Here are 84 books that Under the Dome fans have personally recommended if you like
Under the Dome.
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As a computational sociologist, I’m fascinated by the patterns people create, the signals they miss, and the stories they build when the world doesn’t make sense. That’s also why I’ve always been drawn to grounded horror: not monsters crashing through windows, but the quiet dread of a room, a street, a sound, or a thought that won’t behave. As a writer, I love books that make fear feel intimate and human, the kind that crawls under your skin because it’s real. These are the stories that stay with me: books where reality tilts, trust gets shaky, and everyday life becomes the scariest place imaginable.
I love this book because it turns reading itself into a haunted space.
House of Leaves doesn’t just tell me something is wrong; it makes me physically experience disorientation on the page. I admire books that take big formal risks and still keep a human pulse underneath the invention.
This one made me feel trapped in a maze made of rooms, footnotes, fear, and obsession, and I mean that as high praise.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
Master the Art and Craft of Writing
by
Leon Conrad,
A comprehensive collection of engaging and effective exercises tailored for writers at all levels. Whether you're a beginner eager to find your voice, a seasoned writer exploring new genres, or a professional honing your craft, in this book, you'll discover invaluable techniques that will transform your writing journey.
As a computational sociologist, I’m fascinated by the patterns people create, the signals they miss, and the stories they build when the world doesn’t make sense. That’s also why I’ve always been drawn to grounded horror: not monsters crashing through windows, but the quiet dread of a room, a street, a sound, or a thought that won’t behave. As a writer, I love books that make fear feel intimate and human, the kind that crawls under your skin because it’s real. These are the stories that stay with me: books where reality tilts, trust gets shaky, and everyday life becomes the scariest place imaginable.
I love this book because it proves fear does not have to shout to own the room.
Shirley Jackson makes dread feel elegant, patient, and almost polite, which somehow makes it worse. I admire how much she trusts atmosphere, silence, suggestion, and character discomfort.
That is the kind of horror I respect most: not just “what is happening?” but “why does everything suddenly feel wrong?”
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and…
I love horror, as a writer and a reader, especially books where something or someone is changed. It could be a change to some unknown entity, or to a loved one that the main character knows inside and out. The question remains: what do we do when someone or something comes back to us, but they’re not the same? How do we navigate the unease that comes from an uncomfortable blend of the familiar and unfamiliar? The books in this list left me asking these and many other questions. I hope you enjoy them.
The stress of not knowing if someone is who they claim to be makes this book a fast, compelling read. I thoroughly enjoyed the way Finney introduced the problem as a possible medical or psychiatric condition. It’s stated so simply—Uncle Ira isn’t really Uncle Ira—and it turns into so much more.
I love the suspense of not knowing exactly what was going on and uncovering it along with the characters. Even better is the suspicion that increases throughout the book about who can be trusted.
Celebrate one of the earliest science fiction novels by rediscovering Jack Finney’s internationally acclaimed Invasion of the Body Snatchers—which Stephen King calls a story “to be read and savored for its own satisfactions,” now repackaged with a foreword by #1 New York Times bestselling author, Dean Koontz.
On a quiet fall evening in the peaceful town of Mill Valley, California, Dr. Miles Bennell discovers an insidious, horrifying plot. Subtly, almost imperceptibly, alien life-forms are taking over the bodies and minds of his neighbors, friends, family, the woman he loves, and the entire world as he knows it.
Anita Walsh, still reeling from her husband's sudden death, finds herself haunted not only by grief, but his Negative Image, a new phenomenon where the deceased prey on those they loved in life, turning intimate memories into nightmares. This spectral figure uses their shared past as a weapon, systematically dismantling…
I grew up watching the old Universal horror movies, which led me to read Frankenstein, Dracula, and other horror classics. It wasn’t until I read Stephen King’s Danse Macabre that I started asking myself what it is that I find truly frightening. Not so much monsters but rather what is unsettling – A recognizable world that suddenly turns askew. Dead Hungry grew out of that: What if there were people who simply had to eat the dead?
Another haunted house story, with a similar emphasis on atmosphere. A sister and brother visit a friend whose house is infected with competing ghostly forces. A constant sense of dread permeates the atmosphere. Blackwood keeps the reader on edge, waiting for the shoe to drop. And that’s it. It may pale by today’s standards of horror, but the novel excels at how ghostly presences vie for dominance.
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About The Damned by Algernon Blackwood The Damned by Algernon Blackwood is a great haunted house story along the lines of Turn of the Screw and the Haunting of Hill House. A brother and sister spend some time with a recently widowed friend. Her deceased husband was a strict fire and brimstone preacher who damned everyone who didn't believe like him to hell. His less strong-willed wife fell under his spell, but now the house seems to be haunted by...a shadow? Goblins? Ghostly pagans? Or…
Growing up in a Dutch city, I vividly remember witnessing the excitement of urban life through the windows of a streetcar, on foot, or by bike. Soon, I began to recreate this excitement by drawing maps of imaginary cities of my own. My small towns turned into entire regions, their streets coming to life as I closed my eyes. I essentially turned my childhood fascination into my job, as I now study, design, and teach students how to improve cities. Our best cities are places where citizens can interact with one another, overcoming social, economic, and environmental evolutions and revolutions. I never cease to be fascinated with the key to these everlasting cities.
We can understand cities not only through their societies, their experience, and their history, but also by studying their physical form. Spiro Kostof describes how cities across the world have distinct yet still interrelated patterns of streets, blocks, plots, and buildings. Rather than taking a chronological approach, Kostof illustrates the form of cities through time and space through four main types of urban form, from organic shapes and grids to diagrams and grand interventions. If you look at your own city, you will likely find a combination of all of the above! This is one of the first books on cities I bought as a teenager, and it really inspired me to study and improve the form of our urban environments.
Spanning the ages and the globe, Spiro Kostof explores the city as a "repository of cultural meaning" and an embodiment of the community it shelters. Widely used by both architects and students of architecture, The City Shaped won the AIA's prestigious book award in Architecture and Urbanism. With hundreds of photographs and drawings that illustrate Professor Kostof's innovative ideas, this has become one of the most important works on urbanization.
I'm sure you’ve heard of method acting. A technique by which an actor embodies the character they're portraying 24/7. I'm a method writer. I embody the world of the novels that I write. However, when the time came to write a novel inspired by graffiti, I faced a particular frustration. Graffiti is illegal. I felt a strong desire to grab a spray paint can to decorate public spaces. And yet the fear of a jail cell prevented me from acting on the impulse. I had to find a different outlet for that desire. I poured over every book and movie on the subject. I believe I became a bit of an expert.
Anonymouse is a charming illustrated picture book for children that grownups will appreciate. It tells the story of a mysterious graffiti artist that creates art specifically for animals. What I love most about it, is that it illustrates the transformative power of art. As the different animals are surprised and delighted with the graffiti, their lives, how they see themselves and relate to each other are enhanced in surprising ways.
Animal-friendly street art is popping up all over the city, but who is creating these masterpieces? There is no explanation, only a name: Anonymouse. For fans of Sidewalk Flowers and Art & Max.
Art for the birds. Art for the ants. Art for the dogs, cats and raccoons. Art to make them laugh, make them think, make them feel at home. But who is creating it? Only Anonymouse knows for sure . . .
This clever tale mixes street art, animals and gorgeous illustrations to create a meditation on how art can uplift any creature's spirit -- human or animal…
Winner Literary Titan Gold Book Award-Case and Trish Teal PI seek justice—fast-paced action and surprises everywhere. Takes place in Houston, Vegas, and rural Texas. He hunts the murders and unrelated tangles with the mob.
There is a book in a book on killing bad guys. Loved it! Top-Notch Thriller! Thought-provoking!…
I learned to dig as a teenager in the school holidays and studied the ancient world at Oxford and Cambridge before beginning my career as a university teacher. I have been lucky enough to travel all over the world for my work, and have spent time living in some amazing cities including Paris, London, Madrid, and Rome. I love exploring new urban landscapes from Moscow to Lusaka, Såo Paulo to Toronto and I am looking forward this summer to moving to another great metropolis, Los Angeles.
Historians of Greece and Rome have been arguing about how to describe ancient cities on and off since the eighteenth century and some of their debates have got stuck deep in the mud. This little book offers the best way out of these impasses. It is super clear, really up to date and incorporates the very latest research. Especially good on economy and society.
Greece and Rome were quintessentially urban societies. Ancient culture, politics and society arose and developed in the context of the polis and the civitas. In modern scholarship, the ancient city has been the subject of intense debates due to the strong association in Western thought between urbanism, capitalism and modernity. In this book, Arjan Zuiderhoek provides a survey of the main issues at stake in these debates, as well as a sketch of the chief characteristics of Greek and Roman cities. He argues that the ancient Greco-Roman city was indeed a highly specific form of urbanism, but that this does…
I’ve been researching and writing with my co-author husband Jared Brown about spirits and mixed drinks for three decades. After writing more than three dozen books plus hundreds of articles about the history and origins of alcoholic beverages, you could say I am addicted to the topic in a big way. While we’ve travelled and tasted drinks around the world we’ve also amassed a few thousand books on the subject. It’s served as a launch point of our secondary careers as drinks consultants and master distillers for global spirits brands. I'm currently finishing my doctoral thesis on early-modern English brewing at the University of Bristol to put a feather on the cap of my long career.
My husband and I have spent three decades travelling the world in search of great drinks and great drink stories. You could say this one volume ignited a wanderlust in us both when we first kicked off our drinks writing career. Written between 1959 and 1960, some of the places mentioned don’t exist any longer but brought back fond memories for me. The Musket & Henrickson pharmacy in Chicago which had a late-night café frequented by Playboy Club entertainers and mafiosi is just one example. What Fleming offered in his portrayals of Hong Kong, Macau, Tokyo, Honolulu, Los Angeles, Las Vegas, Chicago, New York, Hamburg, Berlin, Vienna, Geneva, Naples, and Monte Carlo undoubtedly inspired Anthony Bourdain’s portrayals of places in his fabulous TV series.
On November 2nd armed with a sheaf of visas...one suitcase...and my typewriter, I left humdrum London for the thrilling cities of the world...
In 1959, Ian Fleming, the creator of James Bond, was commissioned by the Sunday Times to explore fourteen of the world's most exotic cities. Fleming saw it all with a thriller writer's eye. From Hong Kong to Honolulu, New York to Naples, he left the bright main streets for the back alleys, abandoning tourist sites in favour of underground haunts, and mingling with celebrities, gangsters and geishas. The result is a series of vivid snapshots of a…
Growing up in a Dutch city, I vividly remember witnessing the excitement of urban life through the windows of a streetcar, on foot, or by bike. Soon, I began to recreate this excitement by drawing maps of imaginary cities of my own. My small towns turned into entire regions, their streets coming to life as I closed my eyes. I essentially turned my childhood fascination into my job, as I now study, design, and teach students how to improve cities. Our best cities are places where citizens can interact with one another, overcoming social, economic, and environmental evolutions and revolutions. I never cease to be fascinated with the key to these everlasting cities.
To understand cities today, you also have to understand why and how they were built to begin with. After all, our environment contains the materialization of previous decisions – we should know why those were made! Through the story of over a dozen global cities, historian Ben Wilson demonstrates how cities are concentrations of hopes, dreams, power, and conflict. While many great historians like Lewis Mumford and Stephen Hall have preceded him with excellently detailed urban history books of their own, this book stands out in its readability, attention to detail, and especially its coverage of global cities. After all, the urban future of most of the world lies beyond the Global North, and this broad survey shows the vast differences in urbanism between cultures.
From the Sunday Times bestselling author, a dazzling, globe-spanning history of humankind's greatest invention: the city.
'Brilliant...enchanting' Evening Standard 'Exhilarating' New York Times
The story of the city is the story of civilisation. From Uruk and Babylon to Baghdad and Venice, and on to London, New York, Shanghai and Lagos, Ben Wilson takes us through millennia on a thrilling global tour of the key urban centres of history.
Rich with individual characters, scenes and snapshots of daily life, Metropolis is at once the story of these extraordinary places and of the vital role they have played in making us who…
An adventure of both science fiction and fantasy—one of the great love stories—this is William Hope Hodgson's masterpiece, rewritten for the modern reader.
The story opens in the 19th century, but quickly moves to the far future, where the sun has gone out, casting the world into a darkness broken…
When I was a kid I would cut out graph paper to design my ideal house. When I was in college, I walked into a class called American Material Life and had my eureka moment: “This is how I want to learn about people in the past!” I realized. I’ve been doing that ever since, first as a museum curator and now as a history professor. Houses, furnishings, and the way people interact with the built environment can reveal the complexity, diversity, and beauty of human lives.
No one writes more compellingly about the multi-sensory experiences of living in America’s past environments than Dell Upton. His book Another City deals with the late eighteenth and early nineteenth-century city—a century before the time period in my book—but he weaves together narratives of urban experience from America’s first decades as a republic to offer surprisingly contemporary commentary on city politics today. His chapter called “Smell of Danger,” to offer just one example, demonstrates that America’s urban elite mobilized their belief that disease was caused by “miasmas” rising up from foul-smelling waste to justify segregation along with class and racial lines. In the era of yellow fever and cholera, Upton argues that “the physical geography of disease became a human geography of fear.”
An exploration of the beliefs, perceptions, and theories that shaped the architecture and organization of America's earliest cities
In the late 18th and early 19th centuries, burgeoning American cities like New Orleans and Philadelphia seemed increasingly chaotic. Noise, odors, and a feverish level of activity on the streets threatened to overwhelm the senses. Growing populations placed new demands on every aspect of the urban landscape-streets, parks, schools, asylums, cemeteries, markets, waterfronts, and more. In this unique exploration of the early history of urban architecture and design, leading architectural historian Dell Upton reveals the fascinating confluence of sociological, cultural, and psychological…
