Here are 100 books that The Most Southern Place on Earth fans have personally recommended if you like
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Since childhood, I have been fascinated by the culture and stories of my place, the Mississippi Delta. I began my education in the beauty shop, where my mother “fixed” hair six days a week. I continued my education in the pool hall when I was 13 or 14, listening to the braggarts and fools who pontificated about every subject under the sun. I escaped to Memphis in the late 60s and became a hippie, drinking in the experience of Memphis’ electric streets. These experiences informed my thinking and helped me become a writer and filmmaker.
This is a comprehensive history of the Mississippi River in general and the Flood of 1927 in particular. Beautifully written and exhaustively researched, it was incredibly insightful and full of context, especially about the relations between the ruling-class planters and their African American workers. The influx of Italian, Lebanese, and Chinese immigrants is detailed and explains much of the Delta's cultural diversity.
The book also tells the story of the government’s response to the devastating flood, ultimately propelling Secretary of Commerce Herbert Hoover to the presidency in 1928.
A New York Times Notable Book of the Year, winner of the Southern Book Critics Circle Award and the Lillian Smith Award.
An American epic of science, politics, race, honor, high society, and the Mississippi River, Rising Tide tells the riveting and nearly forgotten story of the Great Mississippi Flood of 1927. The river inundated the homes of almost one million people, helped elect Huey Long governor and made Herbert Hoover president, drove hundreds of thousands of African Americans north, and transformed American society and politics forever.
The flood brought with it a human storm: white and black collided,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Since childhood, I have been fascinated by the culture and stories of my place, the Mississippi Delta. I began my education in the beauty shop, where my mother “fixed” hair six days a week. I continued my education in the pool hall when I was 13 or 14, listening to the braggarts and fools who pontificated about every subject under the sun. I escaped to Memphis in the late 60s and became a hippie, drinking in the experience of Memphis’ electric streets. These experiences informed my thinking and helped me become a writer and filmmaker.
The story of American music is laid out in a fascinating series of stories by musicologist and former New York Times music critic Robert Palmer. Palmer used interviews with Muddy Waters and many other bluesmen to explain how this music traveled from Africa to the American South and then up to Chicago, Detroit, and other northern cities.
It is an in-depth look at the stories and myths of the South and the people who made their escape from the brutal cotton fields and racial segregation of the times. This book is a must for anyone wanting to know the beginnings and significance of American music.
Blues is the cornerstone of American popular music, the bedrock of rock and roll. In this extraordinary musical and social history, Robert Palmer traces the odyssey of the blues from its rural beginnings, to the steamy bars of Chicago's South Side, to international popularity, recognition, and imitation. Palmer tells the story of the blues through the lives of its greatest practitioners: Robert Johnson, who sang of being pursued by the hounds of hell; Muddy Waters, who electrified Delta blues and gave the music its rock beat; Robert Lockwood and Sonny Boy Williamson, who launched the King Biscuit Time radio show…
Since childhood, I have been fascinated by the culture and stories of my place, the Mississippi Delta. I began my education in the beauty shop, where my mother “fixed” hair six days a week. I continued my education in the pool hall when I was 13 or 14, listening to the braggarts and fools who pontificated about every subject under the sun. I escaped to Memphis in the late 60s and became a hippie, drinking in the experience of Memphis’ electric streets. These experiences informed my thinking and helped me become a writer and filmmaker.
Even though this is a collection of short stories, it tells the story of Mississippi and the South in a way few have captured. I have recommended this book to dozens of people over the years who were looking to begin reading Mr. Faulkner’s work.
The stories about Native American culture (Red Leaves, A Justice, and Lo) are insightful and completely changed my thinking about that culture. The stories of small-town life come alive in unique and disturbing ways, but they are always inventive and deep. I love these stories and the fact that even after eighty or ninety years, they continue to introduce one of the greatest writers in the English language to the people of the world.
This is a collection of the very best of William Faulkner's short stories. Included are classics of short-form fiction such as 'A Bear Hunt', 'A Rose for Emily', 'Two Soldiers' and 'The Brooch'. Faulkner's ability to compress his epic vision into narratives of such grace and tragic intensity defines him as one of the finest and most original writers America has ever produced.
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
Since childhood, I have been fascinated by the culture and stories of my place, the Mississippi Delta. I began my education in the beauty shop, where my mother “fixed” hair six days a week. I continued my education in the pool hall when I was 13 or 14, listening to the braggarts and fools who pontificated about every subject under the sun. I escaped to Memphis in the late 60s and became a hippie, drinking in the experience of Memphis’ electric streets. These experiences informed my thinking and helped me become a writer and filmmaker.
William Alexander Percy was an enigma. He was an attorney, a published poet, a World War I hero, and a ruling member of the planter class during his life in the Mississippi Delta (1885-1942). His father was a United States Senator, and his mother was French Catholic, a fact that riled the KKK members in 1920s Mississippi.
Percy is recognized as a godfather to the Southern Agrarians Robert Penn Warren, John Crowe Ransom, and Allen Tate. This is a look back to a strange time in America. Some of the languages, especially those discussing race, are hard to read, but at the time, they were considered ultra-liberal. This book sets up much of the context needed to understand the significance of the Mississippi Delta.
Born and raised in Greenville, Mississippi, within the shelter of old traditions, aristocratic in the best sense, William Alexander Percy in his lifetime (1885--1942) was brought face to face with the convulsions of a changing world. Lanterns on the Levee is his memorial to the South of his youth and young manhood. In describing life in the Mississippi Delta, Percy bridges the interval between the semifeudal South of the 1800s and the anxious South of the early 1940s. The rare qualities of this classic memoir lie not in what Will Percy did in his life -- although his life was…
My sister once remarked that listening to our mother’s stories about living during World War II made it sound like we missed something really exciting. That is what history has always been for me–something I missed out on, for better or worse. What would it really have been like? Could I have survived? Family genealogies bring history to me on a personal level; archaeology and paleontology extend that wonder much deeper into the past. During the time I taught anatomy and human evolution at the University of Indianapolis, I tried to be as interdisciplinary as possible, both in study and teaching. I continue this in my retirement.
After reading David Hackett’s book, I cannot think of American society in the same way again. The United States is touted as the great melting pot, but we all know that cultural nuggets may refuse to mix thoroughly with the rest. What I learned from this book is that even within white Angle-America, behavior patterns that differentiated Englishmen hundreds of years ago persist in America today. This book is not about red states and blue states, but it is impossible to read it and not see the connections.
Hackett traces the colonial immigration of four populations who settled the colonies–New England Puritans, Quakers and others of the Middle Colonies, Cavaliers of the South, and the Scotch-Irish of the Appalachian back-country. They differed significantly in geographic origins, speech, architecture, family structure and values, gender roles, food, dress, work patterns, and the concept of freedom.
Eighty percent of Americans have no British ancestors. According to David Hackett Fischer, however, their day-to-day lives are profoundly influenced by folkways transplanted from Britain to the New World with the first settlers. Residual, yet persistent, aspects of these 17th Century folkways are indentifiable, Fischer argues, in areas as divers as politics, education, and attitudes towards gender, sexuality, age, and child-raising. Making use of both traditional and revisionist scholarship, this ground-breaking work documents how each successive wave of early emigration-Puritans to the North-East; Royalist aristocrats to the South; the Friends to the Delaware Valley; Irish and North Britons to the…
I am a retired professor, was raised in a refugee camp, one of a family of 9 living in one tent. studied in Palestine, Egypt, Germany, and America, have Ph.D. in economics; scholarships financed my education journey. I lived a life no human has lived or can live, because some of the times I lived had come and gone and cannot come back again. I taught at 11 universities on 4 continents, published 60 books in Arabic and English: books on economics, politics, culture, history, conflict resolution, philosophy, racism, novels, and poetry. True intellectuals cannot stay in one area because issues that shape mankind's history and man’s destiny are interconnected.
A History of Knowledge is a treasure that invites everyone to explore and enjoy. It recounts the history of human progress from primitive times to the 21st century. Van Doren covers the history of ideas, inventions, civilizations, ideologies, and issues of justice, war, and slavery. Almost no famous thinker, emperor, philosopher, inventor, or artist is not mentioned, and his contribution examined.These are two of my favorite quotations; “Our fathers started the revolution, and we are still living it. We could not stop it even if we wanted to.” “The rich are never rich enough... to have enough is simply to be content with what you have. When wanting comes first, you can never have enough. If contentment is placed first, it does not matter how much you have.”
A one-voume reference to the history of ideas that is a compendium of everything that humankind has thought, invented, created, considered, and perfected from the beginning of civilization into the twenty-first century. Massive in its scope, and yet totally accessible, A HISTORY OF KNOWLEDGE covers not only all the great theories and discoveries of the human race, but also explores the social conditions, political climates, and individual men and women of genius that brought ideas to fruition throughout history. "Crystal clear and concise...Explains how humankind got to know what it knows." Clifton Fadiman Selected by the Book-of-the-Month Club and the…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
Juan Villoro’s memoir takes readers on a tour of contemporary Mexico City that is also a meditation on chilangos’ (Mexico City residents) relationship with the past. The book bounces between the author’s childhood in the neighborhoods of Mixcoac and Del Valle and the present day, traversing the sprawling metropolis and giving readers a sense of its scale and complexity. Through Villoro, we meet the sewer cleaners and tire repairmen who keep the city humming. We visit monuments like the Angel of Independence and Chapultepec Castle and the bustling spaces of Santo Domingo Plaza and Tepito—places that seem to hover between past and present and myth and reality. At once spry and erudite, the book is an immensely satisfying rumination on the city and its people.
At once intimate and wide-ranging, and as enthralling, surprising, and vivid as the place itself, this is a uniquely eye-opening tour of one of the great metropolises of the world, and its largest Spanish-speaking city.
Horizontal Vertigo: The title refers to the fear of ever-impending earthquakes that led Mexicans to build their capital city outward rather than upward. With the perspicacity of a keenly observant flaneur, Juan Villoro wanders through Mexico City seemingly without a plan, describing people, places, and things while brilliantly drawing connections among them. In so doing he reveals, in all its multitudinous glory, the vicissitudes…
I was born into the heart of American religious fundamentalism and spent years helping build the Religious Right before walking away from it. My book tells the story of that journey: from certainty to doubt, from dogma to paradox, from fear to love.
I’ve lived at the crossroads of faith, politics, family, and art—and these recommendations reflect the questions that still haunt me: How do we live with compassion in a divided world? How do we raise our children with tenderness in the absence of certainty? These books moved me because they don’t preach. They search. They speak in the voice of those of us who are done with black-and-white thinking, but still believe in grace.
Gerard’s reflections on a fractured America resonate so deeply with me.
He writes with the same kind of searching spirit I tried to bring to my book: an effort to find a moral center in a world that often seems to have lost its way.
Gerard’s book helped me see that even when everything feels like it’s falling apart, there are still spaces for wonder and decency to take root. And that’s what keeps me writing—and hoping.
AMERICAN BREAKDOWN dissects how, in the space of a generation, the pillars that sustained the once-dominant superpower have been dangerously eroded. From government to business, from media to medicine-the strength and security of the American experiment have been weakened by a widening gap between the elites who control these institutions and the public.
At the root of this breakdown is a precipitous fall in Americans' trust in their political, business and cultural leaders. As Baker writes, "This pathology of distrust across American society is eating the country away from the inside." Millions of Americans say they have little faith in…
I did not use to believe in human progress, but thought there must have been good old days behind us – until I studied history and understood that my ancestors did not live ecologically, they died ecologically, at an early age. Since then I’ve been obsessed with progress, what makes it possible and how we can spread it to more people. I am a historian of ideas from Sweden, the host of a video series on innovations in history, New and Improved, and the writer of many books on intellectual history and global economics, translated into more than 25 languages.
This 1974 book, by the founder of one of the world’s great picture libraries, was a real eye-opener to me when I first read it. We are all nostalgic and look at the past through rose-tinted glasses, and so do I. But then we forget about the hunger and the crime, tuberculosis, smallpox and heaps of trash on the streets, the child labor, and the despair of the aged. This richly illustrated book, with its multitude of stories, set me straight. For instance, did you know that New York had 150,000 horses in 1900, each producing around 20 pounds of manure a day? The past stank. It makes you deeply grateful for science, technology, and economic growth.
The Good Old Days—were they really good? On the surface they appear to be so—especially the period to which this term is most often applied, the years from the end of the Civil War to the early 1900’s. This period of history has receded into a benevolent haze, leaving us with the image of an ebullient, carefree America, the fun and charm of the Gilded Age, the Gay Nineties.
But this gaiety was only a brittle veneer that covered widespread turmoil and suffering. The good old days were good for but the privileged few. For the farmer, the laborer, the…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
In the 1960s, inspired by the civil rights and antiwar movements, the women's and environmental movements, and the counterculture, I became an activist and political organizer. Eventually, I called myself a revolutionary and helped found a militant underground organization. Out of anger and youthful naiveté, and being in too much of a hurry to think clearly, I made some superficial choices and did some things I now regret. Ever since, I have been hypersensitive to the nuances and contradictions in what motivates people to become radicals and to flirt with—or embrace—violence as a legitimate action.
Didion's inability to make sense of America in the fracturing, turbulent mid-century years struck me as spookily familiar.
Many of the essays in this collection are personal, about herself; she was a cool and incisive observer, not a participant. But the pervasive atmosphere of disaffection and alarm she depicts drove many, including me, to take enormous risks for ill-conceived reasons.
She profiles one dreamer who found it shockingly easy to abdicate responsibility for making delusional choices: Linda Kasabian, who joined the murderous Manson Family, conned by its leader's charisma, and his promises of love and some vague idyllic future, into forgetting that actions can have fatal consequences.
Joan Didion's hugely influential collection of essays which defines, for many, the America which rose from the ashes of the Sixties.
We tell ourselves stories in order to live. The princess is caged in the consulate. The man with the candy will lead the children into the sea.
In this now legendary journey into the hinterland of the American psyche, Didion searches for stories as the Sixties implode. She waits for Jim Morrison to show up, visits the Black Panthers in prison, parties with Janis Joplin and buys dresses with Charles Manson's girls. She and her reader emerge,…