Here are 100 books that Continental Drift fans have personally recommended if you like
Continental Drift.
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Like some other things I’ve been lucky enough to have published, The Flying Dutchman is a short work I chiseled out of a longer one. An updating of the classic romantic legend, it’s the story of a young woman visited by a time-traveling pop star seeking the one woman he can love. The novella form—not novel, not short story—seemed to work best for it. It’s been the right shape for some of the most famous stories of all time, from Heart of Darkness to To Kill a Mockingbird and beyond.
I’ve traveled through time myself to choose some other favorite novellas that meaningfully capture a period and place.
One of my favorite novels of any length, Nathanael West’s short 1939 classic is at the very least the most disturbing portrait of Golden Age Hollywood and its hangers-on ever written—hideous, poignant, horribly funny.
West himself wrote scripts for B-movies in the thirties. His death at thirty-three in a car crash was perhaps, in its awful and infuriating ridiculousness, fitting. And it was the day after F. Scott Fitzgerald died.
Admired by F. Scott Fitzgerald, Dorothy Parker, and Dashiell Hammett, and hailed as one of the "Best 100 English-language novels" by Time magazine, The Day of the Locust continues to influence American writers, artists, and culture. Bob Dylan wrote the classic song "Day of the Locusts" in homage and Matt Groening's Homer Simpson is named after one of its characters. No novel more perfectly captures the nuttier side of Hollywood. Here the lens is turned on its fringes - actors out of work, film extras with big dreams, and parents lining their children up for small roles. But it's the…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I grew up hearing stories about my grandfather, who was the blacksmith in Saratoga, California, from the 1920s to the 1940s, and I wanted to write a novel about him. As I began to research his life, a world opened up to me. I learned how the suburbs I’d grown up in were built on one of the world’s greatest fruit-growing regions, and the story about my grandfather grew into a story about the profound changes we’ve wrought upon the land. That novel, The Blossom Festival, was the beginning of my lifelong engagement with the peoples and places of my home state that I’ve carried through in all the books I’ve written.
I love East of Eden because it shows California both as the promised land and the fallen world.
Adam Trask, who moves his family west after serving in the Indian wars, is one of so many Americans who sought the California dream and ended up with something different—understanding that we can not return to Eden, but have to find a way to live in the world as it is.
I also love Steinbeck’s rendering of the California landscape and climate. He describes them out of his deeply lived experience. Reading this book takes me home. The essential California novel.
California's fertile Salinas Valley is home to two families whose destinies are fruitfully, and fatally, intertwined. Over the generations, between the beginning of the twentieth century and the end of the First World War, the Trasks and the Hamiltons will helplessly replay the fall of Adam and Eve and the murderous rivalry of Cain and Abel.
East of Eden was considered by Steinbeck to be his magnum opus, and its epic scope and memorable characters, exploring universal themes of love and identity, ensure it remains one of America's most enduring novels. This edition features a stunning new cover by renowned…
I grew up hearing stories about my grandfather, who was the blacksmith in Saratoga, California, from the 1920s to the 1940s, and I wanted to write a novel about him. As I began to research his life, a world opened up to me. I learned how the suburbs I’d grown up in were built on one of the world’s greatest fruit-growing regions, and the story about my grandfather grew into a story about the profound changes we’ve wrought upon the land. That novel, The Blossom Festival, was the beginning of my lifelong engagement with the peoples and places of my home state that I’ve carried through in all the books I’ve written.
Set in the inland regions of Southern California, far from glamor, this novel contains a cross section of characters from California’s past, present, and future, all connected by blood, by place, by history. It begins with an act of violence committed to disrupt a sexual assault, and that act has consequences that echo through decades. The landscape, beautiful and treacherous and fire-prone, acts like one more character.
The novel ends with a standoff between the characters we’ve grown to know and love and ICE agents—a haunting and newly relevant image. A tremendous work of art.
One of The Washington Post's Ten Best Books of 2022. Finalist for the 2022 Kirkus Prize and the 2023 Dayton Literary Peace Prize. One of the New York Times' 10 Best California Books of 2022 and one of NPR's Best Books of 2022. A New York Times Book Review Editors' Choice.
"A wide and deep view of a dynamic, multiethnic Southern California . . . Susan Straight is an essential voice in American writing and in writing of the West." ―The New York Times Book Review
From the National Book Award finalist Susan Straight, Mecca is a stunning epic tracing…
Trapped in our world, the fae are dying from drugs, contaminants, and hopelessness. Kicked out of the dark fae court for tainting his body and magic, Riasg only wants one thing: to die a bit faster. It’s already the end of his world, after all.
I grew up hearing stories about my grandfather, who was the blacksmith in Saratoga, California, from the 1920s to the 1940s, and I wanted to write a novel about him. As I began to research his life, a world opened up to me. I learned how the suburbs I’d grown up in were built on one of the world’s greatest fruit-growing regions, and the story about my grandfather grew into a story about the profound changes we’ve wrought upon the land. That novel, The Blossom Festival, was the beginning of my lifelong engagement with the peoples and places of my home state that I’ve carried through in all the books I’ve written.
California stories are frequently immigrant stories, and there are many to choose from.
I loved Elaine Castillo’s debut novel about three generations of Filipinos who settle in the Bay Area and fight their way to a place for themselves. The characters are vibrant and alive, querulous, sexy, ambitious, dreamy. They never completely overcome the shadow of the past in the Philippines or the conflicts of the present in the United States, but despite sadness and tragedy, the book ends with love.
Moderation, the 'passionate and tender love story' (Kaliane Bradley), is out July 2025 - available to pre-order now ______________________
Longlisted for the Aspen Literary Prize, 2019 Longlisted for the Center for Fiction First Novel Prize, 2018 Longlisted for Elle's Big Book Award, 2018
A giant debut novel about the redemptive, restorative power of love; about trust and fear; hair and makeup; food and sex; it's about belonging and...not belonging. It's a soulful literary saga set in the early nineties of San Francisco; a coming-of-age about leaving home and, sometimes, the necessity of turning back.
I’m a writer who grew up in the Midwest, moved away for a while, and has now raised my own kids here. I love reading other writers' takes on what kinds of stories they see unfolding here. As I get older, I realize that great stories can grow out of the ground anywhere, with the right amount of sunshine, darkness, and water.
I still remember reading this book, which takes place on a farm in Iowa. It was my first glimpse of the idea that something so epic could be set in a place that I thought of as so boring.
Smiley's retelling of King Lear is one for the ages and a good lesson that greatness is only limited by your imagination, not your geography.
This powerful twentieth-century reimagining of Shakespeare's King Lear centers on a wealthy Iowa farmer who decides to divide his farm among his three daughters. When the youngest objects, she is cut out of his will, which sets in motion a chain of events that brings dark truths to light. Ambitiously conceived and stunningly written, A Thousand Acres spins the most fundamental themes of truth, justice, love, and pride into a universally acclaimed masterpiece.
I’ve always been a daydreamer on the lookout for my entry into another world. I spent a good chunk of my early elementary years imagining I was a flying pony who could travel to distant lands and perform dazzling deeds. I never got my wings—but I did discover a way to reach those distant lands. Today, I have the pleasure of creating worlds of my own as the author of three published middle-grade novels: The Mutant Mushroom Takeover, Attack of the Killer Komodos, and The Legend of Greyhallow.
This was one of my favorite books as a kid. One of the things I loved about it was that it featured a regular girl with no special abilities embarking on a grand adventure.
I could easily relate to Rose Larkin and imagine myself in her shoes. I was captivated by the simple way Rose entered the new world—stepping into her aunt’s root cellar and traveling back in time to Civil War-era United States.
As a kid, I loved that Rose brought modern money with her and that just a little bit was enough to purchase quite a lot in the 1860s. I also appreciated the little historical details, like how everyone in the past assumed Rose was a boy just because she had short hair and wore jeans.
The Root Cellar thrilled my eleven-year-old heart and was such a fun way to explore another time and place.
It looked like an ordinary root cellar—and if twelve-year-old Rose hadn’t been so unhappy in her new home, where she’d been sent to live with unknown relatives, she probably would never have fled down the stairs to the root cellar in the first place. And if she hadn’t, she never would have climbed up into another century, the world of the 1860s, and the chaos of the Civil War.
“Melds past and present neatly . . . suspenseful.”—Publishers Weekly
Everyday Medical Miracles
by
Joseph S. Sanfilippo (editor),
Frontiers of Women from the healthcare perspective. A compilation of 60 true short stories written by an extensive array of healthcare providers, physicians, and advanced practice providers.
All designed to give you, the reader, a glimpse into the day-to-day activities of all of us who provide your health care. Come…
I experienced unusual events as a child. Over time, I accepted that some things exist outside rational/empirical/logical understanding. Many years later as a chaplain, I listened to patients share their life stories. Those in the final stage of life often described experiences of stepping through the veil between this world and the next. Although the mystical may not be talked about, it is always present. It can be a knowing that guides you forward in a positive direction or stops you dead in your tracks to protect you. And in a moment of grace, it can offer a reassuring glimpse of the journey ahead.
John Steinbeck’s third novel (written in 1933) explores faith and belief with a heavy dose of mysticism, pagan rites, and fantasy. The story follows Joseph Wayne to California where he establishes a thriving ranch. With a fierce connection to the land, Joseph’s beliefs are at times a raw blend of biblical and pagan. After his father dies and a drought strikes the land, Joseph’s good fortune disappears and his faith is tested. Steinbeck was better known for East of Eden andGrapes of Wrath, but this book is my favorite. It feels at times gritty and uncomfortable, but it is also intensely authentic.
While fulfilling his dead father's dream of creating a prosperous farm in California, Joseph Wayne comes to believe that a magnificent tree on the farm embodies his father's spirit. His brothers and their families share in Joseph's prosperity andthe farm flourishes - until one brother, scared by Joseph's pagan belief, kills the tree and brings disease and famine on the farm. Set in familiar Steinbeck country, TO A GOD UNKOWN is a mystical tale, exploring one man's attempt to control theforces of nature and to understand the ways of God.
History and historical fiction are my abiding passions, and as a child of the Missouri Ozarks, I’ve always been drawn to depictions of Midwestern and rural life in particular. I have studied 19th-century utopian communities for many years and have always been fascinated by the powerful appeal of such communities, and the internal dynamics that always seem to arise within them. My novel series follows the rise and decline of one such community, using it as a microcosm for American culture in general. What might seem like a byway of American history is to me a powerful source of insight.
Unlike the novels of warfare and suffering, The Moonflower Vine is an intimate portrait of family life, set in 1920s Missouri. It was a bestseller when it was first published in the early 1960s, but has since suffered neglect. But it richly rewards the reader with its heartfelt depiction of three sisters and their aging parents, whose passions, aspirations, and failures are portrayed with complex sensitivity. I don’t think historical novels have to focus on historical events – capturing the spirit of an era is just as important. And this novel took me into rural life of a hundred years ago with great generosity.
“Wit, emotion and undiminished boldness. . . . This is a book which celebrates life and warms the heart.” —Tulsa World
A timeless American classic, this beloved family saga of the heartland is “deeply felt . . . dramatic . . . constantly alive” (Harper’s Magazine)
On a farm in western Missouri during the first half of the twentieth century, Matthew and Callie Soames create a life for themselves and raise four headstrong daughters. Jessica will break their hearts. Leonie will fall in love with the wrong man. Mary Jo will escape to New York. And wild child Mathy's fate…
I write children’s books, both fiction and non-fiction, including One Duck Stuck, Big Momma Makes the World, Rattletrap Car, Plant a Pocket of Prairie, and, in collaboration with Jacqueline Briggs Martin and Liza Ketchum, Begin With A Bee, a picture book about the federally endangered rusty-patched bumblebee. Recently I have been putting my garden to bed for the winter, pulling tomato vines, harvesting beans that have dried on the vine, cutting herbs, and planting cloves of garlic to grow into heads in next year’s garden. In a couple of months snow will bury the garden beds, and the only gardens will be in the pages of books. Here are five of the children’s books that I love about growing things.
On a family farm, an old truck works long and hard. As the truck grows older, so does the young girl whose family owns the farm. When the truck is finally too worn out to work anymore, it rests and dreams. When the girl grows up and becomes a farmer, she works on the old truck until, Vroom, once again the truck is a working truck, helping the farmer on the farm. Created by two brothers who both wrote and illustrated the book (using more than 250 different stamps that they made) this book honors persistence and family.
When is an old truck something more? On a small, bustling farm, a resilient and steadfast pickup works tirelessly alongside the family that lives there, and becomes a part of the dreams and ambitions of the family's young daughter.
After long days and years of hard work leave the old truck rusting in the weeds, it's time for the girl to roll up her sleeves. Soon she is running her own busy farm, and in the midst of all the repairing and restoring, it may be time to bring her faithful childhood companion back to life.
Karl's War is a coming-of-age-meets-thriller set in Germany on the eve of Hitler coming to power. Karl – a reluctant poster boy for the Nazis – meets Jewish Ben and his world is up-turned.
Ben and his family flee to France. Karl joins the German army but deserts and finds…
My first animal story, Lost in the Snow, was based on stories that my mum and I invented together when I was very small, about our stray cat Rosie. She walked into my dad’s office and sat down in his chair when he was out at lunch! I loved imagining her adventures as a stray kitten, and those stories could be scary, sad, emotional as anything – because we knew she came home to live safe and happy with us. I’ve been creating stories about animals ever since.
I loved Betsy Byars’s books growing up. Being English, these American childhoods were so fascinatingly different! The Midnight Fox is a funny, bittersweet story of city boy Tom falling in love with the wildlife of the forest – and most of all with the beautiful midnight fox and her cub. But by making them more familiar with humans, he ends up attracting them closer to the farm and putting them in danger – it’s such a heartbreaking, beautiful book.
The Midnight Fox is an atmospheric and heartfelt story, and one of Betsy Byars' best-loved classics.
And then, this afternoon,' Uncle Fred said to me, 'you and I'll go after the fox.'
Tom, a town boy, is horrified when his parents tell him he has to stay on Aunt Millie's farm while they are away. He finds country life every bit as strange and uncomfortable as he feared. But soon, he discovers a rare black fox with green eyes, living with her cubs in the forest. Suddenly, the summer is full of excitement. That is, until Uncle Fred decides to…
