Here are 62 books that Abstract Explorations in Acrylic Painting fans have personally recommended if you like
Abstract Explorations in Acrylic Painting.
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My mixed media journey began as a kid growing up in a family of scientists and artists. I always loved to combine things, adding unusual objects to my mud sculptures and later mixing things up as a chemistry student. I created some wild concoctions as a bartender and then eventually as an acrylic painter. I began as a traditional oil painter, but I moved on to painting murals on walls, and cutting stones and metalwork. I introduced the other art students to some great construction sites where we would scavenge materials and give them new life. This passion led me to write six books on mixed media.
Color is visual and this book shows you through images how colors interact with each other and what constitutes good color combinations.
She sets the foundation for rules and color strategies, but she moves on to incorporate various color wheels and finished paintings using those selected colors. I love how she categorizes various color wheels from traditional to bold, opaque earth, old masters, and modern palettes.
She also shows paintings using various color combinations from triads to analogous color combinations and all the other possible combos.
I love this book because it is educational and visually beautiful.
Learn how to use color in your own unique and expressive way!
Color is what you make it: sensitive, explosive, dreamlike, atmospheric, somber, cheerful. Nita Leland brings logic and intuition together to create a foundation for color selections that allow you to be more inventive, break out of old habits and experiment with new colors. Her approach eliminates time-wasting trial and error while giving you the freedom to use color in personal, meaningful and exciting ways.
Features:
• Artwork from more than 50 contributing artists that illustrates many personal approaches to color • 85 "Try It" activities that will help…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
My mixed media journey began as a kid growing up in a family of scientists and artists. I always loved to combine things, adding unusual objects to my mud sculptures and later mixing things up as a chemistry student. I created some wild concoctions as a bartender and then eventually as an acrylic painter. I began as a traditional oil painter, but I moved on to painting murals on walls, and cutting stones and metalwork. I introduced the other art students to some great construction sites where we would scavenge materials and give them new life. This passion led me to write six books on mixed media.
Acrylic Revolution introduces the artist to an assortment of tools, products, and techniques to help you understand the many possibilities of using acrylic paint.
It is a book you want to keep handy as you explore what acrylic paint can do. Nancy provides an extensive list of tips, tools, materials, and a handy glossary.
The book has steps to take you through everything from gluing, creating textures to how to change your paint to act like other mediums. The technique steps have helpful photos but limited finished art.
However, there are many beautiful pieces at the end of the book with handy page references to go back and see the techniques that were used to create them.
This is a great book for someone starting out in the acrylic painting.
Acrylic Revolution is your essential, all-in-one guide for acrylic painting techniques and more. Use any of the over 101 strategies to break through the boundaries of conventional painting and redefine your creative potential with the world's most versatile medium.
Every page is packed with insights into using acrylic paint in ways you never thought possible to create stunning visual effects and textures.
A gallery of finished art at the back of the book will show you how to combine different tricks to use in their artwork offering you real-life applications for acrylic techniques.
My mixed media journey began as a kid growing up in a family of scientists and artists. I always loved to combine things, adding unusual objects to my mud sculptures and later mixing things up as a chemistry student. I created some wild concoctions as a bartender and then eventually as an acrylic painter. I began as a traditional oil painter, but I moved on to painting murals on walls, and cutting stones and metalwork. I introduced the other art students to some great construction sites where we would scavenge materials and give them new life. This passion led me to write six books on mixed media.
She features several artists working in a wide range of styles. This really shows the dynamic range that can be achieved with acrylic.
She begins with a comprehensive introduction to acrylic paints, even how they are made. If you really like details this book has so many tidbits and treasures but first you have to pull your eyes away from the colorful artwork and actually read.
I discovered many helpful solutions to issues after I sat down one day and read it cover to cover. I love seeing the finished art and it will jump-start your imagination.
Get ready for the creative ride of your life! Tradition is out, experimentation is in with this cutting-edge how-to sampler of techniques to use with acrylic, the world's most versatile medium. Inside, you'll find inventive, non-traditional, downright inspirational ways to paint with acrylic (pour, scrape, squirt, roll, layer and excavate).
Workshop style instruction covers a wide range of approaches: Watermedia Effects * Creating Texture Gels * Subtractive Techniques * Collage and Acrylic Skins * Acrylic Transfers and the Printed Image * Pours * Acrylic Encaustic * Metallic and Reflective Paints * Drawing and Resists with…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
My mixed media journey began as a kid growing up in a family of scientists and artists. I always loved to combine things, adding unusual objects to my mud sculptures and later mixing things up as a chemistry student. I created some wild concoctions as a bartender and then eventually as an acrylic painter. I began as a traditional oil painter, but I moved on to painting murals on walls, and cutting stones and metalwork. I introduced the other art students to some great construction sites where we would scavenge materials and give them new life. This passion led me to write six books on mixed media.
Jean’s book has a novel format for teaching that I love.
She does begin with an introduction to acrylics but then she breaks down various components with examples and then a featured artist to explore that technique. She shows how collage, texture, drawing, and different styles can turn out so different using the same materials.
Jean is a brilliant figurative mixed media artist and she abstracts the figure in a way that invites even nonobjective painters to want to try a new subject manner. She has some fun composition ideas and even a roadmap of when to add other materials.
A visually beautiful book that will inspire your work no matter what your genre.
Are you interested in adding a bit of mixed media to your artwork but unsure exactly how? Mixed Media Painting Workshop takes the fear out of artistic experimentation and instead celebrates the journey, step by step!
With Mixed Media Painting Workshop, you'll learn a variety of techniques and use a unique selection of materials to express yourself and your style! From backgrounds to sketching, from painting to collage, from the elements of design to subject matter, you'll find it all right here!
I have always been a dog person. Sometimes, I think I am a dog whisperer, as I feel like the dogs in my life have always understood me, just like I understood them. They were often so human-like that I wondered what they did at the house when I was out. So, it didn’t take much of a leap to come up with the idea of “Dudley’s Day at Home,” where Dudley and his best cat pal, Buttercup, enjoy lots of human activities while Sam and his mother are away.
As someone who enjoys writing in rhyme myself, I appreciate the easy-flowing text that’s fun to read aloud. I also love the character of Tinka, a dog who has a lot of fun, maybe a bit too much fun!
This is definitely one of those picture books that can be read many times to kids and they won’t get bored.
Tinka is a cool dog, a school dog, a breaking all the rules dog. A hall dog, a ball dog, a crash-into-the-wall dog.
Join Tinka, a dandy, sandy Golden Retriever, as she unexpectedly visits her owner at school and helps his class learn to read. Bright illustrations rendered in acrylic paint add to the excitement in this playful back-to-school story about a boy and his "loves-to-hear-a-book" dog.
The author and illustrator of Cool Dog, School Dog have donated this book to the Worldreader program.
I’ve lived in cities all my adult life and currently divide my time between Paris and Philadelphia. And while those two cities are strikingly different places, they have in common the fact that they are both great walking cities –- urban centers that can be explored on foot and easily enjoyed by pedestrians. Walking cities, I believe, provide not only an ideal context for today’s tourists but also a model for a future in which urban dwellers become less reliant on automobiles and urban centers more open to foot traffic than to vehicular pollution and congestion. The books I’ll recommend deal in various ways with the building and rebuilding of visionary cities, and of Paris in particular.
After the literature of Paris, the painting of Paris. T. J. Clark’s The Painting of Modern Life studies the ways in which the artists he calls “painters of modern life” created canvases that attempted to focus attention on a subsequent transformation of Paris, in the nineteenth century. Clark considers the depictions by painters such as Manet, Degas, and Seurat of Paris as it evolved and of Parisians interacting with their changing city. The depictions of Parisians experiencing the boulevards, cafés, and parks of Paris that Clark analyzes are perhaps the greatest tradition ever of city painting. No one has ever attempted such a study of the many paintings of Paris as it was transformed in the seventeenth and eighteenth centuries. When they do so, Clark’s book can provide a model.
The Paris of the 1860s and 1870s was supposedly a brand-new city, equipped with boulevards, cafes, parks, and suburban pleasure grounds--the birthplace of those habits of commerce and leisure that constitute "modern life." Questioning those who view Impressionism solely in terms of artistic technique, T. J. Clark describes the painting of Manet, Degas, Seurat, and others as an attempt to give form to that modernity and seek out its typical representatives--be they bar-maids, boaters, prostitutes, sightseers, or petits bourgeois lunching on the grass. The central question of The Painting of Modern Life is this: did modern painting as it came…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
My name is James Gurney and I've been a professional illustrator for National Geographic and Scientific American for over 40 years. Although I went to art school, everything I know about drawing and painting comes from studying art instruction books, and from sketching directly from nature. I'm best known for writing and illustrating the New York Times bestselling Dinotopia book series, published in 32 countries and 18 languages. I designed 15 dinosaur stamps for USPS and a set of five dinosaur stamps for Australia Post. My originals have been shown in over 35 solo museum exhibitions. My book Color and Light has sold over 200k copies and was Amazon's #1 bestselling book on painting for over a year.
The book covers basic principles, such as variety, shape, silhouette, edges, unity, rhythm, color, and texture. But his coverage of these familiar ideas is fresh and original, and he provides lots of examples. He avoids laying down rules or laws, because one generation of artists breaks the rules of the previous generation. All of the basic principles are universal enough to have remained in place despite the changing styles throughout history.
This is the ENGLISH edition. To buy this book in Russian: https://www.amazon.com/dp/5904957076. | The only textbook on composition approved and recommended by the Russian Academy of Fine Arts. Written by a Head of the Drawing Department and a leading professor of drawing, Vladimir Mogilevtsev. Description: This is the 3rd and last textbook in the series of "Fundamentals of Art". The previous two editions are dedicated to Fundamentals of Drawing and Fundamentals of Painting. In the book Fundamentals of Composition, the author, on the basis of his own creative work and experience working with students, tried to show and explain how…
In the “meme-ification” of the world, the long-form version of learning and practicing skills is getting lost. True discovery happens after a thorough and deep understanding of the subject. Truth is a multilayered, complex exploration that is hard to sum up in a single sentence.
This book offers the technical breakdown of painting in grisaille. I only know of a few books that cover it and this one was written by an amazing painter! This was the common practice of Bouguereau and Gerome and is thoroughly explained in this particular volume as well and the rendering of planar “facets.” The practice of grisaille is an important phase in painting. The separation of color and form is partly why so many of the “masters” had such control over form and value.
This instructive volume introduces not only the techniques of oil painting but also the underlying principles of figure drawing. Written by a distinguished Pre-Raphaelite painter, portraitist, and book illustrator, the treatment begins by explaining the construction of the figure, head, and limbs. Succeeding chapters illustrate these teachings with examples of images by the Old Masters, including paintings from the Italian, Dutch, Spanish, French, and British schools. The Birmingham Daily Post pronounced this volume "probably the most useful handbook for art students that has yet been published." Students at every level of expertise will benefit from its discourses on light and…
I'm a guitar player, a writer of music and a bandleader. I've made 12 records—working on my 13th—have written 2 books, and made an app called "Humanome," which is a metronome that intentionally doesn't keep steady time. I have a Patreon page and a YouTube channel. I've devoted most of my life so far to playing music, touring, practicing—lots and lots of practicing—and more or less thinking about music non-stop. As a player, I care strongly about improvising—the spontaneous creation of music—and as a writer, I care deeply about melody, rhythm, and form. I get a lot of inspiration from visual art and from soulfulness in all its forms.
This book washed over me like a fresh Spring breeze after a long Winter. Any time an artist can speak eloquently about their motivations, sensitivities, and beliefs, it provides validation to all other artists even if, as in Kandinsky's case, it seems some of his certainties verged on dogma. But I'll take artistic dogma over inartistic ambiguity any day.
Art is the closest thing to nature that human beings can create, yet its relevance can be completely overlooked by the general public. Documents such as this are like messages in a bottle, hieroglyphs on the cave wall of contemporary society left for discovery by future—and hopefully more receptive—generations.
A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art. Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I am a poet and author living and writing in Northern Colorado. I love reading (and writing) novels in verse because they invite the reader into an active relationship with the author-poet. The story is co-created through mutual trust and imagination: the reader has to trust the author to provide enough language to reveal the narrative, and the author has to trust the reader to fill in details left by the white space on the page. Through this mutual effort and creative collaboration, dazzling stories emerge.
Joy McCullough’s Blood Water Paint is historical fiction that tells the story of Artemisia Gentileschi, a Renaissance painter who survived a sexual assault and persevered to see her assailant convicted in an Italian court. If the true aspects of the story weren’t compelling enough, McCullough contrasts her fictional character with the biblical heroines Judith and Susanna, using prose and verse strategically to weave the stories with their counter-narratives. McCullough’s experience as a playwright shines through here and her poetic devices are downright Shakespearean, revealing clues to her characters’ emotional truths through the deceptively simple arrangement of words on the page. This book is astonishingly good and a must-read for anyone intrigued by novels in verse.
Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint.
She chose paint.
By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the…
