Books like Black Leopard, Red Wolf — picked by fans

Everybody talks about the shock value of this series, but they forget that these books have the greatest and most realistic character developments of all time.

Sansa, Daenerys, and Jon Snow are the most obvious ones, but I chose Jaime because I can relate to him the most. Sometimes everything goes your way, and you feel invincible. But remembering the fall of Jaime keeps my feet on the ground.

I had similar experiences several times when I acted like a jerk because of my job titles before reading his story. Now I never get ahead of myself. 

Reading this was like drinking tea with a ghost in a dusty library—charming, eerie, and wonderfully slow.

Clarke's ability to mix historical fiction with brooding, folkloric magic was inspiring. I admired how it builds tension not with battles, but with manners, contracts, and impossible choices. It taught me patience in worldbuilding and in life.

Gods of Jade and Shadow starts as a Mexican Cinderella story, except that the fairy godmother is a Mayan god of death.

Not sold yet? What if I told you the god of death is also Prince Charming?

It’s an awesome premise.

I also enjoyed the setting. The story takes place in Jazz Age Mexico, shortly after the Mexican Revolution and at a time when pop culture was “all about the United States” and “reproducing its women, its dances, its fast pace.” Yet there’s far more old than new here. Mayan mythology threads throughout.

I didn’t always love the pace, but the book has an irresistible style. If you like fresh takes on classic fairy tales, Gods of Jade and Shadow is definitely worth a look.

I was deeply moved by Rin's relentless struggle to earn a spot at Sinegard, the elite military academy.

I loved how the story started with rigorous academic and martial testing before plunging into the grim realities of war. The shamanic magic system felt wild, dangerous, and atmospheric. I resonated with Rin's fierce determination as an outsider forced to prove herself among privilege and political intrigue.

R. F. Kuang created an uncompromising, emotionally heavy narrative that shows the true, brutal cost of power and vengeance.

Be careful what you say out loud. You never know who might hear you.

In this story, you have a cruel and harsh Staryk lord with only care for his silver to be turned to gold. He’s cold and indifferent to the one he appoints to this seemingly impossible task, yet you find yourself clinging to hope he will change.

There are multiple POV, so if this is your thing, trust me you’ll love how many are in here. It’s like getting multiple thrilling stories in one book. Redeemable monsters is how I would label this book in two words if I had to.

A brutal re-telling of the King Arthur legend, this novel reimagines the familiar story, retaining the feeling of weird magic, while pulling no punches about the characters. Arthur is a thug, Guinevere is no better, Merlin is a frustrated sprite beset by his female counterparts, and Britain is best described as a “clogged sewer that Rome abandoned just as soon as it could.”

The first of a five-book planned series to tell the story of the Matter of Britain, this is a ruthless and dark take that grabbed me from the beginning. I’ve always loved history, even a warped version like this. It left me eager for more and set me tracking down what else this author had written. I was not disappointed.

The first volume of a series that eventually ran to three books. It opens with the main character, Ted, caught in an explosion out among the prairie oil rigs and badly shaken up when he faces a Norse fire god who announces he is about to burn the world. Ted wants his old life back, but now the creatures of Norse myology stalk among us.

If you think you might enjoy the characters from Norse mythology in a gritty modern mid-Canada setting, this one is for you. Described as a serious fantasy for grownups. I have to admit I ended up buying all three books as they became available.

Ever read a book you kept putting aside because you wanted to extend the pleasure a bit longer? I didn’t want to set this down. Ready to submit my five picks when I came across this tale. Delicious! By the time I’d finished it replaced one of my choices. Treachery, deceit, blood, with vivid characters you might wish to meet, at a safe distance.

A fantasy world obviously based on the Norse and Byzantium; you are swept away on an adventure. Do you like vivid duel and battle scenes where you can feel every blow? How about devious work behind the scenes? Whom do you trust? Yes, there is even a tinge of romance, and the ladies get more than their equal share of top billing.

Cyteen won a Hugo Award in 1989 and pushed the envelope on both world building and character development. For me though, it was the author’s exploration of what it means to be human that made this book one of my all-time favourites. 

In Cyteen, there are born humans and made people. Some of the made people are clones of a particularly powerful individual, but most are created to perform a function. These lower-ranked people are taught everything they need to know by ‘tape’, while they sleep. 

The book asks some deep philosophical questions about what makes a person human, and whether any of us have the right to create ‘sub-humans’ for our own benefit. These are powerful questions that still beg for answers.

This is one of the very few books that made me yelp out loud in surprise when the twist happened, and I will forever recommend it because of how unique it was. The feel is reflective of The Road with the main part of the story showing a pained journey through a dangerous landscape. It also feels post-apocalyptic as these survivors struggle to cross the abandoned world that’s been overtaken by nature. The author wrote in a unique language that makes Idyll feel otherworldly but familiar too. All this blends together for really great world-building. I don’t want to give anything away, but there is a definite twist where the whole story flips into something different. You go from feeling like this is a Western to suddenly — Oh, yep, there’s the sci-fi!