Books like A Science for the Soul — picked by fans

For those interested in a compelling work of fiction built loosely around Nazism and the occult, Michael Chabon’s The Amazing Adventures of Kavalier & Clay is the perfect novel.

Whether it’s one of the protagonists, a young Jewish magician, escaping Nazi-occupied Central Europe in the coffin of the “Golem of Prague” or the eponymous cousins finding success with their own comic book series infused by contemporary esoterica, Kavalier & Clay evokes the world in which young, first and second generation Jewish immigrants from Central and Eastern Europe created the Marvel and DC superheroes and super(natural) villains, often allied with the Third Reich, that have defined our popular culture for the past eighty years. 

Although there is no longer a shortage of scholarship on the occult or supernatural before 1945, Monica Black’s Demon Haunted Land is the first major history in English to investigate the afterlife of these cultural and intellectual traditions in the early years of the West German Federal Republic.

Beautifully written and based on extensive archival research, a Demon Haunted Land shows how witchcraft, the occult, and a belief in miracles played an important role, alongside democratic stabilization and the so-called “Economic Miracle”, in helping Germans work through the trauma of defeat and legacies of the Third Reich in a new postwar reality.

Nicholas Goodrick-Clarke’s Occult Roots of Nazism is arguably the first scholarly monograph to take the relationship between occultism and Nazism seriously, providing a fascinating overview of the “secret Aryan cults” and “Ariosophic” beliefs that ostensibly influenced Nazi ideology.

While Goodrick-Clarke stops short of drawing a direct connection between prewar occult doctrines and Nazi policies during the Third Reich– indeed, his study concludes in 1935––no historian before or since has done as thorough a job, based on copious empirical research, of chronicling the eclectic and ubiquitous occult underground that helped shape the interwar folkish movement that produced Nazism.

An ideal complement to Goodrick-Clarke’s study of the links between Nazism and Ariosophy, Staudenmaier devotes his well-researched and comprehensive monograph to examining the relationship between fascism and Rudolf Steiner’s occult doctrine of Anthroposophy.

Like Goodrick-Clarke, Staudenmaier finds important points of ideological and sociological convergence between proponents of Anthroposophy and Nazism, including Waldorf Schools and biodynamic farming, but also highlights many instances of intellectual tension, political hostility, and persecution.

Just as importantly, Between Occultism and Nazism looks at the role of Anthroposophy in fascist Italy, providing an explicit comparative framework that is missing from most studies of Nazism and the occult. A must read for anyone interested in the “occult roots of Nazism” or the history of Western esotericism.

This is an excellent, yet brief history of the Black Arts and the famous (or infamous) people who practiced them. It was while reading this book, particularly the chapter on LaVoisin, that inspired the story of Christina Lafage, the main character in Widdershins. The book also describes other interesting practitioners, such as Dr. John Dee, Eliphas Levi, Nostradamus, Aleister Crowley, and many more. The chapters on Black Magic and Sorcery and Raising the Dead also contributed to my ideas for my book. I often find myself referring to this book over and over again for great source material.

I love a good coming-of-age story coupled with supernatural events in a period-piece setting, and that’s exactly what Polly Schattel serves up. Her cinematic style of story-telling (her filmmaking past is obvious) offers up a vivid picture of her protagonist, young Max Grahame as he journeys literally across the country from his home in Georgia and metaphorically as he discovers more about who he is and what his budding supernatural talents entail. Schattel is also a master of creating rich supporting characters ranging from the other children whom Max meets as he first undergoes his occult training to the mysterious adults whose spiritual machinations are woven into the history of this turn-of-the-century setting. This book begs to be made into a movie, but Schattel helps you create one in your head.

My favorite thing about magical realism is that it is often used to discuss social and cultural issues, colonialism, the powerful and elite, environmental issues, racism, war, homophobia, genocide, and more. It can also be used to talk about social issues that are equally as important but maybe not as heavy. That’s why I love Melmoth by Sarah Perry – because magical realism is used to cover a gambit of social and historical issues. 

In the novel, Perry focuses on a mythical figure called Melmoth the Witness who preys upon people in the darkest moments of their lives. Through this mythical figure, Perry discusses everything from Nazi Germany to fear, sins, loneliness, and self-loathing with a magical lens. I loved the grit and darkness of this magical realism story and I know you will too.

There are so many reasons to love this book.

First, the main character is compelling–intelligent, strong, flawed, and courageous. Second, excellent research takes you into the difficult politics of medieval Europe, the tensions between religions, and the madness of European Courts. Third, it takes you into the dark world of medieval alchemists and their dangerous competition to find the Philosopher's Stone.

The crimes make your skin crawl. I also love it because my very own detective, Doctor John Dee, is ever present but never seen.

An unlikely complement to Huizinga tracing the overlap between magical beliefs in religion as well as astrology and the emerging accusations of witchcraft. Deeply immersed in research about 16th-17th century England, this book offers a form of historical anthropology for baseline views of the strange ideas that drove spiritual life.

1987’s Communion made Whitley Strieber the world’s most famous alien abductee. Since then, many have derided him as a fantasist or even a charlatan.

Most attacks stem from his critics’ insistence on viewing Strieber’s experiences literally. Few stop to consider whether or not that approach may be misguided. In this collaboration with Rice University professor Dr. Jeffrey Kripal, Strieber’s firsthand accounts are placed in dialogue with religious scholarship, providing a useful framework for navigating the treacherous waters between the objective and subjective.

The Super Natural acknowledges that these things are—at least partially—"real" in a sense that modern culture would recognize. Their meaning, however, may well be something else entirely, best apprehended through our never-ending attempt to make sense of our place in the cosmos.