Here are 72 books that Among the Missing fans have personally recommended if you like
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I am the author of many acclaimed books for children. Connection, compassion, and family are common themes in my work. My books include Marvelâs Moon Girl and Devil Dinosaur: One Girl Can Make a Difference, Flying High: The Story of Gymnastics Champion Simone Biles, and Brave Ballerina: The Story of Janet Collins. I also contributed research and writing to Black Ballerinas: My Journey to Our Legacy by Misty Copeland. I studied journalism and literature at Syracuse University.
Capturing the spirit of Maya Angelouâs work, Renee Watson expertly chronicles Mayaâs life with evocative poems. This book is a rhythmic tribute to the first Black person and the first woman to recite a poem at a presidential inauguration. Bryan Collierâs collage art perfectly complements each poem.
I especially love the poem called âBrother Jimmy, Brother Martin,â which highlights Mayaâs deep love for James Baldwin and Martin Luther King Jr.
My favorite lines: âJimmy was light in the darkest of rooms. Martin was water in a parched desert.â Â
From bestselling, award-winning creators Renee Watson and Bryan Collier comes a stunningly crafted picture book chronicling the life of poet and activist Maya Angelou.
This unforgettable picture book introduces young readers to the life and work of Maya Angelou, whose words have uplifted and inspired generations of readers. The author of the celebrated autobiography I Know Why the Caged Bird Sings, Maya was the first Black person and first woman to recite a poem at a presidential inauguration, and her influence echoes through culture and history. She was also the first Black woman to appear on the United States quarter.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŠ
I have been a reader and writer for most of my life. From the moment I could spell a handful of words, my mum encouraged me to write stories. With a few prompt terms, Iâd be off. As a writer, I spend countless hours editing and refining my work because it makes me better and because I love it. My favourite part of a book is often a single, beautifully structured sentence. This passion has led me to wonder what other people have to say about writing and language. The more I hear about the practice of writing, the more I fall in love with it.Â
Before reading On Writing and Writers by Margaret Atwood, I naively believed that writing about writing was necessarily boring. Like a textbook, full of cold, mechanical steps to improve. Atwoodâs book proved me incredibly wrong.Â
I was mesmerised by Atwoodâs self-deprecating charm and disarming wit, and saw myself in her initial query about whether she has the right to write â namely, the right to make grand claims about her practice.
Perhaps what I loved most was her reluctance to offer anything concrete. She dances near a decision, a position, an answer, and then just as quickly, she turns away again. Self-indulgently, I enjoy the idea that writing is a mystery that doesnât have one answer and that canât be pinned down. For me, Atwoodâs book confirmed this fanciful notion.Â
By the author of THE HANDMAID'S TALE and ALIAS GRACE
What is the role of the writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and the development of her writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have seen fit to assume, what roles they have chosen to play. In her final chapter she takes up the challenge of the book's title: if a writer is to beâŠ
Iâve always adored stories of courageous, sometimes outrageous women who forge aheadinto the unknown, survive in strange lands in troubled times, pursue their career dreams. Like my favourite picks, Iâve relished my own adventures in distant countries (Libya, Czechia, Kyrgystan, MongoliaâŠ), while always earning my crust from writing. From motivational research in Dublin and London, I switched to financial journalism in Holland, where I met and was inspired by ground-breaking journalist Nel Slis whose story Iâve told in my book Hellcat of the Hague. Now Iâm settled in London to concentrate on my novels and short stories and be near my family, I hope you love these books too.
Award-winning novelist Molteno takes us on a mesmerising journey of discovery, tracing the origins of her fictional worlds. From the mountains of Tajikistan to remote parts of Africa, in small English towns or huge Indian literary festivals, she engages with people she meets and is inspired by them. Through these vignettes she threads reflections on the creative processâwhy we write, and what fiction does for us. Through Marionâs clear and involving writing, we encounter not one but several truly remarkable women, as she weaves the emergence of her writing life into her own much-travelled and absorbing story.
Award-winning author Marion Molteno takes us on a magical journey of discovery into the life of a writer and her readers.
From book events in small English towns to huge literary festivals in India and Pakistan, from the mountains of Tajikistan to remote parts of Africa, she traces the roots of the fictional worlds she has so brilliantly created in her novels.
Weaving through these vignettes are reflections on the creative process, her own and anyone's - her own journey as a writer, what fiction does for us, and the vital relationship between writers and readers.
With an ability toâŠ
AcClaim is a dark, high-society romance about Beatrix Winslow-Hale, a successful romance author who believes desire can be negotiated and controlledâuntil enigmatic billionaire Dorian Wolker crosses the line between consensual surrender and violation. Publicly humiliated and emotionally shattered, Beatrix turns to Manon de Rochemaure, her fiercely loyal best friend andâŠ
I have always tried to find books that explain and explore my life stage. When I was a young mother of little babies, I read many books about early motherhood. When I was studying and travelling and working as a waitress, those topics were represented in my reading too. Now that Iâm a woman writer in midlife, with growing children and an art practice, Iâm keen to read books by and about women writers who evoke the joys and struggles of this period: aging, the tensions between freedom and responsibility, marriage and separation, ambition and desire.
This book is a bible for women in midlife. One of Levyâs âliving memoirsâ, it captures the authorâs experience of leaving her marriage at fifty and remaking her life as a writer.
The pose is beautiful: spare and elegant. Importantly, the book explores how it is possible to create a life focused on artistic pursuit, children, and friendship, as opposed to romantic partnership, material wealth, and conservative notions of stability.
I reread it every year to remind myself of what is possible.
A GUARDIAN BEST BOOK OF THE 21ST CENTURY WINNER OF THE PRIX FEMINA ETRANGER 2020
Following on from the critically acclaimed Things I Don't Want to Know, discover the powerful second memoir in Deborah Levy's essential three-part 'Living Autobiography'.
'I can't think of any writer aside from Virginia Woolf who writes better about what it is to be a woman' Observer _________________________________
'Life falls apart. We try to get a grip and hold it together. And then we realise we don't want to hold it together . . .'
The final instalment in Deborah Levy's critically acclaimed 'Living Autobiography', RealâŠ
Iâve been a life writer since I kept my first Mary Quant, Daisy diary in 1973. Reading and writing memoir, Iâve written thirty as a ghostwriter in the last six years and am working on my own. Iâm fascinated by life stories. After an MA in Creative Writing at Birkbeck, I won the Wasafiri Life Writing Prize, which led to a novel in biographical form, based on the life of my nan in the last century, Girl in the Mirror. I write stories, short and long, for adults and children, performing nationally and in London, was Writer in Residence for Talliston House, and have been published by Walker Books and Mslexia.
Kit and I share some life similarities, sheâs a working-class girl with a Birmingham background, published later in life, and I was keen to read her story. Written as scenes from childhood with sharp observation and wit, her book illustrates an unpredictable childhood. The daughter of an Irish mother and Caribbean father in a large and sometimes chaotic family, where there is love in the Kingdom Hall of Jehovahâs Witnesses, but not always at home. There are the familiar places, the family dynamics observed with the clarity of a child, and the tit-for-tat games her parents play - dad buys a new car, the next week, mum a harmonica and Davy Crockett hat. All quirks observed and challenging situations related with a lightness of touch and wit, a genuine pleasure to read.
'Vivid and compelling and so moving... both painful and comforting to read' Marian Keyes **SHORTLISTED FOR THE BOOKS ARE MY BAG READERS AWARD AND AN POST IRISH BIOGRAPHY OF THE YEAR 2022** **AS BROADCAST ON BBC RADIO 4**
Kit de Waal grew up in a household of opposites and extremes. Her haphazard mother rarely cooked, forbade Christmas and birthdays, worked as a cleaner, nurse and childminder sometimes all at once and believed the world would end in 1975. Meanwhile, her father stuffed barrels full of goodies for his relatives in the Caribbean, cooked elaborate meals on a whim and splurgedâŠ
My literary interest began in childhood when my love for rhyme encouraged me to write limericks and poems. In 2009, my first novel, An Ordinary Life was published, which I considered to be a therapeutic exercise to see where it would lead, and here I am, much wiser, but still learning. Becoming an author has greatly enhanced my appreciation of the written word and how powerful it can be, hence, my book choices â a personal literary journey. Â
The Cry of the Lake was published in 2020, the same year as my book, and around that time, I had gotten to know many authors, including Charlie.
From the first line, I was drawn into the story which is told with impeccable detail, its characters clearly defined to create the dark and mysterious tale. Â
"A profound and often affecting story of resilience." âKirkus Reviews
The Silent Women, an extraordinary novel inspired by the real women of Oak Ridge, Tennesseeâthe Manhattan Projectâs âSecret City," where thousands kept the deadliest secret of World War IIâis a sweeping, absorbing, and deeply human story about chosenâŠ
Iâve gone to France often during my life. I always buy books that look interesting while Iâm there, mainly to keep my French in good shape. I tend to pick authors and subjects which catch my eye. Some get discarded, but most give a fascinating and often very different perspective on life than I find in English novels and essays.
This is an excellent series of essays on the small things in life which please the author. Some are more obvious than others, but all are described stylishly and with typical French humour and elegance. I confess that after reading it, I did my ownâinevitably inferiorâversion. But it was an enjoyment just going through the process.
An enchanting celebration of life's small pleasures, this little book captures the French imagination and art of living a good life.
Each chapter features a small pleasure that is both uniquely Gallic and universal. From the smell of apples maturing in a cellar to the gentle whir of a bicycle dynamo at dusk to turning the pages of a newspaper over breakfast, to the joy of a snowstorm inside a paperweight . . .
Recounted with a lively, innocent curiosity about the little things that make life worthwhile, this is an unforgettable, absorbing read to be savoured at length byâŠ
I love stories and storytelling of all kinds â from YA to memoir to journalism to children's picture books. If there is a story worth telling I will pursue it, regardless of genre. I'm particularly fascinated by stories that are out of the mainstream, are hidden, or come from people and cultures at the intersections of place, race, and gender. See No Color, about a mixed Black girl adopted into a white family, was my first YA novel, and it was followed by Dream Country, which chronicles five generations of a Liberian and Liberian American family. I co-edited an anthology on BIPOC women's experiences with miscarriage and infant loss, What God Is Honored Here?
My love affair with Octavia Butler began early when I encountered her short story collection, Bloodchild, in college. I was so taken with the questions she was asking about the nature of being human, our seemingly innate need to form a hierarchy and dominate others, and possibilities for freedom and transformation. The best part was that she did it all through a sci-fi lens...one that she infused with a distinctly Black feminist perspective. I had never read anything like it. And now, we finally have a biography for young people (and really for everyone) about her life, her mind, and preoccupations as a young woman. Ibi Zoboi has deftly penned what she is calling a "biographical constellation" of a young Butler, written primarily in short poems, but also including micro-essays on the social context of her youth, and copies of some of her first writings. Anyone with an imaginationâŠ
From the New York Times bestselling author and National Book Award finalist, a biography in verse and prose of science fiction visionary Octavia Butler, author of Parable of the Sower and Kindred.
Acclaimed novelist Ibi Zoboi illuminates the young life of the visionary storyteller Octavia E. Butler in poems and prose. Born into the Space Race, the Red Scare, and the dawning Civil Rights Movement, Butler experienced an American childhood that shaped her into the groundbreaking science-fiction storyteller whose novels continue to challenge and delight readers fifteen years after her death.
Visiting author houses and museums has always been a favored pastime of mine and was the inspiration to write the travel guide Novel Destinations. Complementary to writing nonfiction about classic writers, I love reading novels featuring them as characters. Fiction authors adhere to biographical details as well, but they have a freer hand with the narrative to color outside the lines and to color in details and explore feelings and motivations. Through their narratives they turn these literary figures into flesh-and-blood characters and allow the reader to step into their storied lives.Â
Elizabeth Berg wanted to read a novel about George Sand but couldnât find oneâŠand so she wrote it herself. In The Dream Lover, Berg unfolds the story of Aurore Dupin, who boldly left a loveless aristocratic marriage to make her own way in 19th-century Paris. She adopts the pen name George Sand and becomes Franceâs bestselling female novelist, living a bohemian lifestyle and scandalizing society by having high-profile love affairs and, even more outrageously, by dressing in menâs clothing. I love stories about trailblazing women, and Berg compellingly conveys how risky and courageous Sandâs actions were at a time when women had few rights.
NEW YORK TIMES BESTSELLER âą NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY USA TODAY âą Elizabeth Berg has written a lush historical novel based on the sensuous Parisian life of the nineteenth-century writer George Sandâwhich is perfect for readers of Nancy Horan and Elizabeth Gilbert.
At the beginning of this powerful novel, we meet Aurore Dupin as she is leaving her estranged husband, a loveless marriage, and her familyâs estate in the French countryside to start a new life in Paris. There, she gives herself a new nameâGeorge Sandâand pursues her dream of becoming a writer,âŠ
Broken Boots, Redeemed Soul: A Veteranâs War with Sin and Salvation
by
Brian Lofton,
Broken Boots, Redeemed Soul: A Veteranâs War with Sin and Salvation, is a raw and faith-centered memoir about life after military serviceâand the internal battles many never see. Brian Lofton shares his journey through addiction, shame, identity loss, and spiritual distance, revealing how the hardest struggles often begin afterâŠ
Visiting author houses and museums has always been a favored pastime of mine and was the inspiration to write the travel guide Novel Destinations. Complementary to writing nonfiction about classic writers, I love reading novels featuring them as characters. Fiction authors adhere to biographical details as well, but they have a freer hand with the narrative to color outside the lines and to color in details and explore feelings and motivations. Through their narratives they turn these literary figures into flesh-and-blood characters and allow the reader to step into their storied lives.Â
Daphnehas numerous elements that I particularly adore in a story: a classic writer as a character, an English manor house setting, and a mystery. Layer in a BrontĂ« connection, and itâs a perfectly pleasing literary page-turner. In 1957, Daphne du Maurier is at her remote, seaside mansion in Cornwall, distracting herself from personal woes by researching a biography about Branwell BrontĂ«, reprobate and possibly misunderstood brother of Charlotte, Emily, and Anne. Intertwined is a second storyline set in present-day London, as a lonely young woman, newly married to a mysterious older man seemingly still in thrall to his first wife, becomes caught up in a fifty-year-old mystery involving du Maurier and the BrontĂ«s.Â
It is 1957. The author Daphne du Maurier, beautiful, famous, despairing as her marriage falls apart, finds herself haunted by Rebecca, the heroine of her most famous novel, written twenty years earlier. Resolving to write herself out of her misery, Daphne becomes passionately interested in Branwell, the reprobate brother of the Bronte sisters, and begins a correspondence with the enigmatic bibliophile Alex Symington as she researches a biography. But behind Symington's respectable scholarly surface is a slippery character with much to hide, and soon truth and fiction have become indistinguishable.In present-day London, a lonely young woman, newly married after aâŠ