Here are 100 books that Possession fans have personally recommended if you like
Possession.
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I’ve always loved stories that rearrange reality in some simple, allusive way, including movies like Groundhog Day or The Truman Show. They remind me of a quote about Italo Calvino that I first read when I was a teenager and have loved ever since: ‘He holds a mirror up to life, then writes about the mirror.’ I tend not to be attracted to stories that simply depict reality and even less so to stories that completely abandon reality for an invented fantasy world. All my favorite fictions take place somewhere in between, in the blending of the real and the impossible.
It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.
I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart.
What if you could live again and again, until you got it right?
On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.
On a foggy morning in New York City, a man and a woman run into each other, literally. The man, a writer, invites the woman, an artist, for coffee. They married just two months later. And four years later, their marriage is crumbling. On a foggy morning in New York…
In addition to writing novels, I’m also a playwright. Whatever form I work in, I’m drawn to character, drama, and emotion. I aspire to write literary page-turners that feel as rich and complicated as real life. Also, I want the endings of my books to slay readers and break their hearts. Of course, when I say that, I’m not necessarily speaking of sorrow; sometimes your heart breaks from expanding, from a surfeit of feeling. Your heart breaks only to grow larger.
This novel about a fifteen-year-old girl’s affair with an older, wealthy man is a provocative exploration of memory. The novel’s language is arch and lyric, always making me feel as if I’ve been hypnotized.
The book is a love story, but in this story, love doesn’t lead to salvation. Still, the splendid, haunting language lifts the tale into the realm of the mythic.
A sensational international bestseller, and winner of Frances' coveted Prix Goncourt, 'The Lover' is an unforgettable portrayal of the incandescent relationship between two lovers, and of the hate that slowly tears the girl's family apart.
Saigon, 1930s: a poor young French girl meets the elegant son of a wealthy Chinese family. Soon they are lovers, locked into a private world of passion and intensity that defies all the conventions of their society.
A sensational international bestseller, 'The Lover' is disturbing, erotic, masterly and simply unforgettable.
Ever since I was a child, I’ve been dismayed by the humdrum monotony of everyday life. Of course, that is why one is drawn to books. The books on this list are historical fiction with otherworldly wonder. The world of the imagination is not an escape; it’s a portal to a new view of life. I’ve written four books set in the Italian Renaissance and two set in ancient Britain. Because of the depth of research, each one has taken about eight years. I’m constantly astonished at how imagination can fill the gaps history leaves. Striving always for plausibility, it is encouraging to count historians and archaeologists amongst my readers, cheering me on.
Another bell-ringer is this wonderful novel which upturned everything I’d thought about Shakespeare’s wife.
It so deftly weaves what is known with what is imagined. Away with Anne Hathaway! Meet Agnes Shakespeare. The ending of the book was terrific, and they managed to capture that in the film.
WINNER OF THE 2020 WOMEN'S PRIZE FOR FICTION - THE NO. 1 BESTSELLER 2021 'Richly sensuous... something special' The Sunday Times 'A thing of shimmering wonder' David Mitchell
TWO EXTRAORDINARY PEOPLE. A LOVE THAT DRAWS THEM TOGETHER. A LOSS THAT THREATENS TO TEAR THEM APART.
On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a sudden fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home?
Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London.
I have been writing for more than 40 years, and while I don’t normally write gothic literature, it is a genre that has fascinated me since my early youth. While I have written a couple of gothic or horror short stories, I tend to write other types of literature. However, I was pulled into this novel by something I saw on the TV news, and so I put away the novel I was originally working on and set to work on this one instead. The setting and the characters immediately pulled me in. I hope that it’s mystery and unusual characters will do the same for you.
I love this book so much, I have read it at least three times. It is a classic gothic novel with an eerie setting and interesting characters, including those with psychosis that add to the mystery of he novel.
While the film version is undoubtedly a classic, the novel is by far better.
31
authors picked
Dracula
as one of their favorite books, and they share
why you should read it.
This book is for kids age
17.
What is this book about?
'The very best story of diablerie which I have read for many years' Arthur Conan Doyle
A masterpiece of the horror genre, Dracula also probes identity, sanity and the dark corners of Victorian sexuality and desire. It begins when Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, and makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England - an unmanned ship is wrecked; strange puncture marks appear on a young woman's neck; a lunatic asylum inmate raves about the imminent arrival of his 'Master' - and a determined group of adversaries…
As one of Australia’s bestselling observational comedy authors, I couldn’t pass on the opportunity to write about the fact that I’ve recently become my parents’ go-to expert on just about everything. From solving technological dilemmas to coaching through society’s ever-changing correctness and reminding them to eat their greens, the elders in my life have inspired me to look at the funny side to aging, and to explore how a middle aged child sometimes crosses over from being helpful to just plain interfering.
Okay, so this book is predominantly about the struggles of a boy going through puberty but its depiction of the magnetic older characters of Bert and Queenie in the Alderman Cooper Sunshine Home are among the funniest scenes in the book.
Of every book I’ve ever read, it remains one of the most hilarious and if you’ve read it previously, it’s well worth another visit.
I adore historical fiction but find that it is often (like many things) still centered around male experiences. I love getting to read stories and recommend ones that bring to light women’s roles is moving society forward or the un-sung contributions women have made throughout history.
As an 80s kid, it pains a small part of me to recommend a historical fiction book that takes place in 1984, but this book goes into so much more than simply the tragic fire that destroyed part of the LA Central Library. While I found those aspects compelling, what really drew me in was the history of library sciences and how women played—and got pushed out of—the history of such beloved institutions.
There is also a nice bonus of humanity restored for all those who helped salvage as many books as they could after the tragedy. I found it to be a really gripping and informative read.
Susan Orlean’s bestseller and New York Times Notable Book is “a sheer delight…as rich in insight and as varied as the treasures contained on the shelves in any local library” (USA TODAY)—a dazzling love letter to a beloved institution and an investigation into one of its greatest mysteries. “Everybody who loves books should check out The Library Book” (The Washington Post).
On the morning of April 28, 1986, a fire alarm sounded in the Los Angeles Public Library. The fire was disastrous: it reached two thousand degrees and burned for more than seven hours. By the time it was extinguished,…
I’ve always thought that the most clear-eyed, unforgiving observers in literature are teenagers, not because adolescence is simple (it’s the opposite), but because young people haven’t yet learned to shrug and look away. The novels I've chosen here all have central characters who see the adult world's failures, hypocrisies, and prejudices with a directness that most of us gradually lose; and they all use coming of age as a way to confront a world that is already, in some fundamental way, broken – by grief, violence, or the gap between what adults promise and what they deliver. Those are exactly the themes I love to write about.
I am in awe of the repressed, elegiac emotion that Ishiguro brings to his characters.
Never Let Me Go kept me in a state of constant tension between Kathy’s version of events (which is full of omissions and self-deception) and the version I was constructing in my own head (which was so often at odds with hers).
This is something Ishiguro also does brilliantly in other books, but here I was particularly drawn to the deft way he shows us a morally bankrupt adult world through the eyes of an adolescent protagonist – that’s exactly the territory I write.
Like the fish who doesn’t realise the water is there, Kathy struggles to understand the true nature of Hailsham until it’s far too late; and there’s real moral anger behind the quiet delivery.
One of the most acclaimed novels of the 21st Century, from the Nobel Prize-winning author
Shortlisted for the Man Booker Prize
Kazuo Ishiguro imagines the lives of a group of students growing up in a darkly skewed version of contemporary England. Narrated by Kathy, now thirty-one, Never Let Me Go dramatises her attempts to come to terms with her childhood at the seemingly idyllic Hailsham School and with the fate that has always awaited her and her closest friends in the wider world. A story of love, friendship and memory, Never Let Me Go is charged throughout with a sense…
I'm an award-winning English writer of what's broadly termed science fiction and fantasy, at least in the sense that most of my work features strange events and fantastic settings. But I'm also deeply drawn to naturalistic fiction and have often found that one of the best and most exciting ways to explore the thrillingly odd without losing touch with the believably real is to take a step sideways in history. Alternate history isn't just about the Nazis winning World War Two, and the Confederate American South defeating the Yankee North. A good, original alternate history can open up the traditional novel into fresh worlds and new vistas.
Moorcock might be best known for his sword-and-sorcery Elric novels, but he's also a writer of considerable daring and style. Gloriana tells of a Queen of Albion whose empire stretches from the great continent of Virginia to far Hindustan, and then on to Cathay beyond. Half-familiar figures and place names vie with pagan myths and strange ceremonies inside a palace so vast and rambling that every kind of wonder, and the darkest of secrets, have room to hide. The settings and the language are glorious, and the characters, and their schemes and machinations, come vibrantly alive. This is a vivid dream of an alternate queen and an alternate England.
Tiem and again, small numbers of Germans, civilian nad military, noble and ignoble, scheme to topple the Fuhrer, and on several occasions they came within minutes - or inches - of succeeding. Fest explores why they tried, why they found so little support either in Germany or outside it, and why they failed.
Ever since watching Sliding Doors back in the late 90s, I’ve been fascinated by forking narratives. I don’t know if I’ve yet to meet anyone who doesn’t love that “what-if” spark–what if I chose this job over that one? Who would I have met? Who would I have married? Who would I be? That last question, I believe, is the kicker–we all only get to live this one life, so our choices are our choices. Only in the realm of fiction can we really be in someone else’s head, and writing my fifth novel, Lines, and its twinned/entwined plots was doubling the fun.
This was the first Sliding Doors-esque novel I read, and it’s a doozy. The book spins off a single moment: will Irina kiss Ramsey, the professional pool player? That action forks the novel into two distinct threads, but there are constant pleasant echoes that reverberate back and forth.
I’ve always believed the greatest draw for reading fiction is that we get to live someone else’s life. In a split narrative, we get to do that twice! Two for the price of one.
From the Orange Prize winning author of We Need to Talk About Kevin, this is the novel Lionel Shriver wrote directly afterwards. The Post-Birthday World is an unflinching account of the choices that unfold before us and what our decisions really mean.
Irina McGovern's destiny hinges on a single kiss. Whether she gives into its temptation will determine whether she stays with her reliable partner Lawrence, or runs off with Ramsey, a hard-living snooker player.
Employing a parallel universe structure, Shriver spins Irina's competing futures with two drastically different men. An intellectual and fellow American, Lawrence is clever and supportive,…
I've been book-besotted my entire life. I've read, studied, taught, reviewed, and written books. I went to “gradual” school, as John Irving calls it, earning a PhD in literature before gradually realizing that what I really loved was writing. For me, books contain the intellectual challenge of puzzles, the fun of entertainment, the ability to fill souls. They have changed my life, and the best compliments I have received are from readers who say my books have changed theirs. I read widely and indiscriminately (as this list shows) because I believe that good books are found in all genres. But a book about books? What a glorious meta-adventure.
Magical doors that appear out of nowhere, a fantastical book that may not be fiction, some truly sketchy villains, a quest, and an intrepid heroine.
The author had me at fantastical book, but what I love about this novel is the world and character building, that feeling of opening the cover and being somewhere that has nothing to do with ordinary life.
And yet, there is mystery. And romance. A lost father. A daring daughter. You’ll want to race through it, but slow down at the same time, just to savor the ride.
"A gorgeous, aching love letter to stories, storytellers, and the doors they lead us through...absolutely enchanting."—Christina Henry, bestselling author of Alice and Lost Boys
LOS ANGELES TIMES BESTSELLER! Finalist for the 2020 Hugo, Nebula, Locus, and World Fantasy Awards.
In the early 1900s, a young woman embarks on a fantastical journey of self-discovery after finding a mysterious book in this captivating and lyrical debut.
In a sprawling mansion filled with peculiar treasures, January Scaller is a curiosity herself. As the ward of the wealthy Mr. Locke, she feels little different from the artifacts that decorate the halls: carefully maintained, largely…
