Here are 100 books that Everything is Flammable fans have personally recommended if you like
Everything is Flammable.
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My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
I love I Love Dick! This is a hilarious, shocking, keenly intelligent interrogative adventure into the art world and ideas about stalking a muse and being female. The book was published in 1997 but I didn’t discover it until a decade later, so I was late to the game. In her forward, Eileen Myles describes Chris Kraus as “marching boldly into self-abasement and self-advertisement,” which is a perfect way of putting it. Shredding the veil between reality and fiction, in her relentless pursuit of Dick (a real person), Chris Kraus embraces the world, no holds barred. If you’re curious about being female, being an artist, being a failure (whatever that means), chasing your desires, and fighting your way out of limitations both within and without, this riveting, lacerating, revealing, surprising book is for you.
When Chris Kraus, an unsuccessful artist pushing 40, spends an evening with a rogue academic named Dick, she falls madly and inexplicably in love, enlisting her husband in her haunted pursuit. Dick proposes a kind of game between them, but when he fails to answer their letters Chris continues alone, transforming an adolescent infatuation into a new form of philosophy.
Blurring the lines of fiction, essay and memoir, Chris Kraus's novel was a literary sensation when it was first published in 1997. Widely considered to be the most important feminist novel of the past two decades, I Love Dick is…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
As a 34-year-old memoirist, one of the most frequent questions I get about my genre, delivered with both curiosity and disdain, is: “Why?” After all, why? What could I, the life experience and literary equivalent of a pollywog, have to share about my journey—or, gasp, what I’ve LEARNED? The fun thing is, as someone who once broke my parents’ computer by using dial-up internet to download Napster, I’m used to disappointing people. Even more fun: as a millennial memoirist, I don’t believe in writing books that will tell people what I’ve learned. I hope my writing shows, through both merit and content, that I have indeed learned something.
If I could take one book to a desert island, it might well be this one. I’m hesitant to even describe it, in the same way, I’d hesitate to dole out unsolicited advice to any millennial—or human being, for that matter—who is staring down the kaleidoscope of their identity, asking, “Which one? Which one do I choose?”
Heti’s answer to that question—and to anyone asking her to pigeonhole her writing into one genre—is the same experience I’ve had in the many, many times I’ve read this glimmering text. Whatever you want, darling. Whatever you need.
Chosen as one of fifteen remarkable books by women that are shaping the way we read and write in the 21st century by the book critics of The New York Times
"Funny...odd, original, and nearly unclassifiable...unlike any novel I can think of."—David Haglund, The New York Times Book Review
"Brutally honest and stylistically inventive, cerebral, and sexy."—San Francisco Chronicle
Named a Book of the Year by The New York Times Book Review, The New Yorker, San Francisco Chronicle, Salon, Flavorpill, The New Republic, The New York Observer, The Huffington Post
A raw, startling, genre-defying novel of friendship, sex, and love…
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
Over Easy is the first part of Madge’s story, followed by The Customer is Always Wrong. They can be read separately as each stands on its own, but are best absorbed one after the other. These books are visually inventive and full of unforgettable characters who leap off the page and lodge in your imagination. The story follows Madge, an open-hearted artist who finds refuge and adventure in the wise-cracking, fast-talking, drug-taking world of the Imperial Café where she gets a job as a waitress after being denied financial aid to cover her last year in art school. Full of wit and pathos, Mimi Pond captures the perfect balance of hilarious and heartbreaking, all with fantastic drawings. She makes it look easy!
Over Easy is a brilliant portrayal of a familiar coming-of-age story. After being denied financial aid to cover her last year of art school, Margaret finds salvation from the straight-laced world of college and the earnestness of both hippies and punks in the wisecracking, fast-talking, drug-taking group she encounters at the Imperial Cafe, where she makes the transformation from Margaret to Madge. At first she mimics these new and exotic grown-up friends, trying on the guise of adulthood with some awkward but funny stumbles. Gradually she realizes that the adults she looks up to are a mess of contradictions, misplaced…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
I started this book because I liked the drawing style. Within the first 3 pages, I couldn’t put the book down. It’s not just Jennifer Hayden’s illustration skills or the freshness of her lines and patterns and mark-making and the way each panel is a masterpiece in itself, it’s the story that pulled me in. This is a book about life and love and family, told with humor, insight, and intelligence. In Jennifer Hayden’s words, the book is “a dramatic comedy sewn together from real events and real emotions,” but that doesn’t begin to convey the richness and depth of this narrative journey and the quirky sarcastic honest way it tells it like it is. The story still resonates long after I finished reading it.
When Jennifer Hayden was diagnosed with breast cancer at the age of 43, she realized that her tits told a story. Across a lifetime, they'd held so many meanings: hope and fear, pride and embarrassment, life and death. And then they were gone. Now, their story has become a way of understanding her story. Growing up flat-chested and highly aware of her inadequacies... heading off to college, where she "bloomed" in more ways than one... navigating adulthood between her mother's mastectomy, her father's mistress, and her musician boyfriend's problems of his ownnot to mention his sprawling family. Then the kids…
I’ve always been drawn to comics. I started out as a humorous card writer, and later I became a syndicated cartoonist and author. I collect graphic novels of all kinds and I appreciate the unique talent that goes into the collaborative marriage of writing and art. I especially love stories told with humor, and these types of books lend themselves so well to that. And, boy, do kids appreciate it, too (guess I’m still a kid at heart). As someone who’s read many, many middle grade graphic and illustrated novels—for blurbs, reference, as well as for pleasure—I feel like an expert by now. I hope you enjoy these books as much as I have!
I love how Raina reaches out of her largely autobiographical work and delves into the world of spirituality and folklore. There’s also the very realistic, dire, and looming “ghost” of the character Maya’s cystic fibrosis. In the story, Raina masterfully weaves reality and fantasy. It’s an engaging journey about overcoming fear with the help of family and friends. And, as all her books are, it’s beautifully illustrated. As someone with a pretty strong spiritual bent, this book really resonates with me.
1
author picked
Ghosts
as one of their favorite books, and they share
why you should read it.
This book is for kids age
8,
9,
10, and
11.
What is this book about?
From award-winning graphic novelist Raina Telgemeier comes a new story about family, friendship and hope.
Catrina and her family are moving to the coast of Northern California because her little sister, Maya, is sick. Cat isn't happy about leaving her friends for Bahia de la Luna, but Maya has cystic fibrosis and will benefit from the cool, salty air that blows in from the sea. As the girls explore their new home, a neighbor lets them in on a secret: There are ghosts in Bahia de la Luna. Maya is determined to meet one, but Cat wants nothing to do…
I have long been fascinated by how personal and singular the experience of grief is. There is something soothing and relatable about reading others’ experiences—the more strange, nonsensical, or even supernatural the better. My own novel, The Secret Garden of Yanagi Inn, is a retelling of The Secret Garden, but with an adult protagonist moving through grief over the death of her complicated mother, striving to see a bright ray of hope on the other side. Each of the books on my list about unusual manifestations of grief tackles this same concept in new and surprising ways, and I hope they touch you as they have touched me.
Don’t let the YA tag dissuade you if you don’t generally read books for that audience; Watch Over Me has definite appeal for an adult crowd.
The main character is an 18-year-old young woman who has aged out of foster care and is searching for her place in the world. A ghost-story-that-isn’t-a-ghost-story, Watch Over Me is a book about confronting our own ghosts—literally and figuratively.
La Cour’s arresting prose seamlessly inserts the speculative elements into an exploration of recovery from guilt and grief in a way I found breathtaking.
A modern ghost story about trauma and survival, Watch Over Me is the much-anticipated new novel from the Printz Award-winning author of We Are Okay
"Gripping; an emotion-packed must-read." -Kirkus, starred review "A painfully compelling gem from a masterful creator." -Booklist, starred review "Moving, unsettling, and full of atmospheric beauty." -SLJ, starred review
Mila is used to being alone.
Maybe that's why she said yes. Yes to a second chance in this remote place, among the flowers and the fog and the crash of waves far below.
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
Joanne McNeil has written about internet culture for over fifteen years. Her book considers the development of the internet from a user's perspective since the launch of the World Wide Web. Her interest in digital technology spans from the culture that enabled the founding of major companies in Silicon Valley to their reception in broader culture.
Beginning with Stewart Brand’s influence through his projects like The Whole Earth Catalog, the WELL, and Wired magazine, this book examines the unique culture of Silicon Valley. An essential history and one that clarifies the tech industry’s seemingly contradictory values of revolution and corporate power.
In "From Counterculture to Cyberculture", Fred Turner details the previously untold story of a highly influential group of San Francisco Bay Area entrepreneurs: Stewart Brand and the Whole Earth network. Between 1968 and 1998, via such familiar venues as the National Book Award - winning "Whole Earth Catalog", the computer-conferencing system known as WELL, and, ultimately, the launch of the wildly successful Wired magazine, Brand and his colleagues brokered a long-running collaboration between San Francisco flower power and the emerging technological hub of Silicon Valley. Thanks to their vision, counterculturalists and technologists alike joined together to reimagine computers as tools…
I came from a country town in Australia and I love the sense of community that’s still so woven into the fabric of society in country towns. That enjoyment drove me to write the award-winning Hope Creek Series, which has all the elements of small town romance I admire. The importance of a strong sense of identity within the community, support from townspeople in keeping each other’s secrets or in rallying around to try to help each other in times of crisis. The willingness to stand by a mate despite the mate being flawed.
When thinking of small-town romances, the Virgin River series has been a highly successful book and a very successful TV series.
It ticks all the must-have points for a small-town romance. I liked nurse practitioner Melinda’s adventurous spirit as she moved from LA to Virgin River, and I thought the slow-burn romance between Melinda and Jack was well done. In this series, Robyn Carr tends to introduce the central character for her next book towards the end of the current book. It was very well done, and I found myself invested and wanting to read the next book to follow the next character’s journey.
I also liked that the books in the series dealt with medical emergencies and serious medical topics such as addiction and infertility.
When recently widowed Melinda Monroe sees an advert for a midwife in the remote town of Virgin River, she decides this is the perfect place to escape her heartache.
However, her hopes are dashed within an hour of arriving: the cabin is uninhabitable, the roads are treacherous and the local doctor wants nothing to do with her. But when a tiny baby is abandoned on a front porch, Mel must decide whether to…
I love the mystery and wisdom of wolves. When I began researching wolves to write my own wolf stories, I discovered they had not only keen instincts but shocking intuition. I read stacks of nonfiction books on wolves and wolf stories, too. I toured a wolf conservation. One of the wolves, a white wolf, looked me straight in the eye and held me there. A wolf’s eyes do more than see you. Her communication was almost a prayer. I went home and wrote a short story about a white wolf—"Sky Wolf, A Fairy Tale." And then I wrote a wolf novel. I’m in love with wild wolf spirit.
In this stunning werewolf story, Reuben Golding struggles with “the gift” of transformation.
What happens to the soul of a human when the body transforms into a hungry, beastly werewolf? I enjoyed the mystical aspects of this fiction because Reuben awakens. The opening Christmas theme is a perfect background. I very much like that Reuben’s consciousness remained human. A very different take on the usual cursed werewolf.
Reuben is truly gifted. I admired how Anne Rice brings a beauty and a morality to the werewolf. Wolf spirit triumphs made this story five stars for me.
NATIONAL BESTSELLER • The tale of The Wolf Gift continues ... It is winter at Nideck Point and for Reuben Golding, now infused with the Wolf Gift, this promises to be a season like no other.
Oak fires burn in the stately flickering hearths, and the community organizes its annual celebration of music and pageantry. Reuben is preparing to honor an ancient Midwinter festival with his fellow Morphenkinder—a secret gathering that takes place deep within the verdant recesses of the surrounding forests.
However, Reuben is soon distracted by a ghost. Tormented, imploring, and unable to speak, it haunts the…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I started climbing and running around the hills in my teens, got into boats, became a professional sailor for twenty years, then took up surfing at thirty and snowboarding at forty. There’s something special about playing with gravity, whether it’s sliding down hills or waves, or defying it on a mountain face. All these books capture the thrill and the dangers.
I discovered this book when I had just started surfing, and it blew me away – so there could be great fiction about extreme sports! I loved the grittiness, the foreboding noir feel, and the unusual setting. It was part of the inspiration for Powder Burn, although they are very different books.
Heart Attacks is California's last secret spot - the premier mysto surf haunt, the stuff of rumour and legend. The rumours say you must cross Indian land to get there. They tell of hostile locals and shark-infested waters where waves in excess of thirty feet break a mile from shore. For down-and-out photographer Jack Fletcher, the chance to shoot these waves in the company of surfing legend Drew Harmon offers the promise of new beginnings. But Drew is not alone in the northern reaches of the state. His young wife, Kendra, lives there with him. Obsessed with the unsolved murder…
