Having worked in archives, I know that they are utterly magical places full of hidden treasures, precious memories, and poignant, tiny moments that tell us so much about our humanity. I’ve spent a lifetime living in the past, hunting through unusual objects, reels of film, letters, and documents that may have once been discarded, but form an essential part of microhistories that might otherwise be forgotten. That’s why I’ve written about the marginalised filmmakers of Northern Ireland – amateur and independent creatives who were shooting alternative images of a place whose conflict was seen all across the world, but whose daily life was not recorded in any meaningful way by broadcast cameras.
This is the best book out there about the ups and downs, the value and the degradation, the profundity and the shallow pettiness of universities.
It is also an achingly profound commentary on the disappointment of life, when beauty and fulfilment are always just out of reach.
Stoner reminds me that the vast archive of books out there is always growing, and there’ll never be enough time to read the best of what’s already been written, never mind try to grapple with a steady stream of new classics. Even so, I know I’ll read this book again and again.
'It's the most marvellous discovery for everyone who loves literature' Ian McEwan, BBC Radio 4
Colum McCann once called Stoner one of the great forgotten novels of the past century, but it seems it is forgotten no longer - in 2013 translations of Stoner began appearing on bestseller lists across Europe. Forty-eight years after its first, quiet publication in the US, Stoner is finally finding the wide and devoted readership it deserves. Have you read it yet?
William Stoner enters the University of Missouri at nineteen to study agriculture. A seminar on English literature…
Having worked in several archives, I know they are magical places, full of treasures that must be protected and cared for with a delicate touch and a responsibility to both past and future. Although people often think of archives as official institutions housing government records, artefacts can be personal documents, films, or objects, capturing tiny moments that make up grand histories.
This book interweaves the poetry and factual background of T.S. Eliot with the life of the fictional archivist who protects his collections. Both men struggle with difficult marriages, and the fact that their wives are institutionalised due to mental health issues.
It’s a story about the importance of remembering and understanding the past. It’s also a book about why certain writers create archives around their work, and how these documents help us understand their creativity.
A battle of wills between Matt, a careful, orderly archivist for a private university, and Roberta, a determined young poet, over a collection of T.S. Eliot's letters, sealed by bequest until 2019, sparks an unusual friendship and reawakens painful memories of the past
Winter Journeys is a story of music, memory, and imagination.
At summer’s end, Ilona Miller loses her job. Instead of adjusting her attitude and sending out resumes, she retreats into grief and paranoid imaginings by day and wanders the streets at night. A long-dormant alter ego awakes and prompts a…
A stunning collection of images of actors captured across a generation in the elusive space of “the half” – the thirty minutes of intensity just before the curtain is raised.
It’s a window into the private space of the actor as they prepare to share their craft with the audience. It also demonstrates how an archive of photographs, captured over several decades, can take on new meaning when represented as a full collection.
For me, the most striking image is one of Natasha Richardson, arms outstretched, in a partially transparent flowing gown as she prepares to appear in The Seagull by Anton Chekov. She is ghostly and ethereal in this breathtaking black-and-white portrait from 1985. Her sister Joely adorns the opposite page, taking to Old Vic in the same year.
For twenty-five years, actors have given Simon Annand unprecedented access to photograph them in the intimacy of their dressing-rooms during the 30 minutes before curtain-up - 'the half'. This magnificent book offers not only a dazzling gallery of actors - including Anthony Hopkins, Cate Blanchett, Daniel Day Lewis, Judi Dench, John Gielgud, Vanessa Redgrave, Jim Broadbent, Jeremy Irons, Glenda Jackson, Jude Law, Charlotte Rampling, Michael Gambon, Maggie Smith, Martin Sheen, Felicity Kendal, Kevin Spacey and Ralph Fiennes - but also a meditation on the mystery of the final stage of an actor's journey.
A book about how the microhistories found in personal archives are essential to our understanding of how people respond to the world around them, how they form and document their own identities, and how, sometimes, a true understanding of a life may come only through sifting through the ephemera of a person after their death.
But do we have the right to look? The author asks us to think of how we view the dead and whether the rights they held during life should still be attributed to them when they no longer inhabit this world.
A book full of the ideas of other writers and cultural theorists that moves deftly between memoir, history, and poetry.
With the death of her aunt, the narrator is left to sift through an apartment full of faded photographs, old postcards, letters, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled with calm, steady hands, these shards tell the story of how a seemingly ordinary Jewish family somehow managed to survive the myriad persecutions and repressions of the last century.
In dialogue with writers like Roland Barthes, W. G. Sebald, Susan Sontag, and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping…
Jo Jackson believes she has put behind her difficult childhood with a charismatic but sometimes violent father. One day, however, out of the blue, she is moved to write about him. Immediately she comes unstuck, face to face with things that don't add up, and a growing sense of mystery…
I felt incredibly voyeuristic reading the letters of an eager child, a sensitive teenager, and an impressive young student.
These are letters by someone with a ravenous appetite for all that life has to offer: food, company, experiences, books, history, and travel. We see the writer blossom through the excerpts of her poetry that are included, but also in the heartfelt, lyrical, and eloquent letters to family, friends, and boyfriends.
Her life is packed full of a dizzying array of activity, and, as she admits herself, she loves to alternate periods of intense study with social life and excursions with friends as far as she can travel.
Not a minute is wasted, even during the dark times that she documents, and the melancholy that is felt by the reader who possesses hindsight intensifies the feeling that we have no right to read these words, and yet they are so compelling, it is impossible to look away.
Sylvia Plath (1932-1963) was one of the writers who defined the course of twentieth-century poetry. Her vivid, daring and complex poetry continues to captivate new generations of readers and writers.
In the Letters, we discover the art of Plath's correspondence, most of which has never before been published and is here presented unabridged, without revision, so that she speaks directly in her own words. Refreshingly candid and offering intimate details of her personal life, Plath is playful, too, entertaining a wide range of addressees, including family, friends and professional contacts, with inimitable wit and verve. The letters document Plath's extraordinary…
The portrayal of Ireland on screen has been problematic due to a lack of a sustained indigenous film industry for most of the twentieth century. However, before this, many talented non-professional filmmakers were capturing events that hold valuable clues to an internal social and historical perspective on twentieth-century Ireland.
Northern Ireland has a rich heritage of amateur and independent cinema, including several prolific filmmakers and collectives. Many of these image makers garnered awards on the prestigious international independent film circuit and had their work shown in film festivals and on television. Crucially, they offered an alternative and illuminating view to the mainstream cinema of a conflicted region that was often filmed but little understood, while also laying the groundwork for the vibrant film culture that exists in Northern Ireland today.
