Here are 100 books that Black Popular Culture fans have personally recommended if you like
Black Popular Culture.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’m Black, and I’m a horror movie fan, two things that, per the well-worn trope that “the Black guy dies first,” don’t seem to go together. However, I’ve been able to use the treatment that Black characters have received in horror to explore the ways in which Black people have been marginalized in Hollywood, placed into specific roles in which they served as expendable, ancillary characters rather than stars. While things have improved dramatically in recent years, that makes it all the more important to not forget how much Black progress there has been in film, because those who forget the past are condemned to repeat it.
While the Bogle and Cripps books were written during the 1970s Blaxploitation era, this one emerged during the next great Black film movement, the “urban cinema” era of the 1990s, triggered by movies like Do the Right Thing and Boyz n the Hood.
Particularly influential for my book is the chapter “Slaves, Monsters, and Others,” which touches upon the racialized metaphors and allegories in horror, fantasy, and science fiction.
Even if you don’t agree with its assertions, the book provides fascinating food for thought.
From D.W. Griffith's The Birth of a Nation to Spike Lee's Malcolm X, Ed Guerrero argues, the commercial film industry reflects white domination of American society. Written with the energy and conviction generated by the new black film wave, Framing Blackness traces an ongoing epic-African Americans protesting screen images of blacks as criminals, servants, comics, athletes, and sidekicks.
These images persist despite blacks' irrepressible demands for emancipated images and a role in the industry. Although starkly racist portrayals of blacks in early films have gradually been replaced by more appealing characterizations, the legacy of the plantation genre lives on in…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a scholar of African Diaspora cultural studies, which means I spend a lot of time analyzing texts in various forms: books, art, film, music, and even laws and legal documents. The cultural texts I study were produced by people. I am passionate about Black popular culture, because it dismantles some of the enduring divisions between academic institutions and the people who live beyond their walls. It is a field of study that is always in flux, especially now with twenty-first-century advances that position popular culture as almost always at our fingertips.
I am recommending this book because it took me back to Wallace and Dent’s Black Popular Culture when I was struggling to understand why my doctoral program frowned upon interdisciplinarity. This book helped me understand why I was not interested in just writing literary criticism. It gave me methodological tools and language to articulate why the research I wanted to do matters. Importantly, it also gave me a definition of the term “post-soul” that during the early 2000s was bandied about but rarely defined. I love this book because Neal was the first scholar I encountered who unapologetically claimed to be a scholar of Black popular culture.
In Soul Babies, Mark Anthony Neal explains the complexities and contradictions of black life and culture after the end of the Civil Rights era. He traces the emergence of what he calls a "post-soul aesthetic," a transformation of values that marked a profound change in African American thought and experience. Lively and provocative, Soul Babies offers a valuable new way of thinking about black popular culture and the legacy of the sixties.
I am a scholar of African Diaspora cultural studies, which means I spend a lot of time analyzing texts in various forms: books, art, film, music, and even laws and legal documents. The cultural texts I study were produced by people. I am passionate about Black popular culture, because it dismantles some of the enduring divisions between academic institutions and the people who live beyond their walls. It is a field of study that is always in flux, especially now with twenty-first-century advances that position popular culture as almost always at our fingertips.
I am recommending this book because I fell in love with the way duCille weaves cultural critique and personal experience in one of her earlier books, Skin Trade. The invention of streaming services has made televisual representation more accessible, which can be both good and bad. I love how this book demonstrates the way in which culture informs the lived experience and the way in which lived experiences can shape culture. And duCille is an excellent storyteller.
From early sitcoms such as I Love Lucy to contemporary prime-time dramas like Scandal and How to Get Away with Murder, African Americans on television have too often been asked to portray tired stereotypes of blacks as villains, vixens, victims, and disposable minorities. In Technicolored black feminist critic Ann duCille combines cultural critique with personal reflections on growing up with the new medium of TV to examine how televisual representations of African Americans have changed over the last sixty years. Whether explaining how watching Shirley Temple led her to question her own self-worth or how televisual representation functions as a…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am a scholar of African Diaspora cultural studies, which means I spend a lot of time analyzing texts in various forms: books, art, film, music, and even laws and legal documents. The cultural texts I study were produced by people. I am passionate about Black popular culture, because it dismantles some of the enduring divisions between academic institutions and the people who live beyond their walls. It is a field of study that is always in flux, especially now with twenty-first-century advances that position popular culture as almost always at our fingertips.
This book focuses mostly on literary criticism, but I chose it because of the theoretical work Alexander does in defining “the black interior.” The concept of the black interior unpacks the ways in which Black bodies and blackness have been devalued and dehumanized. This book and its theoretical underpinnings insist upon recoupling the “human” with blackness. I love how the book challenges viewing and spectatorship and calls upon readers to recognize black life and creativity beyond stereotypes that guide the limited imaginations of the dominant culture that relentlessly misrepresents and maligns blackness.
Legendary poet Elizabeth Alexander turns her finely-honed sensibilities to the subject of blackness and the interior world of the modern African-American. Intelligent, perceptive and keenly observed, this collection of essays traces a thoughtful path through music, poetry and the outstanding social issues of the last 200 years to synthesise a remarkable picture of the modern African-American psyche. From Langston Hughes to the Rodney King video, Alexander leads her reader effortlessly over the complex terrain of art and politics to a new vision of the black interior.
I love getting lost in books because I get to experience more adventures than I could possibly fit into one lifetime. Books invite the exploration of limitless possibilities—for everyone. When a book can fire my imagination, make me feel a connection, or just make me think deeply—that’s magic, whether it was meant to be fiction or not. I want to write books that do that for others. For this list specifically, I wanted to pick books that encourage girls to embrace the notions that they are allowed to dream really big dreams, that the goals they set for themselves are worth pursuing, and that we all deserve room to be our authentic selves.
I know you’re not supposed to judge a book by its cover, but the cover is indeed what got me! I immediately wished someone had captured an image of me looking amazing and strong like the girl featured. I mean, how cool to have a picture that really reflects oneself, so unlike the stiff and awkwardly posed school pics that decorated my home growing up. Her stance and expression just spoke to me and I immediately loved that this book celebrated her strength and presence. And not just hers! Many, many girls of various ages and backgrounds are photographed doing something that makes them feel good or strong or real. This book is a catalog of photos and words that celebrate girls being their authentic selves. I want that for all the little girls, and all the little girls who have grown up too.
Inspired by the popular photo project of the same title that went viral in the spring of 2015, Strong Is the New Pretty is a photo-driven book comprised of 100 high-quality black-and-white and color images (with minimal text) of fierce and joyful girls--a celebration of what it means to be strong (whether athletic, bookish, brainy, brave, loyal, or courageous). The photographs champion the message that girls are perfect in their imperfection; beautiful in their chaotic, authentic lives; and empowered by their strength instead of their looks. They are messy. They are loud. Wild. Full of life. Adventurous. Silly. Funny. Strong.
As an author, I like to write stories about interpersonal relationships that straddle the line between humor and heartbreak. Similarly, as a reader I am always drawn to stories that make me think about the choices we make and the ripple effects they cause, what ifs, and roads not taken. I love quirky, interesting characters in everyday settings turned extraordinary. I have struggled as so many of us have in these last few years to find the positivity and the levity. These are a few of my favorite recent reads that I found un-put-downable that left me feeling hopeful and helped me find that light in the darkness.
This book is in a similar vein as Oona finds herself time jumping within her own life, suddenly living it out of sequence as she jumps to a different period in time with each birthday, forcing her to look within and realize what is important and worth holding on to and worth fighting for. I am a sucker for books where characters get the opportunity to experience alternate versions of their personal realities, and I could not put this one down. I’m all about my characters understanding that the choices they make create their ultimate realities. The ultimate messages about the importance of love and family and the choices we make really resonated with me.
"With its countless epiphanies and surprises, Oona proves difficult to put down." ―USA Today
"By turns tragic and triumphant, heartbreakingly poignant and joyful, this is ultimately an uplifting and redemptive read." ―The Guardian
A remarkably inventive novel that explores what it means to live a life fully in the moment, even if those moments are out of order.
It’s New Year’s Eve 1982, and Oona Lockhart has her whole life before her. At the stroke of midnight she will turn nineteen, and the year ahead promises to be one of consequence.…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I have been a passionate time traveler since my school days, gobbling down as many books as I could find on castles, galleons, pyramids, and anything else besides. Writing about the past has released me from the present day, and taught me about my own origins. When a reader picks up one of my books, I hope that they’ll follow me back in time for an adventure that brings the past to life and tells us something about ourselves. These books are, in fact, much more than mere books; they are a portal to history, and I thoroughly recommend them.
Ned Ward was a tavern keeper in the early 1700s, and this little-known book offers an extraordinary time capsule. It allows the reader to travel back some three hundred years to the grimy streets of London that feel at once alien and familiar.
The lions and other exotic animals in the Tower of London, the freshly-domed St Paul’s Cathedral, the filth and noise, the danger and the stink. All of it is here, not to mention the fabulous dialect of the time, offering the most wonderful dictionary of terms for sex workers, thieves, lawyers, and every trade imaginable. All history fans should read this book.
Ned Ward pioneered the literary exploration of the life and character of late 17th-century London, and delighted in challenging the assumed superiority of `literary' language over the `vulgar' -and the reaction he provoked among the guardians of Augustan culture. The London Spy, based upon the author's personal knowledge and experiences, recounts the fictitious adventures of a wide-eyed country bumpkin at large in the teeming metropolis of villains, whores and hucksters at the turn of the century. The Spy's adventures take him not only around the famous sights and monuments of the capital such as Bridewell, Bedlam and the Tower of…
My name is Daniel Robert McClure, and I am an Associate Professor of History at Fort Hays State University in Hays, Kansas. I teach U.S., African diaspora, and world history, and I specialize in cultural and economic history. I was originally drawn to “information” and “knowledge” because they form the ties between culture and economics, and I have been teaching history through “information” for about a decade. In 2024, I was finally able to teach a graduate course, “The Origins of the Knowledge Society,” out of which came the “5 books.”
This book tells the tech-business story of algorithms and data exhaust and the companies who have implemented the dystopian future prophesized by Boorstin, Toffler, Postman, and others. While the book is large, Zuboff’s writing draws you into a world you know and, paradoxically, don’t know.
The work is the final stop of our story about information and knowledge, its chaotic meandering through amusing images and the shock of the future.
'Everyone needs to read this book as an act of digital self-defense.' -- Naomi Klein, Author of No Logo, the Shock Doctrine, This Changes Everything and No is Not Enough
The challenges to humanity posed by the digital future, the first detailed examination of the unprecedented form of power called "surveillance capitalism," and the quest by powerful corporations to predict and control us.
The heady optimism of the Internet's early days is gone. Technologies that were meant to liberate us have deepened inequality and stoked divisions. Tech companies gather our information online and sell…
I’ve been fascinated by celebrities and heroes ever since I was a child. That compulsion became something I wanted to understand. I got my chance as the head editor of People magazine. Over the years, I met more than my share of celebrities – Ronald Reagan, Tom Hanks, Malcolm X, and Princess Diana, to name only a few. I began to take notes about my brushes with fame and think about celebrities in history and why they have recently become so dominant in our culture. Celebrity Nation is the result. Enjoy it!
The sociologist Joshua Gamson was among the first to analyze the effects of television on our image of celebrityhood.
In Claims to Fame, he rebels against the democratization of fame and is nostalgic for the days before fame was divorced from merit.
He cites Clifford Geertz’s classic The Interpretation of Cultures to make the point that celebrities are “a powerless elite” with high status and visibility but literally no power of any kind over audiences.
And now, of course, in the age of social media, these discrepancies are magnified.
Moving from "People" magazine to publicists' offices to tours of stars' homes, Joshua Gamson investigates the larger-than-life terrain of American celebrity culture. In the first major academic work since the early 1940s to seriously analyze the meaning of fame in American life, Gamson begins with the often-heard criticisms that today's heroes have been replaced by pseudoheroes, that notoriety has become detached from merit. He draws on literary and sociological theory, as well as interviews with celebrity-industry workers, to untangle the paradoxical nature of an American popular culture that is both obsessively invested in glamour and fantasy yet also aware of…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I am a creature of habitat. I can’t help but connect with my environment in every possible way. It’s physical, emotional. I spent the first 23 years of my life in Mexico City. Leaving was heart-wrenching, but the promise to fulfill a dream drew me to Los Angeles. During the next four decades I became a student of Los Angeles and the Latino community that populates it. I agree with Randy Newman: I love L.A.
I fell in love with Los Angeles in 1983 when I immigrated from Mexico, young, penniless, and ignorant, to start an ad agency for the Latinx community. As the years went by, I succeeded in the business, raised a family, and wrote three novels. It is after you read a book like Peter Lunenfeld’s that you understand why such an improbable story like mine could ever materialize. As in the movies, L.A. is not what it seems. Go behind the scenes with City at the Edge of Forever, Los Angeles Reimagined and debunk some myths.
An engaging account of the uniquely creative spirit and bustling cultural ecology of contemporary Los Angeles
How did Los Angeles start the 20th century as a dusty frontier town and end up a century later as one of the globe's supercities - with unparalleled cultural, economic, and technological reach? In City at the Edge of Forever, Peter Lunenfeld constructs an urban portrait, layer by layer, from serendipitous affinities, historical anomalies, and uncanny correspondences. In its pages, modernist architecture and lifestyle capitalism come together via a surfer girl named Gidget; Joan Didion's yellow Corvette is the brainchild of a car-crazy Japanese-American…
