Here are 100 books that Goose of Hermogenes fans have personally recommended if you like
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My fascination with magic and the occult emerged from growing up in Scotland, which has a long, rich history of witchcraft, fairies, and the 19th century Celtic Revival, which saw a relation between art and magic. For me, the occult is primarily about liberating the imagination and this is what surrealism does. I became enchanted by surrealist art as a teenager which then led me to study History of Art at university. After graduating in 1989, I wrote my book at a time when there was so little available on the relationship between surrealism and occultism, determined to share my passion with other readers.
The members of the society would meet in silence to perform rituals beneath a lightning-struck oak tree in a forest outside Paris, evoking the ancient Druid rites described in Frazerâs The Golden Bough, blended with Nietzscheâs philosophy of the Death of God. The book is an outstanding work of scholarship and I would highly recommend this as part of any serious library on surrealism and occultism.
Georges Bataille's secret society, long the stuff of legend, is now revealed in its texts, meditations, rules and prohibitions
This book recounts what must be one of the most unusual intellectual journeys of modern times, in which the influential philosopher, cultural theorist and occasional pornographer Georges Bataille (1897â1962), having spent the early 1930s in far-left groups opposing the rise of fascism, abandoned that approach in order to transfer the struggle onto "the mythological plane."
In 1937, Bataille founded two groups in order to explore the combinations of power and the "sacred" at work in society. The first group, the CollegeâŠ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŠ
My fascination with magic and the occult emerged from growing up in Scotland, which has a long, rich history of witchcraft, fairies, and the 19th century Celtic Revival, which saw a relation between art and magic. For me, the occult is primarily about liberating the imagination and this is what surrealism does. I became enchanted by surrealist art as a teenager which then led me to study History of Art at university. After graduating in 1989, I wrote my book at a time when there was so little available on the relationship between surrealism and occultism, determined to share my passion with other readers.
Publi en 1957 tirage limit (rserv un cercle de bibliophiles), L'Art magique reprsentait aux yeux d'Andr Breton la somme de toute une vie : rien de moins qu'une histoire universelle de l'art, des origines prhistoriques jusqu' nos jours - mais une histoire de l'art revisite de fond en comble par le regard et la pense surralistes. Projet grandiose que cette chevauche travers les paysages de la Beaut, servi par la passion ttue d'un homme qui lui consacra, tout au long de son existence, ses recherches et le meilleur de ses intuitions. Projet exaltant surtout : car l'un des premiers crivainsâŠ
My fascination with magic and the occult emerged from growing up in Scotland, which has a long, rich history of witchcraft, fairies, and the 19th century Celtic Revival, which saw a relation between art and magic. For me, the occult is primarily about liberating the imagination and this is what surrealism does. I became enchanted by surrealist art as a teenager which then led me to study History of Art at university. After graduating in 1989, I wrote my book at a time when there was so little available on the relationship between surrealism and occultism, determined to share my passion with other readers.
This well-researched and in-depth account has been translated from French and discusses the various occult movements which inspired the art and ideas of the surrealists. It covers a diverse range of topics including divination, astrology, myth, voodoo, Gnosticism, freemasonry, alchemy, secret societies, and Celticism and shows how various artists and writers took inspiration from these systems. The book contains a selection of images, copious notes, a substantial bibliography, and a good index making this an indispensable research tool for aspiring scholars of surrealism and the occult. Â
A profound understanding of the surrealistsâ connections with alchemists and secret societies and the hermetic aspirations revealed in their works
âą Explains how surrealist paintings and poems employed mythology, gnostic principles, tarot, voodoo, alchemy, and other hermetic sciences to seek out unexplored regions of the mind and recover lost âpsychicâ and magical powers
âą Provides many examples of esoteric influence in surrealism, such as how Picassoâs Demoiselles dâAvignon was originally titled The Bath of the Philosophers
Not merely an artistic or literary movement as many believe, the surrealists rejected the labels of artist and author bestowed uponâŠ
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.Â
I grew up in a family of beautiful, accomplished women at a time when most women stayed home. But the spectacular women in my mother's family also suffered spectacularly, and I was determined to understand family life at its very roots. I studied anthropology and, over a 15-year period, lived in a remote part of the Eastern Highlands of Papua New Guinea among a group of Gimi women who spent most of their time apart from men. I shared women's difficult daily lives, participated in their separate rites, learned their myths, and, through my writing, have devoted myself to giving them voices of their own.
Totem and Taboois among Freud's most-maligned works.Â
It struck me like lightning when I picked up a copy in a Sydney bookstore during a break from fieldwork in a New Guinea Highlands village. Like nothing else I had read as a graduate student in anthropology in New York, it seemed to describe what I was actually experiencing and learning.Â
Freud discovered Some Points of Agreement between the Mental Lives of Savages and Neurotics not because he was racist, sexist, and imperialist, as all late 19thC European bourgeois white men are supposed to have been, but rather because, like the neurotics who came to his consulting room, the myths and rituals of small-scale, kinship-based, non-literate societies fixate upon problems of individual development, the child who persists in all of us.
Originally published in 1918, this landmark collection of essays by the father of psychoanalysis represents one of Freud's most penetrating attempts to decipher the mysteries of human behavior. Its focus is the conflict between primitive feelings and the demands of civilization, i.e., the struggle to reconcile unconscious desires with socially acceptable behavior. Totemism involves the belief in a sacred relationship between an object (totem) and a human kinship group. Men and women bearing the same totem are prohibited from marrying each other, this being a form of incest taboo. Freud identifies a strong unconscious inclination as the basis of taboo,âŠ
For four decades, I have written about art for publications in the U.S., Europe, and Asia. I have interviewed, among other artists, Frank Stella, Mary Ellen Mark, Dale Chihuly, Deng Lin (the daughter of Deng Xiaoping), the most celebrated Vietnamese contemporary painters, and the leading Japanese ceramicists. My ideal vacation is to wander the cobblestone streets of Italy, walking into a church to see the art of Caravaggio, Raphael, and Bernini. On a trip to Venice, I saw the immense illusionist ceiling painting by Giovanni Fumiani in the church of San Pantalon. Looking up at angels swirling in heaven, the idea for my second novel was born.Â
One of my favorite poets writing about one of my favorite artists. Cornellâs mysterious, alluring dreamscapes in his delicately crafted boxes meet their soulmate in the prose poems of Simic. In this work of only seventy-seven pages of short meditations on Cornellâs life, inspiration, and method, Simic creates the poetic equivalent of Cornellâs visual art. Simic recognizes, as did Cornell, that âThe commonplace is miraculous if rightly seen, if recognized.â
In Dime-Store Alchemy, poet Charles Simic reflects on the life and work of Joseph Cornell, the maverick surrealist who is one of Americaâs great artists. Simicâs spare prose is as enchanting and luminous as the mysterious boxes of found objects for which Cornell is justly renowned.Â
At first sight, the title evokes a certain Gallic hauteur, but it does not take long to see that this is simply a foretaste of the rich exploration of the myths of Paris â how the great city has been depicted, imagined, and perceived over time. This is the story of Paris as the capital of modernity, art, fashion, revolution, sex, pleasure, science, and crime. With writers, artists, poets, and visitors as witnesses, and lavishly illustrated, this is a colourful meander through the myths and illusions that have shaped the many images of Paris.Â
Whatever the actual realities beneath these multiple faces, asks Higonnet at one point, âwho could, in our culturally unanchored world, imagine life without this city?â Â Â
In an original and evocative journey through modern Paris from the mid-eighteenth century to World War II, Patrice Higonnet offers a delightful cultural portrait of a multifaceted, continually changing city. He explores Paris as the capital of revolution, science, empire, literature, and art, describing such incarnations as Belle Epoque Paris, the Commune, the surrealists' city, and Paris as viewed through American eyes. He also evokes the more visceral Paris of alienation, crime, material excess, and sensual pleasure.
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiersâŠ
I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhereânew planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of charactersâmen and some women who made a mark on the world through their wit and wisdomâand some just by being rogues. There are no dull moments in Tudor times.
First, the main character is compellingâintelligent, strong, flawed, and courageous. Second, excellent research takes you into the difficult politics of medieval Europe, the tensions between religions, and the madness of European Courts. Third, it takes you into the dark world of medieval alchemists and their dangerous competition to find the Philosopher's Stone.
The crimes make your skin crawl. I also love it because my very own detective, Doctor John Dee, is ever present but never seen.
The new historical crime thriller, a Sunday Times bestseller, perfect for fans of C. J. Sansom and Hilary Mantel
Prague, 1588.
A COURT IN TURMOIL
The court of the Holy Roman Emperor, Rudolf II, is a haven for scientists, astrologers and alchemists. The dream - to discover the philosopher's stone and attain immortality. But now there are rumours of heresy.
A MURDERED ALCHEMIST
Giordano Bruno is sent to Prague as a spy for Elizabeth I. He arrives to find the palace in uproar - an alchemist has been murdered.
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction⊠but I just like to call them Strange Books.
My first introduction to the surreal in art was Monty Pythonâs Flying Circus. My first introduction to the art movement of surrealism was seeing Max Ernstâs "Two Children Are Threatened by a Nightingale". I was astounded that you were allowed to do that. Then I discovered Magritte (and later Escher) and saw that the anarchy of surrealism could be put to the most profound use, that of exploring life beyond the material. Magritte uses conventional representation to undermine that very convention and puncture so-called reality in a way that is a joy to look at. This is a decent book on his life and work. Magritte reminds us things are not what they seem⊠and thatâs a good thing.
Iâve been a lifelong lover of short fiction, novels, and comic books since I can remember. Ideas were always king, leading me to a career in the creative arts as a graphic designer with years of experience in the world of advertising. Much of the core of what I did for advertisingâcrafting brief tales to engage with an audience in a creative/unique wayâtranslated over well to when I began writing my own short stories. And all of the book recommendations here directly inspired me to writeWhite Space.
I loved this collection of short stories primarily for the characters that Kevin Wilson created. The humanity and eclectic traits that he puts into them connected with me on a personal level. Itâs almost as if the characters could live in a Wes Anderson film. While the people shine in these stories, the plots still have that inventive odd twist that left me smiling. And the story from which the collection takes its name was a melancholic surreal tale that left me thinking about its layers of meaning long after I finished reading it.
A debut short story collection in the tradition of writers like Kelly Link, Aimee Bender, and George Saundersâstrange, imaginative, and refreshingly originalânow back in print as part of Eccoâs âArt of the Storyâ Series, and with a new introduction from the author
Kevin Wilsonâs characters inhabit a world that moves seamlessly between the real and the imagined, the mundane and the fantastic. âGrand Stand-Inâ is narrated by an employee of the Nuclear Family Supplemental Providerâa company that supplies âstand-insâ for families with deceased, ill, or just plain mean grandparents. And in âBlowing Up On the Spot,â a story singled outâŠ
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted reparteeâŠ
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction⊠but I just like to call them Strange Books.
This is the book I used to read with a torch under the bedcovers as a kid. It introduced me to many great science fiction writers. My copy had an excellent cover depicting an ice cream with an eyeball staring out of it. I loved entering the bookâs different worlds. It inspired me to lie awake at night, speculating about the universe, only to awake the next morning wondering if this was the day when the school teacher would say, âOK enough of these spellings and sums, letâs talk about why life exists.â I still donât understand why it never happened.