Here are 76 books that Edisto fans have personally recommended if you like
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I have been asked for decades to share my story. Who would want to hear my story? When we established the fund in memory of beloved sisters Margie and Jane, the doctor connected to the fund told me to write about my sisters so others would know them. After thirty years of suppressing my grief, writing became a venue to let the walls down and let my feelings out and be compassionate to myself and others in their grief no matter the time. Grief is a difficult subject and I hope in telling my story another individual will not be alone in their grief.
I am recommending this work of fiction selected by The Compassionate Friends Sibling Grief Book Club. Ann, with grace, handles not only the sibling loss of a brother, a boy the sole survivor of a plane crash, but the depth and breadth of grief from the aunt and uncle Edward lives with. Edward’s aunt grieving the loss of an unborn child and her sister, says to Edward, “You’re not okay. We are not okay. This is not okay.” I’m certain other bereaved siblings can relate, “he mourns what his brother has lost.” I related to how in a family we handle grief differently and often are unable to communicate how we are feeling.
A transcendent coming-of-age story about the ways a broken heart learns to love again.
One summer morning, a flight takes off from New York to Los Angeles: there are 192 people aboard. When the plane suddenly crashes, twelve-year-old Edward Adler is the sole survivor.
In the aftermath, Edward struggles to make sense of his grief, sudden fame and find his place in a world without his family. But then Edward and his neighbour Shay make a startling discovery; hidden in his uncle's garage are letters from the relatives of other passengers - all addressed him.…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
My novel Venice Beach—like the five books I recommend here—has been classified as a “coming-of-age” novel, a classification that I have no quarrels with as long as it’s understood that coming-of-age is not regarded simply as a synonym for “adolescence” or “being a teenager.” The coming-of-age years—generally defined as between ages 12 and 18—are so much more than a period of life wedged between childhood and adulthood. Coming of age is a process, not a block of time; it is a hot emotional forge in which we experience so many “firsts” and are hammered, usually painfully, into the shapes that will last a lifetime.
You’re fifteen years old, living unhappily with your feckless parents and unstable older sister in a small town in Montana. And then your family implodes: your parents are arrested for bank robbery and your sister flees to parts unknown. As troubling as the premise is, Canada becomes even darker and more ominous as young Dell Parsons travels alone to Saskatchewan to live with erstwhile family friends, but in fact enters a whole new world of intrigue and violence. Dell is a stoic character, and you desperately want to see his life take a turn for the better. What you get instead is a case study in resiliency and survival. Ford’s prose is powerful; every word counts, every sentence pulls you deeper into the story.
First, I'll tell about the robbery our parents committed. Then the murders, which happened later.
In 1956, Dell Parsons' family came to a stop in Great Falls, Montana, the way many military families did following the war. His father, Bev, was a talkative, plank-shouldered man, an airman from Alabama with an optimistic and easy-scheming nature. Dell and his twin sister, Berner, could easily see why their mother might have been attracted to him. But their mother Neeva - from an educated, immigrant, Jewish family - was shy, artistic and alienated from their father's small-town world of money scrapes and living…
My novel Venice Beach—like the five books I recommend here—has been classified as a “coming-of-age” novel, a classification that I have no quarrels with as long as it’s understood that coming-of-age is not regarded simply as a synonym for “adolescence” or “being a teenager.” The coming-of-age years—generally defined as between ages 12 and 18—are so much more than a period of life wedged between childhood and adulthood. Coming of age is a process, not a block of time; it is a hot emotional forge in which we experience so many “firsts” and are hammered, usually painfully, into the shapes that will last a lifetime.
Skippy Diesis nearly 700 pages long, but I wished it had been longer, it was that fun to read. It’s both tragically sad and laugh-out-loud funny—a difficult feat for any writer to pull off, and Irish novelist Paul Murray does so brilliantly. I’m not giving away anything by saying that the protagonist dies—after all, he dies in the book’s title—but I won’t reveal how or the circumstances. Let’s just say that if you are a diminutive, shy, buck-toothed 14-year-old at an all-boys boarding school in Dublin and somehow manage to develop a crush on the girlfriend of an older, drug-dealing, violent bully…well, things can’t turn out good. The cast of characters—the teenagers, the teachers, the school principal—are wonderfully drawn. Murray’s dialogue captures the boasting machismo as well as the angsty insecurities of teenage boyhood. A real gem.
The bestselling and critically acclaimed novel from Paul Murray, Skippy Dies, shortlisted for the 2010 Costa Book Awards, longlisted for the 2010 Booker Prize, and a finalist for the National Book Critics Circle Award.
Why does Skippy, a fourteen-year-old boy at Dublin's venerable Seabrook College, end up dead on the floor of the local doughnut shop?
Could it have something to do with his friend Ruprecht Van Doren, an overweight genius who is determined to open a portal into a parallel universe using ten-dimensional string theory?
Could it involve Carl, the teenage drug dealer and borderline psychotic who is Skippy's…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
My novel Venice Beach—like the five books I recommend here—has been classified as a “coming-of-age” novel, a classification that I have no quarrels with as long as it’s understood that coming-of-age is not regarded simply as a synonym for “adolescence” or “being a teenager.” The coming-of-age years—generally defined as between ages 12 and 18—are so much more than a period of life wedged between childhood and adulthood. Coming of age is a process, not a block of time; it is a hot emotional forge in which we experience so many “firsts” and are hammered, usually painfully, into the shapes that will last a lifetime.
Bruiser is only nine years old, younger than most “coming of age” protagonists, but his anxiety-ridden family life in a Manhattan apartment has aged him. His father is a philanderer who rarely is home and often physically abusive when he is; his mother is a deeply depressed poet. Bruiser spends most of his time running around his Upper West Side neighborhood with a make-shift gang of older boys—and has the bruises to show for it, hence his nickname—or hiding at the bottom of the clothes hamper when his parents are going at it. He befriends a 10-year-old girl, Darla, who lives across the courtyard with her drug-addled mother and who convinces him to run away with her. Their journey, which takes them first to West Virginia in search of Darla’s father and eventually to North Carolina, is the book’s magic. Both kids are pre-puberty, so it’s…
After spending another morning hiding in the clothes hamper eavesdropping on his miserable parents, Bruiser realizes it's time to change his life. It's New York City during the late 1970s, and in the middle of a chilly autumn night he takes to the open road with Darla, a kindred spirit who lives across the alleyway. Their flight from the mounting tensions of home -- an adventure dotted with frightening episodes and surprising revelations -- is a journey in search of liberation and emotional truth.
This is Bruiser's tale in his own words, captured by first-time novelist Ian Chorao with uncanny…
Coming of age in the '70s, I set out to prove that I could do anything men could do as if it were my duty as a woman. This led me to become an exploration geologist, jumping out of helicopters in grizzly bear country. But I had a nagging feeling that I was neglecting what was meaningful to me. I struggled to even know what that was. My next career as a story analyst led me deep into the world of Joseph Campbell and Carl Jung and a fascinating exploration of how people find their best life. And I’m still enthusiastically exploring.
This was the first fiction book I read after completing my Master’s degree (aka an intense diet of scientific research). I can still feel my heart opening up as I was in Lily’s heart and head, facing her abusive father in the only world she had ever known.
When she branches out and finds a place of beauty and love among three sisters who keep bees, she starts to understand the rhythms of love and I started to feel love again. I gradually picked up the clues I needed to rebuild a life with beauty.
This book took me into a world of unconditional acceptance, so wonderful I actually wept with a longing I didn’t even know I had. I hated leaving Lily behind, but I think I hold a bit of her in my heart.
The multi-million bestselling novel about a young girl's journey towards healing and the transforming power of love, from the award-winning author of The Invention of Wings and The Book of Longings
Set in South Carolina in 1964, The Secret Life of Bees tells the story of Lily Owens, whose life has been shaped around the blurred memory of the afternoon her mother was killed. When Lily's fierce-hearted Black "stand-in mother," Rosaleen, insults three of the deepest racists in town, Lily decides to spring them both free. They escape to Tiburon, South Carolina-a town that holds the secret to her mother's…
Novels about humanity move me, as I love the messiness and complexities of imperfection. Because I’m passionate about reading these kinds of books, I’m also passionate about writing them. My first book, Paint Me Fearless, debuted at #1 on Amazon’s Hot New Release List in Christian Contemporary Fiction in 2021. It seemed readers found relevance in subjects like challenging family dynamics, weight issues, crippling insecurity, and the repercussions of abuse. My subsequent books continue in this vein. I aspire to write stories that reflect universal emotions like heartache and grief, but also joy and laughter. One reviewer described my books as a “rollicking good time,” which was a good day because I strive to entertain.
Pat Conroy was a master at conjuring characters and writing stories chock-full of emotion. Heck, even the way he describes his beloved state of South Carolina makes it seem like one of the characters in his novels. (Truth: I made my family go to South Carolina one summer after binge-reading Pat Conroy’s books.)
If forced to choose which of his novels is my favorite, I’d have to go with South Broad. With a lead character named Leopold Bloom, you just know it’s going to be good 😊 As Leopold’s life is defined by unimaginable tragedy, he is drawn to a group of outsiders in school. This unlikely band of friends experiences two decades of poignant, life-changing moments together.
Love, loss, and grief are prevalent in this novel, but there is also total hilarity as the bonds of friendship overcome disappointment and heartbreak.
#1 NEW YORK TIMES BESTSELLER • “A big sweeping novel of friendship and marriage” (The Washington Post) by the celebrated author of The Prince of Tides and The Great Santini
Leopold Bloom King has been raised in a family shattered—and shadowed—by tragedy. Lonely and adrift, he searches for something to sustain him and finds it among a tightly knit group of outsiders. Surviving marriages happy and troubled, unrequited loves and unspoken longings, hard-won successes and devastating breakdowns, as well as Charleston, South Carolina’s dark legacy of racism and class divisions, these friends will endure until a final test forces them…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
All my life I’ve been pushing against limits. Being the oldest of five children born to a farm couple who became mill workers, I was frequently reminded by family that “people like us” did not need much education, didn’t get the good jobs, and shouldn’t “rise above themselves.” Being a girl, I had additional limits. Naturally, when I learned to read, I was drawn to books in which characters broke through unfair restraints to have adventures and accomplish great deeds. I wanted to be one of those people. By the time I came of age, I knew I had a shot at becoming the heroine of my own story!
In 1962 South Carolina, it is not acceptable for a girl to declare she has been called to preach. Especially at the young age of twelve. But Esta Lea Ridley knows she is called to the Lord and she says so. She seems to have the gift of healing too. Some who support her have their own selfish motives. In the end, we and Esta Lea must figure out what her calling means. This book handles serious matters with a light touch.
The story of an ardent young heroine's first spiritual journey—told with warmth and humor.
During the annual family reunion and pie competition at Beulah Land Healing and Holiness Church, twelve-year-old Esther Lea Ridley is suddenly drenched by a baptism of fire. She knows just what it means: "Esta Lea," she says to herself, "you are called to the Lord." That day marks the beginning of a healing crusade from church to church, and revival tent to revival tent, in the sleepy backwater towns of South Carolina. Travelling with her boy-crazy sister, Sarah Louise, and her uncle Peter Earl—who has been…
I’ve taught English for 20 years and the novels I’ve enjoyed teaching most – because the students have enjoyed them most – are those with the first-person perspectives of young narrators. These characters’ voices ring loud and clear as they learn, change, and grow, often suffering and having to find resilience and strength to survive. The limited perspective also takes us into the mind and heart of the protagonist, so that we feel all the feels with them. This is why I chose a first-person perspective for the narrator of my own book ‘Cuckoo in the Nest’: Jackie Chadwick is sarcastic, funny, and observant. Readers love her.
I read this book years ago but it’s always stayed with me.
The teenage protagonist, 13-year-old Jason from Worcestershire, England, has a stammer: a speech difficulty that haunts him and has him performing all kinds of manoeuvers to avoid saying certain sounds in class. This would only add embarrassment onto all the other embarrassments he feels as a boy going through puberty.
He calls his stammer ‘Hangman’. As well as this daily struggle, he realises his parents are arguing, and he gets bullied at school.
As a reader, I was touched by his resilience and doggedness. David Mitchell has admitted that the book is semi-autobiographical and this adds another layer of poignancy.
David Mitchell comes home - to England in 1982, and is in the cusp of adolescence. Jason Taylor is 13, doomed to be growing up in the most boring family in the deadest village (Black Swan Green) in the dullest county (Worcestershire) in the most tedious nation (England) on earth and he stammers. 13 chapters, each as self-contained as a short story, follow 13 months in his life as he negotiates the pitfalls of school and home and contends with bullies, girls and family politics. In the distance, the Falklands conflict breaks out; close at hand, the village mobilises against…
At age 49, I traveled to Cuba to find a version of woman- and motherhood large enough to hold all I wanted to be. And it was there, among the island’s mother saints and goddesses, that I found the mirror I was looking for. In this list, I share five books that reconnect us with the spiritual mothers who might show us the way back to ourselves. From Luisah Teish’s New Orleans household magic to Gloria Naylor’s mystical Willow Bay, we meet the goddesses, conjure women, and “women who know” who shine a light on the power and multidimensionality of the feminine through the lens of spirit, faith, and identity.
What a delight to cozy up with the fictional island of this novel, an imagined liminal space on the border of Georgia and South Carolina, we are told “got spit out from the mouth of God, and when it fell to the earth it brought along an army of stars.” Even more delightful, we are told that when He tried to reach down and scoop them back up, He found Himself shaking hands with “the greatest conjure woman on earth.”
Thus we meet the “great, great, grand Mother” of Willow Springs, the archetypal first mother who could “grab a bolt of lightning in the palm of her hand; use the heat of the lightning to start the kindling going under her medicine pot,” and heal “the wounds of every creature.” I love how deeply feminist, mystical, and immersive this novel is: a page-turner I return to whenever I want to…
With a new introduction by Robert Jones, Jr, author of The New York Times bestselling novel, The Prophets
'Gloria Naylor is a brilliant word-worker and a breathtaking story-teller. Mama Day is her masterpiece' Tayari Jones
'A sweeping, ambitious, gorgeous novel - takes you by the throat and refuses to let go. Mama Day is a stone-cold masterpiece' Carmen Maria Machado
Between Georgia and South Carolina is an island you won't find on any map. Only a single wooden bridge connects it to the world. In Willow Springs people still honour their ancestors, who arrived as slaves back in the time…
I am passionate about little-told stories of women’s lives. Too often, women have been either minimized or silenced, and in so doing, we have ignored the experience of half of humanity. I grew up in the 1950s and ’60s in the South, where girls and women were not listened to. For this reason, among others, it was hard for me to speak up for myself, hard for me to write. I found the stories of strong, courageous women—bad-ass women—whether fictional or real, to be life-affirming and inspirational in my own journey as a writer. These stories have helped me to say, “It’s my turn. I’m talking now.”
I love this book’s two freedom fighters: the historical Sarah Grimké and the fictional enslaved woman Handful.
It’s the early 1800s in Charleston, SC. Privileged white girl Sarah bucks cultural expectations for women, while Handful fights the cruel slavery system. Sarah repudiates her upbringing in order to support abolition, and Handful stakes everything in pursuit of freedom, “to leave or die trying.”
I loved learning about the Grimké sisters, giants in the abolition movement, and the West African story-quilt tradition, whereby women tell their lives through the art of needlework. This book was transformative for me; Sarah’s and Handful’s transgressive courage has helped me through difficult times of my own. If they could face their obstacles, then by golly, I can face mine.
From the celebrated author of The Secret Life of Bees and the forthcoming novel The Book of Longings, a novel about two unforgettable American women.
Writing at the height of her narrative and imaginative gifts, Sue Monk Kidd presents a masterpiece of hope, daring, the quest for freedom, and the desire to have a voice in the world.
Hetty "Handful" Grimke, an urban slave in early nineteenth century Charleston, yearns for life beyond the suffocating walls that enclose her within the wealthy Grimke household. The Grimke's daughter, Sarah, has known from an early age she is meant to do something…