Here are 100 books that Death is a Welcome Guest fans have personally recommended if you like
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Although I come from a family with a number of medical professionals, I am not one myself. My interest in medical thrillers is a three-strand braid that combines my learning and experiences in the fields of sociology, literature, and storytelling. Horrific as the stories on this list are, they share both a hopefulness that mankind is capable of overcoming whatever challenge nature presents, or they themselves conjure and a warning to get ourselves right before the next one comes along. At a time when it is tempting to despair over the human condition, I hope these books inspire your faith in mankind’s resourcefulness and ability to endure.
I especially love this novel as Camus applies his background in existential philosophy to elevate the medical thriller genre into the realm of the metaphysical.
I love how the novel uses the plot device of an outbreak of the plague to force me as a reader to move beyond the surface questions of “What?” “When?” and “Where?” to ask the deeper question of “Why?” and “What now?”
“Its relevance lashes you across the face.” —Stephen Metcalf, The Los Angeles Times • “A redemptive book, one that wills the reader to believe, even in a time of despair.” —Roger Lowenstein, The Washington Post
A haunting tale of human resilience and hope in the face of unrelieved horror, Albert Camus' iconic novel about an epidemic ravaging the people of a North African coastal town is a classic of twentieth-century literature.
The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
I’d read the reviews, so I was prepared for a great book. I wasn’t prepared to be thrown out of my comfort zone—but in the best possible way.
Mandel made me sit with what it really means to lose everything and still create something beautiful. It’s not about saving the world; it’s about creating a new dream and making it your home. I loved how it celebrates art, memory, and the strange persistence of humanity even when everything else is gone.
This book reminded me that hope is often raw, painful, and ultimately necessary.
'Best novel. The big one . . . stands above all the others' - George R.R. Martin, author of Game of Thrones
Now an HBO Max original TV series
The New York Times Bestseller Winner of the Arthur C. Clarke Award Longlisted for the Baileys Women's Prize for Fiction National Book Awards Finalist PEN/Faulkner Award Finalist
What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in…
My passion for this topic dates back to my childhood and being impressed by the scary diseases and unhygienic toilets that were part of my family lore. I grew up to be a historian of medicine, which allowed me to indulge my interest in deadly diseases—at a safe historical distance! That curiosity led me to write the Gospel of Germs, a history of popular understandings of the germ theory of disease. Post-COVID, I am thinking about how to get ready for the next big pandemic that climate change and globalization will likely throw at us: will it be bird flu, dengue, mpox, or some new COVID variant?
Of the many books I’ve read about the 1918-1919 influenza pandemic, I especially love this one because Spinney takes a global perspective on the pandemic. Too often the Great Influenza gets narrated only as an Euro-American disaster linked to WWI.
Spinney enthralls by adding the rest of the world—China, India, Africa, and Latin America—to the pandemic mix. Her description of how the flu found Mohandas Gandhi (aka the Mahatma) in his ashram is fascinating.
Read the devastating story of the Spanish flu - the twentieth century's greatest killer - and discover what it can teach us about the current Covid-19 pandemic.
'Both a saga of tragedies and a detective story... Pale Rider is not just an excavation but a reimagining of the past' Guardian
With a death toll of between 50 and 100 million people and a global reach, the Spanish flu of 1918-1920 was the greatest human disaster, not only of the twentieth century, but possibly in all of recorded history. And yet, in our popular conception it exists largely as a footnote…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am professor of medieval history at the University of St Andrews in Scotland. As a PhD student, I was electrified by the historian E. P. Thompson’s call to rescue the masses ‘from the enormous condescension of posterity’, but it’s often only when peasants revolt, as they did outside Paris in 1358, that we get much evidence about the masses in the Middle Ages. I loved writing The Jacquerie of 1358 because it allowed me to get very close to the men (and a few women) who risked everything to make their society a more just and equal one. It was a privilege, and a pleasure, to tell their story.
This is a work of fiction, but one so well imagined that I felt like I was actually in the medieval English countryside.
It’s the story of Will, a peasant heading to France to join the English army as an archer in the Hundred Years War during the summer of 1348, when the Black Death swept across northern Europe. Along with him travel a gentlewoman avoiding an unwelcome marriage, some soldiers harboring a sordid secret, and a cleric with troubles of his own.
Following behind is Will’s gender-fluid childhood friend and would-be lover, Hab-Madlen, who is endangered as much by people’s prejudices as by the disease stalking the population. Will they escape England and their pasts before the plague catches up with them?
'Inventive and original' The Times 'Fans of intelligent historical fiction will be enthralled' Hilary Mantel
Shortlisted for the Walter Scott Prize for Historical Fiction Longlisted for the Orwell Prize for Political Fiction
Three journeys. One road.
England, 1348. A gentlewoman flees an odious arranged marriage, a proctor sets out for a monastery in Avignon and a young ploughman in search of freedom is on his way to volunteer with a company of archers. All come together on the road to Calais. In the other direction comes the Black Death, the plague that will wipe out half of the population of…
I’m a novelist, short story writer, and essayist who has been fascinated by the idea of a zombie apocalypse since my teenage experience of seeing Night of the Living Dead in a noisy movie theater in mid-town Manhattan. My fiction has been nominated twice for Best Story of the Year by the British Fantasy Society. The critic A.J. Kirby called my writings, "Disturbing. Nightmarish. Terrifying. And above all original...we have a genre-storytelling giant in our midst." My fiction has been described as ‘graphically morbid’. Is it for you? Find out.
In 1968 I was a seventeen-year-old kid working in Manhattan. Getting off work each evening, I’d wander around the city. Can you imagine how much fun that would be for a young boy? One night, on 42nd Street, I found a movie theater showing an obscure, black-and-white movie called, Night of the Living Dead. The first thirty minutes, the audience laughed at the film, but as the movie rolled on, and the sense of dread about this group of strangers trapped together in a farmhouse, zombies outside trying to get inside, increased, the theater went silent. The director, George Romero, admitted in interviews his movie was inspired by I Am Legend. Near the end of his life, Romero, with Krauss, wrote this comprehensive history of the zombie apocalypse.
“A horror landmark and a work of gory genius.”—Joe Hill, New York Times bestselling author of The Fireman
New York Times bestselling author Daniel Kraus completes George A. Romero's brand-new masterpiece of zombie horror, the massive novel left unfinished at Romero's death!
George A. Romero invented the modern zombie with Night of the Living Dead, creating a monster that has become a key part of pop culture. Romero often felt hemmed in by the constraints of film-making. To tell the story of the rise of the zombies and the fall of humanity the way it should be told, Romero turned…
Chris Philbrook spent almost two decades figuring out he didn’t want to use his business degree for business, and his psychology degree for mental health. Instead, he started writing books about zombies, several of which went on to hit bestseller status, and life has been far better as a result. He has authored over 25 books now, spanning multiple genres.
Autumn is a two-stage apocalypse story that spills out the horror of the world ending from a mysterious infection, followed up by a second, species-crushing wave of terror as the dead return to life to finish the job the infection began. Autumn is dark, and brutal, and is an older book in the genre, but a refreshing take on the trope of zombies. It’s filled with beautiful imagery and characters with depth and runs into a six-book series.
In less than twenty-four hours a vicious and virulent viral epidemic destroys virtually all of the population. Billions are killed, within minutes. There are no symptoms and no warnings; within moments of infection each victim suffers a violent and agonising death. At the end of ten minutes, only a handful of survivors remain. By the end of the first day those survivors wish they were dead. By the end of the first week, as the dead get up and walk, they know they are in hell. AUTUMN, the classic free underground novel finally bursts into the mainstream. It is cold,…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
As a horror writer whose interests tend to favor morbid topics that are often neglected, end-of-the-world stories have fascinated me since I first read Stephen King’s The Stand at far too young of an age. I love how these works enable the exploration of life, death, and survival. My appreciation for the subject matter deepened during my studies in Seton Hill University’s Writing Popular Fiction MFA program, where I learned how genre fiction has the unique ability to both enlighten and entertain readers. This inspired me to write my post-apocalyptic horror novel, What Remains.
I was first introduced to the film adaptation of The Road in my early teens when I went through all five stages of grief in the span of 1 hour and 51 minutes.
I then made a beeline to the bookstore for a copy of McCarthy’s novel, which subsequently solidified my love of end-of-the-world stories in how they can examine what it means to survive.
The Road is a story that has stayed with me over the subsequent decade and a half and greatly influenced my post-apocalyptic novel.
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
In June of 2020, I published a cult escape/pandemic mashup novel, Agnes at the End of the World. Of course, pandemic novels aren’t for everyone right now, but there are some readers, like myself, who seek out what frightens us in fiction to survive our present moment. I read a bajillion pandemic novels before embarking on my own, and I hope that it helps someone, as novels have always helped me. Ultimately, every pandemic novel is about social ills, large and small, and about grief. They remind us that we’re all in this complex world together, telling stories around a campfire to shine some light in the dark.
A Beginning at the End is probably the novel I’d recommend to most readers now, because it’s not just about a pandemic—it’s the story of a pandemic’s long aftermath. The novel paints of picture of societal resilience and growth, and individuals holding out hope for the future after the greatest of tragedies.
From the New York Times bestselling author of Star Wars: Brotherhood
Four survivors come together as the country rebuilds in the aftermath of a devastating pandemic. A character-driven postapocalyptic suspense with an intimate, hopeful look at how people can move forward by creating something better.
Six years after a virus wiped out most of the planet’s population, former pop star Moira is living under a new identity to escape her past—until her domineering father launches a sweeping public search to track her down. Desperate for a fresh start herself, jaded event planner Krista navigates the world for those still too…
I’ve found myself drawn to post-apocalyptic worlds in movies, books, and songs for as long as I can remember. I love the high stakes, found families, and glimmers of hope even in a ravaged world, as well as the questions these stories ask: “How would I survive?” “What would I preserve from my old life, and what would I discard?” “What’s really important?” Whether the end comes from climate change, viruses, zombies, or aliens, I’ll never tire of reading new ones. Male writers dominate the genre, but there are also many female and non-binary authors exploring post-apocalyptic worlds. I hope this list gives you a jumping-off point for further explorations!
This was my first foray into post-apocalyptic fiction as a preteen, and one of the first books I remember being unable to put down! In this first book of a series, seven teenagers enter “the Big Empty”, or what was once the central region of the United States. I love the different personalities of each POV character and the struggle each endures to find safety and a sense of normalcy after a virus devastates their world. The mysteries surrounding the Strain 7 virus, the Novo Mundum community, and the dangers of the Big Empty are sure to keep you turning pages!
After half of the world's population is killed by a plague, seven teenagers seek a better life in a nightmarish future by deciphering coded messages and trying to avoid the Slashers. Original.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
My mom always read creepy paperbacks and left them around for me to gawk at the covers but not actually able to read the words inside. I probably started with all the Nancy Drew mysteries and then switched to Stephen King (Carrie, The Shining, Misery, etc.), Flowers in the Attic books by V.C. Andrews, Jaws by Peter Benchley, and anything I could get my hands on! I’m a devoted fan of all creepy and scary books! I’ve never been bored reading this genre, whether it’s adult or YA and that is what I think reluctant readers need–creepy page-turners!
This book is creepy! When girls are sixteen they are sent away for a year, into the woods, to get rid of their ‘magic’. It is called their Grace Year, and it is very extreme, and nothing fun about it. This story has a creepy atmosphere, and creepy old men trying to choose their innocent teenage brides (if those brides make it back from the journey!). There are some sick and twisted death scenes, and romance, which of course I love a little romance in all the creepy stories I read.
The Instant New York Times Bestseller! Kim Liggett's The Grace Year is a speculative thriller in the vein of The Handmaid’s Tale and The Power.
Survive the year.
No one speaks of the grace year. It’s forbidden.
In Garner County, girls are told they have the power to lure grown men from their beds, to drive women mad with jealousy. They believe their very skin emits a powerful aphrodisiac, the potent essence of youth, of a girl on the edge of womanhood. That’s why they’re banished for their sixteenth year, to release their magic into the wild so they can…
