Here are 9 books that The Wicked Years fans have personally recommended once you finish the The Wicked Years series.
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I’m a paranormal writer living on the buckle of the Bible Belt, but the hills are alive with witches and Magic, even here. People tend to say that witches don’t exist—until you ask for a strand of their hair. I’ve been on the witch’s side since I was young. If kids persist in eating bits of your house or stealing your rampion, what’s a wi–er– lady to do? Urban fantasy and magic realism in modern literature, take a more sympathetic view of witches. My book selections offer witches in all their glory—Some are good, some are bad, and some haven’t made up their minds yet.
I’m cheating again and giving you a recommendation for forty-four books instead of just one. This series takes the main character on a journey of discovery into her witchy heritage and solves murders along the way. I’ve read several, but not all, of the series and I find them funny and engaging. Nothing earth-shaking here, but lots of magical fun. Very pleasant to read by the light of the moon after you’ve cast your spells and put away your potions.
(Suitable for teens and seniors and all ages in-between)
What would you do if you discovered you were a witch?
That's exactly what happens to Private investigator, Jill Gooder. And as if that wasn't enough, she has a serial killer to catch. More magic, mystery and laughs than you can shake a stick at.
All of us bear the scars of emotional wounds, as complex psychology beats at the heart of all relationships. I’ve personally survived the betrayal of a parent, the loss of a child, emotional abuse, and life with an addict who could look me in the eye and lie. These themes resound in my stories. Literature is a safe place to explore and heal our own traumas through the dramatic interactions of our characters. My witch killer is not just “crazy” he’s unraveling a complex psychological past. In standing with our heroes as they meet and conquer evil, in its many guises, we find our way to healing our own trauma.
I can’t talk Mythic Fiction without a shout-out to the man who penned the phrase. It’s beyond Urban Fantasy—mythic archetypes, mystery, magic, and toe-curling mayhem. When Celtic fiddler, Lizzie Mahone, gets stranded on a lonely country road at midnight, she has no idea how her life will change. Widdershins is a dark dip into the faerie realm that brings us face-to-face with freakish Bogans—nasty-pants faeries with sewer-mouths—faerie courts in shopping malls, and gripping psychological terror when Jilly Coppercorn gets trapped in a sinister world with her childhood abuser. Politics is rampant. At its core is the conflict between the settler fae and the Indigenous animal people. Behind it lurks love and hope.
In Widdershins, fantasy author Charles de Lint has delivered one of his most accessible and moving works of his career.
Jilly Coppercorn and Geordie Riddell. Since they were introduced in the first Newford story, "Timeskip," back in 1989, their friends and readers alike have been waiting for them to realize what everybody else already knows: that they belong together. But they've been more clueless about how they feel for each other than the characters in When Harry Met Sally. Now in Widdershins, a stand-alone novel of fairy courts set in shopping malls and the Bohemian street scene of Newford's Crowsea…
I have a little secret. I was late to the romance table. Though I grew up with a romance reading mother, my initial interests lay in the fantastical worlds of Paulo Coelho, Anne Rice, and David Gemmel. Romance seemed forbidden, and I didn’t touch the genre until my late twenties, when a nasty breakup sent my disillusioned heart looking for more. And what a revelation! Romance taught me to expect more from myself and my relationships. At the close of one creative career, it lit an unstoppable passion to become a contemporary romance author. And here I am, a decade on, writing romance and sharing my book recommendations with you!
I can’t talk about contemporary books without mentioning the genre’s Queen, Nora Roberts. She’s the first romance author I ever read, and I have to say, Dance Upon Air really touched my “90s teenager” soul. Why, you ask?
Well, there was this exceptional time when everything New Age and witchy was in, and everyone listened to Enya, and mooned over Nicole Kidman and Sandra Bullock in Practical Magic. Ha! Roberts’ Three Sister’s Island series is all that in book form.
Think remote island, three women in the throes of finding love and themselves, with a magical and suspense-filled witchy subplot thrown in.
When Nell Channing arrives on Three Sisters Island, she hopes she has finally found refuge from her abusive husband. But even in this peaceful place, she feels haunted by fear. Then she discovers the island is suffering under a terrible curse and that she must find the power to save herself. Pbk: ISBN 0749932775.
In school, I wasn’t fond of physics. Most of my education focused on the history of human civilization and culture. I rediscovered physics partly thanks to the books mentioned here—and the strangeness of quanta. My studies, exposure to Tao and Zen philosophies, and exploration of physics have given me a unique perspective and awareness: humanity is merely a tiny particle in the universe, neither central nor the king of all creation. Nothing new, of course—Buddha, Heraclitus, and Shakespeare all knew it well.
Terry Pratchett’s Discworld hooked me from the very first pages—cliché as that may sound, it’s true. Virtually the entire book (as well as others from the Discworld) I read with a smile on my face.
Pratchett’s unique humor, his satirical take on human nature, the imaginative world of Discworld, and his reflections on reality come together in a brilliant mix that made me read… and read… and read.
On a world supported on the back of a giant turtle (sex unknown), a gleeful, explosive, wickedly eccentric expedition sets out. There's an avaricious buy inept wizard, a naive tourist whose luggage moves on hundreds of dear little legs, dragons who only exist if you believe in them, and of course The Edge of the planet...
My psychotherapist has always described me as a black and white thinker. Good and evil. Happy or sad. Up or down. I struggle with shades of gray in my day-to-day life. Which is maybe the reason I am drawn to literature that explores morally ambiguous characters and settings. Not only does every book on this list have no clear hero or villain, but each story forces the reader to question what they think they know about right and wrong. I may be a black and white thinker in every practical sense, but I read and write about people and situations that occupy that very human space of in-between.
History is written by the winners, they say. Well, I want to hear from the losers!
Confessions of an Ugly Stepsister was the first book I ever read that showed me the “bad guys” in the stories we grew up with are not always so bad. They have their own side of the story to tell. I immediately fell in love with this book.
It took the timeless Cinderella trope and turned it completely upside down. I no longer trusted any of the familiar stories I’d been told all my life.
We have all heard the story of Cinderella, the beautiful child cast out to slave amongst the ashes. But what of her stepsisters, the homely pair exiled into ignominy by the fame of their lovely sibling? What fate befell those untouched by beauty ... and what curses accompanied Cinderella's looks?
Set against the backdrop of seventeenth-century Holland, CONFESSIONS OF AN UGLY STEPSISTER tells the story of Iris, an unlikely heroine who is swept from the lowly streets of Haarlem to a strange world of wealth, artifice, and ambition. Iris's path becomes intertwined with that of Clara, the mysterious and unnaturally…
My psychotherapist has always described me as a black and white thinker. Good and evil. Happy or sad. Up or down. I struggle with shades of gray in my day-to-day life. Which is maybe the reason I am drawn to literature that explores morally ambiguous characters and settings. Not only does every book on this list have no clear hero or villain, but each story forces the reader to question what they think they know about right and wrong. I may be a black and white thinker in every practical sense, but I read and write about people and situations that occupy that very human space of in-between.
Want to laugh out loud? Then read The Princess Bride. I’m sure you’ve seen the classic movie version, but you owe it to yourself to go back to the source material by William Goldman. I never knew a book could be so funny!
The narrative stretches the boundaries of storytelling, taking the reader down a path that is touching, scary, and hilarious in turns. I loved the absurdist characters. I loved even more Goldman’s clear, comic voice throughout.
William Goldman’s beloved story of Buttercup, Westley, and their fellow adventurers.
This tale of true love, high adventure, pirates, princesses, giants, miracles, fencing, and a frightening assortment of wild beasts was unforgettably depicted in the 1987 film directed by Rob Reiner and starring Fred Savage, Robin Wright, and others. But, rich in character and satire, the novel boasts even more layers of ingenious storytelling. Set in 1941 and framed cleverly as an “abridged” retelling of a centuries-old tale set in the fabled country of Florin, home to “Beasts of all natures and descriptions. Pain. Death. Brave men. Coward men. Strongest…
My psychotherapist has always described me as a black and white thinker. Good and evil. Happy or sad. Up or down. I struggle with shades of gray in my day-to-day life. Which is maybe the reason I am drawn to literature that explores morally ambiguous characters and settings. Not only does every book on this list have no clear hero or villain, but each story forces the reader to question what they think they know about right and wrong. I may be a black and white thinker in every practical sense, but I read and write about people and situations that occupy that very human space of in-between.
Kazuo Ishiguro is known for stories rooted in real world contexts. Even his various forays into science fiction (Never Let Me Go and Klara and the Sun) are deeply grounded in contemporary, true-to-life settings. So, when I stumbled upon this classic fairytale by one of my favorite authors, I didn’t know what to expect. Talk about a gut punch!
This book explores morality and hope in creative and magical ways. And the twist at the end will leave you reeling—in true Ishiguro form.
*Kazuo Ishiguro's new novel Klara and the Sun is now available*
The Romans have long since departed, and Britain is steadily declining into ruin.
The Buried Giant begins as a couple, Axl and Beatrice, set off across a troubled land of mist and rain in the hope of finding a son they have not seen for years. They expect to face many hazards - some strange and other-worldly - but they cannot yet foresee how their journey will reveal to them dark and forgotten corners of their love for one another.
I grew up hearing stories about my grandfather, who was the blacksmith in Saratoga, California, from the 1920s to the 1940s, and I wanted to write a novel about him. As I began to research his life, a world opened up to me. I learned how the suburbs I’d grown up in were built on one of the world’s greatest fruit-growing regions, and the story about my grandfather grew into a story about the profound changes we’ve wrought upon the land. That novel, The Blossom Festival, was the beginning of my lifelong engagement with the peoples and places of my home state that I’ve carried through in all the books I’ve written.
I love East of Eden because it shows California both as the promised land and the fallen world.
Adam Trask, who moves his family west after serving in the Indian wars, is one of so many Americans who sought the California dream and ended up with something different—understanding that we can not return to Eden, but have to find a way to live in the world as it is.
I also love Steinbeck’s rendering of the California landscape and climate. He describes them out of his deeply lived experience. Reading this book takes me home. The essential California novel.
California's fertile Salinas Valley is home to two families whose destinies are fruitfully, and fatally, intertwined. Over the generations, between the beginning of the twentieth century and the end of the First World War, the Trasks and the Hamiltons will helplessly replay the fall of Adam and Eve and the murderous rivalry of Cain and Abel.
East of Eden was considered by Steinbeck to be his magnum opus, and its epic scope and memorable characters, exploring universal themes of love and identity, ensure it remains one of America's most enduring novels. This edition features a stunning new cover by renowned…
Growing up very pale in a sun-washed Australian coastal town, I often found myself retreating to the cool shadows. It was in the darkness that I felt most at home—which may be why I’ve always been drawn to stories with a darker edge. My fascination with creatures in those frightening tales—immortal, dark, and possessed of terrible appetites—led to Winter’s Shadow, my debut YA novel, and the reason I still write today. I love books that blur the line between horror and the mundane—tales that feel like nightmares recalled in the comforting light of day. These are the stories that linger, and this list is a love letter to them.
When I first read Interview with the Vampire (I was 12), I was struck by how Anne Rice made darkness beautiful. The mood, the grief, the sensuality—it all felt so rich and strange and alive.
I didn’t just want to read about Louis and Lestat; I wanted to live inside that shadowed world, however painful. The power of her vampires was alluring, even as their sadness confused me. How could being immortal be such a torment?
This book taught me that supernatural fiction could be poetic, philosophical, even transcendent. There’s a reason this novel endures.
It made me want to write stories where beauty and horror dance together in candlelight.
From #1 New York Times bestselling author Anne Rice, this sensuously written spellbinding classic remains 'the most successful vampire story since Bram Stoker's Dracula' (The Times)
In a darkened room a young man sits telling the macabre and eerie story of his life - the story of a vampire, gifted with eternal life, cursed with an exquisite craving for human blood.
When Interview with the Vampire was published the Washington Post said it was a 'thrilling, strikingly original work of the imagination . . . sometimes horrible, sometimes beautiful, always unforgettable'. Now, more than forty years since its release, Anne…