Books like Goose of Hermogenes — picked by fans

This book traces the astonishing history and thinking behind the secret society called Acéphale created by Georges Bataille, known as the ‘dissident surrealist.' Secret societies were a feature of occultism throughout history (the word occult itself means 'hidden’). Acéphale was represented as a headless figure holding a burning heart, a dagger, and with a skull in the groin.

The members of the society would meet in silence to perform rituals beneath a lightning-struck oak tree in a forest outside Paris, evoking the ancient Druid rites described in Frazer’s The Golden Bough, blended with Nietzsche’s philosophy of the Death of God. The book is an outstanding work of scholarship and I would highly recommend this as part of any serious library on surrealism and occultism.

André Breton, the leader of the surrealist movement, wrote L’Art Magique in his later years, making explicit what was before then only hinted at, namely, the magical origins of art. This is a lavishly illustrated historical survey of art across different cultures and centuries and although the book has a French text and hasn’t been translated, its wonderful selection of images really conveys the surrealist perspective on what makes art magic. The book was first published in 1957 and a second edition in 1991, but was out of print for many years until this new and affordable edition which I would highly recommend.

This well-researched and in-depth account has been translated from French and discusses the various occult movements which inspired the art and ideas of the surrealists. It covers a diverse range of topics including divination, astrology, myth, voodoo, Gnosticism, freemasonry, alchemy, secret societies, and Celticism and shows how various artists and writers took inspiration from these systems. The book contains a selection of images, copious notes, a substantial bibliography, and a good index making this an indispensable research tool for aspiring scholars of surrealism and the occult.  

Totem and Taboo is among Freud's most-maligned works. 

It struck me like lightning when I picked up a copy in a Sydney bookstore during a break from fieldwork in a New Guinea Highlands village.  Like nothing else I had read as a graduate student in anthropology in New York, it seemed to describe what I was actually experiencing and learning. 

Freud discovered Some Points of Agreement between the Mental Lives of Savages and Neurotics not because he was racist, sexist, and imperialist, as all late 19thC European bourgeois white men are supposed to have been, but rather because, like the neurotics who came to his consulting room, the myths and rituals of small-scale, kinship-based, non-literate societies fixate upon problems of individual development, the child who persists in all of us.

One of my favorite poets writing about one of my favorite artists. Cornell’s mysterious, alluring dreamscapes in his delicately crafted boxes meet their soulmate in the prose poems of Simic. In this work of only seventy-seven pages of short meditations on Cornell’s life, inspiration, and method, Simic creates the poetic equivalent of Cornell’s visual art. Simic recognizes, as did Cornell, that “The commonplace is miraculous if rightly seen, if recognized.”

At first sight, the title evokes a certain Gallic hauteur, but it does not take long to see that this is simply a foretaste of the rich exploration of the myths of Paris – how the great city has been depicted, imagined, and perceived over time. This is the story of Paris as the capital of modernity, art, fashion, revolution, sex, pleasure, science, and crime. With writers, artists, poets, and visitors as witnesses, and lavishly illustrated, this is a colourful meander through the myths and illusions that have shaped the many images of Paris. 

Whatever the actual realities beneath these multiple faces, asks Higonnet at one point, ‘who could, in our culturally unanchored world, imagine life without this city?’    

There are so many reasons to love this book.

First, the main character is compelling–intelligent, strong, flawed, and courageous. Second, excellent research takes you into the difficult politics of medieval Europe, the tensions between religions, and the madness of European Courts. Third, it takes you into the dark world of medieval alchemists and their dangerous competition to find the Philosopher's Stone.

The crimes make your skin crawl. I also love it because my very own detective, Doctor John Dee, is ever present but never seen.

Best known as a surrealist painter, Carrington is one of my favourite artists for her strange, half-dreamy figures and other-worldly paintings. Her written work is similarly disturbing: animals that tear their own faces off, monsters, and the dead populate these short but memorable stories. Surrealism can often be wearing in print, but Carrington is a writer who balances the bizarre with the unsettling perfectly.

“I’m still not certain you really are a woman?” Whenever Valerie has her period she is transported to a magical if sinister otherworld (yes, this novel was written by a man). A surreal, Freudian, East European coming-of-age fairytale that lies somewhere between Alice In Wonderland and a gothic pastiche. In the 70s it was also adapted into a film that apparently influenced Angela Carter. Not unjustifiably, the teenage experience is portrayed as a disorientating, eroticized nightmare from which Valerie must use all her wiles to escape, fending off vampiric family members after her inheritance and hypocritical authority figures keen to simultaneously sexualize her and burn her as a witch. At least she owns a set of magic earrings. “I’m acting like a sleepwalker. Is it all a dream?”

Promenade is a gift for anyone who, like me, loves books. What I like most is the concept itself: a tribute to books, to what they make us feel. They can be the vehicle of a great journey, a refuge, or the door to a new world. The dreamlike and surreal illustrations are so evocative that they do not need accompanying text. Another concept that seems very interesting to me is that, in addition to presenting the book as a magical object, it also makes it an object of great value: it is a large-format book, with a very careful edition and a print that extols the beautiful illustrations. These are details that I love because they make it a perfect book gift.