseas, in flight from the old repressive racist regime or, latterly, the corrupt, inefficient new regime. In his debut collection of short stories, The Alphabet of Birds, Naudé referred to "the diaspora of fearful, grim, white children from South Africa," and this novel is another variation on that theme. It’s easy to fall into stereotype and cliché, and part of Naudé’s achievement is to remake the familiar scenario into something wholly original, in an account of his main character’s search for the missing reel of a film made by a Jewish filmmaker in Hitler’s Germany.
The novel contains vivid accounts of life in a ‘squat’ in London, as well as the grim atmosphere of an East German film school under Russian occupation – contrasting with the hedonistic excess of…
Shortlisted for The Sunday Times Literary Awards (South Africa)
Twenty-two-year-old Etienne is studying film in London, having fled conscription in his native South Africa. It is 1986, the time of Thatcher, anti-apartheid campaigns and Aids, but also of postmodern art, post-punk rock, and the Royal Vauxhall Tavern. Adrift in a city cast in shadow, he falls in love with a German artist while living in derelict artists' communes.
When Etienne finds the first of three reels of a German film from the 1930s, he begins searching for the missing reels, a project that…
As an African speculative fiction writer who had long hoped to see the development of African speculative fiction being embraced by the larger SFF community, it was a joy to see all these anthologies showcasing the works of Africans and platforming them for a larger audience to see. And it's been a joy as well to contribute to this growth both as an award-winning writer and editor of African speculative short fiction.
AfroSF is the first ever anthology of Science Fiction by African writers only open to submissions of original fiction works from Africa and abroad. It was one of the pioneering anthologies of African science fiction and published a number of household names in African speculative fiction in both this and its subsequent volumes.
AfroSF is the first ever anthology of Science Fiction by African writers only that was open to submissions from across Africa and abroad. It is comprised of original (previously unpublished) works only, from stellar established and upcoming African writers: Nnedi Okorafor, Sarah Lotz, Tendai Huchu, Cristy Zinn, Ashley Jacobs, Nick Wood, Tade Thompson, S.A. Partridge, Chinelo Onwualu, Uko Bendi Udo, Dave de Burgh, Biram Mboob, Sally-Ann Murray, Mandisi Nkomo, Liam Kruger, Chiagozie Fred Nwonwu, Joan De La Haye, Mia Arderne, Rafeeat Aliyu, Martin Stokes, Clifton Gachagua, and Efe Okogu.
Growing up in rural Wisconsin, I was crazy about both horses and books, so it’s not surprising that in grad school I became a horse historian. I found that writing about work horses linked my love of horses with my interests in technology and nature. The books I’ve chosen show how humans and horses shaped each other, society, the environment, and built the modern world. I hope readers browse (graze?) these books at their leisure and pleasure.
Swart makes a big argument: studying horses changes how we understand all history. This sweeping overview shows that “The history of horses is the history of the desire for power” whether economic, political, military, social, or cultural. The history of horses in South Africa offers an interesting comparison with both the American West and the American South in terms of frontiers, the military, race, class, and gender. Swart is a lively, funny, and entertaining writer. The fieldwork she did for this book gives the reader a visceral sense of what South Africa is like as a place. What is there not to love about a book with chapter titles like “The Reins of Power” and “The Empire Rides Back?”
0||The aim of this volume is to examine nascent movements, genre shifts, developing authors/playwrights and controversial themes as they emerged in both drama and theatre. The editors have focused on the essence of creative nexus of London from the end of the nineteenth century up to the beginning of the Great War (1914). The resultant study discusses Gordon Craig and production design, Wilde, Shaw, Synge, Pinero, Strindberg,Harley Granville Barker,Jones, Archer, Ford Madox Ford, D.H.Lawrence,Galsworthy, Sims, women playwrights, popular theatre among other topics. The work complements J.L.Styan s 3 volume Modern Drama in Theory and Practice and is more focused on…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I am a lover of romance. I feel love is one feeling that no one can get rid of; it is one of the elements that can patch up hurt, and it is also an element that can be expressed in many different forms. Having a wide imagination also adds to this passion. I grew up watching Disney movies such as Ariel and FairyTopia. Not only do I draw my inspiration from movies but also from books. I love reading romance books, the image we create in our mind can take us beyond some images created in movies. It takes us to a world we normally don't see in real life.
This book by Julia Quinn will always be my favorite of the Bridgerton Series; I love her style of writing. The way she introduced Jack's character and the love story between these two was on the edge.
She had a lot of details, and each story flowed into the next. I was hooked when I knew it was a series and I'm still building on her collection.
A soldier. And he has always been a rogue. What he is not, and never wanted to be, is a peer of the realm, responsible for an ancient heritage and the livelihood of hundreds. But when he is recognized as the long-lost son of the House of Wyndham, his carefree life is over. And if his birth proves to be legitimate, then he will find himself with the one title he never wanted: Duke of Wyndham.
Grace Eversleigh has spent the last five years toiling as the companion to the dowager Duchess of Wyndham.…
