Here are 100 books that Everything is Flammable fans have personally recommended if you like
Everything is Flammable.
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My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
I love I Love Dick! This is a hilarious, shocking, keenly intelligent interrogative adventure into the art world and ideas about stalking a muse and being female. The book was published in 1997 but I didn’t discover it until a decade later, so I was late to the game. In her forward, Eileen Myles describes Chris Kraus as “marching boldly into self-abasement and self-advertisement,” which is a perfect way of putting it. Shredding the veil between reality and fiction, in her relentless pursuit of Dick (a real person), Chris Kraus embraces the world, no holds barred. If you’re curious about being female, being an artist, being a failure (whatever that means), chasing your desires, and fighting your way out of limitations both within and without, this riveting, lacerating, revealing, surprising book is for you.
When Chris Kraus, an unsuccessful artist pushing 40, spends an evening with a rogue academic named Dick, she falls madly and inexplicably in love, enlisting her husband in her haunted pursuit. Dick proposes a kind of game between them, but when he fails to answer their letters Chris continues alone, transforming an adolescent infatuation into a new form of philosophy.
Blurring the lines of fiction, essay and memoir, Chris Kraus's novel was a literary sensation when it was first published in 1997. Widely considered to be the most important feminist novel of the past two decades, I Love Dick is…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As a 34-year-old memoirist, one of the most frequent questions I get about my genre, delivered with both curiosity and disdain, is: “Why?” After all, why? What could I, the life experience and literary equivalent of a pollywog, have to share about my journey—or, gasp, what I’ve LEARNED? The fun thing is, as someone who once broke my parents’ computer by using dial-up internet to download Napster, I’m used to disappointing people. Even more fun: as a millennial memoirist, I don’t believe in writing books that will tell people what I’ve learned. I hope my writing shows, through both merit and content, that I have indeed learned something.
If I could take one book to a desert island, it might well be this one. I’m hesitant to even describe it, in the same way, I’d hesitate to dole out unsolicited advice to any millennial—or human being, for that matter—who is staring down the kaleidoscope of their identity, asking, “Which one? Which one do I choose?”
Heti’s answer to that question—and to anyone asking her to pigeonhole her writing into one genre—is the same experience I’ve had in the many, many times I’ve read this glimmering text. Whatever you want, darling. Whatever you need.
Chosen as one of fifteen remarkable books by women that are shaping the way we read and write in the 21st century by the book critics of The New York Times
"Funny...odd, original, and nearly unclassifiable...unlike any novel I can think of."—David Haglund, The New York Times Book Review
"Brutally honest and stylistically inventive, cerebral, and sexy."—San Francisco Chronicle
Named a Book of the Year by The New York Times Book Review, The New Yorker, San Francisco Chronicle, Salon, Flavorpill, The New Republic, The New York Observer, The Huffington Post
A raw, startling, genre-defying novel of friendship, sex, and love…
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
Over Easy is the first part of Madge’s story, followed by The Customer is Always Wrong. They can be read separately as each stands on its own, but are best absorbed one after the other. These books are visually inventive and full of unforgettable characters who leap off the page and lodge in your imagination. The story follows Madge, an open-hearted artist who finds refuge and adventure in the wise-cracking, fast-talking, drug-taking world of the Imperial Café where she gets a job as a waitress after being denied financial aid to cover her last year in art school. Full of wit and pathos, Mimi Pond captures the perfect balance of hilarious and heartbreaking, all with fantastic drawings. She makes it look easy!
Over Easy is a brilliant portrayal of a familiar coming-of-age story. After being denied financial aid to cover her last year of art school, Margaret finds salvation from the straight-laced world of college and the earnestness of both hippies and punks in the wisecracking, fast-talking, drug-taking group she encounters at the Imperial Cafe, where she makes the transformation from Margaret to Madge. At first she mimics these new and exotic grown-up friends, trying on the guise of adulthood with some awkward but funny stumbles. Gradually she realizes that the adults she looks up to are a mess of contradictions, misplaced…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
I started this book because I liked the drawing style. Within the first 3 pages, I couldn’t put the book down. It’s not just Jennifer Hayden’s illustration skills or the freshness of her lines and patterns and mark-making and the way each panel is a masterpiece in itself, it’s the story that pulled me in. This is a book about life and love and family, told with humor, insight, and intelligence. In Jennifer Hayden’s words, the book is “a dramatic comedy sewn together from real events and real emotions,” but that doesn’t begin to convey the richness and depth of this narrative journey and the quirky sarcastic honest way it tells it like it is. The story still resonates long after I finished reading it.
When Jennifer Hayden was diagnosed with breast cancer at the age of 43, she realized that her tits told a story. Across a lifetime, they'd held so many meanings: hope and fear, pride and embarrassment, life and death. And then they were gone. Now, their story has become a way of understanding her story. Growing up flat-chested and highly aware of her inadequacies... heading off to college, where she "bloomed" in more ways than one... navigating adulthood between her mother's mastectomy, her father's mistress, and her musician boyfriend's problems of his ownnot to mention his sprawling family. Then the kids…
I’ve always been drawn to comics. I started out as a humorous card writer, and later I became a syndicated cartoonist and author. I collect graphic novels of all kinds and I appreciate the unique talent that goes into the collaborative marriage of writing and art. I especially love stories told with humor, and these types of books lend themselves so well to that. And, boy, do kids appreciate it, too (guess I’m still a kid at heart). As someone who’s read many, many middle grade graphic and illustrated novels—for blurbs, reference, as well as for pleasure—I feel like an expert by now. I hope you enjoy these books as much as I have!
I love how Raina reaches out of her largely autobiographical work and delves into the world of spirituality and folklore. There’s also the very realistic, dire, and looming “ghost” of the character Maya’s cystic fibrosis. In the story, Raina masterfully weaves reality and fantasy. It’s an engaging journey about overcoming fear with the help of family and friends. And, as all her books are, it’s beautifully illustrated. As someone with a pretty strong spiritual bent, this book really resonates with me.
1
author picked
Ghosts
as one of their favorite books, and they share
why you should read it.
This book is for kids age
8,
9,
10, and
11.
What is this book about?
From award-winning graphic novelist Raina Telgemeier comes a new story about family, friendship and hope.
Catrina and her family are moving to the coast of Northern California because her little sister, Maya, is sick. Cat isn't happy about leaving her friends for Bahia de la Luna, but Maya has cystic fibrosis and will benefit from the cool, salty air that blows in from the sea. As the girls explore their new home, a neighbor lets them in on a secret: There are ghosts in Bahia de la Luna. Maya is determined to meet one, but Cat wants nothing to do…
I have been fascinated with the sixties and its counterculture ever since I was about eleven or twelve, and I found out that the summer I was born, 1967, was called the Summer of Love. Because of this fascination, I started reading writers like Jack Kerouac and Hunter S. Thompson at an early age. Then, I became a lover of the Grateful Dead and went on tour with them as a fan for a couple of years in my late teens. It was the best way remaining in this country, in the 1980s, to be a hippie in some real way. I still love the music and literature of that time.
This heavy, sardonic novel about a commune of hippies whose utopian dream is rapidly fraying kept me totally compelled and frequently laughing all the way through.
They find land in Alaska and try to move their scene to the great North, but the realities of weather and wilderness don’t conform to their plans.
It is 1970, and a down-at-the-heels California commune devoted to peace, free love, and the simple life has decided to relocate to the last frontier-the unforgiving landscape of interior Alaska-in the ultimate expression of going back to the land. Armed with the spirit of adventure and naive optimism, the inhabitants of "Drop City" arrive in the wilderness of Alaska only to find their utopia already populated by other young homesteaders. When the two communities collide, unexpected friendships and dangerous enmities are born as everyone struggles with the bare essentials of life: love, nourishment, and a roof over one's head. Rich,…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I love romance, a true romantic from the day I was born. I also love crime/thriller/twists and turns that keep you on the edge of your seat and wanting to turn the page. As a writer, it was the most natural choice to combine all of these to bring to you as a reader love, passion, danger, shady criminal underworld, and jaw-dropping cliffhangers mixed in with twists you never saw coming. A love story that has you hopelessly entwined with them. A beautiful backdrop of the highlands of Scotland that creates its own unique story –mystical, mighty, and carrying its own hidden dangers.
Quite simply, Robyn is a masterclass at writing beautiful romances and nothing comes better than her Virgin River series.
Her characters are full of depth and conflicts, and the setting of the stories are in beautiful landscapes I want to travel to. There are many great sub-stories to be drawn happily into and of course, who can resist a HEA?
When recently widowed Melinda Monroe sees an advert for a midwife in the remote town of Virgin River, she decides this is the perfect place to escape her heartache.
However, her hopes are dashed within an hour of arriving: the cabin is uninhabitable, the roads are treacherous and the local doctor wants nothing to do with her. But when a tiny baby is abandoned on a front porch, Mel must decide whether to stay and help or…
I devour dark, gripping, thrillers which take readers on a journey alongside the characters. People who battle their own demons on whatever road they travel. It’s with this passion that I write stories which do the same. I bring readers into the story to the point where they are cheering for both the hero and the villain. Throw in a few twists and cliffhangers and voila – readers don’t sleep, or do their chores ;) The books on this list fuel my need to be thrilled. I hope you grip the pages like I did…and forget those chores!
An intriguing, layered, story that kept me wanting to know what happened to the missing girls.
A little slow to start, but it didn’t take me long to become gripped to the page. Paula digs deep into the social issue of missing girls and women through fiction, which intrigued me as I try to do the same with my writing.
Compelling characters and lyrically beautiful scenes made me feel the heartbreak and frantic desire to solve the case. What I found so intriguing about this novel was all the psychological elements of the characters and how a person’s past invariably affects the present.
Forget mowing the lawn. Turn the blades of suspense in your mind with this thriller!
NEW YORK TIMES BESTSELLER • GOOD MORNING AMERICA BUZZ PICK • “A total departure for the author of The Paris Wife, McLain’s emotionally intense and exceptionally well-written thriller entwines its fictional crime with real cases.”—People (Book of the Week)
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY MARIE CLAIRE • “The kind of heart-pounding conclusion that thriller fans crave . . . In the end, a book full of darkness lands with a message of hope.”—The New York Times Book Review
“This mystery will keep you guessing, and stay with you long after you finish. Dive in.”—Daily Skimm…
I'm a speculative fiction writer who often works within the genre of "climate fiction." I grew up in southern Appalachia; my hometown is a lovely place, surrounded by the beauty and wildness of the Smoky Mountains. It also happens to be centered around a chemical company where a large portion of the town works, including my father and, for a brief time, myself. I've been fascinated with the dichotomy of nature and industry for a long time, and have spent years exploring these themes in my own work.
Another fire, another story, this one a graphic memoir about the 2017 wildfires that ravaged Northern California, claiming dozens of lives and destroying the author's home. It's a beautiful book, illustrated with a simplicity and starkness that pulls you inexorably forward. The night of the fire itself is present in the narrative, but the majority of the book is occupied with what comes after: the unexpected kindness of friends and strangers, the nonlinear progression of grief, the bureaucracy and absurdism of tragedy, and all the questions of how you begin to rebuild.
Early morning on Monday, October 9, 2017, wildfires burned through Northern California, resulting in 44 fatalities. In addition, 6,200 homes and 8,900 structures and were destroyed. Author Brian Fies's firsthand account of this tragic event is an honest, unflinching depiction of his personal experiences, including losing his house and every possession he and his wife had that didn't fit into the back of their car. In the days that followed, as the fires continued to burn through the area, Brian hastily pulled together A Fire Story and posted it online-it immediately went viral. He is now expanding his original webcomic…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I started climbing and running around the hills in my teens, got into boats, became a professional sailor for twenty years, then took up surfing at thirty and snowboarding at forty. There’s something special about playing with gravity, whether it’s sliding down hills or waves, or defying it on a mountain face. All these books capture the thrill and the dangers.
I discovered this book when I had just started surfing, and it blew me away – so there could be great fiction about extreme sports! I loved the grittiness, the foreboding noir feel, and the unusual setting. It was part of the inspiration for Powder Burn, although they are very different books.
Heart Attacks is California's last secret spot - the premier mysto surf haunt, the stuff of rumour and legend. The rumours say you must cross Indian land to get there. They tell of hostile locals and shark-infested waters where waves in excess of thirty feet break a mile from shore. For down-and-out photographer Jack Fletcher, the chance to shoot these waves in the company of surfing legend Drew Harmon offers the promise of new beginnings. But Drew is not alone in the northern reaches of the state. His young wife, Kendra, lives there with him. Obsessed with the unsolved murder…
