Here are 100 books that The Day of the Triffids fans have personally recommended if you like
The Day of the Triffids.
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The concept of whether a woman can truly be the subject of her own life has always fascinated me. It was an invisible struggle I didn’t know I had. Until I set out to finish the 54 unmet dreams of my late father, whose life had been cut short in a car crash. It wasn’t until I looked at the world through main character lenses, the kind that just seem to come more naturally to men, that I was able to see myself truly. This is just one lesson from my book. If you’ve ever felt different, remember: you’re not. You just haven’t seen yourself as the main character yet. These books will guide you.
In the year after my father’s death in a car crash, I was a young person in New York, trying to break into the world of magazine journalism.
I had been given half of an insurance settlement after my dad’s crash, which I used to survive while I applied for jobs every day. I was too zoned out to work at the time. But one thing I did do a lot of was read. I started with a book recommended by Sharon Stone on Oprah. The Alchemist.
What I loved the most about Santiago’s journey was the unexpected lessons that reveal his true path, the omens he finds along the way, and the belief he develops that when you go after your heart’s desire, the universe supports you.
All of these ideas would end up in my book, 20 years later, and this is because The Alchemist saved my…
A global phenomenon, The Alchemist has been read and loved by over 62 million readers, topping bestseller lists in 74 countries worldwide. Now this magical fable is beautifully repackaged in an edition that lovers of Paulo Coelho will want to treasure forever.
Every few decades a book is published that changes the lives of its readers forever. This is such a book - a beautiful parable about learning to listen to your heart, read the omens strewn along life's path and, above all, follow your dreams.
Santiago, a young shepherd living in the hills of Andalucia, feels that there is…
A hundred years in the future, the world has been ravaged by climate change, dwindling resources, and pandemics – one of which has wiped out most of the men. A women’s republic has arisen, sustained by cloning, and privileged teenager Clara Perdue is desperate to become…
I am an American citizen who taught Classical Studies at the University of Toronto, Canada. I have taught Homer (in translation and in Greek), ancient myth, and “reception” of ancient myth. All the books that I discuss below I have taught many times in a first-year seminar about creative “reception” of the Odyssey. Other topics include comparable stories (like The Tempest by Shakespeare) and other great works of reception (like Derek Walcott’s stage version of the Odyssey and his epic poem "Omeros"). Every time I’ve taught the class, I’ve learned the most from free-wheeling discussions with students.
I thought it was great to have Circe herself narrate her love affair with Odysseus.
The first half of the novel interestingly shares her tribulations growing up as a child in a family of gods. I found that this establishes a theme of immortality vs. mortality that the book explores in profound ways. Especially fascinating was Circe’s personal story of her love affair with Odysseus.
I was surprised and delighted that Miller included the resulting child, Telegonus, who is not in Homer but is in ancient myth. Even more surprising to me was Circe falling in love with Telemachus, Odysseus’ son by Penelope (also not in Homer!). This relationship allows the novel to end on a positive note as Circe learns to live like a mortal in her new life with Telemachus.
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child - not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift threatens…
Sci-fi has been part of my life since Sunday afternoons in front of the radio listening to Journey to the Moon and the original Quatermass serial. Then it was Doctor Who and Star Trek. Despite this, I have never written a serious sci-fi book until now, but I can boast of knowing all the characters in both the radio and TV sci-fi shows. I guess I can admit to being a Trekkie.
This is a dark, scary story about a world ruled by fear.
Orwell is the father of the dystopian novel, in my opinion. I loved this book not only because Orwell created a great atmospheric novel, but his words create vivid pictures of such a society – better than the film.
1984 is the year in which it happens. The world is divided into three superstates. In Oceania, the Party's power is absolute. Every action, word, gesture and thought is monitored under the watchful eye of Big Brother and the Thought Police. In the Ministry of Truth, the Party's department for propaganda, Winston Smith's job is to edit the past. Over time, the impulse to escape the machine and live independently takes hold of him and he embarks on a secret and forbidden love affair. As he writes the words 'DOWN WITH BIG…
A hundred years in the future, the world has been ravaged by climate change, dwindling resources, and pandemics – one of which has wiped out most of the men. A women’s republic has arisen, sustained by cloning, and privileged teenager Clara Perdue is desperate to become…
Since I was a young boy, I’ve been fascinated with the concept of time. I’ve spent hours studying the physics of time as a hobby, and to this day, as an adult, that fascination continues. Whenever the topic of time arises in conversation, I will be the first to contribute my understanding of this mystery that has baffled humankind since the beginning of...well, time.
I loved this book because it’s the granddaddy of time travel stories that use a machine method of transportation to the past or future. The protagonist creates a machine capable of moving through time without actually moving through space.
I easily suspended my 21st-century pragmatic understanding of time travel and was immersed in Wells's plot for a world of the future, one with a socialist propensity. For a book that would be considered a Novella, this has a ‘big story’ feeling—for me anyway.
A brilliant scientist constructs a machine, which, with the pull of a lever, propels him to the year AD 802,701.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition of The Time Machine features an introduction by Dr Mark Bould.
The Time Traveller finds himself in a verdant, seemingly idyllic landscape where he is greeted by the diminutive Eloi people. The Eloi are beautiful but weak and indolent, and the explorer is perplexed by…
As well as being a novelist, I am also a script editor for film and TV. I specialise in thriller narratives and big themes in screenwriting, so it's no accident I am drawn to them in fiction too. Dystopian worlds offer such a rich backdrop for the BIG questions and observations. By putting new societies and threats under the microscope in stories, it can hold a mirror up to what's going on in real life. I think of dystopian novels as being akin to the canaries in the coal mine: they are not only cathartic, they sound the warning bell on where we are going as a society ourselves.
I love this book because of Katniss Everdeen's depth. She’s not just another “kickass hottie”, she’s complex, with a powerful character arc driven by a deep sense of responsibility.
The book’s commentary on mental health and Katniss' parentification resonated with me personally. The story world of all the districts and President Snow's iron grip on them is well-drawn and has parallels to our own, too.
Sixteen-year-old Katniss Everdeen regards it as a death sentence when she is forced to represent her district in the annual Hunger Games, a fight to the death on live TV. But Katniss has been close to death before - and survival, for her, is second nature. The Hunger Games is a searing novel set in a future with unsettling parallels to our present. Welcome to the deadliest reality TV show ever...
The concept of whether a woman can truly be the subject of her own life has always fascinated me. It was an invisible struggle I didn’t know I had. Until I set out to finish the 54 unmet dreams of my late father, whose life had been cut short in a car crash. It wasn’t until I looked at the world through main character lenses, the kind that just seem to come more naturally to men, that I was able to see myself truly. This is just one lesson from my book. If you’ve ever felt different, remember: you’re not. You just haven’t seen yourself as the main character yet. These books will guide you.
I read this during a confusing time—when I was seeking treatment for depression, from age 16 through 24.
Here was the third-most adapted book in history, and yet with each adaptation, the story grew further from the author’s true voice, which was that of an 18-year-old girl. How odd that this could happen, given that Frankenstein revolves around the creature finding his identity.
He only wants to do good, but when he learns how to read, he also learns how to label himself—as separate from God, and separate from man. He believes he must be bad because he’s different. The whole town agrees.
When I read this, I also felt different. This feeling didn’t go away until I finished my dad’s bucket list and saw the beauty and wonder he’d seen in me. I was different. But this was a good thing. I pray Mary Shelley found the same peace,…
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
I have always been fascinated by stories where faith, myth, and the human condition collide in unexpected ways. The kinds of books that don’t just tell a story, but make you question God, morality, suffering, and what remains of humanity when everything collapses. These are the kinds of stories that stay in your head long after you finish reading. They mix faith, myth, and the end of the world in ways that feel strangely personal and unsettling. They are not simple fantasy, not traditional horror, and not religious fiction in the usual sense. They sit in a strange space where belief, suffering, and human nature all collide.
I love this book because it treats gods, myths, and beliefs as living things shaped by human attention and neglect.
What fascinated me most was how ancient divinities walk unnoticed in the modern world, slowly fading as people stop believing. I felt drawn to the idea that faith itself creates reality.
This story made me reflect on how myths evolve, how belief changes through time, and how the supernatural can feel strangely grounded in everyday life.
Now a STARZ® Original Series – Season 3 premiere in January 2021
“Pointed, occasionally comic, often scary, consistently moving and provocative….American Gods is strewn with secrets and magical visions.”—USA Today
Newly updated and expanded with the author’s preferred text. A modern masterpiece from the multiple-award-winning master of innovative fiction, Neil Gaiman.
First published in 2001, American Gods became an instant classic, lauded for its brilliant synthesis of “mystery, satire, sex, horror, and poetic prose” (Washington Post) and as a modern phantasmagoria that “distills the essence of America” (Seattle Post-Intelligencer). It is the story of Shadow—released from prison just days after…
I have always been fascinated by stories where faith, myth, and the human condition collide in unexpected ways. The kinds of books that don’t just tell a story, but make you question God, morality, suffering, and what remains of humanity when everything collapses. These are the kinds of stories that stay in your head long after you finish reading. They mix faith, myth, and the end of the world in ways that feel strangely personal and unsettling. They are not simple fantasy, not traditional horror, and not religious fiction in the usual sense. They sit in a strange space where belief, suffering, and human nature all collide.
I love this book because it turns the biblical idea of good versus evil into something frighteningly human and tangible.
What stayed with me was not the plague or the supernatural elements, but how ordinary people reveal who they truly are when the world collapses. I felt constantly unsettled by how thin the line is between morality and survival.
This story made me reflect deeply on faith, corruption, and the fragile nature of civilization in ways that few novels ever have.
Stephen King's apocalyptic vision of a world blasted by virus and tangled in an elemental struggle between good and evil remains as riveting and eerily plausible as when it was first published.
Soon to be a television series.
'THE STAND is a masterpiece' (Guardian). Set in a virus-decimated US, King's thrilling American fantasy epic, is a Classic.
First come the days of the virus. Then come the dreams.
Dark dreams that warn of the coming of the dark man. The apostate of death, his worn-down boot heels tramping the night roads. The warlord of the charnel house and Prince of…
I’ve been a fan of dinosaurs and other mega-monsters ever since I watched the original Godzilla movie as a kid. It scared me half out of my wits! There’s something about big, scaly, dangerous beasts that makes for a great adventure story. Add fascinating human characters and you’ve got my full attention. I started writing my Dinosaur Wars books precisely to fill the void where there are far too few stories of this type in current literature. Challenges between human heroes and giant beasts have been part of literature from the start, featuring dragons, titans, and ocean leviathans. I see my writings as efforts to continue that tradition.
This book by Robert Heinlein is an action-packed space adventure featuring creepy insect foes in an interstellar battle with Earth. It follows Trooper Johnny Rico in an epic war story set on distant worlds.
The book features a number of combat engagements with gigantic insect-like “Arachnids” and other bug-like creatures. Meanwhile, several love affairs arise and crumble in the face of Rico’s commitment to the warrior life. While the book has been criticized as preachy and moralizing, these are foibles that I tolerated well, knowing that another action sequence would not be long in coming.
'The historians can't seem to settle whether to call this one 'The Third Space War' (or the fourth), or whether 'The First Interstellar War' fits it better. We just call it 'The Bug War'. Everything up to then and still later were 'incidents', 'patrols' or 'police actions'. However, you are just as dead if you buy the farm in an 'incident' as you are if you buy it in a declared war.'
5,000 years in the future, humanity faces total extermination. Our one defence: highly-trained soldiers who scour the metal-strewn blackness of space to hunt down a terrifying enemy: an…
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
I’d read the reviews, so I was prepared for a great book. I wasn’t prepared to be thrown out of my comfort zone—but in the best possible way.
Mandel made me sit with what it really means to lose everything and still create something beautiful. It’s not about saving the world; it’s about creating a new dream and making it your home. I loved how it celebrates art, memory, and the strange persistence of humanity even when everything else is gone.
This book reminded me that hope is often raw, painful, and ultimately necessary.
'Best novel. The big one . . . stands above all the others' - George R.R. Martin, author of Game of Thrones
Now an HBO Max original TV series
The New York Times Bestseller Winner of the Arthur C. Clarke Award Longlisted for the Baileys Women's Prize for Fiction National Book Awards Finalist PEN/Faulkner Award Finalist
What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in…
