Here are 73 books that Today in the Taxi fans have personally recommended if you like
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Ever since I can remember, during difficult periods, or just when I needed inspiration, I have turned to poetry. Eventually, I became so in love with poetry that I became a poet. I believe these five books of poetry will offer even a reader who is generally not drawn to poetry solace and strength and inspiration. I would go so far as to say each of these poetry collections has changed me for the better.
With pyrotechnical poetic skills, Danez Smith brought me into powerful ways of rethinking race, gender, sexuality, masculinity, and femininity. He brings the urban to the level of the pastoral.
You will thank this gifted poet for changing your world.
Finalist for the National Book Award for Poetry Winner of the Forward Prize for Best Collection
“[Smith's] poems are enriched to the point of volatility, but they pay out, often, in sudden joy.”―The New Yorker
Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don’t Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality―the dangers…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I learned how to write poetry by reading. Books have always been my main teachers. I try to read all kinds of work because there are so many different kinds of minds to learn from. When I discovered poetry as a teenager, it fascinated me on the level of the line. I spent a lot of time just looking at poems, without necessarily even reading them—let alone understanding them—because the form on the page was a revelation. It amazed me that people were allowed to do that! That I could choose to do that with words—to explode a sentence across the white space or smash all the words together.
I think Virginia Konchan is one of the fiercest voices in contemporary poetry. This collection, in particular, harnesses an eloquent fury that is humorous, scathing, vulnerable, and resolute. Each poem crackles in a way that I find fascinating and exhilarating.
Anyone who has suffered heartbreak will connect with Konchan's vulnerability and trenchant commentary.
Any God Will Do is a collection that investigates the lines between worldliness and asceticism, belief and delusion, chance and design, desire and its transcendence. Internal and end rhyme structure these pithy and compact poems that are rife with classical, pop culture, and poetic allusions. They culminate in an argument that intimacy and creation through language are not only possible within a capitalist framework, but indeed may be the only ballasts we know.
I learned how to write poetry by reading. Books have always been my main teachers. I try to read all kinds of work because there are so many different kinds of minds to learn from. When I discovered poetry as a teenager, it fascinated me on the level of the line. I spent a lot of time just looking at poems, without necessarily even reading them—let alone understanding them—because the form on the page was a revelation. It amazed me that people were allowed to do that! That I could choose to do that with words—to explode a sentence across the white space or smash all the words together.
I love this book, because it fuses personal history with American history in the most searing, heartbreaking, and incisive ways.
I taught this book to high school students, alongside the work of James Baldwin, since they both call to account America's founding, its brutality, the moral injury and legacy of slavery, and also the corrosive nature of popular culture. My students were stunned. It woke them up and demanded that they pay attention.
Winner of the Lannan Literary Award for Poetry (2017)
Acclaimed poet Shane McCrae's latest collection is a book about freedom told through stories of captivity. Historical persona poems and a prose memoir at the center of the book address the illusory freedom of both black and white Americans. In the book's three sequences, McCrae explores the role mass entertainment plays in oppression, he confronts the myth that freedom can be based upon the power to dominate others, and, in poems about the mixed-race child adopted by Jefferson Davis in the last year of the Civil War, he interrogates the infrequently…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I learned how to write poetry by reading. Books have always been my main teachers. I try to read all kinds of work because there are so many different kinds of minds to learn from. When I discovered poetry as a teenager, it fascinated me on the level of the line. I spent a lot of time just looking at poems, without necessarily even reading them—let alone understanding them—because the form on the page was a revelation. It amazed me that people were allowed to do that! That I could choose to do that with words—to explode a sentence across the white space or smash all the words together.
Several times now, I have given this slim book of poems to students and encouraged them to carry it in their bags, to read it at random moments throughout the day—instead of, say, looking at their phones. O'Hara's ebullient celebrations of daily life, musings on love, culture, and poetry itself never fail to inspire.
Whether it's a poem about sharing a coke with a beloved or the death of Billie Holiday, O'Hara's work makes me want to stay alert to the possibility of the wonderous, ordinary facts of life on Earth. If I were a doctor, I would prescribe everyone to start their morning with a poem by Frank O'Hara.
Important poems by the late New York poet published in The New American Poetry, Evergreen Review, Floating Bear and stranger places. Often this poet, strolling through the noisy splintered glare of a Manhattan noon, has paused at a sample Olivetti to type up thirty or forty lines of ruminations, or pondering more deeply has withdrawn to a darkened ware- or firehouse to limn his computed misunderstandings of the eternal questions of life, coexistence, and depth, while never forgetting to eat lunch, his favorite meal. "O'Hara speaks directly across the decades to our hopes and fears and especially our delights; his…
While the subject matter of the books on my list may vary, the thing that ties them together is the suspenseful tension that builds and keeps the reader on edge. The unexpected twists and turns are the "secret sauce" that adds flavor and fervor. I like the way each of these books keeps your mind from wandering by combining vivid imagery with a compelling storyline. As an author myself, I am always fascinated by those who make it look so easy and effortless. And as an avid reader, I constantly search for these kind of books; the kind that make you feel as if you just have to keep reading.
Jazz Baby is one of the best books I've read in a while. It easily takes the reader back in time to the days of prohibition and speakeasies. Emily Ann, Jazz Baby, just wants to sing. That's all. But it seems everything and everyone is against her. Family, friends, and the culture of the day conspire to keep her from her dream. On the other hand, Emily Ann is not really innocent in the matter. She constantly flirts with danger, embraces it, and even thrives on it. And in the end... sorry, can't give that away.
While all of Mississippi bakes in the scorching summer of 1925, sudden orphanhood wraps its icy embrace around Emily Ann "Baby" Teegarten, a pretty young teen.
Taken in by an aunt bent on ridding herself of this unexpected burden, Baby Teegarten plots her escape using the only means at her disposal: a voice that brings church ladies to righteous tears, and makes both angels and devils take notice. "I'm going to New York City to sing jazz," she brags to anybody who'll listen. But the Big Apple--well, it's an awful long way from that dry patch of earth she'd always…
I’ve become fascinated with the unconventional tumultuous world of the 1920s ever since I discovered my grandmother’s box of mementos that led to my debut historical fiction, Whistling Women and Crowing Hens. The lesser-known parts of our country’s history draw me in, and the potential for strong female characters keeps me writing. Before I fell down many research rabbit holes, I thought the 1920s were just speakeasies, fringed flappers, and bathtub gin—while entertaining, it’s only the “big city” side of this transformative decade. I’ve found I prefer reading what everyday townspeople experienced, or how “normal” women became unexpected heroes, or ways people persevered after the turmoil WWI caused. There are so many undiscovered stories to be told!
Don’t be fooled by the cover, The Masterpiece is an excellent dual-timeline about two seemingly ordinary women fighting for their independence in the same place, yet from two distinct time periods.
In 1928 Clara, a confident illustrator and art instructor and in 1974 Virginia, a recently divorced tollbooth operator, found themselves working at New York City’s Grand Central Terminal.
Davis brilliantly braids both stories about complicated flawed women challenging social injustices and entitled men of their time within a fascinating setting. (Yes, 50 years apart and they're dealing with similar issues!)
I stayed up late discovering how their stories coincide once Virginia uncovered a painting by Clara. Talk about unknown history—who knew there was an art school upstairs in the Grand Central Terminal or that it was almost demolished?!
In this captivating novel, New York Times bestselling author Fiona Davis takes readers into the glamorous lost art school within Grand Central Terminal, where two very different women, fifty years apart, strive to make their mark on a world set against them.
For most New Yorkers, Grand Central Terminal is a crown jewel, a masterpiece of design. But for Clara Darden and Virginia Clay, it represents something quite different.
For Clara, the terminal is the stepping stone to her future. It is 1928, and Clara is teaching at the lauded Grand Central School of Art. Though not even the prestige…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I studied retellings as I prepared to write my own take on The Secret Garden. Retelling a classic story can not only usher something like The Secret Garden or Peter Pan into our current time and place in history, but it can also awaken the wonder and magic many of us experienced when reading these tales for the first time in a new generation. It’s been so fun for me to see how modern authors put their own spin on these stories, and I hope you will enjoy them too.
This contemporary retelling of The Secret Garden sets the story in a closed-down tuberculosis sanitarium. Roo's journey to uncover the mysteries of the house and bring life to the garden tucked away inside it unfolds beautifully on the page. With well-developed characters, a deeply haunting revelation, and a setting that springs to life with vivid detail, this was a great take on a classic.
Hiding is Roo Fanshaw's special skill. Living in a frighteningly unstable family, she often needs to disappear at a moment's notice. When her parents are murdered, it's her special hiding place under the trailer that saves her life.
As it turns out, Roo, much to her surprise, has a wealthy if eccentric uncle, who has agreed to take her into his home on Cough Rock Island. Once a tuberculosis sanitarium for children of the rich, the strange house is teeming with ghost stories and secrets. Roo doesn't believe in ghosts or fairy stories, but what are those eerie noises she…
I’ve been making up magical worlds ever since childhood, when I populated the creekbanks and vacant lots in my hometown with ghosts, fae, Land of Oz residents, and other creatures from my imagination. Fantasy and forbidden love have always been my two main allures in reading, and different varieties of sexuality and gender identity also fascinated me once I became more aware of such issues in college, through books as well as my anthropology classes. I was recently pleased to learn there’s at least one cool label for me as well—demisexual—and nowadays I love populating my fantasy novels with queer characters. Everyone deserves adventures in the otherworld!
I’m a sucker for a cool historical setting and also for romance with a social-status difference as a main obstacle, and this novel delivers on both! In 1920s-era New York City, amid Prohibition and jazz and snazzy fashions—and, in this version of things, an underworld of secret magic—wealthy Arthur meets working-class Rory, and the sparks begin. Both of the men are utterly endearing (another feature I’m soft on) and bring different paranormal powers to the problem of a lethal magical relic on its way to New York. There are two more books in the series, so if you fall for this pair, hurray! There’s more to read.
"Allie Therin built a world that came alive and flew off the pages." —Gay Book Reviews
To save Manhattan, they’ll have to save each other first…
New York, 1925
Arthur Kenzie’s life’s work is protecting the world from the supernatural relics that could destroy it. When an amulet with the power to control the tides is shipped to New York, he must intercept it before it can be used to devastating effects. This time, in order to succeed, he needs a powerful psychometric…and the only one available has sworn off his abilities altogether.
I have always been drawn to community, meaning how people get together, live, love, and support each other. That love drew me into caring about cities, in all their various forms, because cities are places for people to gather and build lives together. This can be in an Italian hilltown from the 1000 AD, a 15th-century neighborhood in Barcelona, an elegant street on the Upper East Side of New York City, or a subdivision near a highway interchange in Phoenix. Once I started caring about cities, I started asking why these places are the way they are, and this produced my book.
I can still remember so much from this book. A great stat Hawes included was that in the year 1870, 90 percent of upper-class New Yorkers lived in townhouses or other types of single-family homes. By 1930, 90 percent lived in apartment buildings or “French flats,” as they were sometimes called. Basically, almost alone among American cities, New York chose to emulate Paris in its model of urbanism rather than London.
New York developers built and sold “French flats” that were large and ostentatious, like the Ansonia and the Dakota, which are still there today. These iconic apartment buildings were built along the streetcar and subway lines. Hawes was a writer for The New Yorker, so this is very readable.
Recounts New York City's transformation from a provincial, Victorian town to a bustling city, focusing on the architectural emergence of the apartment building after the Civil War and its influence.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ve always been interested in stories about becoming. Whether it’s a coming-of-age story, a story about overcoming adversity, or a story about discovery or recovery, I find that the best books about becoming also tend to be books about resilience. For me, the lure of a book is often more about its themes and perspective than it is about where it’s categorized and shelved. Having written a memoir in verse for an upper young adult reading group, this is especially true of my experience as an author. Each of the books on this list has something profound and singular to offer young adult readers and adult readers alike.
It’s impossible not to root for Lucy Clark. Shipped by negligent parents to a boarding school where every semblance of comfort is taken from her, and then brutally banished to NYC after a terrible accident, Lucy finds herself trying to solve a murder mystery.
The target is an elderly woman who has been grossly underestimated, much like Lucy herself. With a keen best friend, ageism-defying twists, and the rich refuge of plants and desserts, this book is a must-read for anyone who’s ever found themselves at the bottom, looking for a way back up.
"A delightfully offbeat mystery that is also about the mystery of becoming yourself." -Rebecca Stead, New York Times bestselling author
In this witty and whimsical story by award-winning author Margo Rabb, a sixteen-year-old girl is suspended from boarding school and sent to New York City, where she must take care of an unconventional woman entangled in a mystery.
Lucy Clark has had it. After being bullied one too many times, Lucy retaliates. But when the fallout is far worse than she meant it to be, she gets sent to Manhattan to serve as a full-time companion to the eccentric Edith…
