Here are 100 books that Continental Drift fans have personally recommended if you like
Continental Drift.
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Like some other things I’ve been lucky enough to have published, The Flying Dutchman is a short work I chiseled out of a longer one. An updating of the classic romantic legend, it’s the story of a young woman visited by a time-traveling pop star seeking the one woman he can love. The novella form—not novel, not short story—seemed to work best for it. It’s been the right shape for some of the most famous stories of all time, from Heart of Darkness to To Kill a Mockingbird and beyond.
I’ve traveled through time myself to choose some other favorite novellas that meaningfully capture a period and place.
One of my favorite novels of any length, Nathanael West’s short 1939 classic is at the very least the most disturbing portrait of Golden Age Hollywood and its hangers-on ever written—hideous, poignant, horribly funny.
West himself wrote scripts for B-movies in the thirties. His death at thirty-three in a car crash was perhaps, in its awful and infuriating ridiculousness, fitting. And it was the day after F. Scott Fitzgerald died.
Admired by F. Scott Fitzgerald, Dorothy Parker, and Dashiell Hammett, and hailed as one of the "Best 100 English-language novels" by Time magazine, The Day of the Locust continues to influence American writers, artists, and culture. Bob Dylan wrote the classic song "Day of the Locusts" in homage and Matt Groening's Homer Simpson is named after one of its characters. No novel more perfectly captures the nuttier side of Hollywood. Here the lens is turned on its fringes - actors out of work, film extras with big dreams, and parents lining their children up for small roles. But it's the…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
As a child, when my grandmother needed quiet, she sat me down with a stack of National Geographics. The pictures stimulated my interest in foreign cultures. Similarly, spending time in a scientific community awakened a curiosity in the natural world. Completing a PhD in anthropology gave me the tools to realize these goals—immersion in foreign cultures being a main one. When immersion was not possible, books provided a happy substitute. The anthropologist Clifford Geertz once said, “Anthropologists hope to find in the little what eludes them in the large, to stumble upon general truths while sorting through special cases” (1968:4). This has largely been my approach.
It seems odd to add a novel, written in 1952, to non-fiction books delving into hot-button topics...
Better than any current book I know, East of Eden is a classic of human relationships, bringing us back to the greatest mystery of all—why human behavior is so unpredictable. Purported to be a retelling of the Biblical story of Cain and Abel, it is much more than that, in its exploration of good and evil, genetic inheritance, contextual influences, ethnic traits, human needs, and innate capacities, all elements touched on in the other four books.
In the end, Steinbeck implies that deep questions can never be predictable because they depend on the Hebrew concept “timshel," ("thou mayest"), the essential question of the day, the power of choice.
California's fertile Salinas Valley is home to two families whose destinies are fruitfully, and fatally, intertwined. Over the generations, between the beginning of the twentieth century and the end of the First World War, the Trasks and the Hamiltons will helplessly replay the fall of Adam and Eve and the murderous rivalry of Cain and Abel.
East of Eden was considered by Steinbeck to be his magnum opus, and its epic scope and memorable characters, exploring universal themes of love and identity, ensure it remains one of America's most enduring novels. This edition features a stunning new cover by renowned…
I grew up hearing stories about my grandfather, who was the blacksmith in Saratoga, California, from the 1920s to the 1940s, and I wanted to write a novel about him. As I began to research his life, a world opened up to me. I learned how the suburbs I’d grown up in were built on one of the world’s greatest fruit-growing regions, and the story about my grandfather grew into a story about the profound changes we’ve wrought upon the land. That novel, The Blossom Festival, was the beginning of my lifelong engagement with the peoples and places of my home state that I’ve carried through in all the books I’ve written.
Set in the inland regions of Southern California, far from glamor, this novel contains a cross section of characters from California’s past, present, and future, all connected by blood, by place, by history. It begins with an act of violence committed to disrupt a sexual assault, and that act has consequences that echo through decades. The landscape, beautiful and treacherous and fire-prone, acts like one more character.
The novel ends with a standoff between the characters we’ve grown to know and love and ICE agents—a haunting and newly relevant image. A tremendous work of art.
One of The Washington Post's Ten Best Books of 2022. Finalist for the 2022 Kirkus Prize and the 2023 Dayton Literary Peace Prize. One of the New York Times' 10 Best California Books of 2022 and one of NPR's Best Books of 2022. A New York Times Book Review Editors' Choice.
"A wide and deep view of a dynamic, multiethnic Southern California . . . Susan Straight is an essential voice in American writing and in writing of the West." ―The New York Times Book Review
From the National Book Award finalist Susan Straight, Mecca is a stunning epic tracing…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I grew up hearing stories about my grandfather, who was the blacksmith in Saratoga, California, from the 1920s to the 1940s, and I wanted to write a novel about him. As I began to research his life, a world opened up to me. I learned how the suburbs I’d grown up in were built on one of the world’s greatest fruit-growing regions, and the story about my grandfather grew into a story about the profound changes we’ve wrought upon the land. That novel, The Blossom Festival, was the beginning of my lifelong engagement with the peoples and places of my home state that I’ve carried through in all the books I’ve written.
California stories are frequently immigrant stories, and there are many to choose from.
I loved Elaine Castillo’s debut novel about three generations of Filipinos who settle in the Bay Area and fight their way to a place for themselves. The characters are vibrant and alive, querulous, sexy, ambitious, dreamy. They never completely overcome the shadow of the past in the Philippines or the conflicts of the present in the United States, but despite sadness and tragedy, the book ends with love.
Moderation, the 'passionate and tender love story' (Kaliane Bradley), is out July 2025 - available to pre-order now ______________________
Longlisted for the Aspen Literary Prize, 2019 Longlisted for the Center for Fiction First Novel Prize, 2018 Longlisted for Elle's Big Book Award, 2018
A giant debut novel about the redemptive, restorative power of love; about trust and fear; hair and makeup; food and sex; it's about belonging and...not belonging. It's a soulful literary saga set in the early nineties of San Francisco; a coming-of-age about leaving home and, sometimes, the necessity of turning back.
I’m a writer who grew up in the Midwest, moved away for a while, and has now raised my own kids here. I love reading other writers' takes on what kinds of stories they see unfolding here. As I get older, I realize that great stories can grow out of the ground anywhere, with the right amount of sunshine, darkness, and water.
I still remember reading this book, which takes place on a farm in Iowa. It was my first glimpse of the idea that something so epic could be set in a place that I thought of as so boring.
Smiley's retelling of King Lear is one for the ages and a good lesson that greatness is only limited by your imagination, not your geography.
This powerful twentieth-century reimagining of Shakespeare's King Lear centers on a wealthy Iowa farmer who decides to divide his farm among his three daughters. When the youngest objects, she is cut out of his will, which sets in motion a chain of events that brings dark truths to light. Ambitiously conceived and stunningly written, A Thousand Acres spins the most fundamental themes of truth, justice, love, and pride into a universally acclaimed masterpiece.
I’ve always been a daydreamer on the lookout for my entry into another world. I spent a good chunk of my early elementary years imagining I was a flying pony who could travel to distant lands and perform dazzling deeds. I never got my wings—but I did discover a way to reach those distant lands. Today, I have the pleasure of creating worlds of my own as the author of three published middle-grade novels: The Mutant Mushroom Takeover, Attack of the Killer Komodos, and The Legend of Greyhallow.
This was one of my favorite books as a kid. One of the things I loved about it was that it featured a regular girl with no special abilities embarking on a grand adventure.
I could easily relate to Rose Larkin and imagine myself in her shoes. I was captivated by the simple way Rose entered the new world—stepping into her aunt’s root cellar and traveling back in time to Civil War-era United States.
As a kid, I loved that Rose brought modern money with her and that just a little bit was enough to purchase quite a lot in the 1860s. I also appreciated the little historical details, like how everyone in the past assumed Rose was a boy just because she had short hair and wore jeans.
The Root Cellar thrilled my eleven-year-old heart and was such a fun way to explore another time and place.
It looked like an ordinary root cellar—and if twelve-year-old Rose hadn’t been so unhappy in her new home, where she’d been sent to live with unknown relatives, she probably would never have fled down the stairs to the root cellar in the first place. And if she hadn’t, she never would have climbed up into another century, the world of the 1860s, and the chaos of the Civil War.
“Melds past and present neatly . . . suspenseful.”—Publishers Weekly
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
I experienced unusual events as a child. Over time, I accepted that some things exist outside rational/empirical/logical understanding. Many years later as a chaplain, I listened to patients share their life stories. Those in the final stage of life often described experiences of stepping through the veil between this world and the next. Although the mystical may not be talked about, it is always present. It can be a knowing that guides you forward in a positive direction or stops you dead in your tracks to protect you. And in a moment of grace, it can offer a reassuring glimpse of the journey ahead.
John Steinbeck’s third novel (written in 1933) explores faith and belief with a heavy dose of mysticism, pagan rites, and fantasy. The story follows Joseph Wayne to California where he establishes a thriving ranch. With a fierce connection to the land, Joseph’s beliefs are at times a raw blend of biblical and pagan. After his father dies and a drought strikes the land, Joseph’s good fortune disappears and his faith is tested. Steinbeck was better known for East of Eden andGrapes of Wrath, but this book is my favorite. It feels at times gritty and uncomfortable, but it is also intensely authentic.
While fulfilling his dead father's dream of creating a prosperous farm in California, Joseph Wayne comes to believe that a magnificent tree on the farm embodies his father's spirit. His brothers and their families share in Joseph's prosperity andthe farm flourishes - until one brother, scared by Joseph's pagan belief, kills the tree and brings disease and famine on the farm. Set in familiar Steinbeck country, TO A GOD UNKOWN is a mystical tale, exploring one man's attempt to control theforces of nature and to understand the ways of God.
As a teenager, I visited my uncle, who farmed rice in southern Haiti. I met a community that helped me understand that food is not just about dollars and cents—it’s about belonging, it’s about identity. This experience inspired me to become an aid worker. For the last 20+ years, I have worked to mend broken food systems all over the world. If we don’t get food right, hunger will threaten the social fabric.
I read this novel in a single day when I was in high school. It is about a struggling farming community in Haiti that comes together against all odds to build a better future. This book is lively and told with compassion.
I found Roumain’s exploration of the Haitian psyche in this book revealing; it taught me much about rural Haitian culture. Reading this book at a young age put me on the path to becoming an aid worker focusing on food security. In fact, I dedicated my first book to the Masters of the Dew.
A new English-language edition of this novel, which tells of the traditional rural life and people of Haiti, dominated by the natural world. This is a deeply powerful story of the harsh existence of peasant farmers struggling in a world both beautiful and unforgiving. The tale begins with the return of Manuel, a prodigal son, to his aging parents homestead and the realities of subsistence agriculture in a drought-stricken region. He brings new ideas, with the potential to transform the lives of people in the community. He encounters old feuds and resistance to change but he persists, and his determination…
I write children’s books, both fiction and non-fiction, including One Duck Stuck, Big Momma Makes the World, Rattletrap Car, Plant a Pocket of Prairie, and, in collaboration with Jacqueline Briggs Martin and Liza Ketchum, Begin With A Bee, a picture book about the federally endangered rusty-patched bumblebee. Recently I have been putting my garden to bed for the winter, pulling tomato vines, harvesting beans that have dried on the vine, cutting herbs, and planting cloves of garlic to grow into heads in next year’s garden. In a couple of months snow will bury the garden beds, and the only gardens will be in the pages of books. Here are five of the children’s books that I love about growing things.
First published in French and illustrated with wonderfully vivid art, this is a story of a farmer who works hard mowing, raking, digging, watering in his fields. He rejoices when things begin to grow, but a drought threatens all his hard work. The farmer is not alone, though, in his efforts, and the art shows the farm animals helping, followed by rain falling and bringing his fields to colorful and joyful abundance. Hard work matters, and so do friends.
A farmer's hard work is rewarded in this eco-friendly and elegantly illustrated picture book.
A New York Times/New York Public Library Best Illustrated Book of the Year!
In the town, everyone is sleeping. But not Paul.
Paul mows. Paul rakes. Paul sows. Paul draws water. And soon Paul has beautiful plants and flowers growing all around him. But one day, the water dries up. The sun beats down. Paul despairs. But thanks to his animal friends, and a bit of rain, help is on the way . . .
Filled with vivid illustrations of Paul's hard work, the brilliant blooms…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
Navigating life with grief has been a lifelong journey for me ever since I was a young child. At 8 years old, I was in a car accident which took the lives of my parents and four of my siblings. Since then, I’ve faced a huge mountain in front of me – How do you move forward in life when you have lost everything? This journey led me to now share my story of childhood loss and healing in hopes of helping others. As a counselor, I’m a huge mental health advocate and love books which tackle hard emotions that help readers of all ages feel more understood and equipped for their journey ahead.
First, the author uses the most beautiful language that reads like poetry. Second, though the story of what the author experienced is heart wrenching, she does such a great job of offering so much hope and joy in her words. As I’ve learned from my own hard experiences, gratitude is the key to living a full and abundant life.
Voskamp describes in every page how her choosing joy over despair is what keeps her going in life. Her joy and gratitude are contagious and leaves the reader wanting to know more about how they too can find this same gratitude in life and come to know her God.
More than 1.5 million copies sold! In this beautiful tenth anniversary edition of her bestselling book, New York Times bestselling author Ann Voskamp invites you to embrace everyday blessings and embark on the transformative journey of chronicling God's gifts.
How can you find joy in the midst of deadlines, debt, drama, and even the death of loved ones? What does the Christ-life really look like when your days are gritty, long, and sometimes even dark? How is God even here?
"It is in the dark that God is passing by . . . our lives shake not because God has…
