Here are 100 books that Basketry and Beyond fans have personally recommended if you like
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It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
This excellent introduction to the latest archaeological textile studies should convince you that this is the most exciting field for new interdisciplinary approaches to understanding the past. There are 23 essays discussing finds from 16 counties, each telling intelligent but accessible stories about social, chronological, and cultural aspects of ancient societies. Well illustrated and with lots of further reading listed, you’ll end up wanting more.
There is evidence that ever since early prehistory, textiles have always had more than simply a utilitarian function. Textiles express who we are - our gender, age, family affiliation, occupation, religion, ethnicity and social, political, economic and legal status. Besides expressing our identity, textiles protect us from the harsh conditions of the environment, whether as clothes or shelter. We use them at birth for swaddling, in illness as bandages and at death as shrouds. We use them to carry and contain people and things. We use them for subsistence to catch fish and animals and for transport as sails. In…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
This masterful study of trimmings made and used in Britain and Ireland from 1320-1970 is a lesson in how to look carefully. Westman’s understanding of the most sumptuous elements in interiors, essentially the “bling”, offers insights into specialist working practices and the relationships between clients, suppliers, makers, and fashionability. Her forensic approach means that often the stunning images are paired with a detail of a tassel, cord, or fringe. You’ll never look at a painting of an interior in the same way again!
Trimmings are often overlooked as mere details of a furnished interior but in the past they were seen as vital and costly elements in the decoration of a room. They were used not only on curtains and beds but also on wall hangings, upholstered seat furniture and cushions, providing a visual feast for the eye with their colour and intricate detail. Sometimes more expensive than the rich fabrics they enhanced, trimmings are often the only surviving evidence of a lost decorative scheme, reapplied to replacement textiles or found as fragments in the attic.
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
Small things have large stories to tell. Here the topic is a particular type of pocket: generously-sized containers tied on, usually hidden from sight beneath a skirt. Brought to life through surviving examples and depictions of their use, the passages from novels, diaries, court proceedings, and more are especially revealing (in every sense). Is the pocket the necessary accessory of the neat housewife, or an aid to duplicity and secret immorality? This thorough and attractive study has the answer.
"A riveting book . . . few stones are left unturned."-Roberta Smith's "Top Art Books of 2019," The New York Times
This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women's everyday lives-from duchesses and country gentry to prostitutes and washerwomen-and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women's stories into intimate focus.
"What particularly interests Burman and Fennetaux is the way in…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
Today’s freedom to dress as we like is the result of an ‘anti-couture’ movement that sprang forth in the mid-1960s. If you’re a fan of psychedelic rock, you’re already aware of the rebellious youth culture of the time. Hand crochet, stitch, knit, and/or dying gave us theatrical assemblages that made personal expression far more important than the latest catwalk styles. Now you can see the best of the garments that sprang forth to forever change the definition of fashion.
Exploring the origins and lasting significance of a dynamic, subversive, and interactive art form
This is the first publication to consider art to wear, also known as wearable art, as a discrete American movement that mirrored the cultural, political, social, and spiritual concerns of a generation that came of age in the late 1960s and 1970s. Trained primarily in the fine arts, they adopted nontraditional forms, materials, and techniques to create works using the body as an armature. Collectively, these practitioners have had a significant but underrecognized impact on art making and education. Their legacy continues today among younger artists…
In 2011, after years reporting on media and technology for Wired, I published The Art of Immersion, about how digital technology is changing the way we tell stories. Then I joined Columbia University’s Digital Storytelling Lab, started the executive education course Strategic Storytelling, and put together the toolkit that inspired The Sea We Swim In. The ostensible subject of all this was storytelling, but the common thread, I came to realize, was the role stories play: They facilitate pattern recognition, the skill we need to make sense of our random world. The pattern that’s governed the past 15 years of my life, in other words, has been pattern recognition.
Obviously, some of us are more aware of patterns than others. Simon Baron-Cohen—a psychologist at Cambridge, and one of the world’s leading authorities on autism—has found that a facility for pattern recognition is strongly correlated not only with gender (males predominate) but with autism.
He led a survey of 600,000 Britons aimed at determining if they were primarily empathizers, adept at connecting with other people, or systemizers, more interested in detecting patterns and learning how things work. Those at the extreme end of systemizing were considerably more likely to be autistic.
Baron-Cohen’s empathizer/systemizer questionnaire is included at the back of the book. Taking the bait, I found myself on the cusp of extreme. Which may explain a lot.
A groundbreaking argument about the link between autism and ingenuity. Why can humans alone invent? In The Pattern Seekers, Cambridge University psychologist Simon Baron-Cohen makes a case that autism is as crucial to our creative and cultural history as the mastery of fire. Indeed, Baron-Cohen argues that autistic people have played a key role in human progress for seventy thousand years, from the first tools to the digital revolution. How? Because the same genes that cause autism enable the pattern seeking that is essential to our species's inventiveness. However, these abilities exact a great cost on autistic people, including social…
In 2011, after years reporting on media and technology for Wired, I published The Art of Immersion, about how digital technology is changing the way we tell stories. Then I joined Columbia University’s Digital Storytelling Lab, started the executive education course Strategic Storytelling, and put together the toolkit that inspired The Sea We Swim In. The ostensible subject of all this was storytelling, but the common thread, I came to realize, was the role stories play: They facilitate pattern recognition, the skill we need to make sense of our random world. The pattern that’s governed the past 15 years of my life, in other words, has been pattern recognition.
Gladwell became famous for uncovering patterns in the social behavior of humans; I wanted to find the patterns—some would say formulas—that characterize his books. Why are these books so popular? Why are critics so disdainful?
Here he revisits his first, a huge bestseller, and finds that the model of viral contagion that seemed hopeful and bright a quarter-century ago now looks dark and foreboding.
What makes both books work is a combination of diligent reporting, narrative sleight-of-hand, and a nose for patterns. “There must be a set of rules,” he writes, “buried somewhere below the surface.” No, his rules don’t always hold. But our need for patterns that explain the chaos around us has a lot to do with his success.
Most Anticipated in: AARP | Associated Press | Time Magazine | Oprah Daily | Chicago Tribune | Literary Hub | Publishers Weekly | Publishers Lunch
Twenty-five years after the publication of his groundbreaking first book, Malcolm Gladwell returns with a brand-new volume that reframes the lessons of The Tipping Point in a startling and revealing light.
Why is Miami…Miami? What does the heartbreaking fate of the cheetah tell us about the way we raise our children? Why do Ivy League schools care so much about sports? What is the Magic Third, and what does…
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideas… for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,…
In 2011, after years reporting on media and technology for Wired, I published The Art of Immersion, about how digital technology is changing the way we tell stories. Then I joined Columbia University’s Digital Storytelling Lab, started the executive education course Strategic Storytelling, and put together the toolkit that inspired The Sea We Swim In. The ostensible subject of all this was storytelling, but the common thread, I came to realize, was the role stories play: They facilitate pattern recognition, the skill we need to make sense of our random world. The pattern that’s governed the past 15 years of my life, in other words, has been pattern recognition.
The most basic, the most life-determining story is the one you tell yourself about yourself. Who are you? How did you get to be that way? And by the way, what is reality?
I reviewed this book for The Wall Street Journal and found it eye-opening. I was struck by Berns’s account of “how other people’s narratives worm their way into our brains,” creating a consensus version of reality he calls “a shared delusion.”
This delusion can become self-limiting, even self-destructive. And so we have counterfactuals, the narratives of possibiity that allow us to escape these constraints—to change our story, if we have the will to do so.
A New York Times–bestselling author reveals how the stories we tell ourselves, about ourselves, are critical to our lives
We all know we tell stories about ourselves. But as psychiatrist and neuroscientist Gregory Berns argues in The Self Delusion, we don't just tell stories; we are the stories. Our self-identities are fleeting phenomena, continually reborn as our conscious minds receive, filter, or act on incoming information from the world and our memories.
Drawing on new research in neuroscience, social science, and psychiatry, Berns shows how our stories and our self-identities are temporary and therefore ever changing. Berns shows how we…
My passion for generative AI first ignited in 2016 when I spoke about it at a conference, and ever since then, I can’t stop! I've created an online course, a newsletter and even wrote a book to spread knowledge on this groundbreaking technology. As an instructor, I empower others to explore the boundless potential of generative AI applications. Day in day out, I assist clients in crafting their own generative AI solutions, tailoring them to their unique needs.
Bishop’s book laid the mathematical groundwork for me, making it a solid foundation for anyone venturing into Generative AI.
I love how it covers Bayesian inference, graphical models, and machine learning fundamentals in a clear, approachable way. I also think, in my personal opinion, that reading my book after this one would be a natural progression to understand where AI is heading, building on the core concepts that Bishop established.
Pattern recognition has its origins in engineering, whereas machine learning grew out of computer science. However, these activities can be viewed as two facets of the same field, and together they have undergone substantial development over the past ten years. In particular, Bayesian methods have grown from a specialist niche to become mainstream, while graphical models have emerged as a general framework for describing and applying probabilistic models. Also, the practical applicability of Bayesian methods has been greatly enhanced through the development of a range of approximate inference algorithms such as variational Bayes and expectation pro- gation. Similarly, new models…
I remember reading Enid Blyton’s Mr. Galliano’s Circus as a child and was fascinated more by the idea of circus life than the actual performance aspect. I still adore watching high-quality circus feats performed by acrobats and love that frisson of excitement as everyone shuffles into their seats just before showtime. When I began writing children’s books, my aim was to give the child characters room to develop resilience and courage while encountering danger and adventure without the presence of adults. In order to do this, I had to somehow remove parental figures. Running away is the perfect literary device to achieve this which is how Glass Dreams came about.
Set in post-war England, this charming story focuses on the relationship between 10-year-old Henry and Ocky, a mischievous chimpanzee he ‘accidentally’ steals from Mr Nobody at Blondini’s Circus.
After trouble at school and at home, and with the threat of having his secret friend discovered, Harry runs away with Ocky. Following a series of adventures, ending with a perilous situation at the seaside, Harry realises that not only is Ocky precious to Mr Nobody, but he is precious to his family too.
A tale of fun and friendship from former Children's Laureate and author of War Horse, Michael Morpurgo.
Harry heard the key turn in the lock. He had already made up his mind to run.
Harry is in trouble at school, and doesn't like his stepfather or the new baby. Then he befriends Ocky, a chimpanzee from the circus. Ocky's owner won't mind if Harry borrows her for a bit, will he?
But then Harry's stepfather and the police find out. Harry and the chimp are soon on the run!
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
I’m an animal behaviorist who's passionate about understanding the evolution of life on this blue marble we call home. Behavior in nonhumans comes in all shapes and sizes, from cooperation to dominance, from play to fighting, from feeding to avoiding being fed upon, from finding a home to defending that home, from choosing your mate to raising your offspring, and much more. Over the last four decades, I have been fortunate enough to study many of these behaviors in both the lab and the field. I savor the opportunity to share, with anyone and everyone, what I have learned from that work and from the work of so many of my devoted and brilliant colleagues.
If you want to understand the seemingly infinite complexity of our closest relatives, as well as get a glimpse of the deep evolutionary roots of politics, this is the book to read.
I felt transported into a world of political maneuvering and machinations that was eerily like our own and yet wonderfully different from it.
The first edition of Frans de Waal's Chimpanzee Politics was acclaimed not only by primatologists for its scientific achievement but also by politicians, business leaders, and social psychologists for its remarkable insights into the most basic human needs and behaviors. Twenty-five years later, this book is considered a classic. Featuring a new preface that includes recent insights from the author, this anniversary edition is a detailed and thoroughly engrossing account of rivalries and coalitions-actions governed by intelligence rather than instinct. As we watch the chimpanzees of Arnhem behave in ways we recognize from Machiavelli (and from the nightly news), de…
