80 Books Like The Master

I love this book because it is a war novel without a single battlefield or battle, except the one for Siegfried Sassoon’s sanity. I became fascinated by WWI as a teenager. I can’t say why this war caught my imagination, but it did, and that fascination has continued for my whole life.

I gobbled up books, movies, and history about the war, and I especially loved the poetry of Siegfried Sassoon, a noted poet and war hero who publicly refused to continue fighting in 1917. When I re-read his poetry fifty years later, I found a kinship with that refusal and the boys around me who were conscientious objectors to the Vietnam War.

I was a dreamy, romantic teenager, which is why Sassoon’s words pierced my heart: “Soldiers are dreamers; when the guns begin they think of firelit homes, clean beds, and wives.” Oh! How I cried over his poems… show more.

I was surprised by how much I loved this book about England in the 1500s. The story of Thomas Cromwell and Henry VIII has been told and retold, but even when I thought I knew what was coming (it is history, after all), I didn’t!

I laughed, cried, and found myself rooting for Cromwell. Yes, Cromwell! Such is the power of Hilary Mantle; there is no better historical fiction writer.

The characters in Maggie O'Farrell's book are so real and compelling that they make historical figures feel like your next-door neighbors. I've always been obsessed with Shakespeare, and it's fascinating to learn more about how much Shakespeare was inspired by the death of his son Hamnet. It shows Shakespeare the man but also brings to life the other people in his life, especially the women, who history has forgotten about.

Behind every great man is an army of unseen women, and O'Farrell's novel gives those women voice and agency, showing what life (and death) was like for women in previous centuries, and showing that the experience of grief is universal.

This is one of my favourite novels about the imagined life of the 19th Century fossil enthusiast, Mary Anning.

Though poor and uneducated, Mary had a passion for dinosaur fossils, scouring the windswept Jurassic coast near Lyme Regis. She found fossils nobody else could, making discoveries that shook the scientific world. But science in the past was an almost entirely male-dominated arena, and Mary’s finds were effectively stolen from her, and she was ignored and forgotten in the scientific community.

Mary’s story is one of female hardship, endurance, and tenacity, and her contribution to our scientific knowledge deserves to be remembered. 

An unusual one, this collection of short stories and historical fiction rarely appear in short form. But actually, I was just blown away by the writing! The first story, "Death of the Pugilist" is magnificent, and hard-hitting, if you’ll excuse another terrible pun, but the second, about Alfred Russel Wallace, is both exquisite and exquisitely painful. For those of you who are wondering who Alfred Russel Wallace was, he was a naturalist and explorer, whose contributions allowed Darwin to develop his theory of natural selection and evolution. Obviously, most of the credit has been given to Darwin for this world-changing theory while Wallace, who did not have Darwin’s social standing, remains overlooked, in one of those twists of history that speaks volumes about what is commemorated and what is not. Mason’s wonderful story implicitly questions the historical record, and by implication, history itself.

Daphne is a sixteen-year-old schoolgirl when her brother’s university friend (and secret lover) comes to visit, the minor poet Cecil Valance, modelled loosely on Rupert Brooke.

Daphne develops a crush and Cecil drunkenly kisses her, an event that means little in itself, except that his death in the First World War puts everything he did in his short life under the intense microscope of fame. As the novel shifts to subsequent generations, that brief visit starts to mean many different things to different people.

Hollinghurst explores the way that secrets, about love, and money, and sexuality, change shape over time. The events of our youth seem more vivid and real than anything that comes later, but that doesn’t mean we understand them better – or even that what really happened matters in comparison to how we make use of those memories. A beautiful book. 

One of my favorite plays. Set in an English country house across two centuries, it tells the story of Thomasina Coverly, a precocious schoolgirl in 1809 who falls in love with her eccentric tutor, Septimus Hodge.

Along the way she discovers a version of the 2nd law of thermodynamics – the fact that everything over time becomes messier. Because of sex, she jokes, apart from anything else. Byron makes a brief appearance and Stoppard manages to make him almost as witty on the stage as he was in life.

It’s a very funny, very clever play, but also incredibly moving, as a brilliant young woman briefly sees the world opening up to her remarkable understanding, before life gets in the way.

Simone de Beauvoir met Nelson Algren in Chicago in 1947.

A couple of years later, his novel The Man with the Golden Arm won the National Book Award, and a few years after that De Beauvoir won the prestigious Prix Goncourt for her novel The Mandarins, which featured a character based on Algren. They became famous literary lovers, involved in a complicated triangle with De Beauvoir’s long-time partner Sartre.

But Cowie’s novel brings to life the ordinary intimacies and misunderstandings of their love affair – the title comes from de Beauvoir’s confusion about the time difference between Paris and Chicago. Caught up in the details of day-to-day life, people, even brilliant writers, don’t always have the time or vision to make real decisions about how they want to live, or who they want to love. It’s a brilliant book. 

Daphne has numerous elements that I particularly adore in a story: a classic writer as a character, an English manor house setting, and a mystery. Layer in a Brontë connection, and it’s a perfectly pleasing literary page-turner. In 1957, Daphne du Maurier is at her remote, seaside mansion in Cornwall, distracting herself from personal woes by researching a biography about Branwell Brontë, reprobate and possibly misunderstood brother of Charlotte, Emily, and Anne. Intertwined is a second storyline set in present-day London, as a lonely young woman, newly married to a mysterious older man seemingly still in thrall to his first wife, becomes caught up in a fifty-year-old mystery involving du Maurier and the Brontës. 

“Long ago Virginia decreed, in the way that Virginia decrees, that I was the painter and she the writer.” Vanessa and Her Sister is a portrait of two extraordinary and unconventional women, Virginia Woolf and her sister, Vanessa Bell. The story is told in the form of a diary kept by Vanessa, beginning at the turn of the 20th century with the formation of the Bloomsbury Group in London. Priya Parmar has created a sympathetic yet honest portrayal of Virginia Woolf, her genius and her often precarious mental state, and the impact it had on her family—in particular Vanessa, who was an important and steadying influence for her sister and a talented artist in her own right.