Here are 80 books that All the Names fans have personally recommended if you like
All the Names.
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I am a Pulitzer-nominated writer who began as a poet, then shifted to prose during a period of aesthetic and personal crisis in my life. I am interested in how the novelist can gather and curate fascinating facts for the reader and incorporate them into the text. I see writing as a great adventure and investigation into issues of empathy, power, and powerlessness, and the individual in an increasingly technological world.
When I wrote my first novel, I began investigating modern-day technology—robotics, bioengineering, AI, and information technology—and have read and worked in this area for over 15 years. It is a pleasure to share some of the books that have informed my own journey.
Truly a book for the ages, how could I not recommend this? It is THE iconic book about a constructed being and his consequent travails.
Made by Victor Frankenstein from all sorts of collected detritus, when the monster opens his “yellow, watery eyes,” the scientist flees from him and never looks back. The monster is left to negotiate the world on his own, but much like a newborn baby, he is ignorant and unequipped to do so.
I love how, unlike the popular concept of the monster, he is, in fact, a vegetarian, and at the start, very vulnerable and peaceful. He learns to read by sitting outside a cottage where he can hear the cottagers teaching a foreigner to read.
I wrote a whole novel about him, A Monster’s Notes, which transports him into the 21st century.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I love historical settings and detail – I love coming away from a novel feeling like I’ve also learned something about the world. But I also like lots and lots of plot and intensity. Historical fiction slash mystery novels hit the spot just right. Though my own work thus far is more on the historical fiction side, I do try to plot it like a mystery, with lots of questions, revelations, and discoveries to be made as you go along.
A gorgeous, extravagant dual-timeline historical mystery about late-20th-century academics researching a pair of (fictional) Victorian poets – did they or didn’t they?
If you like library settings, fictional documents (letters, poems – lots of poems), and a good dose of poking-fun-at-academia, you’ll love it. Yes, it is also a movie (though I can’t speak to it).
Possession is an exhilarating novel of wit and romance, at once a literary detective novel and a triumphant love story. It is the tale of a pair of young scholars investigating the lives of two Victorian poets. Following a trail of letters, journals and poems they uncover a web of passion, deceit and tragedy, and their quest becomes a battle against time.
I’ve been an archivist at Canada’s national archives for more than twenty years. I love my job. Archives are, by their very nature, a collection of miscellany that weren’t created to be preserved or remembered. They are the scraps of paper and hurriedly sent emails produced while the world is out making history. As a result, they offer unselfconscious glimpses into the past. Archives are poorly understood, which means that the folks who decide to devote their professional lives to them are often a little quirky and a bit odd. This makes books featuring archivists celebrations of the off-kilter, the overlooked, and the frankly strange.
Bear is a slim, easy-to-read story about an archivist who travels to a remote northern cabin to catalog its contents, discovering surprising insights about herself and the world. It is funny, it is insightful. It is also marketed as “a tale of erotic love between an archivist and a bear.” Yup. I promise you, though, that somehow it’s not weird – just delightful and strange and highly enjoyable.
As a young archivist, did I make my first professional conference presentation about this novel? Yes!
Did it limit my career?
Possibly!
Does that paper hold the record for most times “bestiality” was mentioned in an Association of Ontario Archivists conference?
'A strange and wonderful book, plausible as kitchens, but shapely as a folktale, and with the same disturbing resonance.' -- Margaret Atwood
'Bear,' she cried. 'I love you. Pull my head off.'
Lou is a librarian at the local Heritage Institute who lives a mole-like existence, buried among maps and manuscripts in her dusty basement office.
The chance to escape the monotony of her city life comes when she is summoned to a remote island to inventory the late Colonel Jocelyn Cary's estate. Hoping for an industrious summer of cataloguing, Lou heads north.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve been an archivist at Canada’s national archives for more than twenty years. I love my job. Archives are, by their very nature, a collection of miscellany that weren’t created to be preserved or remembered. They are the scraps of paper and hurriedly sent emails produced while the world is out making history. As a result, they offer unselfconscious glimpses into the past. Archives are poorly understood, which means that the folks who decide to devote their professional lives to them are often a little quirky and a bit odd. This makes books featuring archivists celebrations of the off-kilter, the overlooked, and the frankly strange.
This story is centred around Grace, a recently dumped library technician who is assigned to catalogue a previously “lost” trove of letters from Amelia Earhart. It’s a wonderful back-and-forth through Grace’s attempts to recover from her grief and move on with life while learning valuable lessons in courage and staying true to yourself from her immersion in the life of Amelia Earhart.
Grace Porter is reeling from grief after her partner of seven years unexpectedly leaves. Amidst her heartache, the 30 year-old library tech is tasked with reading newly discovered letters that Amelia Earhart wrote to her lover, Gene Vidal. She becomes captivated by the famous pilot who disappeared in 1937. Letter by letter, she understands more about the aviation hero while piecing her own life back together. When Grace discovers she is pregnant, her life becomes more intertwined with the mysterious pilot and Grace begins to write her own letters to Amelia. While navigating her third trimester, amidst new conspiracy theories…
I’ve been an archivist at Canada’s national archives for more than twenty years. I love my job. Archives are, by their very nature, a collection of miscellany that weren’t created to be preserved or remembered. They are the scraps of paper and hurriedly sent emails produced while the world is out making history. As a result, they offer unselfconscious glimpses into the past. Archives are poorly understood, which means that the folks who decide to devote their professional lives to them are often a little quirky and a bit odd. This makes books featuring archivists celebrations of the off-kilter, the overlooked, and the frankly strange.
A dark meditation on guilt, love, and marriage, it intersperses the story of Matthias, the titular archivist with the life and work of T. S. Eliot, whose letters he’s charged with keeping. When a young scholar wants to read these letters ahead of their scheduled opening, Matthias must wrestle with his own repressed feelings about his past, with some incidents paralleling the poet’s. I enjoyed it for the meditation on how archives can bridge that gap between the past and the present.
A battle of wills between Matt, a careful, orderly archivist for a private university, and Roberta, a determined young poet, over a collection of T.S. Eliot's letters, sealed by bequest until 2019, sparks an unusual friendship and reawakens painful memories of the past
I am both a writer and a teacher of writing at the university. I have always wanted to be a writer, even though one of my aunts lied to me when I was five that writers would be poor and would die of tuberculosis. I like listening to stories of ordinary people and can learn so much from them. I studied English literature and psychology in my undergraduate studies. I hold a PhD in applied linguistics. I enjoy reading about the subject of philosophy and am fascinated by the theories revolving around ethics. Naturally, I challenge my characters with moral dilemmas so I can write about their struggles.
First published in German in 1939, I find this book still relevant to our time. One lesson I have learned is to examine my feelings toward those who are less fortunate. Other than feeling a sense of pity, how else should I react? The book makes me think about whether our pity as an outsider really helps or whether this feeling only serves as a defense mechanism that helps relieve our guilty feelings over living a life of abundance and security.
Hofmiller, the main protagonist of the book experiences such a moral dilemma: should he do more for a young woman who is less fortunate? The juxtaposition of his actions and those of the young woman’s father works exceedingly well.
Wes Anderson on Stefan Zweig: "I had never heard of Zweig...when I just more or less by chance bought a copy of Beware of Pity. I loved this first book. I also read the The Post-Office Girl. The Grand Budapest Hotel has elements that were sort of stolen from both these books. Two characters in our story are vaguely meant to represent Zweig himself — our “Author” character, played by Tom Wilkinson, and the theoretically fictionalised version of himself, played by Jude Law. But, in fact, M. Gustave, the main character who is played by Ralph Fiennes, is modelled significantly…
I am both a writer and a teacher of writing at the university. I have always wanted to be a writer, even though one of my aunts lied to me when I was five that writers would be poor and would die of tuberculosis. I like listening to stories of ordinary people and can learn so much from them. I studied English literature and psychology in my undergraduate studies. I hold a PhD in applied linguistics. I enjoy reading about the subject of philosophy and am fascinated by the theories revolving around ethics. Naturally, I challenge my characters with moral dilemmas so I can write about their struggles.
If you are looking for a classic that tells a tale of adultery, murder, and revenge set in nineteenth-century Paris, you must read this book. I was completely absorbed with the story even though I was so busy moving across states at the time.
No one was a born murderer, and Laurent did not seem to be one. I was eager to not just finish reading the book but to study the psychology of the murderer. What made him turn cold-blooded and evil? His downfall was brought about by no one other than his own deadly sins—sloth and greed.
Perhaps his most famous work, Emile Zola's Therese Raquin is a dark and gripping story of lust, violence and guilt, set in the gloomy back streets of Paris. This Penguin Classics edition is translated with notes and an introduction by Robin Buss.
In the claustrophobic atmosphere of a dingy haberdasher's shop on the Passage du Pont-Neuf in Paris, Therese Raquin is trapped in a loveless marriage to her sickly cousin, Camille. The numbing tedium of her life is suddenly shattered when she embarks on a turbulent affair with her husband's earthy friend Laurent, but their animal passion for each other…
I am both a writer and a teacher of writing at the university. I have always wanted to be a writer, even though one of my aunts lied to me when I was five that writers would be poor and would die of tuberculosis. I like listening to stories of ordinary people and can learn so much from them. I studied English literature and psychology in my undergraduate studies. I hold a PhD in applied linguistics. I enjoy reading about the subject of philosophy and am fascinated by the theories revolving around ethics. Naturally, I challenge my characters with moral dilemmas so I can write about their struggles.
I love the fact that the book makes my mind busy. If the tragic hero of the story, Michel chose duty over freedom, he wouldn’t be a very bad person, would he? He remained faithful to his wife until her death. When it was not necessary to perform his duty anymore, he freed himself from worldly ties and indulged in his own pleasures.
I love this book because it has so many layers. I love Michel because he dares to show his badness. One scene describes Michel’s beard being shaved off as though he wants to reveal what lies underneath. He compares himself to a Palimpset that contains the most ancient writing on its first layer. He is probably old Adam who feels compelled to act upon his original desire.
“The humanist has four leading characteristics—curiosity, a free mind, belief in good taste, and a belief in the human race—and all four are present in Gide. . . . The humanist of our age.” —E. M. Forster
A Penguin Classic
In The Immoralist, André Gide presents the confessional account of a man seeking the truth of his own nature. The story’s protagonist, Michel, knows nothing about love when he marries the gentle Marceline out of duty to his father. On the couple’s honeymoon to Tunisia, Michel becomes very ill, and during his recovery he meets a young Arab boy whose…
In life and writing I’m torn between a desire for solitude and for connection with people. As a young woman I lived in a cottage miles from friends, working from home while my husband was at work, bringing up our first child. No email, no texting, few visitors. It was idyllic, and I was desperately lonely; that’s when I began to write. We moved, I found friends. But still I dream of solitude. Could I handle it now? It’s surely why I found myself writing a novel about a young woman who finds herself suddenly alone in the wild, with no friends – doesn’t everyone write about the things they fear?
This novel has everything I love – a narrator who’s definitely not telling us everything, newly arrived in a remote house by a lake in Norway that is so clearly drawn I can see and feel it in my bones.
Trond has secrets and this is where he’s going to live now. There’s a man down the track whose window he can see when it falls dark. A river flows fast beyond the trees. Petterson’s beautiful, spare writing creates a filmic atmosphere in which past mysteries unfold as Trond begins to learn to live alone with his past.
Stunning story-telling, wonderful place-setting, and a character utterly unlike me that I loved reading in his solitude.
A bestseller and winner of the IMPAC Dublin Literary Award, now in paperback from Graywolf Press for the first time
We were going out stealing horses. That was what he said, standing at the door to the cabin where I was spending the summer with my father. I was fifteen. It was 1948 and oneof the first days of July.
Trond's friend Jon often appeared at his doorstep with an adventure in mind for the two of them. But this morning was different. What began as a joy ride on "borrowed" horses ends with Jon falling into a strange trance…
In 2006, I told a friend I wanted to write a book about grieving the death of a friend. Despite the fact that I’d never written a book before, she gave me her enthusiastic approval. Six months later she was dead. She inspired me to turn that book idea into a series of little books: the Friend Grief series. Just as I was finishing the last one, I began work on a full-length book that took me back to my work in the early days of AIDS. When COVID began, I returned to writing about friend grief. And I lost over a dozen friends while I wrote the book.
Jennifer Haupt has collected a diverse, fascinating, and powerful group of writers who dig deep into the challenges we faced at the height of COVID.
The anthology, a fundraiser for the Book Industry Charitable Foundation, features poems, essays, interviews, and more. I found the wide range of experiences and emotions both comforting and inspiring.
"Could there be a timelier gift to quarantined readers...? I doubt it." - The Washington Post "A heartening gathering of writers joining forces for community support." - Kirkus Reviews "Connects writers, readers, and booksellers in a wonderfully imaginative way. It's a really good book for a really good cause" - Bestselling author James Patterson ALONE TOGETHER: Love, Grief, and Comfort in the Time of COVID-19 is a collection of essays, poems, and interviews to serve as a lifeline for negotiating how to connect and thrive during this stressful time of isolation as well as a historical perspective that will remain…
