100 Books Like My Work

I am a writer and avid reader of “domestic horror”: stories about the uncomfortable, inhospitable spaces that women inhabit in everyday life. In the past, I worked as a crime victim’s advocate for a national nonprofit. I became a writer because I believe in the power of expression and truth as healing agents. I am passionate about the issues of trauma and taboo, mental illness and motherhood, and the institutional power structures that constrict us all. My short stories, poetry, and essays have been published in many journals and literary magazines, including Witness, Ninth Letter, Identity Theory, Epiphany, Literary Mama, NonBinary Review, and elsewhere. 

I am a writer and avid reader of “domestic horror”: stories about the uncomfortable, inhospitable spaces that women inhabit in everyday life. In the past, I worked as a crime victim’s advocate for a national nonprofit. I became a writer because I believe in the power of expression and truth as healing agents. I am passionate about the issues of trauma and taboo, mental illness and motherhood, and the institutional power structures that constrict us all. My short stories, poetry, and essays have been published in many journals and literary magazines, including Witness, Ninth Letter, Identity Theory, Epiphany, Literary Mama, NonBinary Review, and elsewhere. 

I am a writer and avid reader of “domestic horror”: stories about the uncomfortable, inhospitable spaces that women inhabit in everyday life. In the past, I worked as a crime victim’s advocate for a national nonprofit. I became a writer because I believe in the power of expression and truth as healing agents. I am passionate about the issues of trauma and taboo, mental illness and motherhood, and the institutional power structures that constrict us all. My short stories, poetry, and essays have been published in many journals and literary magazines, including Witness, Ninth Letter, Identity Theory, Epiphany, Literary Mama, NonBinary Review, and elsewhere. 

I am a writer and avid reader of “domestic horror”: stories about the uncomfortable, inhospitable spaces that women inhabit in everyday life. In the past, I worked as a crime victim’s advocate for a national nonprofit. I became a writer because I believe in the power of expression and truth as healing agents. I am passionate about the issues of trauma and taboo, mental illness and motherhood, and the institutional power structures that constrict us all. My short stories, poetry, and essays have been published in many journals and literary magazines, including Witness, Ninth Letter, Identity Theory, Epiphany, Literary Mama, NonBinary Review, and elsewhere. 

I’ve been addicted to reading mysteries and crime fiction since I was a kid, and I naturally fell into writing in these genres—I’m currently in the midst of penning my fourth series! There’s nothing better than discovering a new, well-written series and following along with interesting, complicated main characters over several books. These favourite recommendations of mine will take you to Ireland, Scotland, South Africa, Sweden, and my very own Canada without ever having to leave home. Hopefully, you’ll discover some new authors, and their main characters will bring you as much enjoyment as they’ve given me. 

I'm a life-long horror lover and author of dark fiction. I've been reviewing films and video games for Ravenous Monster ezine for nearly a decade, and my Wattpad horror novel The Hound is currently being adapted for film. My favorite thing is the intersection of the horrifying and fantastic with the mundane, and that's what appeals to me so much about zombies: in all of their multitudinous representations, they've always held up a mirror to humanity. No monster can so easily reflect the many facets of humanity as a zombie. Because, after all, the dead were once just like us – and if we're not careful, we might end up just like them in the end.

Stockholm was the first city that I traveled to outside of the U.S. Landing there at Midsommar and visiting the Old Town made an indelible impression. I lived and worked in Sweden for almost 10 years, and had little time for history then, but later found Stockholm in the Gustavian age irresistible as the basis for my first novel. It was a period of cultural flowering, of occult fascinations, social change, and great drama. Readers tend to look further south, in France and Great Britain, for their historical fiction, histories, and biographies, but there are great stories further north as well. 

I became hooked into science fiction as a kid the day I read an illustrated book of 20,000 Leagues Under the Sea. From then on, science fiction became an important part of my reading repertoire. Having wide-ranging interests, I enjoy military techno-thrillers, Anglo-French naval warfare, Greek/Egyptian/Roman mythology, most sciences, history of religions, with an occasional novel that strays from the norm and adds a sparkle to my reading. Mary Stewart’s The Crystal Cave and The Hollow Hills are very close to my heart. Just shows that I’m different. After all, I must do something when I am not writing my own novels! Although I have an extensive library of modern science fiction works, I am fond of many oldies.

I’ve been a horror fan since I first read The Fog by James Herbert at much too young an age. Being British-born and now Australian, the horror I write is almost always set outside America (and the UK more and more often), and I’m always on the lookout for good horror fiction set in different places. I’m fascinated by cultural folklore and mythology and how people create stories to understand the world. For three years, I was President of the Australasian Horror Writers Association.

Sometimes I have to take a trip back to my reading "roots": gothic mystery and suspense. This list is a deep dive into some of my very favorite vintage gothic authors and ones that I consider to be icons of the genre. These writers formed the foundation not only for my reading tastes but also for who I have become as a writer. The memories of my younger self come flooding back when I revisit these authors and their works as I have done with this list. Some of these novels are hard to come by now but, in my opinion, the older and more beat-up paperback, the better.