Here are 100 books that A History of Future Cities fans have personally recommended if you like
A History of Future Cities.
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I love cities and I teach about them. I was born in the capital of Sofia, Bulgaria, and landed in the US (mostly by chance) in 1993. Spent most of my professional life in US academia (Michigan, Virginia Tech, Harvard, Maryland, and now Georgia). I never stopped wondering how cities change and why American cities look and function so differently than European cities. So, I wrote a few books about cities, includingIron Curtains; Gates, Suburbs and Privatization of Space, which is about changes in East European Cities after the fall of the Berlin Wall.
A modern classic! A fascinating analysis of arts, culture, literature, and social and urban change. A breathtaking read of Goethe’s Faust to Dostoyevsky’s Notes from the Undergroundand a sharp analysis of what Hausmann’s Parisian boulevards have to do with the prospects of pre-revolutionary St. Petersburg and the highways of mid-century New York. Fantastic chapters on Karl Marx (from whom the title of the book is borrowed) and Charles Baudelaire. Written with poetic perfection!
"A bubbling caldron of ideas . . . Enlightening and valuable." Mervyn Jones, New Statesman.
The political and social revolutions of the nineteenth century, the pivotal writings of Goethe, Marx, Dostoevsky, and others, and the creation of new environments to replace the old all have thrust us into a modern world of contradictions and ambiguities. In this fascinating book, Marshall Berman examines the clash of classes, histories, and cultures, and ponders our prospects for coming to terms with the relationship between a liberating social and philosophical idealism and a complex, bureaucratic materialism.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I love cities and I teach about them. I was born in the capital of Sofia, Bulgaria, and landed in the US (mostly by chance) in 1993. Spent most of my professional life in US academia (Michigan, Virginia Tech, Harvard, Maryland, and now Georgia). I never stopped wondering how cities change and why American cities look and function so differently than European cities. So, I wrote a few books about cities, includingIron Curtains; Gates, Suburbs and Privatization of Space, which is about changes in East European Cities after the fall of the Berlin Wall.
This is a breathtaking exploration of how ideas of time and space changed between the 1880s and World War I. Stephen Kern’s mastery of all genres of the arts and literature and throughout the Western world—Europe, Russia, and the US—is beyond belief. No matter who is your favorite intellectual of this era, s/he is right in the narrative. We learn of the massive changes in culture that we owe to this momentous period of time, changes that are still very much with us today.
Stephen Kern writes about the sweeping changes in technology and culture between 1880 and World War I that created new modes of understanding and experiencing time and space. To mark the book's twentieth anniversary, Kern provides an illuminating new preface about the breakthrough in interpretive approach that has made this a seminal work in interdisciplinary studies.
I love cities and I teach about them. I was born in the capital of Sofia, Bulgaria, and landed in the US (mostly by chance) in 1993. Spent most of my professional life in US academia (Michigan, Virginia Tech, Harvard, Maryland, and now Georgia). I never stopped wondering how cities change and why American cities look and function so differently than European cities. So, I wrote a few books about cities, includingIron Curtains; Gates, Suburbs and Privatization of Space, which is about changes in East European Cities after the fall of the Berlin Wall.
Nobody really knows what the “American Dream” is. The term was only coined in the 1930s and is used in many different lights. Perhaps it has to do with opportunity and success, perhaps with space and private property, perhaps with just having more stuff. By revisiting the writings of some of America’s founders and greatest 18th-19th-century intellectuals, Hunnicutt comes up with a surprising hypothesis: that the original dream was for people to have free time to spend in creative community activities. Goals relating to material advancement were only means to an end. It was time that early Americans considered as the greatest gift but we, their descendants, have been too busy to notice.
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
I love cities and I teach about them. I was born in the capital of Sofia, Bulgaria, and landed in the US (mostly by chance) in 1993. Spent most of my professional life in US academia (Michigan, Virginia Tech, Harvard, Maryland, and now Georgia). I never stopped wondering how cities change and why American cities look and function so differently than European cities. So, I wrote a few books about cities, includingIron Curtains; Gates, Suburbs and Privatization of Space, which is about changes in East European Cities after the fall of the Berlin Wall.
A sweeping study and critique of modern culture! If you are looking for a comprehensive and passionate analysis of time and space in the “late capitalist era,” this is the one to read. Nobody has written more authoritatively on modern and post-modern “time-space compression” (you have to read the book to see what this means). Harvey’s intellectual breadth and depth are astonishing. No wonder he is one of the most cited scholars of our time.
In this new book, David Harvey seeks to determine what is meant by the term in its different contexts and to identify how accurate and useful it is as a description of contemporary experience.
I grew up watching the old Universal horror movies, which led me to read Frankenstein, Dracula, and other horror classics. It wasn’t until I read Stephen King’s Danse Macabre that I started asking myself what it is that I find truly frightening. Not so much monsters but rather what is unsettling – A recognizable world that suddenly turns askew. Dead Hungry grew out of that: What if there were people who simply had to eat the dead?
The premise is straightforward: A dome settles over the small town of Chester’s Mill. The reason why is a bit of a McGuffin, but what is compelling is King’s brilliant exploration of the breakdown of society. Plenty of characters are willing to work together to get through the crisis, but then there are those who want to exploit the situation for their own gain. As with many King novels, it’s the worst aspects of human nature that are the true monster. Plus, King keeps his foot on the gas for the entire length of this massive tome; it never lets up.
Don’t miss the “harrowing” (The Washington Post) #1 New York Times bestselling thriller from master storyteller Stephen King that inspired the hit television series, following the apocalyptic scenario of a town cut off from the rest of the world.
On an entirely normal, beautiful fall day in Chester’s Mill, Maine, the town is inexplicably and suddenly sealed off from the rest of the world by an invisible force field. Planes crash into it and fall from the sky in flaming wreckage, a gardener’s hand is severed as “the dome” comes down on it, people running errands in the neighboring town…
Growing up in a Dutch city, I vividly remember witnessing the excitement of urban life through the windows of a streetcar, on foot, or by bike. Soon, I began to recreate this excitement by drawing maps of imaginary cities of my own. My small towns turned into entire regions, their streets coming to life as I closed my eyes. I essentially turned my childhood fascination into my job, as I now study, design, and teach students how to improve cities. Our best cities are places where citizens can interact with one another, overcoming social, economic, and environmental evolutions and revolutions. I never cease to be fascinated with the key to these everlasting cities.
We can understand cities not only through their societies, their experience, and their history, but also by studying their physical form. Spiro Kostof describes how cities across the world have distinct yet still interrelated patterns of streets, blocks, plots, and buildings. Rather than taking a chronological approach, Kostof illustrates the form of cities through time and space through four main types of urban form, from organic shapes and grids to diagrams and grand interventions. If you look at your own city, you will likely find a combination of all of the above! This is one of the first books on cities I bought as a teenager, and it really inspired me to study and improve the form of our urban environments.
Spanning the ages and the globe, Spiro Kostof explores the city as a "repository of cultural meaning" and an embodiment of the community it shelters. Widely used by both architects and students of architecture, The City Shaped won the AIA's prestigious book award in Architecture and Urbanism. With hundreds of photographs and drawings that illustrate Professor Kostof's innovative ideas, this has become one of the most important works on urbanization.
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
When I was a kid I would cut out graph paper to design my ideal house. When I was in college, I walked into a class called American Material Life and had my eureka moment: “This is how I want to learn about people in the past!” I realized. I’ve been doing that ever since, first as a museum curator and now as a history professor. Houses, furnishings, and the way people interact with the built environment can reveal the complexity, diversity, and beauty of human lives.
No one writes more compellingly about the multi-sensory experiences of living in America’s past environments than Dell Upton. His book Another City deals with the late eighteenth and early nineteenth-century city—a century before the time period in my book—but he weaves together narratives of urban experience from America’s first decades as a republic to offer surprisingly contemporary commentary on city politics today. His chapter called “Smell of Danger,” to offer just one example, demonstrates that America’s urban elite mobilized their belief that disease was caused by “miasmas” rising up from foul-smelling waste to justify segregation along with class and racial lines. In the era of yellow fever and cholera, Upton argues that “the physical geography of disease became a human geography of fear.”
An exploration of the beliefs, perceptions, and theories that shaped the architecture and organization of America's earliest cities
In the late 18th and early 19th centuries, burgeoning American cities like New Orleans and Philadelphia seemed increasingly chaotic. Noise, odors, and a feverish level of activity on the streets threatened to overwhelm the senses. Growing populations placed new demands on every aspect of the urban landscape-streets, parks, schools, asylums, cemeteries, markets, waterfronts, and more. In this unique exploration of the early history of urban architecture and design, leading architectural historian Dell Upton reveals the fascinating confluence of sociological, cultural, and psychological…
I’m a cultural anthropologist with a passion for exploring how we humans make meaning of the wonderful, terrible, startling, often-absurd existence in which we find ourselves. My research has taken me from NYC’s underground occult scene to the conflict-resolution strategies of Central Peru; from circus performers in Portland, Maine, grappling with their physical potential, to a comedy club in Berlin where I set out to discover the secret sauce for evoking “collective joy” amongst strangers.I am drawn to artistic works that mix genres and defy categorization… and thus have a penchant for alienating editors, librarians, and bookstore owners who struggle to identify on which shelf my books belong.
The Dead Ladies Projectfollows Crispin’s inner and outer journey across Europe following her suicide attempt. As a way of trying to make sense of her own fragile condition, Crispin researches the lives of other artists who also fled abroad in order to find themselves.
I first read The Dead Ladies Project while researching my own hybrid memoir. It was a revelation and an inspiration, this elegant weaving of Crispin’s personal story with the stories of those she imagines traveled a similar path as herself, both geographically and emotionally.
At this time of overly curated, highly sanitized social media depictions of our lives, Crispin’s unflinching humanity is not just brave, but like water poured on arid soil.
When Jessa Crispin was thirty, she burned her settled Chicago life to the ground and took off for Berlin with a pair of suitcases and no plan beyond leaving. Half a decade later, she's still on the road, in search not so much of a home as of understanding, a way of being in the world that demands neither constant struggle nor complete surrender. The Dead Ladies Project is an account of that journey-but it's also much, much more. Fascinated by exile, Crispin travels an itinerary of key locations in its literary map, of places that have drawn writers who…
I'm sure you’ve heard of method acting. A technique by which an actor embodies the character they're portraying 24/7. I'm a method writer. I embody the world of the novels that I write. However, when the time came to write a novel inspired by graffiti, I faced a particular frustration. Graffiti is illegal. I felt a strong desire to grab a spray paint can to decorate public spaces. And yet the fear of a jail cell prevented me from acting on the impulse. I had to find a different outlet for that desire. I poured over every book and movie on the subject. I believe I became a bit of an expert.
Anonymouse is a charming illustrated picture book for children that grownups will appreciate. It tells the story of a mysterious graffiti artist that creates art specifically for animals. What I love most about it, is that it illustrates the transformative power of art. As the different animals are surprised and delighted with the graffiti, their lives, how they see themselves and relate to each other are enhanced in surprising ways.
Animal-friendly street art is popping up all over the city, but who is creating these masterpieces? There is no explanation, only a name: Anonymouse. For fans of Sidewalk Flowers and Art & Max.
Art for the birds. Art for the ants. Art for the dogs, cats and raccoons. Art to make them laugh, make them think, make them feel at home. But who is creating it? Only Anonymouse knows for sure . . .
This clever tale mixes street art, animals and gorgeous illustrations to create a meditation on how art can uplift any creature's spirit -- human or animal…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
I’ve been researching and writing with my co-author husband Jared Brown about spirits and mixed drinks for three decades. After writing more than three dozen books plus hundreds of articles about the history and origins of alcoholic beverages, you could say I am addicted to the topic in a big way. While we’ve travelled and tasted drinks around the world we’ve also amassed a few thousand books on the subject. It’s served as a launch point of our secondary careers as drinks consultants and master distillers for global spirits brands. I'm currently finishing my doctoral thesis on early-modern English brewing at the University of Bristol to put a feather on the cap of my long career.
My husband and I have spent three decades travelling the world in search of great drinks and great drink stories. You could say this one volume ignited a wanderlust in us both when we first kicked off our drinks writing career. Written between 1959 and 1960, some of the places mentioned don’t exist any longer but brought back fond memories for me. The Musket & Henrickson pharmacy in Chicago which had a late-night café frequented by Playboy Club entertainers and mafiosi is just one example. What Fleming offered in his portrayals of Hong Kong, Macau, Tokyo, Honolulu, Los Angeles, Las Vegas, Chicago, New York, Hamburg, Berlin, Vienna, Geneva, Naples, and Monte Carlo undoubtedly inspired Anthony Bourdain’s portrayals of places in his fabulous TV series.
On November 2nd armed with a sheaf of visas...one suitcase...and my typewriter, I left humdrum London for the thrilling cities of the world...
In 1959, Ian Fleming, the creator of James Bond, was commissioned by the Sunday Times to explore fourteen of the world's most exotic cities. Fleming saw it all with a thriller writer's eye. From Hong Kong to Honolulu, New York to Naples, he left the bright main streets for the back alleys, abandoning tourist sites in favour of underground haunts, and mingling with celebrities, gangsters and geishas. The result is a series of vivid snapshots of a…