Books like Alchemy

In this book, you meet a rare person–a female heroine from the Tudor Times. Based on a true story about a woman aboard the Golden Hind, you are taken into the dark world of medieval ships and meet Maria.

As the book unfolded, I was moved to tears by her courage, strength, and ability to navigate a terrible world. I was inspired by her. 

When you turn the pages of this book, you feel you can see, smell, and hear the dark streets and alleys of Tudor London. This book inspired me to place my books in Tudor England and start The Tudor Rose Murders Series.

It is Tudor Crime at its best. I was so captivated by the characters, the detail, the pace, and the plotting that I could not put it down and felt wretched when I turned the last page. 

I love this because Ken Follett is a master storyteller. It spans the Elizabethan era and captures the intrigue, international conspiracies, horrors of religious persecution, and the opening up of the world through trade and exploration.

Yet again, Follett takes you to the town of Kingsbridge and into the world and lives of the characters who live there. You are engaged and invested in them and even feel you know them. I loved the reality, the emotion, the highs of joy, and the lows of sadness. 

I love this book, which I’ve just finished reading for the second time, going through the series once again.

On my first reading of this book, I realised that here was a brilliant writer whom I’d never come across before. The descriptions of London and elsewhere in the late 16th century are stunning. I never tire of this writer’s frequent and quite poetic use of simile to illustrate the appearance and qualities of objects, buildings, etc. in the book.

I enjoyed the "whodunnit" theme of the book as well as the many references to medicinal plants. The inclusion in the book of real 16th-century characters and the way they come over as real people is Impressive. There is a hint of a romance yet to come to fruition, which is very appealing.

Ithell Colquhoun was a surrealist artist, writer, and an initiate of several magical orders. Her unique novel (first published in 1961) has a haunting and visionary quality in the way it blends surrealist imagery and occult symbolism. The hermetic plot symbolizes alchemical processes and transformations and reading it feels like being guided through an oneiric landscape, evoking myths tangled with bodily sensations and fragments of memories.

Not a novel in the usual sense of the word, but a philosophical and poetic meditation on dreams, desires, and the journey through life. This is a lovely edition, illustrated with a selection of Colquhoun’s watercolours which beautifully complement the text.

My favorite thing about magical realism is that it is often used to discuss social and cultural issues, colonialism, the powerful and elite, environmental issues, racism, war, homophobia, genocide, and more. It can also be used to talk about social issues that are equally as important but maybe not as heavy. That’s why I love Melmoth by Sarah Perry – because magical realism is used to cover a gambit of social and historical issues. 

In the novel, Perry focuses on a mythical figure called Melmoth the Witness who preys upon people in the darkest moments of their lives. Through this mythical figure, Perry discusses everything from Nazi Germany to fear, sins, loneliness, and self-loathing with a magical lens. I loved the grit and darkness of this magical realism story and I know you will too.

Lobsang Rampa was a Tibetan Monk that took over the body of an Englishman in order to accomplish his destiny in teaching Westeners the Wisdom of the Ancients.

I found this book at 18 years old while searching for the meaning of life, needing to know that what I experienced and could do was not an overactive imagination. As I read the book, a great calmness settled into my soul. All the information related was confirmation that I knew all these concepts already. Now I had the terminology to go with it. It was such an exciting discovery.

If you wish to learn ancient knowledge in a nutshell, this is the book to start with.

A long time ago, back in the mid-1970s, my Greek history professor told me that Dodds’ Greeks and the Irrational was one of the most important books on Greek history of the 20th century. He was right. It is a wonderful book, full of amazing facts about magic, ritual, and religion. It has had a huge impact on the field of classical studies and is still in print 70 years after its first publication. Dodds was a distinguished Greek scholar (the Regius Professor of Greek at Oxford) but wrote for a wide audience interested in not only Greek civilization but social science as well. I have thought hard and long about his book ever since reading it on my professor’s recommendation. 

After years of practicing yogic-based meditation and qigong, I felt called to seek out spiritual Earth connection practices from my own European ancestral lineages.

This book stood out to me because it opens a path directly to the deep consciousness of the Earth, through journeys based on Celtic and pre-Celtic symbols. Each exploration has opened new insights and transformations, leaving me feeling a greater attunement with nature and with my own being.

There is a deep-time metaphysics underlying this book, connected to the ancient mysteries yet without the heavy trappings of elaborate outer ritual. This bare-bones simplicity makes the practice accessible in the midst of a full life.

Molly Tanzer came up with one of the cleverest “magic” tropes ever and I wish I’d thought of it myself. Her Victorian London “diabolists” engage with demons in a way that felt so logical that it seemed 100% plausible. It involves specific plants, for example, ginger. These demons are more like sentient aliens that enter into a (permanent) symbiotic relationship with a human host, upon which they confer benefits.

It made me go, “I mean, getting into devil worship like this may not be my thing, but yeah, I get why people could be into it.” It’s not all gushing balls and gaslit concerts either, since our protagonists are much more middle class. There’s danger here, because not all of these diabolists are harmless. I craved ginger for months after this book.