66 Books Like A Wrinkle in the Skin

I have always been fascinated by stories where faith, myth, and the human condition collide in unexpected ways. The kinds of books that don’t just tell a story, but make you question God, morality, suffering, and what remains of humanity when everything collapses. These are the kinds of stories that stay in your head long after you finish reading. They mix faith, myth, and the end of the world in ways that feel strangely personal and unsettling. They are not simple fantasy, not traditional horror, and not religious fiction in the usual sense. They sit in a strange space where belief, suffering, and human nature all collide.

I’ve written over 30 novels, mostly fantasy, until meeting a prepper years ago in a tavern with a cold beer and a quiet table. He explained that EVERYTHING depends on farmers and trucks carrying food to us. My last six or eight novels dwell on that one theme, no matter if the cause is volcanoes erupting, social breakdown, or an upcoming war. When the food is scarce…well, that’s the background for books I enjoy.

I’ve loved reading alternative visions of Britain since I read a Strontium Dog saga in ‘2000AD’ as a boy. What was science fiction then has become closer to reality now. The idea of one event, such as a meteor shower in Triffids or a virus in ‘Grass,’ causing havoc worldwide is gripping. I prefer the British stories because they are closer to home. Many of these were written close to the Second World War, and their authors describe deprivation in unflinching detail. Recent political events have turned my mind to how human actions can cause dystopian futures, as in Orwell’s 1984.

My name is Rachel Drummond, and I've had a passion for reading since primary school. Drawn to the books where the protagonist finds themselves needing to survive on their own. My mum challenged me to actually try write something to publish and I finally took her up on this. I wanted to create a world that skates the edge of ‘this could happen’ and superimpose a fictional situation over a place that is so recognisable, that if you drove through the town, you could use the book as a map. I write because I enjoy it, and because sometimes you need to kill someone without getting your hands dirty.

As an avid reader, I have been fascinated by children’s reading development and began researching this topic with a specific interest in the personal motivation of young readers. I examined children’s reading in various digital formats, including e-books made by families and children themselves. Today, I work as Professor in Norway and the UK and enjoy working across academia and industry. I feel very passionate about communicating research in an accessible way to children’s teachers, caregivers, and policy-makers. The books on my list do this exceptionally well, and I hope you will enjoy them as much as I did.

Since 1996 when my first trip to Venice rearranged my interior life, I have been visiting the city and learning everything I can about it. Most of my reading led me to men’s history, but with some digging, I uncovered the stories of Venice’s inspired, undaunted, hardworking women. Their proto-feminism motivated me to share their stories with others in an attempt to redefine beauty. I’ve also created videos showing sites connected to these women’s lives, and I’ve written four books about Venetians, including extensive research into Giacomo Casanova and two anthologies celebrating Venetian life. Reading and writing about Venice helps me connect more deeply with my favorite city.

As a young working mom, I occasionally longed to follow the example of columnist Erma Bombeck and hide from my family in the car. Instead, I channeled the mayhem of family life into a humor column called “The Mother Load,” which detailed the day-to-day challenges of running a business while caring for two daughters, one husband, two guinea pigs, and a dancing rabbit. When I decided to pursue my life-long dream to write fiction, my debut novel was a humorous story about a mother-daughter-grandmother road trip/chase from Boston to Memphis. Although my writing doesn’t shy away from serious issues, I choose to see the world through a humorous and ultimately hopeful lens.

As a writer of dozens of books for children, I always learn much more that can go into each effort. A “wow” moment gets me started. It could be a giant cactus that grows so slowly, frogs that don’t ribbet, maybe a moment with a sea turtle, or thoughts on geology and natural wonders. Each book comes into a hazy focus after tons of research but much gets left out. What goes in? The best “wow” details get woven into an incredible story full of surprise, joy, and admiration for this world of constant change and those struggling to survive.

My final high school year in Tasmania added a new topic, geology. I and my school friends knew little about it but signed up. In the first lesson, the teacher pointed at the adjacent sunlit river gorge saying “There is your laboratory.” We were hooked and most of us became professional geologists. I started off in museums where mineral, rock, and fossil collections were a font of knowledge and generated field collecting, research, and educational activities. This led to MSc and PhD degrees from universities at both ends of Australia. A base at the Australian Museum led to travel around Australia and visits to many overseas institutions and meetings.

My husband sums up my biography as “I am, therefore I dig.” I live, garden, read and write in Chatham, New Jersey, and have had a long, open love affair with the gardening style “across the pond.” At the New York Botanical Garden I teach English garden history, and I’m a regular contributor to the British gardening journal, Hortus. In my writing, I follow the relationship between the pen and the trowel, that is authors and their gardens. I’ve written books about children’s authors Beatrix Potter and Frances Hodgson Burnett, and, as you might imagine, the research trips to the UK were a special bonus.