Here are 76 books that Beatrice and Virgil fans have personally recommended if you like
Beatrice and Virgil.
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I have been a reader and writer for most of my life. From the moment I could spell a handful of words, my mum encouraged me to write stories. With a few prompt terms, I’d be off. As a writer, I spend countless hours editing and refining my work because it makes me better and because I love it. My favourite part of a book is often a single, beautifully structured sentence. This passion has led me to wonder what other people have to say about writing and language. The more I hear about the practice of writing, the more I fall in love with it.
Before reading On Writing and Writers by Margaret Atwood, I naively believed that writing about writing was necessarily boring. Like a textbook, full of cold, mechanical steps to improve. Atwood’s book proved me incredibly wrong.
I was mesmerised by Atwood’s self-deprecating charm and disarming wit, and saw myself in her initial query about whether she has the right to write – namely, the right to make grand claims about her practice.
Perhaps what I loved most was her reluctance to offer anything concrete. She dances near a decision, a position, an answer, and then just as quickly, she turns away again. Self-indulgently, I enjoy the idea that writing is a mystery that doesn’t have one answer and that can’t be pinned down. For me, Atwood’s book confirmed this fanciful notion.
By the author of THE HANDMAID'S TALE and ALIAS GRACE
What is the role of the writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and the development of her writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have seen fit to assume, what roles they have chosen to play. In her final chapter she takes up the challenge of the book's title: if a writer is to be…
Visiting author houses and museums has always been a favored pastime of mine and was the inspiration to write the travel guide Novel Destinations. Complementary to writing nonfiction about classic writers, I love reading novels featuring them as characters. Fiction authors adhere to biographical details as well, but they have a freer hand with the narrative to color outside the lines and to color in details and explore feelings and motivations. Through their narratives they turn these literary figures into flesh-and-blood characters and allow the reader to step into their storied lives.
Daphnehas numerous elements that I particularly adore in a story: a classic writer as a character, an English manor house setting, and a mystery. Layer in a Brontë connection, and it’s a perfectly pleasing literary page-turner. In 1957, Daphne du Maurier is at her remote, seaside mansion in Cornwall, distracting herself from personal woes by researching a biography about Branwell Brontë, reprobate and possibly misunderstood brother of Charlotte, Emily, and Anne. Intertwined is a second storyline set in present-day London, as a lonely young woman, newly married to a mysterious older man seemingly still in thrall to his first wife, becomes caught up in a fifty-year-old mystery involving du Maurier and the Brontës.
It is 1957. The author Daphne du Maurier, beautiful, famous, despairing as her marriage falls apart, finds herself haunted by Rebecca, the heroine of her most famous novel, written twenty years earlier. Resolving to write herself out of her misery, Daphne becomes passionately interested in Branwell, the reprobate brother of the Bronte sisters, and begins a correspondence with the enigmatic bibliophile Alex Symington as she researches a biography. But behind Symington's respectable scholarly surface is a slippery character with much to hide, and soon truth and fiction have become indistinguishable.In present-day London, a lonely young woman, newly married after a…
I’ve gone to France often during my life. I always buy books that look interesting while I’m there, mainly to keep my French in good shape. I tend to pick authors and subjects which catch my eye. Some get discarded, but most give a fascinating and often very different perspective on life than I find in English novels and essays.
This is an excellent series of essays on the small things in life which please the author. Some are more obvious than others, but all are described stylishly and with typical French humour and elegance. I confess that after reading it, I did my own—inevitably inferior—version. But it was an enjoyment just going through the process.
An enchanting celebration of life's small pleasures, this little book captures the French imagination and art of living a good life.
Each chapter features a small pleasure that is both uniquely Gallic and universal. From the smell of apples maturing in a cellar to the gentle whir of a bicycle dynamo at dusk to turning the pages of a newspaper over breakfast, to the joy of a snowstorm inside a paperweight . . .
Recounted with a lively, innocent curiosity about the little things that make life worthwhile, this is an unforgettable, absorbing read to be savoured at length by…
When sixteen-year-old Ashlee Sutton's home life falls apart, she is beset by a rare mental illness that makes her believe she's clairvoyant. While most people scoff at her, she begins demonstrating an uncanny knack for sometimes predicting the future, using what could either be pure luck or something more remarkable.…
I’ve been a life writer since I kept my first Mary Quant, Daisy diary in 1973. Reading and writing memoir, I’ve written thirty as a ghostwriter in the last six years and am working on my own. I’m fascinated by life stories. After an MA in Creative Writing at Birkbeck, I won the Wasafiri Life Writing Prize, which led to a novel in biographical form, based on the life of my nan in the last century, Girl in the Mirror. I write stories, short and long, for adults and children, performing nationally and in London, was Writer in Residence for Talliston House, and have been published by Walker Books and Mslexia.
Kit and I share some life similarities, she’s a working-class girl with a Birmingham background, published later in life, and I was keen to read her story. Written as scenes from childhood with sharp observation and wit, her book illustrates an unpredictable childhood. The daughter of an Irish mother and Caribbean father in a large and sometimes chaotic family, where there is love in the Kingdom Hall of Jehovah’s Witnesses, but not always at home. There are the familiar places, the family dynamics observed with the clarity of a child, and the tit-for-tat games her parents play - dad buys a new car, the next week, mum a harmonica and Davy Crockett hat. All quirks observed and challenging situations related with a lightness of touch and wit, a genuine pleasure to read.
'Vivid and compelling and so moving... both painful and comforting to read' Marian Keyes **SHORTLISTED FOR THE BOOKS ARE MY BAG READERS AWARD AND AN POST IRISH BIOGRAPHY OF THE YEAR 2022** **AS BROADCAST ON BBC RADIO 4**
Kit de Waal grew up in a household of opposites and extremes. Her haphazard mother rarely cooked, forbade Christmas and birthdays, worked as a cleaner, nurse and childminder sometimes all at once and believed the world would end in 1975. Meanwhile, her father stuffed barrels full of goodies for his relatives in the Caribbean, cooked elaborate meals on a whim and splurged…
Visiting author houses and museums has always been a favored pastime of mine and was the inspiration to write the travel guide Novel Destinations. Complementary to writing nonfiction about classic writers, I love reading novels featuring them as characters. Fiction authors adhere to biographical details as well, but they have a freer hand with the narrative to color outside the lines and to color in details and explore feelings and motivations. Through their narratives they turn these literary figures into flesh-and-blood characters and allow the reader to step into their storied lives.
“Long ago Virginia decreed, in the way that Virginia decrees, that I was the painter and she the writer.” Vanessa and Her Sisteris a portrait of two extraordinary and unconventional women, Virginia Woolf and her sister, Vanessa Bell. The story is told in the form of a diary kept by Vanessa, beginning at the turn of the 20th century with the formation of the Bloomsbury Group in London. Priya Parmar has created a sympathetic yet honest portrayal of Virginia Woolf, her genius and her often precarious mental state, and the impact it had on her family—in particular Vanessa, who was an important and steadying influence for her sister and a talented artist in her own right.
A New York Times Notable Book • An Entertainment Weekly “Must List” Pick • “Prepare to be dazzled.”—Paula McLain • “Quite simply astonishing.”—Sarah Blake
What if Virginia Woolf’s sister had kept a diary? For fans of The Paris Wife and Loving Frank comes a spellbinding new story of the inseparable bond between Virginia and her sister, the gifted painter Vanessa Bell, and the real-life betrayal that threatened to destroy their family. Hailed by The New York Times Book Review as “an uncanny success” and based on meticulous research, this stunning novel illuminates a little-known episode in the celebrated sisters’ glittering…
I'm an author from New Zealand, who writes fiction and non-fiction for adults, but I'm also an accidental children's book writer. Accidental? I never thought I would write books for children, but the then 10-year-old in our family demanded a children's book, and the popular Elastic Island Adventures series was born. I always remember how much joy I got from discovering books as a child, so I'm interested in books that are fun for children but encourage creativity and literacy. I love when books are so enjoyable that children don't realize how much they are learning, where they can enjoy exploring the 'theater of the mind'.
The Treehouse series of books have got thousands of reluctant readers hooked on books, so all the books in this series are winners, in my view. With the fun premise of characters living in a multi-layered treehouse, making books and having fun adventures, who wouldn't love these stories? The books are a perfect blend of a page-turning story and fantastic illustrations that will keep children turning the pages.
Andy and Terry live in a treehouse. But it's not just any old treehouse, it's the most amazing treehouse in the world!
This treehouse has thirteen stories, a bowling alley, a see-through swimming pool, a secret underground laboratory, and a marshmallow machine that follows you around and automatically shoots marshmallows into your mouth whenever you are hungry.
Life would be perfect for Andy and Terry if it wasn't for the fact that they have to write their next book, which is almost impossible because there are just so many distractions, including thirteen flying cats, giant bananas, mermaids, a sea monsters…
The Great West Wood is a magic realist thriller set in Westwood - a vibrant urban village set upon a hilltop, looking out across London, in an area once covered by an ancient forest.
This is a place where magic is taken for granted; where trees can talk; and children…
Visiting author houses and museums has always been a favored pastime of mine and was the inspiration to write the travel guide Novel Destinations. Complementary to writing nonfiction about classic writers, I love reading novels featuring them as characters. Fiction authors adhere to biographical details as well, but they have a freer hand with the narrative to color outside the lines and to color in details and explore feelings and motivations. Through their narratives they turn these literary figures into flesh-and-blood characters and allow the reader to step into their storied lives.
Elizabeth Berg wanted to read a novel about George Sand but couldn’t find one…and so she wrote it herself. In The Dream Lover, Berg unfolds the story of Aurore Dupin, who boldly left a loveless aristocratic marriage to make her own way in 19th-century Paris. She adopts the pen name George Sand and becomes France’s bestselling female novelist, living a bohemian lifestyle and scandalizing society by having high-profile love affairs and, even more outrageously, by dressing in men’s clothing. I love stories about trailblazing women, and Berg compellingly conveys how risky and courageous Sand’s actions were at a time when women had few rights.
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY USA TODAY • Elizabeth Berg has written a lush historical novel based on the sensuous Parisian life of the nineteenth-century writer George Sand—which is perfect for readers of Nancy Horan and Elizabeth Gilbert.
At the beginning of this powerful novel, we meet Aurore Dupin as she is leaving her estranged husband, a loveless marriage, and her family’s estate in the French countryside to start a new life in Paris. There, she gives herself a new name—George Sand—and pursues her dream of becoming a writer,…
I have been moved by women’s stories that are buried in time (but not quite gone!) since I was a young girl. As a college student and now professor (I teach writing and gender studies), much of my work is focused on telling hidden stories for the first time and stories where the record needs correcting. This is probably to do with my childhood; I am the oldest daughter in a loving but difficult Irish-Catholic family where women were often shamed for many reasons. When I was 15, I read Sylvia Plath for the first time and knew—there was more to this story, and I meant to find it out.
Emma Tennant was one of Ted Hughes’s lovers in the 1970s, at the height of Sylvia Plath’s early fame. I arrived at her memoir as research for Loving Sylvia Plath: A Reclamation, but I stayed because Tennant’s writing is so witty and clever, full of riotous anecdotes of her time publishing chic literary magazines in 1970s London (she tries to steal, and sell, a family snapshot of Princess Margaret, nude on a French beach, for seed money, which ends in hilarious disaster).
Tennant never descends into self-pity or high drama in describing the dark and mysterious Hughes, who believes a random fox on the road is his dead wife returning to him and tries to convince Tennant that frozen salmon at a third-rate London restaurant is fresh and delivering life force to him. Instead, she sneaks in the violence done to her by Hughes in moments drenched in myth…
Burnt Diaries is Emma Tennant's third volume of memoirs, set mostly during the 1970s, in which she lays bare the experience of her affair with Ted Hughes while she was editor of the avant-garde literary magazine, Bananas. Tennant's insights are engaging and honest - she offers perceptions of the writers that contributed to her magazine - from Angela Carter who was commissioned to write The Company of Wolves for it, to JG Ballard who was supportive of the magazine from its inception and wrote a story for each issue. Running a new literary magazine brought Tennant into contact with a…
I am the author of many acclaimed books for children. Connection, compassion, and family are common themes in my work. My books include Marvel’s Moon Girl and Devil Dinosaur: One Girl Can Make a Difference, Flying High: The Story of Gymnastics Champion Simone Biles, and Brave Ballerina: The Story of Janet Collins. I also contributed research and writing to Black Ballerinas: My Journey to Our Legacy by Misty Copeland. I studied journalism and literature at Syracuse University.
Capturing the spirit of Maya Angelou’s work, Renee Watson expertly chronicles Maya’s life with evocative poems. This book is a rhythmic tribute to the first Black person and the first woman to recite a poem at a presidential inauguration. Bryan Collier’s collage art perfectly complements each poem.
I especially love the poem called “Brother Jimmy, Brother Martin,” which highlights Maya’s deep love for James Baldwin and Martin Luther King Jr.
My favorite lines: “Jimmy was light in the darkest of rooms. Martin was water in a parched desert.”
From bestselling, award-winning creators Renee Watson and Bryan Collier comes a stunningly crafted picture book chronicling the life of poet and activist Maya Angelou.
This unforgettable picture book introduces young readers to the life and work of Maya Angelou, whose words have uplifted and inspired generations of readers. The author of the celebrated autobiography I Know Why the Caged Bird Sings, Maya was the first Black person and first woman to recite a poem at a presidential inauguration, and her influence echoes through culture and history. She was also the first Black woman to appear on the United States quarter.…
In the natural course as a young man, I became a husband and a father. I have four children and eleven grandchildren. Fatherhood has been the most difficult yet rewarding job of my life. You never stop being a parent. So, it was inevitable that this would become a subject of my writing. I have tried to be a compassionate caregiver and a positive role model to my children; you’ll have to ask them if I’ve succeeded. In my novel, I try to depict two fathers (and their two sons) as good yet flawed men, doing their best and finding their way. Just as all fathers do.
I didn’t think I could appreciate this memoir of a son searching for his imprisoned father in Gaddafi’s Libya until, suddenly, I did. This book showed me that the bonds between all fathers and their sons transcend things like nationality and religion. It is part of the core of what it means to be human.
I knew from the very first pages that the author would never again see his father, even as he tirelessly spends most of his adult life trying to. By extension, I understood that as much as we want to, we can never really know our fathers.
SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD SHORTLISTED FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR AUTOBIOGRAPHY WINNER OF THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE ONE OF THE NEW YORK TIMES' TOP 10 BOOKS OF 2016
The Return is at once a universal and an intensely personal tale. It is an exquisite meditation on how history and politics can bear down on an individual life. And yet Hisham Matar's memoir isn't just about the burden of the past, but the consolation of love, literature and art. It is the story of what…
