100 Books Like Bellflower

I’ve always been drawn to stories about daughters coming home to complicated mothers and the unfinished versions of themselves they left behind. As an immigrant who moved from India to the U.S. at thirteen, and now as a physician and mother, I live in that in-between space where past and present, duty and desire constantly collide. Reading great novels that explored these tensions was the spark that pushed me to start writing my own. I gravitate toward books where family love is real but messy, home is both refuge and trigger, and women are allowed to be imperfect, angry, tender, and still deeply human.

I was born and raised in New England, growing up along the seacoast of New Hampshire. I went to college in Massachusetts and graduated with a degree in gender and sexuality. I live in Tucson, Arizona with my sweet yellow lab and even sweeter boyfriend. I’m a hybrid author. My debut novel, Monsoon Season, was traditionally published along with A Long Thaw, which I later rereleased on my own. Finding Charlie was chosen for publication by KindleScout in 2015. My fourth book, Blood & Water launched in 2017. I write the kind of fiction I like to read: character-driven, relationship-focused, and emotionally complex.

I was born and raised in New England, growing up along the seacoast of New Hampshire. I went to college in Massachusetts and graduated with a degree in gender and sexuality. I live in Tucson, Arizona with my sweet yellow lab and even sweeter boyfriend. I’m a hybrid author. My debut novel, Monsoon Season, was traditionally published along with A Long Thaw, which I later rereleased on my own. Finding Charlie was chosen for publication by KindleScout in 2015. My fourth book, Blood & Water launched in 2017. I write the kind of fiction I like to read: character-driven, relationship-focused, and emotionally complex.

I was born and raised in New England, growing up along the seacoast of New Hampshire. I went to college in Massachusetts and graduated with a degree in gender and sexuality. I live in Tucson, Arizona with my sweet yellow lab and even sweeter boyfriend. I’m a hybrid author. My debut novel, Monsoon Season, was traditionally published along with A Long Thaw, which I later rereleased on my own. Finding Charlie was chosen for publication by KindleScout in 2015. My fourth book, Blood & Water launched in 2017. I write the kind of fiction I like to read: character-driven, relationship-focused, and emotionally complex.

I love writing about families and what makes them tick: the minor dramas being played out behind every front door, make for intriguing reading. As a journalist, I have interviewed so many people with fascinating stories to tell, and with my fiction I throw my characters into a tricky situation and see what unfolds. Inevitably, if you pull one playing card from the bottom, the whole house of cards comes tumbling down. When faced with unexpected challenges, my characters often behave badly, make poor decisions and get themselves into the kind of mess that makes you want to read one more chapter before turning out the light at night. 

I’m interested in characters and stories that reveal the light and darkness inside and between people. For me, the best stories are ones that feature screwed-up characters trying their best to put one step in front of the other, sometimes in a misguided way that costs those most dear to them. This kind of dynamic is most fraught in the family unit. Family members stunt and cultivate each other in unexpected and fascinating ways. So I’m drawn to reading about dysfunctional families, as well as writing about them as I have in my novels, The Promise of Pierson Orchard (2017) and Stone Creek (out in August 2024). 

Ever since I was a kid, I’ve collected family stories. My late grandmother told me that I had “nose trouble.” I can’t help it. I’m fascinated by the psychic ghosts that both haunt us and light us up. In researching my most recent novel about the generational ripples of family addiction, I read more than 50 books and talked with dozens of addicts in various stages of recovery. All my books, though, feature humans who seek to mend ruptures of the soul and in turn liberate themselves from the troubles that define them. These are my favorite stories to read and to tell. 

Growing up, I used to say, “I like reading sad stories.” It was my way of coping as I grieved the loss of my father, learned about my mother’s mental illness, and shuttled back and forth between grandparents' homes. Now, my old sentiment of reading “sad stories” has transformed into enjoying books that dive into a mixture of psychology, self-help, memoir, and graphic memoir. It supports me and my interest to learn other people’s stories, gain perspective, and journey through life with a healthy mind, body, and spirit. I carry the love with me that I was raised with, so in life, I look through the lens of love. 

I'm the author of over 15 novels written for kids, teens, and adults across several genres. The thing all my books have in common is that they are sad and they are dark. My most recent novel is my most distilled, compressed delivery of deliciously dark sadness yet! Oddly, I'm rarely sad in real life. My daughter suggested that I write books to get the darkness out of my head and onto the page, which I think is very insightful (she is my kid, after all). I enjoy the beauty in the breakdown, I savor the sublime catharsis of tragedy, and I want to share that perspective with everyone.

My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.