100 Books Like Last Bus to Wisdom

This deeply moving story took hold of my heart and didn’t let it go. Even years after having read this novel, I am still moved by the thought of it.

Struggle, war, injustice, and young love are carefully woven together in a gripping tale that speaks of truths and heartbreak we seldom examine. I can’t recommend Hotel on the Corner of Bitter and Sweet enough as it is as moving as it is important.

Before I was an author, I was primarily a national magazine copy editor, a job I finally scored after eight years of climbing up the magazine journalism ladder.

I wrote once in a while, but this mostly meant TV recaps by the time I was entrenched in magazines. But one day, an article about a safe-driving activist crossed my desk, and soon I was speaking with him in high schools.

Around the time I checked off “swim the width of a river” from my father’s bucket list, I also read Huckleberry Finn, as the setting seemed only right. I wrote a tribute to it in the second chapter of my book. My dad’s favorite author was Twain, but what I appreciated about him was that he wrote the novel as veiled propaganda. It’s a book that professes Twain’s anti-racism perspective. He just put his cause into a novel.

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Becky Sharpe is a character impossible to forget.

Through all the twists and turns of this plot, Becky shows herself to be both conniving and resilient in her quest to use those around her for her own gain. While not an attractive rendition of human nature, she forever has a wolf at her door and does what she thinks she must to stay one step ahead.

One gets whiplash from sympathizing with her one minute and being appalled by her lack of scruples the next, but, like all the characters she hoodwinks, we are captivated by her as someone who is never boring. She hops from one doomed circumstance to the next, and we are along for the ride.

This is one of my favorite books ever. I’ve read it many times, and it’s 500 pages long. The voice of the first-person narrator is so delightful I get hooked on the first page. Set in South Africa, Peekay is the ultimate underdog.

Emotionally deserted by his mom at boarding school, he doesn’t even know his own name and calls himself P.K. He’s a white English kid bullied by the dominant Dutch-descendant Boers as Apartheid (Governmental violent, oppressive racism) becomes law.

Peekay grows to become a champion boxer and champions the oppressed. I became obsessed with South Africa and could not look away from this story. It’s a wonderful example of a novel about an athlete, and even when I don’t like the sport, I adore the character and story.

This isn’t a book about middle age as much as it is a book about a middle-aged woman. Margery Benson, schoolteacher and spinster, has been overlooked and overworked. She’s ready for an adventure and to find the beetle she’s been obsessed with since childhood.

Margery doesn’t go on this adventure alone, and the friendship between Margery and the younger, flashier Enid Pretty is the real heart of this novel. Adventure, friendship, women finding their strength: it’s exactly what I want from a book.

I read The Summer of ‘42 in the spring of ’71, before the movie came out. Having been a teen in the 1940s, my father was intrigued by the title and bought it. I remember him laughing out loud, more than once. Being a curious fifteen-year-old, I had to find out what the hoopla was. Pubescent stirrings, mostly—that awkward stage in life, relatable no matter the era or place. In this case, love’s call comes during a summer vacation in 1942 on Nantucket Island. Hermie, his best friend, Oscy, and their nerd buddy, Benjie, are obsessed with sex—how to get it, how to do it, and how to share information once any progress is made in its endeavor. But when Hermie forms a relationship with a married woman whose husband has just left for the war, he becomes less forthright with his friends. Sometimes innocence lost is best told through… show more.

One of the first novels using a picaresque story-telling technique, this novel set the standard for the style—one I soon adopted. Good stories, some spicy for the day, are told in a logical progression, which gave rise, methinks, to Twain and certainly me. Great vignettes told un-attached but somehow part of a progression. 

Although published long ago, it is remarkable how easy it is to become involved in this book and be charmed by its main character, Tom.

Orphans abound in 18th and 19th-century fiction. What happens to him in an upper-class environment is inevitably unfair and hypocritical, so when he gets on the road—whether as a result of desire or force—the fun truly begins.

Tom says at the beginning that his tale has the purpose of understanding “human nature”, and after spending time with him on his adventures, from the estate where he grows up to his romp in London, we have a sense of the good nature of human nature. Tom’s sense of life infuses his life on the road, offering a character to celebrate despite his flaws.

I love this book because I don’t cry easily. Decades before the whole world knew Barbara Kingsolver as the Pulitzer-Prize-winning author of Demon Copperhead, I found a beat-up copy of this book at a thrift shop in Emmaus, Pennsylvania.

I bought it for a buck, and I’ve never spent a better dollar. I swooned to the simple story of Taylor, a teen fleeing home, and Turtle, the abandoned child who changes her life. The family they make is one of my favorite in all of literature.

I read this book years ago but it’s always stayed with me.

The teenage protagonist, 13-year-old Jason from Worcestershire, England, has a stammer: a speech difficulty that haunts him and has him performing all kinds of manoeuvers to avoid saying certain sounds in class. This would only add embarrassment onto all the other embarrassments he feels as a boy going through puberty.

He calls his stammer ‘Hangman’. As well as this daily struggle, he realises his parents are arguing, and he gets bullied at school.

As a reader, I was touched by his resilience and doggedness. David Mitchell has admitted that the book is semi-autobiographical and this adds another layer of poignancy.