Here are 100 books that A House in the Country fans have personally recommended if you like
A House in the Country.
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The topic is essentially letters, in this book, letters written during the Second World War. My grandmother, my mother and aunt – and other aunts – all wrote voluminously to each other. They also kept diaries. Every day is recorded, often in duplicate. I have them all – an absolute treasure trove of firsthand history. I myself, from the age of 12, have had penfriends in large numbers. My mother and I both belonged to "correspondence magazines." Letters were central to our lives. I still write long, newsy emails as if they were letters, plus some actual sheets of paper with writing on, sent in an envelope…
I found this book of utter fascination. I read it twice.
The author’s character and reactions to the ravages of war resemble, to some extent, my aunt’s own behaviour. Stoicism, pragmatism, just getting on with it. Whether German or British, this generation of women had a strength and confidence that I breathlessly admire.
Whilst Berlin at the end of the war was very different from Manchester, there are definite shared experiences and thoughts.
For eight weeks in 1945, as Berlin fell to the Russian army, a young woman kept a daily record of life in her apartment building and among its residents. "With bald honesty and brutal lyricism" (Elle), the anonymous author depicts her fellow Berliners in all their humanity, as well as their cravenness, corrupted first by hunger and then by the Russians. "Spare and unpredictable, minutely observed and utterly free of self-pity" (The Plain Dealer, Cleveland), A Woman in Berlin tells of the complex relationship between civilians and an occupying army and…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
The topic is essentially letters, in this book, letters written during the Second World War. My grandmother, my mother and aunt – and other aunts – all wrote voluminously to each other. They also kept diaries. Every day is recorded, often in duplicate. I have them all – an absolute treasure trove of firsthand history. I myself, from the age of 12, have had penfriends in large numbers. My mother and I both belonged to "correspondence magazines." Letters were central to our lives. I still write long, newsy emails as if they were letters, plus some actual sheets of paper with writing on, sent in an envelope…
I had long wanted to read this book, and when I finally got around to it, I was absolutely immersed in it from start to finish.
The writing is magnificent, the subject grueling. Nobody in it is safe. It is an unflinching account, told from first-hand experience but fictionalized, of the realities of war at sea. I have read several other Monsarrats, and they are all brilliant.
This one fits best with my own quieter story of the women left behind. An additional detail makes it even more appropriate, because my Aunt Wendy knew Nicholas Monsarrat.
Based on the author's own vivid experiences, The Cruel Sea is the nail-biting story of the crew of HMS Compass Rose, a corvette assigned to protect convoys in World War Two.
Darting back and forth across the icy North Atlantic, Compass Rose played a deadly cat and mouse game with packs of German U-boats lying in wait beneath the ocean waves.
Packed with tension and vivid descriptions of agonizing U-boat hunts, this tale of the most bitter and chilling campaign of the war tells of ordinary, heroic men who had to face a brutal menace which would strike without warning…
The topic is essentially letters, in this book, letters written during the Second World War. My grandmother, my mother and aunt – and other aunts – all wrote voluminously to each other. They also kept diaries. Every day is recorded, often in duplicate. I have them all – an absolute treasure trove of firsthand history. I myself, from the age of 12, have had penfriends in large numbers. My mother and I both belonged to "correspondence magazines." Letters were central to our lives. I still write long, newsy emails as if they were letters, plus some actual sheets of paper with writing on, sent in an envelope…
Having always loved Joyce Grenfell and her wonderful monologues and songs, I could hear her voice throughout this book.
It is entirely composed of letters between her and Katherine Moore, which grabbed me very forcefully. It follows the two women, their work, and opinions, through several years. They disagree quite often, talking about personal topics with great freedom.
I have always been a passionate devotee of letters – have written many thousands in my lifetime and have filing cabinets full of ones I have received. Any book comprised of letters gets my approval. I bought five copies of this one and gave them to friends, who all loved it as much as I did.
In 1957 Katharine Moore wrote to defend a poem that Joyce Grenfell had criticised on the radio. The two soon became pen-friends and were to share their experiences of life until Joyce's death. This is a complete record of their correspondence.
Set in the exotic and romantic realm of international rare bookselling, this is a story about protecting the written word against a digital world threatening to destroy it.
Michael Ashe, a young Los Angeles bookseller, must confront the fact that his once-thriving business is collapsing. Reading is in decline. Refusing…
The topic is essentially letters, in this book, letters written during the Second World War. My grandmother, my mother and aunt – and other aunts – all wrote voluminously to each other. They also kept diaries. Every day is recorded, often in duplicate. I have them all – an absolute treasure trove of firsthand history. I myself, from the age of 12, have had penfriends in large numbers. My mother and I both belonged to "correspondence magazines." Letters were central to our lives. I still write long, newsy emails as if they were letters, plus some actual sheets of paper with writing on, sent in an envelope…
As a crime writer, I am always looking for fellow authors with a different approach to "whodunnit."
This book has echoes of "Foyle’s War" and the difficulty in taking one small murder seriously in the face of wholesale wartime slaughter. The research is deftly employed, and the story is satisfying.
When writing my own book, I was grateful for this additional angle, which linked to my other writing as well as adding background knowledge.
First published as Direct Hit Saturday 7th September, 1940. The sun is shining, and in the midst of the good weather Londoners could be mistaken for forgetting their country was at war - until the familiar wail of the air-raid sirens heralds an enemy attack. The Blitz has started, and normal life has abruptly ended - but crime has not. That night a man's body is discovered in an unmarked van in the back streets of West Ham. When Detective Inspector John Jago is called to the scene, he recognises the victim: local Justice of the Peace, Charles Villiers. The…
I’m passionate about sharing our family stories for the next generations. Everyone has a story. They are powerful and we bond through them. As a baby boomer, I’m especially ardent about preserving WWII stories. So much so that I wrote a book, Unintended Hero, about my father’s experiences and battles aboard his ship, the USS Denver, in WWII. These first-hand account stories, not found in classroom history books, must be preserved. I believe we owe a debt of gratitude to the Greatest Generation, whose sacrifices have made our nation what it is today, and I enjoy speaking to high school students about the Greatest Generation’s zealous patriotism.
It’s been a long time since I’ve cried at the end of a book. But I did with this one.
Gail Kittleson weaves a tapestry of characters, plot, and historical events like no other book I’ve ever read. The realistic and down-to-earth characters bring this story to life amidst the alluring backdrop of WWII, Great Britain, and Texas. The author’s unique literary style and judicious research are compelling.
I found myself so entrenched with Everett, Donnie, William, and Lillian that every time I picked up this book to read, my heart reverberated with them with every turn of the page. The twist at the end of the book is captivating for sure.
Set in the German Hill Country of Texas during World War II, Land That I Love is a sweeping literary novel of love and loss; friendship and animosity; fathers and sons; and coping during times of war and peace.
Yet it is more than a love story. It is about the racism and bigotry that still exist in our world. As author Gail Kittleson's characters struggle with the problems of everyday life, they teach us that we survive hard times by being good neighbors despite our differences and that hatred can be conquered by love, understanding and forgiveness.
I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinnis an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?
Kristóf (1935-2011) was a Hungarian writer who fled to Switzerland during the war and wrote in French.
The Notebook (the first in the trilogy) is currently number one on my list of all-time favourites. It has all the elements of storytelling that I love: deep, psychological insight into the human heart; adroit use of archetypes, which give the book a timeless, folkloric feel; concision (no waffling) and a poetic, pared-back language that creates a sense of startling immediacy.
Kristóf writes about World War II through the eyes of two young brothers in a Nazi-occupied country (unnamed), and she shocks us awake not through sensationalised violence but through matter-of-fact narration.
It reads like a cross-between dramatic monologue and biblical parable – she stretches the novel form and opens up new possibilities for writing.
In writingThe Lost Son, which is loosely based on family history, I immersed myself in the history of World War II and in the world between the wars. It was important to me to understand this period from both sides—from the perspective of Germans who were either forced to flee their homeland or witness its destruction from within by a madman, and from the perspective of Americans with German ties who also fought fascism. The stories of ordinary people during this time are far more nuanced than the epic battles that World War II depicted, as the stories of ordinary people often are.
Born in 1934 in Berchtesgaden, in the shadow of Hitler’s Eagles Nest, Irmgard Hunt witnessed the growth of fascist ideology among the people she loved during an otherwise idyllic childhood. As the shadow of World War II fell over the mountain, however, Hunt began to question and then disavow the Nazi doctrines she had accepted as a young child. As time went on and the regime crumbled literally before her eyes, she was vocal in confronting her country’s criminal past and in championing the democratic principles her elders had so easily dismissed.
Irmgard Hunt was born into Nazi Germany in 1934 and brought up in the Bavarian village of Berchtesgaden, just outside the fence that surrounded Hitler's alpine retreat and headquarters. On Hitler's Mountain is her account of a childhood under the Third Reich as the daughter of low-level Party members. As a model Aryan toddler, she was photographed sitting on Hitler's knee, and attended school with the children of Albert Speer and Fritz Sauckel. Like many ordinary Germans her parents considered themselves to be moral and honourable: her father was a porcelain artist (at the workshop that provided Hitler with his…
I heard a Jordan Peterson interview in which he boiled down my entire life’s struggle in a single phrase. The interviewer was pushing Jordon on the subject of male toxicity. Jordon said something like, “If a man is entirely unwilling to fight under any circumstance, he is merely a weakling. Ask in martial arts trainer and they will tell you they teach two things – the ability to fight and self-control. A man who knows how and also knows how to control himself is a man.”
James Jones's brilliant debut novel must have had a great effect on me because I admit, in many ways, my book covers the same ground – how does a man maintain honor and dignity when constrained to live his life by the choices of other, and much more powerful men? I suppose the difference between our two themes is that the question in my book is about those same choices but wrapped in the question of race. Jones’s characters, while in the military, were dealing with personal issues. My Corporal Buck is dealing with an issue about which all of America is on fire.
From Here to Eternity is 70 years old. I read it in 1969, an eternity ago and it has lasted with me from there to here. When I was in the Marine Corps I knew everything that was happening to me. But I didn’t know what…
Prew won't conform. He could have been the best boxer and the best bugler in his division, but he chooses the life of a straight soldier in Hawaii under the fierce tutelage of Sergeant Milt Warden. When he refuses to box for his company for mysterious reasons, he is given 'The Treatment', a relentless campaign of physical and mental abuse. Meanwhile, Warden wages his own campaign against authority by seducing the Captain's wife Karen - just because he can. Both men are bound to the Army, even though it may destroy them.
I’ve lived across America and have become acutely aware that our country, for all its checkered history, is the greatest multicultural experiment in the history of the planet, with a military that is a huge force for good. These beliefs were the impetus for my book, a book that has brought me into contact with people of all ages whose love for our country expresses itself in selfless service and sacrifice. They inspire me to be of service, too. Love for a nation that exists by social contract is not automatic. It has to be nurtured. I hope this booklist inspires kids and adults alike to cultivate that love.
I read this book as a boy, and I couldn’t put it down. It’s the story of American PT boats in the South Pacific during World War II, and the story behind the title captivated me. Every soldier knows that he or she might be sacrificed by a commander to gain time for a retreat or as part of a super-dangerous mission.
The sailors on the boats in White’s story were living examples of how they could be expendable. Even as a boy, this book made me grateful for what I had and grateful to the members of the uniformed services who protected us. That they would make such a commitment makes me love America even more.
A national bestseller when it was originally published in 1942 and the subject of a 1945 John Ford film featuring John Wayne, this book offers a thrilling account of the role of the U.S. Navy's Motor Torpedo Boat Squadron Three during the disastrous Philippine campaign early in World War II. The author uses an unusual, but thorough, spellbinding format to tell the story: an interview with four heroic young participants. Ranked "with the great tales of war" by the Saturday Review of Literature, it is a deeply moving book that describes the four officers' extraordinary exploits from the first appearance…
NORVEL: An American Hero chronicles the remarkable life of Norvel Lee, a civil rights pioneer and Olympic athlete who challenged segregation in 1948 Virginia. Born in the Blue Ridge Mountains to working-class parents who valued education, Lee overcame Jim Crow laws and a speech impediment to achieve extraordinary success.
I have written one complete WW2 saga series, Lily Baker, and am currently writing a second series, The Library Girls. I am addicted to reading about the period and can lose hours and hours doing factual research as well. My mother was a Cockney, and I became immersed in her wartime stories, mostly about the fun she had but also about her many struggles. I love stories about strong women overcoming adversity, and during WW2, many showed the world how capable and resilient they were. I have a Master's Degree in Professional Writing and write occasional magazine articles.
I love books that cover two time periods, and this one did not disappoint.
The WW2 story showed me the importance of ‘last letters’ soldiers wrote home in case they died in action. I found myself immersed not just in the character, Ellie, but the wartime background in which she worked.
It was an emotional read. The present-day half of the book is equally engaging, where we learn about Stephanie’s difficult childhood. Reading it, I was fully engaged in her struggles and rooting for her to succeed.
'Heart-breaking but so uplifting - Kerry really is a hugely talented voice.' Nicola Cornick, author of The Forgotten Sister
Inspired by an incredible true story, this is an unforgettable novel about love, loss and one impossible choice...
London, 1940 When nurse Elsie offers to send a reassuring letter to the family of a patient, she has an idea. She begins a book of last letters: messages to be sent on to wounded soldiers' loved ones should the very worst come to pass, so that no one is left without a final goodbye.
