100 Books Like Blood Royal

I recall my younger self looking at the reading lists on Oxford University history courses, and asking, “Where are all the women?” I have always wanted to know what it was like to be there, in any century up to the present. How did families form and pass on their values, what did people wear and eat, when (and if) children learned to read, and what were people’s daily routines? Political, military, and economic history is important, but I have flourished in the social history trenches. I discovered women writers and historians have more acute antennae for the details I wanted, even when writing about wars and dynasties.

I am an art historian and a horticulturist, specializing in the art, architecture, and gardens of the Middle Ages, and I’ve published a number of books on these subjects. But I’ve always loved mystery stories, and I dreamed of writing one of my own. When I discovered Christine de Pizan, an extraordinary personage who defied all the stereotypes about medieval women, I decided to write a series of mystery novels featuring her as the sleuth.

I am an art historian and a horticulturist, specializing in the art, architecture, and gardens of the Middle Ages, and I’ve published a number of books on these subjects. But I’ve always loved mystery stories, and I dreamed of writing one of my own. When I discovered Christine de Pizan, an extraordinary personage who defied all the stereotypes about medieval women, I decided to write a series of mystery novels featuring her as the sleuth.

I am an art historian and a horticulturist, specializing in the art, architecture, and gardens of the Middle Ages, and I’ve published a number of books on these subjects. But I’ve always loved mystery stories, and I dreamed of writing one of my own. When I discovered Christine de Pizan, an extraordinary personage who defied all the stereotypes about medieval women, I decided to write a series of mystery novels featuring her as the sleuth.

I consider myself a disruptor of sorts, both in my life and in the art I make (I’m an actor, too). So I am by nature drawn to novels that bend and reshape (and sometimes ignore altogether) the rules and conventions that are supposed to govern the novelist’s craft and lead me to experience the world—and often the art of writing fiction itself—in ways I have never experienced either before. The novels on my list do just that.

I’ve always loved reading about women who lived in earlier eras, whether that was through nonfiction or historical fiction. Books gave me access to worlds beyond my own and I loved thinking about what I would do in a particular situation, whether I would have made the same choices as the women I was reading about. I suppose it’s no surprise that I have a Ph.D. in history and teach European history. I love sharing my passion for the past and I hope you love the books I recommended as much as I do!

I have always been fascinated by France and things French. In graduate school, no women’s history was on our required reading lists. As a young woman, though, entering a professional field in which women were few on the ground, much less studied, I became an avid reader of biographies of achieving women – partly to learn how they were able to surmount (or not) the obstacles that confronted them in a male-dominated world. The five stellar biographies of French women I present here are products of the newer work in retrieving women’s histories. They are deeply researched and engagingly written. They confirm the saying that “truth is stranger than fiction.”

I have always been fascinated by the relationship between the concept of time, history, and politics. My first publications were in the philosophy of history. I started by translating some Left Hegelians. Then I moved toward Kant and Benjamin. My research background was constituted by the attempt to liberate Marxism from any kind of teleological philosophy of history. Recently, I began digging into concrete historical cases to extract political and legal categories. I’m interested in the reactivation of past possibilities to reconfigure the present and open alternative futures. I am now fortunate to teach courses on Temporalities and History in the History of Consciousness Department at UCSC.

I started out as a religion major in college, but soon became frustrated with the abstract thoughts of privileged white males. I wanted to understand the passions and struggles of ordinary people, and soon became convinced that the examination of the distant past sheds important light on the present. It’s not that I don’t care about the world around me right now. Rather, I am convinced that those who look only at this decade, this century, or even the last century fail to recognize some of the most powerful cultural forces that have shaped our most fundamental understandings of gender, wealth, poverty, work, and so much more.

I’ve always been attracted to the Gothic before I even knew the term. From watching The Munsters as a child to wanting to live in a haunted house and devouring classic Gothic novels like The Mysteries of Udolpho and Dracula, I’ve never been able to get enough of the Gothic. After fully exploring British Gothic in my book The Gothic Wanderer, I discovered the French Gothic tradition, which made me realize how universal the genre is. Everyone can relate to its themes of fear, death, loss, guilt, forgiveness, and redemption. On some level, we are all Gothic wanderers, trying to find meaning in what is too often a nightmarish world.