Here are 100 books that Any God Will Do fans have personally recommended if you like
Any God Will Do.
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I learned how to write poetry by reading. Books have always been my main teachers. I try to read all kinds of work because there are so many different kinds of minds to learn from. When I discovered poetry as a teenager, it fascinated me on the level of the line. I spent a lot of time just looking at poems, without necessarily even reading them—let alone understanding them—because the form on the page was a revelation. It amazed me that people were allowed to do that! That I could choose to do that with words—to explode a sentence across the white space or smash all the words together.
I love prose poems, and they are a great introduction to poetry for those unfamiliar with the genre. I admire Sean Singer's singular sensibility, as he weaves the dailiness of driving a taxi with intimations of jazz, the divine, and insights into the human condition. I find this collection mesmerizing, and return to it over and again.
Sean Singer's radiant and challenging body of work involves, much like Whitman's, nothing less than the ongoing interrogation of what a poem is. In this way his books are startlingly alive... I love in this work the sense that I am the grateful recipient of Singer's jazzy curation as I move from page to page. Today in the Taxi is threaded through with quotes from Kafka, facts about jazz musicians, musings from various thinkers, from a Cathar fragment to Martin Buber to Arthur Eddington to an anonymous comedian. The taxi is at once a real taxi and the microcosm of…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Ever since I can remember, during difficult periods, or just when I needed inspiration, I have turned to poetry. Eventually, I became so in love with poetry that I became a poet. I believe these five books of poetry will offer even a reader who is generally not drawn to poetry solace and strength and inspiration. I would go so far as to say each of these poetry collections has changed me for the better.
With pyrotechnical poetic skills, Danez Smith brought me into powerful ways of rethinking race, gender, sexuality, masculinity, and femininity. He brings the urban to the level of the pastoral.
You will thank this gifted poet for changing your world.
Finalist for the National Book Award for Poetry Winner of the Forward Prize for Best Collection
“[Smith's] poems are enriched to the point of volatility, but they pay out, often, in sudden joy.”―The New Yorker
Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don’t Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality―the dangers…
I learned how to write poetry by reading. Books have always been my main teachers. I try to read all kinds of work because there are so many different kinds of minds to learn from. When I discovered poetry as a teenager, it fascinated me on the level of the line. I spent a lot of time just looking at poems, without necessarily even reading them—let alone understanding them—because the form on the page was a revelation. It amazed me that people were allowed to do that! That I could choose to do that with words—to explode a sentence across the white space or smash all the words together.
I love this book, because it fuses personal history with American history in the most searing, heartbreaking, and incisive ways.
I taught this book to high school students, alongside the work of James Baldwin, since they both call to account America's founding, its brutality, the moral injury and legacy of slavery, and also the corrosive nature of popular culture. My students were stunned. It woke them up and demanded that they pay attention.
Winner of the Lannan Literary Award for Poetry (2017)
Acclaimed poet Shane McCrae's latest collection is a book about freedom told through stories of captivity. Historical persona poems and a prose memoir at the center of the book address the illusory freedom of both black and white Americans. In the book's three sequences, McCrae explores the role mass entertainment plays in oppression, he confronts the myth that freedom can be based upon the power to dominate others, and, in poems about the mixed-race child adopted by Jefferson Davis in the last year of the Civil War, he interrogates the infrequently…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I learned how to write poetry by reading. Books have always been my main teachers. I try to read all kinds of work because there are so many different kinds of minds to learn from. When I discovered poetry as a teenager, it fascinated me on the level of the line. I spent a lot of time just looking at poems, without necessarily even reading them—let alone understanding them—because the form on the page was a revelation. It amazed me that people were allowed to do that! That I could choose to do that with words—to explode a sentence across the white space or smash all the words together.
Several times now, I have given this slim book of poems to students and encouraged them to carry it in their bags, to read it at random moments throughout the day—instead of, say, looking at their phones. O'Hara's ebullient celebrations of daily life, musings on love, culture, and poetry itself never fail to inspire.
Whether it's a poem about sharing a coke with a beloved or the death of Billie Holiday, O'Hara's work makes me want to stay alert to the possibility of the wonderous, ordinary facts of life on Earth. If I were a doctor, I would prescribe everyone to start their morning with a poem by Frank O'Hara.
Important poems by the late New York poet published in The New American Poetry, Evergreen Review, Floating Bear and stranger places. Often this poet, strolling through the noisy splintered glare of a Manhattan noon, has paused at a sample Olivetti to type up thirty or forty lines of ruminations, or pondering more deeply has withdrawn to a darkened ware- or firehouse to limn his computed misunderstandings of the eternal questions of life, coexistence, and depth, while never forgetting to eat lunch, his favorite meal. "O'Hara speaks directly across the decades to our hopes and fears and especially our delights; his…
I was drawn to the subject of Yoga already as a teenager. Much later, I did my Ph.D. Thesis on the subject of the Nāths. I find fascinating the wealth of esoteric ideas and assumptions at the root of their project: the search for the elixir of immortality through internalization of the principles of alchemy. I admire their ethos, their stories, and the whole fabric of legends that surrounds them. I have done some work on translating the poetry attributed to their founder, guru Gorakhnāth, and that made me appreciative of their wisdom and their views, even when I disagreed with some of those.
I find extremely interesting the mix of historical scholarship and anthropological fieldwork so vividly presented in this study, as in the other work, by Véronique Bouillier.
She has a particular penchant to focus on and engage with the tension in the ideology and lived experience of her chosen subjects, be it between ancient stories about the Yogis and the lifestyle of the contemporary ascetics or between the ethos of the warriors and the ethos of the renouncers (as the former, in particular kings, become the latter, in popular legends), which gives particular attraction to her elegant and learned exposition.
How have the premodern Shaiva ascetic sect of the Nath Yogis (known also as the Yogis with splitted ears) succeeded in maintaining its presence and importance until today? This book intends to give a general survey of this sampradaya which is said to have been founded by the Siddha Gorakhnath, known for his strong link to Hatha Yoga. However, rather than to Yoga, the history and expansion of the Nath sect are linked to its rich legendary corpus. Dealing first with the marks of belonging (such as the huge earring worn by the fully initiated Yogis) which give the sect…
I am a writer and historian, specialising in the early-Medieval period and the fractious but fruitful encounter between the Christian and Islamic worlds. My fiction is informed by my non-fiction work: it’s a great help to have written actual histories of Northumbria in collaboration with some of the foremost archaeologists working on the period. I regard my work as the imaginative application of what we can learn through history to stories and the books I have selected all do this through the extraordinarily varied talents of their authors. I hope you will enjoy them!
There’s a sort of electric thrill on opening a book, reading the first sentence, and realising that you are about to plunge into something strange, wonderful, and expansive. It’s like labouring up a hill towards a distant ridge and then, on cresting the ridge, finding a whole new unsuspected world opening up before you. It was like that for me when first reading Godric. “Five friends I had, and two of them snakes.” That’s the first line in the book. If, like me, you read that and are immediately interested, then read on, for you won’t be disappointed. Godric takes an almost forgotten figure from history, a 12th-century hermit, and, by the magic of an almost alchemical use of language, brings him and his times to life, neither diminishing their strangeness nor distancing him from the reader.
Frederick Buechner's Godric "retells the life of Godric of Finchale, a twelfth-century English holy man whose projects late in life included that of purifying his moral ambition of pride...Sin, spiritual yearning, rebirth, fierce asceticism--these hagiographic staples aren't easy to revitalize but Frederick Buechner goes at the task with intelligent intensity and a fine readiness to invent what history doesn't supply. He contrives a style of speech for his narrator--Godric himself--that's brisk and tough-sinewed...He avoids metaphysical fiddle, embedding his narrative in domestic reality--familiar affection, responsibilities, disasters...All on his own, Mr. Buechner has managed to reinvent projects of self-purification and of faith…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I’m a historian of the early Middle Ages. There are all sorts of unexpected differences and similarities between modern and medieval life, and things get especially interesting when it comes to thinkingabout thinking. Our understanding of how our minds work has obviously changed—and so have the ways that we actually use them. Medieval thinkers in Europe and the Mediterranean world struggled with concentration and memory and information overload, just like we do. But they were savvier in dealing with those problems, and these books invite you into the wonderful world of their cognitive practices. You’ll probably find yourself experimenting with many of these techniques along the way!
Early Christian monks in the eastern Mediterranean chalked up many of their mental struggles to demonic interference—and yet their approaches to the problem of attention share some striking similarities to modern psychology.
Graiver makes the case that monks’ talk of demons was not a superstitious diagnosis but a pragmatic one: it helped monks try to strike a balance between monitoring their thoughts and thinking too hard about them, deal with unwanted thoughts before they became all-consuming, and figure how to keep it together when their thoughts were all over the place.
I love that this book takes early monks and modern psychologists equally seriously. And even if you don’t start blaming your problems on demons after reading it, you will still have learned a lot about the promises and perils of attention management.
Asceticism is founded on the possibility that human beings can profoundly transform themselves through training and discipline. In particular, asceticism in the Eastern monastic tradition is based on the assumption that individuals are not slaves to the habitual and automatic but can be improved by ascetic practice and, with the cooperation of divine grace, transform their entire character and cultivate special powers and skills. Asceticism of the Mind explores the strategies that enabled Christian ascetics in the Egyptian, Gazan, and Sinaitic monastic traditions of late antiquity to cultivate a new form of existence. At the book's center is a particular…
I worked for thirty years in what was one of the world's finest ad agencies, producing campaigns that were popular, famous, and effective. I found it fun, fascinating but also frustrating, because I gradually realised that what we did that worked had little to do with the theories we were taught to believe. I can see now that our campaigns had much more in common with the worlds of entertainment, popular culture, PR, and showmanship than the dry ‘official’ concepts of propositions and persuasion that seemed to rule our lives. These five books helped open my eyes to this broader perspective, and I hope they will open yours too.
When I realised that brands and advertising campaigns are much more like hit records, blockbuster movies and celebrities than we usually admit, I wondered what makes some famous and others (mostly) not?
Thompson’s book is the best single answer I’ve found so far and shows that fame doesn’t automatically follow the best song, book, or advert – you have to work at being popular, distinctive, and talked about. Lessons all ad agencies should learn.
A Book of the Year Selection for Inc. and Library Journal
"This book picks up where The Tipping Point left off." -- Adam Grant, Wharton professor and New York Times bestselling author of ORIGINALS and GIVE AND TAKE
Nothing "goes viral." If you think a popular movie, song, or app came out of nowhere to become a word-of-mouth success in today's crowded media environment, you're missing the real story. Each blockbuster has a secret history-of power, influence, dark broadcasters, and passionate cults that turn some new products into cultural phenomena. Even the most brilliant ideas wither in obscurity…
I've been studying people at work for over 40 years, starting as an undergraduate at Cornell’s School of Labor Relations. As a student, I got involved with the trade union movement in the US, and worked as an assembly-line worker and fruit picker on kibbutzim in Israel. These hands-on experiences made me want to understand and have an impact on the way people spend most of their working hours. I’ve collected survey data from literally thousands of workers in dozens of studies conducted around the world. I’ve published more articles in scholarly journals than I ever imagined possible. And while I’m still passionate about the study of work, I’ve yet to really understand it.
Malcom Gladwell is undoubtedly the best translator of social science research writing these days.
What the Dog Saw is a compendium of New Yorker essays penned by Gladwell, several of which have a direct link to managing people. Two of my favorites are “Late Bloomers” – an essay on the fallacy of inherent talent, and “Most Likely to Succeed”.
These essays say a lot about employee selection and development, challenging the assumptions held by too many managers that good staff are born, not made, and that selecting top talent is the key to competitive advantage. Gladwell goes with the evidence, but does so in a super-engaging manner.
Malcolm Gladwell is the master of playful yet profound insight. His ability to see underneath the surface of the seemingly mundane taps into a fundamental human impulse: curiosity. From criminology to ketchup, job interviews to dog training, Malcolm Gladwell takes everyday subjects and shows us surprising new ways of looking at them, and the world around us. Are smart people overrated? What can pit bulls teach us about crime? Why are problems like homelessness easier to solve than to manage? How do we hire when we can't tell who's right for the job? Gladwell explores the minor geniuses, the underdogs…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I have been fascinated by Cleopatra ever since I learned that she used science to outwit one of Rome's most powerful men by inventing the world's most expensive cocktail (a pearl disintegrated in vinegar). As a professor of Classics at Montclair State University, I have the opportunity to study ancient historical and literary texts about Cleopatra, as well as monuments, inscriptions, and papyri. I use these primary sources in teaching an advanced ancient history course on Cleopatra to undergraduate students.
There are many books about the reception of Cleopatra in high art like Shakespearean drama and Renaissance painting, but Daugherty'sThe Reception of Cleopatra in the Age of Mass Media is a delightful exploration of Cleopatra in popular creations such as video games, graphic novels, and television.
The incredible variety of material and engaging writing style makes this book a perfect introduction to reception studies and a must-read for pop culture aficionados.
This study examines the reception of Cleopatra from the beginning of the 20th century to the present day as it has been reflected in popular culture in the United States of America. Daugherty provides a broad overview of the influence of the Egyptian queen by looking at her presence in film, novels, comics, cartoons, TV shows, music, advertising and toys. The aim of the book is to show the different ways in which the figure of Cleopatra was able to reach a large and non-elite audience.
Furthermore, Daugherty makes a study of the reception of Cleopatra during her own lifetime.…
