Here are 100 books that In a Dark Wood Wandering fans have personally recommended if you like
In a Dark Wood Wandering.
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I recall my younger self looking at the reading lists on Oxford University history courses, and asking, “Where are all the women?” I have always wanted to know what it was like to be there, in any century up to the present. How did families form and pass on their values, what did people wear and eat, when (and if) children learned to read, and what were people’s daily routines? Political, military, and economic history is important, but I have flourished in the social history trenches. I discovered women writers and historians have more acute antennae for the details I wanted, even when writing about wars and dynasties.
Who knew that an account of a disappeared medieval world could be so gripping?
I’ve always regarded history as a literary and intellectual exercise, and Pulitzer-winning Barbara Tuchman has been my model ever since I picked up this absorbing history of a Europe riven by war, climate catastrophes, plague, and religious schisms.
Academic historians might denigrate Tuchman’s approach, but through pen-portraits and narrative momentum, Tuchman immersed me in a world that had subtle echoes of today.
The fourteenth century was a time of fabled crusades and chivalry, glittering cathedrals and grand castles. It was also a time of ferocity and spiritual agony, a world of chaos and the plague.
Here, Barbara Tuchman masterfully reveals the two contradictory images of the age, examining the great rhythms of history and the grain and texture of domestic life as it was lived: what childhood was like; what marriage meant; how money, taxes and war dominated the lives of serf, noble and clergy alike.
Granting her subjects their loyalties, treacheries and guilty passions, Tuchman recreates the lives of proud cardinals,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am an art historian and a horticulturist, specializing in the art, architecture, and gardens of the Middle Ages, and I’ve published a number of books on these subjects. But I’ve always loved mystery stories, and I dreamed of writing one of my own. When I discovered Christine de Pizan, an extraordinary personage who defied all the stereotypes about medieval women, I decided to write a series of mystery novels featuring her as the sleuth.
This is the book to which I turn for all the details of Christine’s life. Willard shows that Christine, who lived from 1364-1430, was an immensely courageous woman who, against all odds in an age that disparaged the female sex, succeeded in making her living as a writer and gained so much respect among the nobility that she was able to comment with impunity on the major political events of her time.
"Readers will learn a great deal about Paris during the most tumultuous days of the Hundred Years' War, about the culture of Renaissance France, and most of all about this unusual and heroic woman."―Virginia Quarterly
A biography of France's first woman of letters, who lived from 1364-1429. Among her works is the classic defense of women, The Book of the City of Ladies.
I am an art historian and a horticulturist, specializing in the art, architecture, and gardens of the Middle Ages, and I’ve published a number of books on these subjects. But I’ve always loved mystery stories, and I dreamed of writing one of my own. When I discovered Christine de Pizan, an extraordinary personage who defied all the stereotypes about medieval women, I decided to write a series of mystery novels featuring her as the sleuth.
I love this classic study in which Huizinga vividly portrays the colorful era in which my heroin, Christine de Pizan, lived. Huizinga shows that late medieval society was full of striking contradictions, among them chivalry vs cruelty, courtly love vs vengeance, blissful visions of heaven vs horrific visions of Hell.
“To the world when it was half a thousand years younger,” Huizinga begins, “the outline of all things seemed more clearly marked than to us.” Life seemed to consist in extremes—a fierce religious asceticism and an unrestrained licentiousness, ferocious judicial punishments and great popular waves of pity and mercy, the most horrible crimes and the most extravagant acts of saintliness—and everywhere a sea of tears, for men have never wept so unrestrainedly as in those centuries.
First published in 1924, this brilliant portrait of the life, thought, and art in France and the Netherlands in the 14th and 15th centuries…
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
I am an art historian and a horticulturist, specializing in the art, architecture, and gardens of the Middle Ages, and I’ve published a number of books on these subjects. But I’ve always loved mystery stories, and I dreamed of writing one of my own. When I discovered Christine de Pizan, an extraordinary personage who defied all the stereotypes about medieval women, I decided to write a series of mystery novels featuring her as the sleuth.
Jager’s book is an indispensable source for facts about a famous murder that is the inspiration for one of my future Christine de Pizan novels. In 1407 Duke Jean of Burgundy, known as Jean the Fearless, ordered his henchmen to murder Duke Louis of Orléans, who was his cousin as well as the king’s brother. The provost of France was able to identify Jean as the instigator of the crime, and in my novel Jean takes his revenge by having one of his minions kidnap the provost’s daughter.
A riveting true story of murder and detection in 15th-century Paris, by one of the most brilliant medievalists of his generation.
On a chilly November night in 1407, Louis of Orleans was murdered by a band of masked men. The crime stunned and paralyzed France since Louis had often ruled in place of his brother King Charles, who had gone mad. As panic seized Paris, an investigation began. In charge was the Provost of Paris, Guillaume de Tignonville, the city's chief law enforcement officer--and one of history's first detectives. As de Tignonville began to investigate, he realized that his hunt…
I am a historian of medieval women, especially women in the Iberian peninsula, and royal women. I became interested in Berenguela of Castile through studying her sister, Blanche, who was queen and regent of France. I learned about Blanche through studying Cistercian architecture – I remain really interested in material culture, memorialization, interpersonal relationships (like motherhood!), and political life in the medieval world, all of which I study primarily through the lens of gender. I still turn to these classic, foundational works on medieval women when I want to teach students how the field developed, and when I want to understand essential premises about Iberia, motherhood, religion, queenship, and historiography.
This brilliant piece of scholarship examines thousands of early medieval saints to paint a picture of a particular form of life for medieval women that allowed them in some ways to transcend their gender – to “forget their sex”. Early medieval women could be recognized for their sanctity and social contributions through their commitment to virginity, but also as mothers, nuns, siblings, and friends. Schulenberg is particularly attentive to how gender operated in the saints’ lives and tells marvelous stories about real human beings.
Despite religious claims of a spiritual egalitarianism in the heavenly kingdom, there was a definite tendency in the Middle Ages to organize the celestial realm according to the established customs, values, and hierarchy of earthly society. In this study of over 2500 female and male saints, Jane Schulenburg explores women's status and experience in early medieval society and in the Church. She focuses on the changing social contexts of female sanctity (women saints as embodiments of cultural models) as well as extravagant, "transgressive" or "deviant" female behaviour which frequently challenged male order and authority. She argues that between 500-1100 a…
I’m that infamous medievalist who wrote the big book on medieval race. It took 20 years of thinking and research, and a whole lot of writing, but now people are convinced that there was, indeed, such a thing as race and racism between the 11th and 15th centuries in the West (aka Christendom/Europe). I'm Perceval Professor of English and Comparative Literature, with a joint appointment in Middle Eastern studies and Women’s studies at the University of Texas at Austin.
In the European Middle Ages—the millennium-long era in the West after antiquity and before the modern period—Christianity was the first and last authority for all sources of knowledge and forms of reasoning. This important book shows in great detail how medieval Christian theology produced arguments and rationales that enabled racism against Jews during the centuries of the long medieval period.
In Figuring Racism in Medieval Christianity, M. Lindsay Kaplan expands the study of the history of racism through an analysis of the Christian concept of Jewish hereditary inferiority. Imagined as a figural slavery, this idea anticipates modern racial ideologies in creating a status of permanent, inherent subordination. Unlike other studies of early forms of racism, this book places theological discourses at the center of its analysis. It traces an intellectual history of the Christian doctrine of servitus Judaeorum, or Jewish enslavement, imposed as punishment for the crucifixion. This concept of hereditary inferiority, formulated in patristic and medieval exegesis through the…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
I have been studying and teaching medieval literature and history for over 30 years, and I am an avid devourer of novels, so novels set in the Middle Ages are a particular favorite! One of my passions is to teach my students texts that counter stereotypes of the Middle Ages (women were powerless, peasants were helpless and downtrodden, everyone blindly believed their priests, etc), so I love this list because the characters in these novels reflect the actual intelligence and agency of actual people in the medieval period.
I have always loved the lais of Marie de France and have taught them for years, introducing students to her proto-feminism and sly humor (check out Lanval for a send-up of the conventional medieval romance).
So when I came across this novel, I snapped it up, and it didn’t disappoint. I was captivated by Groff’s depiction of Marie: a rebel against religion and conventional gender roles, an exile in a convent who becomes the hero and hones her craft of writing.
Groff swept me into the book with her luminous descriptions of atmospheres and landscapes. I loved the gawky and ungainly Marie’s lonely fascination with Queen Eleanor of Aquitaine and the way she turns heartbreak into art.
THE NEW YORK TIMES BESTSELLER SHORTLISTED FOR THE NATIONAL BOOK AWARDS AN OBAMA'S BOOK OF THE YEAR
'Gorgeous, sensual, addictive' SARA COLLINS 'Brightly lit' NAOMI ALDERMAN
Born from a long line of female warriors and crusaders, yet too coarse for courtly life, Marie de France is cast from the royal court and sent to Angleterre to take up her new duty as the prioress of an impoverished abbey.
Lauren Groff's modern masterpiece is about the establishment of a female utopia.
'A propulsive, captivating read' BRIT BENNETT 'Fascinating, beguiling, vivid' MARIAN KEYES 'A dazzlingly clever tale' THE TIMES 'A thrillingly vivid,…
I was an author of history and travel books before turning to children’s fiction. My books for the publishers Pen and Sword tell the stories of the places associated with the Princes in the Tower, the boys who mysteriously disappeared from the Tower of London during the reign of King Richard III, and King Arthur, the semi-mythical King of the Britons during the Dark Ages. So it was obvious that I should use my passion for medieval history when it came to deciding on a setting for my collection of upper middle grade children’s novels. I hope readers enjoy reading them as much as I have enjoyed researching and writing them!
The great thing about this book is that it combines fast-paced adventure with authentic historical detail – particularly relating to the “classic” medieval themes of castles, battles, and sieges.
It’s a time-travel children’s book that was originally published in 1951 but was republished in 2015, and features as its main character a “contemporary” boy named Peter who, wandering around the ruins of a Welsh castle, finds himself transported back to the 1300s when his Norman ancestors held the castle and he was none other than the oldest son of Sir Roger de Blois.
As the inhabitants of the castle face a rebellion, Peter must learn how to hawk, fight, and shoot a longbow; fascinating aspects of medieval life that come alive on the page thanks to vivid writing by the author.
Young Peter is visiting uncle in the Welsh countryside. When he finds an old knight's gauntlet, he put it on and is transported back in time to the fourteenth century. There he is the supposed son of a great Norman knight, his ancestor. He learns all about the Medieval life, and enjoys every part of his adventure (archery, hawking, jousting), even when danger arrives in the form of attack from the Welsh tribes. He helps his family lift the seige of their castle, but must finally return to his time. Will anyone believe his story? How can he convince them?
Of the 16 books I have written, to date, every single one of them features strong women. I like to think I'm channeling a little bit of myself in there, or perhaps I'm simply projecting the sort of strength I'd like to possess. I don't know. What I do know is that with all that's going on in the world, it's more important now than ever before to remember how strong we can all be. To be strong women, to support strong women, to seek inspiration from strong women, and to inspire the next generation of women to do the same. And that's why I've chosen to recommend books on this subject.
I first came upon this book about twenty years ago, and it's one I've read cover-to-cover so many times that the cover is barely still attached.
It starts in the year 1218, when a Welsh princess, Eleyne, is born in a castle amidst a huge fire. The story follows her very eventful life through marriages, politics, and love affairs with Kings. And as you'd expect from medieval times, it's hardly plain sailing. As a woman, she doesn't hold much power over her own life, and there are many throughout the story who make it their missionto break her spirit–but no matter how hard they try or what they put her through, they all fail.
She is fierce and powerful and my rebellious side felt such a strong connection with her. It's a long book but one I'd highly recommend to anyone who loves powerful women and historical fiction.
Beautiful repackage of this Barbara Erskine classic, the story of a remarkable mediaeval noblewoman whose life shaped the history of three crowns
The child whose hands would hold three crowns is born in fire.
In 1218 an extraordinary princess is born. Her mystical powers and unquenchable spirit will alter the course of history.
Raised by her fiercely Welsh nurse to support the Celtic cause against the predatory English king, Princess Eleyne is taught to worship the old gods and to look into the future and the past. However, unable to identify time and place in her terrifying…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
After enjoying Josephine Tey’s wonderful Daughter of Time, in which she exonerates Richard III from the crime of murdering the princes in the tower, followed by the Brother Cadfael mysteries, I became hooked on historical crimes and decided to try writing them myself! It was quite a challenge researching both the history and the settings from Australia, but the novels became a wonderful excuse for lengthy visits to travel around Great Britain and France. As well as writing the Janna Chronicles, my passion for history has also prompted several other published novels and series, including the Shalott trilogy.
Because my character Janna seeks refuge in an abbey while on her quest to find her father, I found it interesting and instructive to read about Abbess Helewise and life at Hawkenlye Abbey in more detail. I also enjoyed trying to second-guess whodunit as the Abbess and her helpmate, lord of the manor, Josse d’Acquin, solve the many crimes that come their way. And I was intrigued by the supernatural elements introduced by Alys Clare, with the abbey being situated so close to the ancient forest in the Great Weald, and how the two worlds often intertwine.
Shortly before his unexpected coronation, King Richard passed a law letting all of England's prisoners go free. Shortly afterwards a young nun is found, gruesomely murdered. Richard swiftly employs an old military colleague of his, Josse d'Acquin, to unravel this hideous mystery. Who could have wanted to kill this innocent young novice, and, more worryingly, why?
Josse goes to Hawkenlye Abbey to find out the answers to these questions. He is having little success until meets the Abbess Helewise, a woman who quickly proves herself to be his equal, both as an amateur sleuth, and as a figure the community…
