Here are 100 books that The Notebook, the Proof, the Third Lie fans have personally recommended if you like
The Notebook, the Proof, the Third Lie.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinnis an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?
Hedayat (1903-1951) was an Iranian writer who knew that death and the mythic experience of Kairos time exists a hair’s breadth away from what we commonly experience as human life.
The Blind Owl was the book that gave me permission to write fiction: instead of writing a novel in standard form, I wanted to create a liminal space, a threshold world between real and unreal; to invite readers into an unfamiliar (and hopefully transformative) vision of humanity.
This is exactly what Hedayat does in The Blind Owl: we are immersed in a fable of otherworldly, repetitive, poetic, dark, and mesmerising power. The story (of jealousy, despair, the cyclical nature of life and death) has a rare depth and a sense of universal reach precisely because it has one foot in the liminal.
Widely regarded as Sadegh Hedayat's masterpiece, the Blind Owl is the most important work of literature to come out of Iran in the past century. On the surface this work seems to be a tale of doomed love, but with the turning of each page basic facts become obscure and the reader soon realizes this book is much more than a love story. Although the Blind Owl has been compared to the works of the Kafka, Rilke and Poe, this work defies categorization. Lescot's French translation made the Blind Owl world-famous, while D.P. Costello's English translation made it largely accessible.…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am an American citizen who taught Classical Studies at the University of Toronto, Canada. I have taught Homer (in translation and in Greek), ancient myth, and “reception” of ancient myth. All the books that I discuss below I have taught many times in a first-year seminar about creative “reception” of the Odyssey. Other topics include comparable stories (like The Tempest by Shakespeare) and other great works of reception (like Derek Walcott’s stage version of the Odyssey and his epic poem "Omeros"). Every time I’ve taught the class, I’ve learned the most from free-wheeling discussions with students.
I thought it was great to have Circe herself narrate her love affair with Odysseus.
The first half of the novel interestingly shares her tribulations growing up as a child in a family of gods. I found that this establishes a theme of immortality vs. mortality that the book explores in profound ways. Especially fascinating was Circe’s personal story of her love affair with Odysseus.
I was surprised and delighted that Miller included the resulting child, Telegonus, who is not in Homer but is in ancient myth. Even more surprising to me was Circe falling in love with Telemachus, Odysseus’ son by Penelope (also not in Homer!). This relationship allows the novel to end on a positive note as Circe learns to live like a mortal in her new life with Telemachus.
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child - not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift threatens…
Professor Elie Wiesel was instrumental in my translating and researching my mother’s journals. My awakening to the dark period in the chapter of the Jewish history happened between 1971-1974 at CCNY, when our paths crossed while I was taking his classes at the department of Jewish studies. It was in his classes that the things that bewildered me as a child growing up in communist Poland in the shadows of the Holocaust aftermath started to make sense. I asked my mother to commit to paper the painful memories, she buried deep inside her. She and the next generations have an obligation to bear witness, to be this history's keepers.
The famous Hannah Arendt coined “the banality of evil." Not monsters, but ordinary people were able to follow Hitler’s murderess ideology. Ordinary Men clearly shows how men and women from all walks of life were capable of becoming cold-blooded killers. Ordinary Men were the Nazi mobile gas units and death squads responsible for the murder of 1.5 million Jews in Eastern Poland & Ukraine.
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
Growing up, I felt both the denial and existential shame in the ether of my family—that something was missing. Decades after my birth, I learned that many of my ancestors died by the Nazis. I’m Jewish, but it was never mentioned; my grandfather and father kept it quiet. In fact, we celebrated Christmas. I started to research my lineage at the same time I was writing a story about a catholic boy who falls in love with a Jewish girl when I stumbled upon a reference to a WWII Nazi slave labor death camp called Berga and was stunned to learn that Jewish POWs were enslaved at a death camp.
I was forever changed by the sheer poetic authenticity and ferocity of how Primo Levi captured his nearly one year of suffering unbearable atrocities at the Auschwitz Nazi prison camp with such humanity, causing me to gasp for air page after page; I literally had to stop and catch my breath.
As we are in a time of truth denial, as we drift further away from the holocaust, Levi wrenched me back to the horror and reminded me, and all who read his book, to “Never Forget.” I was both entertained and astonished by Levi’s exquisite yet unpretentious prose, captivating me, engaging me, and requiring me to ponder how man can find hope in the midst of evil. My hope for me and all who read this book is that we become a more compassionate species. This book is at the top of my recommended reading list.
With the moral stamina and intellectual pose of a twentieth-century Titan, this slightly built, duitful, unassuming chemist set out systematically to remember the German hell on earth, steadfastly to think it through, and then to render it comprehensible in lucid, unpretentious prose. He was profoundly in touch with the minutest workings of the most endearing human events and with the most contempible. What has survived in Levi's writing isn't just his memory of the unbearable, but also, in THE PERIODIC TABLE and THE WRENCH, his delight in what made the world exquisite to him. He was himself a "magically endearing…
I grew up as a closeted homosexual in a fundamentalist Christian home, enduring nearly two decades in a crisis of faith. Sermons frequently warned of damnation for my natural inclinations, pushing me to fast, pray, and achieve to resist temptation. This crisis gradually resolved over the eight years I spent writing Playing by the Book, the first coming-out novel to win a National IPPY Medal in religious fiction. Although I don’t consider myself a spiritual writer, I am drawn to stories that explore existential struggles and triumphs, including those related to a crisis of faith—much like the characters in the novels on this list.
I recommend this book because James Baldwin’s brilliant voice and profound writing explore the intersection of personal truths and deeply held beliefs. Baldwin masterfully captures the youth and naivety of John Grimes as he wrestles with sexuality, faith, and the pervasive racism of his time.
This book brilliantly brings these struggles to life while showcasing Baldwin’s gift for conveying complex emotions and societal pressures with intimacy and precision.
'Go back to where you started, or as far back as you can, examine all of it, travel your road again and tell the truth about it. Sing or shout or testify or keep it to yourself: but know whence you came.'
Originally published in 1953, Go Tell it on the Mountain was James Baldwin's first major work, based in part on his own childhood in Harlem. With lyrical precision, psychological directness, resonating symbolic power and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson…
I studied psychology in college and am fascinated with the human mind. The psyche holds so many joys, wonders, and the deepest horrors imaginable, all compact and functioning within our skulls. My love for psychology grew into the horror realm, where I read and watched anything revolving around the character study of an individual driven to the brink. Now, I write stories about the morality of actions taken by those who have found themselves in a peculiar position. I believe there is more to the clean-cut view of right versus wrong regarding the decision-making of one’s self-preservation.
Like meat, this book was hard to digest. It made me feel anxiety, turmoil, and pain despite my uncertainty as to what exactly triggered these responses. The isolated experience of a woman believing herself to be a tree, attempting to achieve spiritual happiness while others overstepped their boundaries, felt so very violating and personal.
I love it when stories slice me down raw, revealing wounds I did not know existed beneath my skin.
Yeong-hye and her husband are ordinary people. He is an office worker with moderate ambitions and mild manners; she is an uninspired but dutiful wife. The acceptable flatline of their marriage is interrupted when Yeong-hye, seeking a more 'plant-like' existence, decides to become a vegetarian, prompted by grotesque recurring nightmares. In South Korea, where vegetarianism is almost unheard-of and societal mores are strictly obeyed, Yeong-hye's decision is a shocking act of subversion. Her passive rebellion manifests in ever more bizarre and frightening forms, leading her bland husband to self-justified acts of sexual sadism. His cruelties drive her towards attempted suicide…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinnis an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?
Repila (b.1978) is a Spanish writer, whose work was recommended to me by a UK publisher: “The Boy Who Stole Attila’s Horse is a work of mythic genius that portrays tragic inevitability in a quite terrifyingly awesome way (I mean awesome in the archaic sense)."
The book tells the story of two brothers – Big and Small – trapped in a deep well and slowly starving to death. The language is precise and gut-wrenching, but the narrative reaches beyond its own particulars – compelling as they are – to work as a furious allegory of inequality and injustice.
What I love about the book is precisely this combination: one visceral scene in a well becomes a global commentary on the shadow side of the human.
'It looks impossible to get out,' he says. And also: 'But we'll get out.'
Two brothers, Big and Small, are trapped at the bottom of a well. They have no food and little chance of rescue. Only the tempting spectre of insanity offers a way out. As Small's wits fail, Big formulates a desperate plan.
With the authority of the darkest fables, and the horrifying inevitability of all-too-real life, Repila's unique allegory explores the depths of human desperation and, ultimately, our almost unending capacity for hope.
I am a philosopher and writer, but I have equally been a soldier, designer, educator, and farmer. Thus, I am a product of this history. At the center of my gravity are concerns with environmental and climatic issues, conflict reduction, social justice, and political change predicated upon conditions of sustainability. I live in Australia but have worked in the Americas, Asia, and Europe. I have written over twenty books because I am driven to understand the complexity of the world in which I live. I am an activist, and so I strive to act affirmatively based on the knowledge I have gained.
This is an award-winning book that will take you somewhere you are unlikely to have been before. I recommend having been a soldier, as someone who directly and indirectly writes on war, and with the knowledge of it being a domain of human folly, enfolding extreme emotions extending from hate to love. It held me in its grip. It made the familiar unfamiliar in a way that invited self-reflection. While a translation, its command of language was evident
A driving force behind so many fiction writers is not just to tell a compelling story but to expose particular aspects of the human condition. Diop’s book does this very powerfully. He puts the tragedy of racism, the consequence of colonialism, and questions of masculinity directly before the reader with no option to look away, but with an implied command to look at your own views and values.
Alfa and Mademba are two of the many Senegalese soldiers fighting in the Great War. Together they climb dutifully out of their trenches to attack France's German enemies whenever the whistle blows, until Mademba is wounded, and dies in a shell hole with his belly torn open.
Without his more-than-brother, Alfa is alone and lost amidst the savagery of the conflict. He devotes himself to the war, to violence and death, but soon begins to frighten even his own comrades in arms. How far will Alfa go to make amends to his dead friend?
I am a writer, a hypnotherapist, and a consciousness researcher. Ever since I was a baby, I had the memory and the sense that there was more to our existence than meets the eye. Even though I started my career as a lawyer in Vienna, Austria, after a transformative illness and a series of spiritually awakening experiences, I left for Mexico to pursue my calling as a metaphysical explorer and writer. Ever since, I’ve spent my life mapping out various dimensions of the psyche. When I’m not traveling, I like to retreat into my small highland cottage with Marius, the border collie, and Kasiopea, the black magic cat.
With this Hungarian author, I share the same birthday, as well as our mystical philosophy on life. Her book is an epic alchemical tale spanning centuries that describes the evolution of consciousness through subsequent incarnations from one life to the next.
I find not only the book itself fascinating but also the story of how it came into being. The author began to write it in a bomb shelter during WWII. Afterward, the Communists banned it and burned it, yet a few copies were miraculously rescued and hand-copied during dictatorial times.
Today, the book enjoys cult status in its homeland of Hungary. Unfortunately, the English translation is currently out of print, but if you can lay your hands on a version you can read, don’t miss out on this masterpiece.
Conceived amidst the horrors and hellfire of the Second World War, Mria Szepes' novel about a man's search for the Elixir of Life offered a glimpse of hope at a time of con-flagration. By giving a broad cosmic perspective to the events touching the lives of everyone in Europe in those years, she put human existence in a broader scale extending beyond daily life and put forth a reason for existence within the entirety of the Universe. After the war this remarkable book was published in Budapest but was soon banned by the government. Following decades of hibernation, like the…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I'm an archaeologist and addicted to reading and writing historical fictions. My first big love is history and I prefer Victorian Era. I’m interested in women’s lives and their habits and relationships in the old times. I was born and raised in Hungary, I’m often stay in London. I was working for years in museums in different cities while I was writing historical short stories and my first novel. School of Ladies – The Debutantes is a historical romance which has won an Audience Award in my country.
I can’t forget my very talented compatriot, Magda Szabó’s great writing. I am very proud of her and her success. It was hard work and lasted a lifetime for her to reach as Hungarian her books became popular worldwide. I hope one day I can follow her… This book is set in a religious school in the middle of World War II. The protagonist is young Gina, the daughter of a Hungarian General. The novel analyzes important social problems, teenager problems. At first, Gina is an outcast then we can see how she tries to fit in the class, and she makes friends. Friendship and togetherness are in the spotlight in this novel.
A teenage girl's difficult journey towards adulthood in a time of war.
"A school story for grownups that is also about our inability or refusal to protect children from history" SARAH MOSS
"Of all Szabo's novels, Abigail deserves the widest readership. It's an adventure story, brilliantly written" TIBOR FISCHER
Of all her novels, Magda Szabo's Abigail is indeed the most widely read in her native Hungary. Now, fifty years after it was written, it appears for the first time in English, joining Katalin Street and The Door in a loose trilogy about the impact of war on those who have…