Book cover of Framing Blackness: The African American Image in Film

Book description

From D.W. Griffith's The Birth of a Nation to Spike Lee's Malcolm X, Ed Guerrero argues, the commercial film industry reflects white domination of American society. Written with the energy and conviction generated by the new black film wave, Framing Blackness traces an ongoing epic-African Americans protesting screen images of…

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Why read it?

2 authors picked Framing Blackness as one of their favorite books. Why do they recommend it?

While the Bogle and Cripps books were written during the 1970s Blaxploitation era, this one emerged during the next great Black film movement, the “urban cinema” era of the 1990s, triggered by movies like Do the Right Thing and Boyz n the Hood.

Particularly influential for my book is the chapter “Slaves, Monsters, and Others,” which touches upon the racialized metaphors and allegories in horror, fantasy, and science fiction.

Even if you don’t agree with its assertions, the book provides fascinating food for thought.

I am recommending this book because it is a foundational text in Black film studies. Guerrero focuses primarily on the 1970s-1990s, but he also articulates how early U.S. films like Birth of a Nation set the stage for how African Americans would be portrayed on screen from that point forward. I love this book, because it is one of the earliest studies that charted the emerging tropes, conventions, and challenges of representation as African Americans gained more opportunities on the screen and behind it.

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