Books like An Invisible Friendship — picked by fans

The topic is essentially letters, in this book, letters written during the Second World War. My grandmother, my mother and aunt – and other aunts – all wrote voluminously to each other. They also kept diaries. Every day is recorded, often in duplicate. I have them all – an absolute treasure trove of firsthand history. I myself, from the age of 12, have had penfriends in large numbers. My mother and I both belonged to "correspondence magazines." Letters were central to our lives. I still write long, newsy emails as if they were letters, plus some actual sheets of paper with writing on, sent in an envelope…

The topic is essentially letters, in this book, letters written during the Second World War. My grandmother, my mother and aunt – and other aunts – all wrote voluminously to each other. They also kept diaries. Every day is recorded, often in duplicate. I have them all – an absolute treasure trove of firsthand history. I myself, from the age of 12, have had penfriends in large numbers. My mother and I both belonged to "correspondence magazines." Letters were central to our lives. I still write long, newsy emails as if they were letters, plus some actual sheets of paper with writing on, sent in an envelope…

The topic is essentially letters, in this book, letters written during the Second World War. My grandmother, my mother and aunt – and other aunts – all wrote voluminously to each other. They also kept diaries. Every day is recorded, often in duplicate. I have them all – an absolute treasure trove of firsthand history. I myself, from the age of 12, have had penfriends in large numbers. My mother and I both belonged to "correspondence magazines." Letters were central to our lives. I still write long, newsy emails as if they were letters, plus some actual sheets of paper with writing on, sent in an envelope…

The topic is essentially letters, in this book, letters written during the Second World War. My grandmother, my mother and aunt – and other aunts – all wrote voluminously to each other. They also kept diaries. Every day is recorded, often in duplicate. I have them all – an absolute treasure trove of firsthand history. I myself, from the age of 12, have had penfriends in large numbers. My mother and I both belonged to "correspondence magazines." Letters were central to our lives. I still write long, newsy emails as if they were letters, plus some actual sheets of paper with writing on, sent in an envelope…

I’ve been heavily immersed in the fantasy and sci-fi world since the age of nine, across fiction novels, role-playing games, tabletop miniature gaming, and movies. My first love was fantasy, and that’s one of the reasons why the post-apocalyptic genre particularly appeals to me when it comes to sci-fi. It plays in that dark, gritty place between futuristic, sci-fi, technology, and dark-age style fantasy. In addition, I’ve always felt socially conscious and value writing that highlights themes that are relevant today. This is another place that the post-apocalyptic genre slides comfortably into. And, of course, there’s the zombies. Another fantasy element that works beautifully in post-apocalyptic, sci-fi settings.

I have a degree in history and political science, with a particular interest in military history—especially World War II history, and most especially Eastern Front history. My family has Polish roots, and my own stories tend to focus on the Polish and Ukrainian experiences, but I keenly feel the need for more YA books not only about the Eastern Front but about other, even lesser-known theaters of World War II.

I was born in New Zealand and now live half the year in London and the other half on the border of The French and Italian Riviera. I am fascinated by the history of the buildings and the color of the European lifestyle. I love to write novels about the past and how that past relates to scenarios of present day. I am keen to tell the untold stories of WW2 that are based on fact. Then weave them with embellishment from my own imagination.     

I’ve always adored stories of courageous, sometimes outrageous women who forge ahead into the unknown, survive in strange lands in troubled times, pursue their career dreams. Like my favourite picks, I’ve relished my own adventures in distant countries (Libya, Czechia, Kyrgystan, Mongolia…), while always earning my crust from writing. From motivational research in Dublin and London, I switched to financial journalism in Holland, where I met and was inspired by ground-breaking journalist Nel Slis whose story I’ve told in my book Hellcat of the Hague. Now I’m settled in London to concentrate on my novels and short stories and be near my family, I hope you love these books too.

I grew up just north of Chicago, took courses at the University of Madrid (La Complutense), and graduated from Marquette University.  I speak 5 languages and have written for such diverse reviews as The Journal of the American Revolution and Atlantic Coastal Kayaker. Nothing has possessed me like my father’s Navigation Case. Besides learning how this young college graduate helped pioneer the nascent aviation industry training in 11 different types of aircraft, I take pride in the astonishing role he played in American history. He was a combat pilot in the first-ever demonstration of air superiority over an enemy, leading to the greatest campaign victory in the history of the US Air Force. 

While I was child growing up in London, the war was a powerful presence in my life. It was there in the films we watched, in the comics my brothers read, and in my vague understanding of what it meant to be British. It was not a subject we ever studied at school and as an adult I’ve always felt frustrated by my inadequate knowledge of this world-changing conflict. When I first had the idea of writing about the six remarkable women who pioneered the way for female war journalists, it wasn’t just their personal stories that drew me in but the chance to learn more about WW2 itself.