Here are 100 books that America Is Not the Heart fans have personally recommended if you like
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Like some other things I’ve been lucky enough to have published, The Flying Dutchman is a short work I chiseled out of a longer one. An updating of the classic romantic legend, it’s the story of a young woman visited by a time-traveling pop star seeking the one woman he can love. The novella form—not novel, not short story—seemed to work best for it. It’s been the right shape for some of the most famous stories of all time, from Heart of Darkness to To Kill a Mockingbird and beyond.
I’ve traveled through time myself to choose some other favorite novellas that meaningfully capture a period and place.
One of my favorite novels of any length, Nathanael West’s short 1939 classic is at the very least the most disturbing portrait of Golden Age Hollywood and its hangers-on ever written—hideous, poignant, horribly funny.
West himself wrote scripts for B-movies in the thirties. His death at thirty-three in a car crash was perhaps, in its awful and infuriating ridiculousness, fitting. And it was the day after F. Scott Fitzgerald died.
Admired by F. Scott Fitzgerald, Dorothy Parker, and Dashiell Hammett, and hailed as one of the "Best 100 English-language novels" by Time magazine, The Day of the Locust continues to influence American writers, artists, and culture. Bob Dylan wrote the classic song "Day of the Locusts" in homage and Matt Groening's Homer Simpson is named after one of its characters. No novel more perfectly captures the nuttier side of Hollywood. Here the lens is turned on its fringes - actors out of work, film extras with big dreams, and parents lining their children up for small roles. But it's the…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I grew up hearing stories about my grandfather, who was the blacksmith in Saratoga, California, from the 1920s to the 1940s, and I wanted to write a novel about him. As I began to research his life, a world opened up to me. I learned how the suburbs I’d grown up in were built on one of the world’s greatest fruit-growing regions, and the story about my grandfather grew into a story about the profound changes we’ve wrought upon the land. That novel, The Blossom Festival, was the beginning of my lifelong engagement with the peoples and places of my home state that I’ve carried through in all the books I’ve written.
I love East of Eden because it shows California both as the promised land and the fallen world.
Adam Trask, who moves his family west after serving in the Indian wars, is one of so many Americans who sought the California dream and ended up with something different—understanding that we can not return to Eden, but have to find a way to live in the world as it is.
I also love Steinbeck’s rendering of the California landscape and climate. He describes them out of his deeply lived experience. Reading this book takes me home. The essential California novel.
California's fertile Salinas Valley is home to two families whose destinies are fruitfully, and fatally, intertwined. Over the generations, between the beginning of the twentieth century and the end of the First World War, the Trasks and the Hamiltons will helplessly replay the fall of Adam and Eve and the murderous rivalry of Cain and Abel.
East of Eden was considered by Steinbeck to be his magnum opus, and its epic scope and memorable characters, exploring universal themes of love and identity, ensure it remains one of America's most enduring novels. This edition features a stunning new cover by renowned…
I grew up hearing stories about my grandfather, who was the blacksmith in Saratoga, California, from the 1920s to the 1940s, and I wanted to write a novel about him. As I began to research his life, a world opened up to me. I learned how the suburbs I’d grown up in were built on one of the world’s greatest fruit-growing regions, and the story about my grandfather grew into a story about the profound changes we’ve wrought upon the land. That novel, The Blossom Festival, was the beginning of my lifelong engagement with the peoples and places of my home state that I’ve carried through in all the books I’ve written.
Set in the inland regions of Southern California, far from glamor, this novel contains a cross section of characters from California’s past, present, and future, all connected by blood, by place, by history. It begins with an act of violence committed to disrupt a sexual assault, and that act has consequences that echo through decades. The landscape, beautiful and treacherous and fire-prone, acts like one more character.
The novel ends with a standoff between the characters we’ve grown to know and love and ICE agents—a haunting and newly relevant image. A tremendous work of art.
One of The Washington Post's Ten Best Books of 2022. Finalist for the 2022 Kirkus Prize and the 2023 Dayton Literary Peace Prize. One of the New York Times' 10 Best California Books of 2022 and one of NPR's Best Books of 2022. A New York Times Book Review Editors' Choice.
"A wide and deep view of a dynamic, multiethnic Southern California . . . Susan Straight is an essential voice in American writing and in writing of the West." ―The New York Times Book Review
From the National Book Award finalist Susan Straight, Mecca is a stunning epic tracing…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I grew up hearing stories about my grandfather, who was the blacksmith in Saratoga, California, from the 1920s to the 1940s, and I wanted to write a novel about him. As I began to research his life, a world opened up to me. I learned how the suburbs I’d grown up in were built on one of the world’s greatest fruit-growing regions, and the story about my grandfather grew into a story about the profound changes we’ve wrought upon the land. That novel, The Blossom Festival, was the beginning of my lifelong engagement with the peoples and places of my home state that I’ve carried through in all the books I’ve written.
James D. Houston is an underrated California novelist, and Continental Drift is his best book.
I love this story of a family trying to re-establish a life in a world haunted by the aftermath of the Vietnam War and threatened by a string of inexplicable murders.
Houston’s descriptions of the land rival Steinbeck’s, and he situates the family’s home on the legendary San Andreas Fault—symbolically invoking the potential for disaster that lurks beneath the fertile soil.
The San Andreas Fault is both a real and a metaphorical player in this novel of northern California in the early 70s. Set on a ranch near Monterey Bay, it explores relationships in a family jarred by the return of a son from Vietnam, almost whole but shaken and confused. His return coincides with a series of bizarre killings that panic the community a reminder that in the legendary land of promise abundant possibilities and agents of destruction live side by side.
As a child, I learned that I was able to lucid dream at will, speaking to the beings I met in these places I’d never seen before, and it always gave me a sense of interconnectedness. A thread that goes through all of us and our histories. I believe that the ancients dedicated so much of their energy and resources to preserving their stories in order to maintain this connection because it’s so important. Inside all of us is a darkness that, if left unchecked would lead us to ruin. These books all demonstrate the inner struggle we have to understand and redirect that darkness toward the light and the good.
This book explores the customs and development of the Polynesian Islands prior to interference from European powers.
I see the rawest forms of our instincts and psychology in the indigenous peoples of the world. This book is a call for all readers to suspend the tendency to judge other cultures and time periods and just be observers.
Pulitzer Prize–winning author James A. Michener brings Hawaii’s epic history vividly to life in a classic saga that has captivated readers since its initial publication in 1959. As the volcanic Hawaiian Islands sprout from the ocean floor, the land remains untouched for centuries—until, little more than a thousand years ago, Polynesian seafarers make the perilous journey across the Pacific, flourishing in this tropical paradise according to their ancient traditions. Then, in the early nineteenth century, American missionaries arrive, bringing with them a new creed and a new way of life. Based on exhaustive research and told in Michener’s immersive prose,…
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, I’m lucky to love what I do—and so I enjoy most of what I read. But these books are special. They drew me in and wouldn’t let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
At times, immigration policies are so ludicrous that only fiction can tell a credible story of what’s happening.
In Luiselli’s novel, modern asylum policies in the United States get the storytelling they deserve through the lens of one New York family struggling with the ordinary challenges of life only to learn, bit by bit, just how close their lives are to the migrants attempting to navigate the extraordinary demands of immigration policies along the US-Mexican border.
NEW YORK TIMES 10 BEST BOOKS OF THE YEAR • “An epic road trip [that also] captures the unruly intimacies of marriage and parenthood ... This is a novel that daylights our common humanity, and challenges us to reconcile our differences.” —The Washington Post
In Valeria Luiselli’s fiercely imaginative follow-up to the American Book Award-winning Tell Me How It Ends, an artist couple set out with their two children on a road trip from New York to Arizona in the heat of summer. As the family travels west, the bonds between them begin to fray: a fracture is growing between…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I was born in Ghana and migrated to the US, where I have spent most of my adult life. The antipathy in certain circles towards immigrants still surprises me. I have tried to address this in my own way through fiction in the hope that readers can come to see migrants as multi-dimensional people with similar hopes, dreams, and aspirations. As such, I am similarly drawn to books that address the humanity of migrants. It has always been my belief that a better understanding of those we think are different from us will help bridge our various divides. I hope my recommendations help get readers there. One book at a time.
Writing about a Nigerian family’s migration from Nigeria to the US, I appreciated Atta’s ability to masterly cover a wide range of issues without losing focus.
I was totally charmed by the remarkable way in which this novel managed to take me along on a journey that ultimately raises deep appreciation of each character’s point of view in the course of touching on issues such as interracial as well as intra-racial tensions and familial strains exacerbated in a new geographic and cultural environment.
An account of an immigrant family's struggle and the lessons learned about diversity
Writing at the height of her powers, The Bad Immigrant cements Sefi Atta’s place as one of the best storytellers of our time. Through the voice of her first male protagonist, Lukmon, Atta peels away nuanced layers to expose the realities of migration from Nigeria to the USA, such as the strains of adjustment and the stifling pressure to conform without loss of identity.
Covering a wide range of issues, including interracial and intra-racial tensions, and familial strains exacerbated in a new geographic and cultural environment, this…
I spent a decade researching my own dramatic family story in Southern Italy – a story of murder and passion – so I took a deep dive to learn about a hidden culture my relatives left behind when they came here to America in steerage. As a fellow at the New York Public Library, I literally read hundreds of books, articles, and papers over those ten years to try and educate myself about the world I was entering for my own search. These are the books that touched me the most deeply – and continue to – not just with their own intense research but with their emotion and gorgeous prose.
I loved the generational sweep of this novel, its gorgeously written history of Calabria, and its character and relationship studies. Though it is fiction and borders on magical realism, Grames spent time in her ancestral village to give the setting and background a wonderful sense of authenticity.
I loved Stella, who overcame bad luck over the decades, and her intense relationship with her sister, Tina. As a woman who wondered about the back story of her own Italian grandmother and old aunts, I was captivated by the descriptions, the attention to language and detail, and this heartbreaking tale of crushing patriarchy.
'You don't read this book, you live it' Erin Kelly
'Holds the reader under a spell from start to finish' O, the Oprah Magazine
'If you're going through Elena Ferrante withdrawals, this is the book for you' Harper's Bazaar
If Stella Fortuna means 'lucky star,' then life must have a funny sense of humour.
Everybody in the Fortuna family knows the story of how the beautiful, fiercely independent Stella, who refused to learn to cook and who swore she would never marry, has escaped death time and time again.
From her childhood in Italy, to her adulthood in America, death…
My father was transferred to Southern California from Charlotte, North Carolina when I was fourteen years old. I was excited and my friends were jealous. At that point, all I knew about California was the music of the Beach Boys and the Gidget television series. I thought everyone lived on the beach and knew movie stars. I didn’t know there were neighborhoods like Reseda and Anaheim and Fountain Valley, places where people live lives that have nothing to do with the glamour and celebrity of Hollywood. California has been my home for more than fifty years. I still find it fascinating and puzzling, and I still feel like an outsider.
Flower, Grand, First is a collection of poems about Santa Ana, California and Jalisco, Mexico. The title comes from three streets in Santa Ana, where my husband’s family has lived for more than one hundred years. Hernandez’s poems are about place and displacement and examine what it feels like to be an outsider trying to make sense of life in a strange land, always searching for home. In the wonderful poem “My Father Shows Me Catalina” Hernandez writes: “Smile so you both know it’s okay that you are different. But once-in-a-while, the division is so clean it’ll cut into you.”
Gustavo Hernandez’s debut poetry collection, Flower Grand First, moves through the complex roads of immigration, sexuality, and loss. These poems are points plotted on maps both physical and emotional—the rural landscapes of Jalisco, the glimmering plains of memory, the busy cities of California, and the circular paths of grief. Hernandez’s stunning elegies float along a timeline spanning three decades, honoring family, recording a personal history, and revealing a vulnerable but resilient voice preoccupied with time, place, and what is left behind out of necessity.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m a language scientist and a writer, but most of all, a person who is smitten with language in all its forms. No doubt my fascination was shaped by my early itinerant life as a child immigrant between Czechoslovakia to Canada, with exposure to numerous languages along the way. I earned a PhD in linguistics and taught linguistics and psychology at Brown University and later, the University of Calgary, but I now spend most of my time writing for non-academic readers, integrating my scientific understanding of language with a love for its aesthetic possibilities.
This is one of the most innovative and intriguing memoirs I have read. Its structure is inspired by the visual image of the line that runs through the Punjab region, partitioning Pakistan from India. The book is separated into halves: one half relates the stories of the author’s parents, who were born on opposite sides of the line, and the other presents the author’s own experiences and observations as a second-generation immigrant. Nothing about the design of the book indicates which half should be read first—a hint that the reader will be invited to consider the resonances running in both directions across the generations.
The theme of fragmentation and division is, paradoxically, the glue that binds the various elements of the book together. The author explores the arbitrary lines, imposed by historical and cultural forces, that divide people from each other and that split their selves into parts. The portrait…
WINNER OF THE 2020 GOVERNOR GENERAL'S LITERARY AWARD FOR NONFICTION
“Wondrously and elegantly written in language that astonishes and moves the reader…This is an important book: an emotional and intellectual tour de force.” —Jane Urquhart
An experimental memoir about Partition, immigration, and generational storytelling, This Red Line Goes Straight to Your Heart weaves together the poetry of memory with the science of embodied trauma, using the imagined voices of the past and the vital authority of the present.
We begin with a man off balance: one in one thousand, the only child in town whose polio leads to partial paralysis.…
