Here are 100 books that And Then She Fell fans have personally recommended if you like
And Then She Fell.
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I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
This book, about a young recluse losing grip on reality, unable to discern truth from her own memory, had me hooked. I found the writing vicious and fierce, the imagery haunting, and the overall focus on memory and trauma as horrors that can both shape and betray us distressing in the very best of ways. Memory and one’s sense of self are important to my own work, and as such, this book managed to tap into some personal unease.
That it’s also so sharply written (and wonderfully f*cked-up) is the icing on an already delicious narrative cake. Recommended for those who like their horror to mess with their sense of reality—personal and not. My favorite read of 2023.
WINNER OF THE 2023 KOBO EMERGING WRITER PRIZE FOR LITERARY FICTION
A GLOBE AND MAIL BEST BOOK OF 2022
49TH STREET EDITOR'S PICK FOR SEPTEMBER 2022
A reclamation of
female rage and a horrifyingly deformed Bildungsroman.
Frances is quiet and reclusive,
so much so that her upstairs roommates sometimes forget she exists. Isolated in
the basement, and on the brink of graduating from university, Frances herself
starts to question the realities of her own existence. She can't remember there
being a lock on the door at the top of the basement stairs-and yet, when she
turns the knob, the door…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I studied psychology in college and am fascinated with the human mind. The psyche holds so many joys, wonders, and the deepest horrors imaginable, all compact and functioning within our skulls. My love for psychology grew into the horror realm, where I read and watched anything revolving around the character study of an individual driven to the brink. Now, I write stories about the morality of actions taken by those who have found themselves in a peculiar position. I believe there is more to the clean-cut view of right versus wrong regarding the decision-making of one’s self-preservation.
This book stressed me out. What starts as the tale of a married couple dealing with a death in the family devolves into something chaotic. I couldn’t stop reading because I was desperate to see where this downward spiral would take me next.
I resonated deeply with the main character and her quest to be so perfect that it drove her to the brink. I, too, sometimes focus on perfectionism so hard that I feel the subtle whisper of insanity. I love it when stories relate to the darker thoughts we keep hidden inside.
'A gruesome, blackly funny, utterly original feminist horror story' New York Times, Notable Book of the Year
'A buzz-worthy and ferocious horror comedy from one of the genre's most promising voices' Buzzfeed
Abby Lamb has done it. She's found the Great Good in her husband, Ralph, and together they will start a family and put all the darkness in her childhood to rest. But then the Lambs move in with Ralph's mother, Laura, whose depression has made it impossible for her to live on her own. She's venomous and cruel, especially to Abby, who has a complicated understanding of motherhood…
I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
Allyson’s book is a collection of essays on the intersection of queerness, identity, and pop culture—horror primarily. Which means, yeah, it was practically engineered for me.
I found much to love and much to relate to within these pages. The way she weaves together personal experience, horror tropes, and urban legends is masterful, and I found the descriptions of gatekeeping and how it results in questioning one’s identity/place in things to hit rather personally.
From Allyson McOuat, author of the popular 2020 New York Times Modern Love essay “The Ghost Was the Least of Our Problems,” comes her debut essay collection
In a series of intimate and humorous dispatches, McOuat examines her identity as a queer woman, and as a mother, through the lens of the pop culture moments in the ’80s and ’90s that molded her identity. McOuat stirs the ingredients required to conjure an unsettled spirit: the horrors of pregnancy and motherhood, love and loss, the supernatural, kaleidoscopic sexuality, near-miss experiences, and the unexplained moments in life that leave you haunted.
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
Full disclosure: I was an early reader of this book and have offered it a blurb. But I wouldn’t have done so had it not significantly impacted me.
Aiello’s memoir, though not strictly horror, uses aspects of genre and pop culture—including aspects of horror—to detail their own history with mental illness and the surrounding difficulties and stigmas attached to it. They go to great and much-needed lengths to dissect how mental illness has been made out to be one of the great boogeymen of our lives via its myriad portrayals in culture (as a villain, a threat, a diabolical force, etc.) and detail the damage that’s been done as a result.
This is a powerful book in which I saw myself reflected all too often.
Revelatory memoir and cultural criticism that connects popular fantasy and our perceptions of mental illness to offer an empathetic path to compassionate care
Growing up, K.J. Aiello was fascinated by magical stories of dragons, wizards, and fantasy, where monsters were not what they seemed and anything was possible. These books and films were both a balm and an escape, a safe space where Aiello’s struggle with mental illness transformed from a burden into a strength that could win battles and vanquish villains.
A unique blend of memoir, research, and cultural criticism, The Monster and the Mirror charts Aiello’s life as…
My life has been defined by close relationships with other women. My school years were full of sleepovers, group chats, and debrief sessions. In my twenties, my female friends quickly became more important than any romantic relationship as we navigated early adulthood milestones. My friendships with other women have made me who I am. But relationships between women are rarely as simple as the ‘girl power’ or ‘catfight’ labels the media wants to apply. More often than not, they’re a tapestry woven from a thousand different threads, some beautiful and some ugly. I love books, especially thrillers, that aren’t afraid to explore the messiness of these relationships.
As a writer, I’m no stranger to complex friendships that can emerge between creatives, which is just one of the reasons I love this delightfully dark gothic thriller about estranged best friends trapped at a writing retreat run by an enigmatic bestselling author.
With publication (and maybe their lives) on the line, the stakes couldn’t be higher, but Bartz still tells a compelling story about professional jealousy and two women who have hurt and been hurt by the other.
“Sex, suspense, and the supernatural fuel this propulsive debut.” —People
A young author is invited to an exclusive writer’s retreat that soon descends into a pulse-pounding nightmare—in the vein of The Plot and Please Join Us.
Alex has all but given up on her dreams of becoming a published author when she receives a once-in-a-lifetime opportunity: attend an exclusive, month-long writing retreat at the estate of feminist horror writer Roza Vallo. Even the knowledge that Wren, her former best friend and current rival, is attending doesn’t dampen her excitement.
I’ve always been fascinated by the influence technology and science on culture and our lives, especially women’s lives. The history of women’s rights, in many ways, is a story of science and technology’s influence on women’s evolution towards having more freedom (and now less) to control our bodies. As a science writer, these themes influence many of the stories that I choose to read and tell, including both my books, In Her Own Sweet Time: Unexpected Adventures in Finding Love, Commitment and Motherhood and Reconceptions: Modern Relationships, Reproductive Science and the Unfolding Future of Family. I also love to read both fictional and non-fiction stories about the nuances of personal identity.
This novel tells the story of Maise, a devoted wife and mother of four children.
It takes place over the course of a single day in October that begins with Maise nursing her infant and leads to a family outing to an orchard the following afternoon. It beautifully captures the daily emotions that a mother feels, ranging from anxiety to grief to deep love, and explores the feelings around the unpaid labor of motherhood and the financial anxiety that being a parent brings to us all.
A novel about womanhood, modern family, and the interior landscape of maternal life, as seen through the life of a young wife and mother on a single day.
At night, Maisie Moore dreams that her life is perfect: the looming mortgages and credit card debt have magically vanished, and she can raise her four children, including newborn Esme, on an undulating current of maternal bliss, by turns oceanic and overwhelming, but awash in awe and wonder. Then she jolts awake and, after checking that her husband and baby are asleep beside her, remembers the real-world money problems to be resolved…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I am a writer and avid reader of “domestic horror”: stories about the uncomfortable, inhospitable spaces that women inhabit in everyday life. In the past, I worked as a crime victim’s advocate for a national nonprofit. I became a writer because I believe in the power of expression and truth as healing agents. I am passionate about the issues of trauma and taboo, mental illness and motherhood, and the institutional power structures that constrict us all. My short stories, poetry, and essays have been published in many journals and literary magazines, including Witness, Ninth Letter, Identity Theory, Epiphany, Literary Mama, NonBinary Review, and elsewhere.
This unconventional novel (a mixture of poetry, essay, fiction, and letters) uses its unusual form to expound upon the messiness of childbirth and early motherhood.
This book chronicles a time and space that is difficult to pin down, giving it the feel of a wholly new art form. I was blown away by this unflinching depiction of the tensions between motherhood, marriage, and the creative life. It is one of the few books I've read that refuses to soften maternal ambivalence and anxiety for its readers, and I am grateful for it.
After giving birth, Anna is utterly lost. She and her family move to the unfamiliar, snowy city of Stockholm. Anxiety threatens to completely engulf Anna, who obsessively devours online news and compulsively orders clothes she can't afford. To avoid sinking deeper into her depression, she forces herself to read and write.
My Work is a novel about the unique and fundamental experience of giving birth, mixing different literary forms-fiction, essay, poetry, memoir, and letters-to explore the relationship between motherhood, work, individuality, and literature."Olga Ravn writes dazzlingly about the work of motherhood and the work of writing. Reading Ravn's book, you…
Starting at age ten, I loved everything about Superman. I loved his origin story—who wouldn’t root for an alien baby arriving on Earth with superpowers that are eventually used to fight evil? Superman comics were a place for me to escape for entertainment and to dream about becoming something more…maybe something super. I hope kids today will dream about superheroes and, in the end, realize they have superpowers they can use to make their lives and the world a better place. This explains why I connect with the following five books.
I’m a huge Alan Gratz fan, and this book did not disappoint. Like the creators of Superman, Siegel and Schuster, in Heroes, we have a tween writer, Frank, and a tween artist, Stanley, who talk non-stop about superhero comics as they set out to write their own. But this day is December 7, 1947, and the Japanese military attacks the boys’ Pearl Harbor home.
Gratz brings history to life with the stories of life-like characters. Frank was already riddled with fears, even fear of flip flops (you’ll have to read the book), and now the situation is beyond his worst fears. Not many of us will be tested as these boys are tested, but Gratz has the power in his writing to put us in perilous situations in order to examine our own lives.
As a writer who can never seem to tell a simple chronological, beginning/middle/end story in the books I write, I want to make a case for fictional works that fall somewhere between novels and traditional short story collections: shape-shifting novels. A shape-shifting novel allows for an expansiveness of time—for exploring the lives of generations within a single family, or occupying a single place, without having to account for every person, every moment, every year. Big, long Victorian novels, remember, were typically serialized and so written, and read, in smaller installments. The shape-shifting novel allows for that range between the covers of a single, and often shorter, book.
I knew little about North Woods when I started reading it, except that it chronicled the lives of different inhabitants of a farmhouse in western New England—a region I love—and featured an intriguing image of what I assumed was a bobcat on the cover.
North Woods brings its setting vividly to life; while there are fascinating characters—including a colonial-era English soldier who abandons the war to cultivate an apple orchard on the farmhouse property—the flora and fauna of the farm and its surrounding woodlands play equally important roles.
I’m grateful to my daughter, the same sensitive reader who cried when she finished Homegoing, for posting a photo of her copy of North Woods along with her lunch one day and piquing my curiosity.
A sweeping novel about a single house in the woods of New England, told through the lives of those who inhabit it across the centuries—“a time-spanning, genre-blurring work of storytelling magic” (The Washington Post) from the Pulitzer Prize finalist and author of The Piano Tuner and The Winter Soldier.
“With the expansiveness and immersive feeling of two-time Booker Prize nominee David Mitchell’s fiction (Cloud Atlas), the wicked creepiness of Edgar Allan Poe, and Mason’s bone-deep knowledge of and appreciation for the natural world that’s on par with that of Thoreau, North Woods fires on all cylinders.”—San Francisco Chronicle
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I’m a firm believer in Jesus Christ, and I’ve spent the majority of my life reading Christian fiction, but one day, I felt Jesus drop a story onto my heart. And I wrote it. And He gave me more inspiration, and I kept writing. I always say Jesus gives me my stories. I must obey. The world needs more Jesus, and not every Christian book has to fall under “Christian romance.” The Christian fiction space needs warm, Christian family stories, and I pray God continues to let me write them. I hope you enjoy the Christian family books on this list as much as I did!
This Christian fiction novel holds a special place in my heart because I didn’t really know who Melody Carlson wrote this book for.
Christy Miller was written for teens and young adults. Where Yesterday Lives was written for Young Adults. But what Christian family drama has characters that are 16, 37, and 72?! Okay, maybe grandma is 71, but the point of the matter is that it’s told from multiple POVs across three different generations.
As of writing this, I’m 28 and I loved it. Why? It’s about a family. A true-to-life family, with true-to-life problems. Girls get taken out of school and pulled away from their boyfriends in real life. Sometimes moms and dads get divorced. And sadly, sometimes grandma or grandpa may start forgetting things they should remember.
This story made me laugh, cry, and feel so grateful that even in our mess, God still loves us. If…
When life feels like it's closing in around you, sometimes the solution is to open the doors wide and invite others in . . .
Jewel McKerry is on the brink of unraveling as she heads home to Oregon to help care for her father who has early-onset dementia. Her thirteen-year-old daughter is upset about the move. Her beekeeper dad is a humorous handful. Her mom is overworked and overwhelmed. Finances are stretched tight. And, according to her father, the neighbors are nothing but trouble.
Despite all of these challenges, Jewel takes on one more when she convinces her parents…
