Here are 100 books that The Condition of Postmodernity fans have personally recommended if you like
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I love cities and I teach about them. I was born in the capital of Sofia, Bulgaria, and landed in the US (mostly by chance) in 1993. Spent most of my professional life in US academia (Michigan, Virginia Tech, Harvard, Maryland, and now Georgia). I never stopped wondering how cities change and why American cities look and function so differently than European cities. So, I wrote a few books about cities, includingIron Curtains; Gates, Suburbs and Privatization of Space, which is about changes in East European Cities after the fall of the Berlin Wall.
A modern classic! A fascinating analysis of arts, culture, literature, and social and urban change. A breathtaking read of Goethe’s Faust to Dostoyevsky’s Notes from the Undergroundand a sharp analysis of what Hausmann’s Parisian boulevards have to do with the prospects of pre-revolutionary St. Petersburg and the highways of mid-century New York. Fantastic chapters on Karl Marx (from whom the title of the book is borrowed) and Charles Baudelaire. Written with poetic perfection!
"A bubbling caldron of ideas . . . Enlightening and valuable." Mervyn Jones, New Statesman.
The political and social revolutions of the nineteenth century, the pivotal writings of Goethe, Marx, Dostoevsky, and others, and the creation of new environments to replace the old all have thrust us into a modern world of contradictions and ambiguities. In this fascinating book, Marshall Berman examines the clash of classes, histories, and cultures, and ponders our prospects for coming to terms with the relationship between a liberating social and philosophical idealism and a complex, bureaucratic materialism.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I love cities and I teach about them. I was born in the capital of Sofia, Bulgaria, and landed in the US (mostly by chance) in 1993. Spent most of my professional life in US academia (Michigan, Virginia Tech, Harvard, Maryland, and now Georgia). I never stopped wondering how cities change and why American cities look and function so differently than European cities. So, I wrote a few books about cities, includingIron Curtains; Gates, Suburbs and Privatization of Space, which is about changes in East European Cities after the fall of the Berlin Wall.
Cities take a long time to make. Can you make or remake them quickly, like you make instant coffee or assemble fast food? Turns out you can… but you better be a czar or have a similar claim to authority and it may take some time for the product to mature into something worth visiting and living in. David Brook’s A History of Future Cities is one of the most informative and intriguing books on this topic. Beautifully written, the book examines four landmark cases of cities with strong utopian streaks, where powerful political regimes tried to compress time in space and celebrate their glory. The four cases are St. Petersburg, Shanghai, Bombay, and Dubai. Read and dream of visiting. The book will leave you wishing to read about other cities of the same type, among them Washington DC, Brasilia, and Astana.
Hailed as an "original and fascinating book" (Times Literary Supplement), A History of Future Cities is Daniel Brook's captivating investigation of four "instant cities"-St. Petersburg, Shanghai, Mumbai, and Dubai-that sought to catapult themselves into the future by emulating the West.
I love cities and I teach about them. I was born in the capital of Sofia, Bulgaria, and landed in the US (mostly by chance) in 1993. Spent most of my professional life in US academia (Michigan, Virginia Tech, Harvard, Maryland, and now Georgia). I never stopped wondering how cities change and why American cities look and function so differently than European cities. So, I wrote a few books about cities, includingIron Curtains; Gates, Suburbs and Privatization of Space, which is about changes in East European Cities after the fall of the Berlin Wall.
This is a breathtaking exploration of how ideas of time and space changed between the 1880s and World War I. Stephen Kern’s mastery of all genres of the arts and literature and throughout the Western world—Europe, Russia, and the US—is beyond belief. No matter who is your favorite intellectual of this era, s/he is right in the narrative. We learn of the massive changes in culture that we owe to this momentous period of time, changes that are still very much with us today.
Stephen Kern writes about the sweeping changes in technology and culture between 1880 and World War I that created new modes of understanding and experiencing time and space. To mark the book's twentieth anniversary, Kern provides an illuminating new preface about the breakthrough in interpretive approach that has made this a seminal work in interdisciplinary studies.
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
I love cities and I teach about them. I was born in the capital of Sofia, Bulgaria, and landed in the US (mostly by chance) in 1993. Spent most of my professional life in US academia (Michigan, Virginia Tech, Harvard, Maryland, and now Georgia). I never stopped wondering how cities change and why American cities look and function so differently than European cities. So, I wrote a few books about cities, includingIron Curtains; Gates, Suburbs and Privatization of Space, which is about changes in East European Cities after the fall of the Berlin Wall.
Nobody really knows what the “American Dream” is. The term was only coined in the 1930s and is used in many different lights. Perhaps it has to do with opportunity and success, perhaps with space and private property, perhaps with just having more stuff. By revisiting the writings of some of America’s founders and greatest 18th-19th-century intellectuals, Hunnicutt comes up with a surprising hypothesis: that the original dream was for people to have free time to spend in creative community activities. Goals relating to material advancement were only means to an end. It was time that early Americans considered as the greatest gift but we, their descendants, have been too busy to notice.
I began this veil as a mathematics major and a first generation college student. It was not easy and I had no great plans or ambitions. I was good at math. But as I read books like these, and many others, I changed my horizons altogether, saw a place for myself and a purpose previously lacking. Economic History resembles my first love of math, but with persons and human behavior included. The latter is endlessly fascinating, as is the tendency of “experts” to misread and make broad assumptions that I, ever skeptical, wish to test where I can. I like being engaged intellectually for its own sake, and, from books like Tristram Shandy, have always endeavored to take my work seriously, but not myself as a human being.
It is a novel and a prolonged non-sequitur about life and worldly existence that speaks to me both as a person and as a professional. I read it in college and was astounded by the psychological depth and whimsy. “A cock and bull story, but one of the best…I have ever heard.” I think of that line from Sterne when I write my own work or read others;
With a new Introduction by Cedric Watts, Research Professor of English, University of Sussex.
Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman is a huge literary paradox, for it is both a novel and an anti-novel. As a comic novel replete with bawdy humour and generous sentiments, it introduces us to a vivid group of memorable characters, variously eccentric, farcical and endearing. As an anti-novel, it is a deliberately tantalising and exuberantly egoistic work, ostentatiously digressive, involving the reader in the labyrinthine creation of a purported autobiography.
This mercurial eighteenth-century text thus anticipates modernism and postmodernism.…
Understanding the world is important for everyone. For me, it takes the form of analyzing colorful images and artifacts in the built environment. In the broad traditions of the global northwest, color is regarded as deceptive and unreliable. For centuries now, and throughout disparate media and technical systems, color has had to maintain this secondary, subordinate status as “other,” linked to falsity, manipulation, and deceit or, to quote David Batchelor, “some ‘foreign’ body". In my work, I argue that we have all inherited this tradition in the global northwest, fetishizing color as both excessive and yet indispensable in its capacity to retroactively confirm the sanctity of what it is not.
Fredric Jameson’s Postmodernism, or The Cultural Logic of Late Capitalism was one of the first accounts of “postmodern aesthetics” and why it continues to matter today.
Circa 1990, Jameson showed how a new age of high-tech and transnational corporations fundamentally transformed how we create and experience art, design, and aesthetics.
Now in paperback, Fredric Jameson's most wide-ranging work seeks to crystalize a definition of "postmodernism". Jameson's inquiry looks at the postmodern across a wide landscape, from "high" art to "low" from market ideology to architecture, from painting to "punk" film, from video art to literature.
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
I spent the first half of my life in England and the second half in the United States, or more specifically in Venice, California, a unique and unusual community. While working for London University I made several research trips to the US. Eventually, I immigrated to the States, where I taught at several universities in Southern California. Once I stopped teaching full-time, I surprised myself by writing two suspense novels (a genre I had spent most of my life analyzing), Money Matters and Dangerous Conjectures. The second novel was written during the pandemic and takes place during the early rise of the virus.
By 2020 the boundary between fantasy and reality had become virtually erased. Confined to home, we all found ourselves the targets of conspiracy theories. Even the president scoffed at the dangers of the coronavirus. Rushdie’s spoof of Cervantes’ Don Quixote features an updated avatar of Quixote whose reality has been formed by tv soap operas. He is “deranged by reality television,” and in love with a talk show celebrity. Driving across America to reach her he encounters “the pollution of the real by the unreal.” In fact, he himself turns out to be the fictional creation of another major character, an author who is soon exposed to be no less fictional. But this is Rushdie in whose ludic novels the material unreal is the imaginative real.
Booker Prize-winning, internationally bestselling author Salman Rushdie has created a dazzling Don Quixote for the modern age.
Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television, who falls in impossible love with the TV star Salman R. Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where 'Anything-Can-Happen'. Meanwhile his creator, in a midlife crisis, has equally urgent challenges of…
When writing about sexuality it is important to me to write about true intimacy. Especially for those who have broken their wedding vows and for those who have been betrayed, who still long for real intimacy with spiritual and sexual maturity. My book, False Intimacy: Understanding the Struggle of Sexual Addiction (1992), was the first Christian book published on the subject of sexual addiction.I have for over thirty years counseled 1000s of sexually broken people from all across the U.S. who came to see me for a week of intensive counseling. I have taught on the subject of sexuality in all fifty states as well as over twenty foreign countries. No subject is more important to our spiritual maturity and sexual maturity.
This is one of the best critiques of our postmodern culture that you can find from a writer who can make an analysis from both a theological and historical perspective. He also gives an analysis of the evangelical church and how it has been captured by that culture. David Wells points out that there is a conflict within the church today between the plague of postmodernism and the Christian gospel. We must get this sorted out, and this book not only helped me do that, but helped me guide others in accomplishing that goal. So relevant and valuable was the information in this book, I simply could not put it down until I had read it cover to cover.
The sixty books I’ve written wander in and out of existential thought, as that breakthrough thinking, where man was told to take personal responsibility for his life and stop looking up or elsewhere for purpose and meaning, has informed everything I do and write about. Over the years, I’ve been a family therapist, a creativity coach, an existential wellness coach, and an advocate for critical psychology and critical psychiatry, points of view that dispute the current pseudo-medical “mental disorder” paradigm.
Apart from the existential fiction that I love (Dostoevsky, Kafka, Camus, etc.), this is one of my favorite books of all time. The editor, Walter Truett Anderson, gathered together the best collection ever of essays on the topics of postmodernism, deconstruction (and reconstruction), the wobbly nature of truth in the twentieth century (and now, the twenty-first century), and how we might go about reconstructing the truth now that we have so beautifully and mercilessly deconstructed it.
Authors included are Umberto Eco, Michel Foucault, Jean Baudrillard, Richard Rorty, Bell Hooks, and a ton of other great thinkers on the subject of our postmodern malaise and the difficulties of belief … in anything. If you don’t know this book, you will really, really want to get to know it.
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
As a graduate student during the late 1970s, my mentor, Martin Jay, generously introduced me to two members of the Frankfurt School: Herbert Marcuse and Leo Lowenthal. These memorable personal encounters inspired me to write a dissertation on Walter Benjamin, who was closely allied with the Frankfurt School. The completed dissertation, Walter Benjamin: An Aesthetic of Redemption, became the first book on Benjamin in English and is still in print. The Frankfurt School thinkers published a series of pioneering socio-psychological treatises on political authoritarianism: The Authoritarian Personality, Prophets of Deceit, and One-Dimensional Man. These studies continue to provide an indispensable conceptual framework for understanding the contemporary reemergence of fascist political forms.
During the early 1990s, I had the good fortune to participate in Habermas’ legendary Monday night philosophy colloquium at the University of Frankfurt.
The experience transformed my understanding of the raison d’être of Critical Theory.The Philosophical Discourse of Modernity is not a book about fascism per se. Instead, it tells the story of how, after the war, the titans of interwar German Kulturpessimismus– Nietzsche (albeit, posthumously), Carl Schmitt, and Heidegger – were canonized by the leading advocates of “French Theory” as the newmaîtres à penseror “master thinkers.”
Yet, the canonization of German philosophy came at a high cost. After all, historically speaking, the philosophies in question stood in close proximity to fascist ideology.
Hence, the question arises: to what extent did such pro-fascist “ideologemes” infiltrate and inform the basic tenets of French poststructuralism?
This critique of French philosophy and the history of German philosophy is a tour de force that has the immediacy and accessibility of the lecture form and the excitement of an encounter across national cultural boundaries as Habermas takes up the challenge posed by the radical critique of reason in contemporary French postmodernism.
The Philosophical Discourse of Modernity is a tour de force that has the immediacy and accessibility of the lecture form and the excitement of an encounter across, national cultural boundaries. Habermas takes up the challenge posed by the radical critique of reason in contemporary French poststructuralism. Tracing…