Here are 72 books that The Buried Giant fans have personally recommended if you like
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I never outgrew the curiosity of wanting to know more about the things we fear. Plenty of monsters are just neat! But the more you learn about them, whether they’re animals like bears and sharks or figures of myth like werewolves and dragons, the more interesting they become. I wanted to take audiences deep inside a skin unlike their own so they could understand how it feels to be cast out and how much a monster might look down on us. Because the more you look at monsters, the more you recognize us in them.
One of the classic novels about monsters having internal lives. Grendel doesn’t even survive the first half of the Beowulf poem.
But what was his life like? This creature who went into rages over music and merriment? This outsider who clearly had no one to commune with? Where there could just be pathos, Gardner injects surprising dorkiness and humor that further round out Grendel’s existence. And there’s a huge bonus in the poem’s dragon also showing up as an utter weirdo neighbor.
This classic and much lauded retelling of Beowulf follows the monster Grendel as he learns about humans and fights the war at the center of the Anglo Saxon classic epic.
"An extraordinary achievement."—New York Times
The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his own side of the story in this frequently banned book. This is the novel William Gass called "one of the finest of our contemporary fictions."
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
For several years, I’ve been on a journey of personal healing and transformation after a traumatic marriage and divorce. These incredible female writers helped stitch my heart back together and offered beautiful insights and inspiration on the healing path. These are books of timeless wisdom for women everywhere, but especially for women who have loved, lost, hurt, and overcome. We are reminded not just of our personal strength and resilience when we glimpse ourselves in the stories of others; but we remember that we are part of a powerful collective of teachers, leaders, luminaries, mothers, healers, and trailblazers. We are never alone.
A collection of myths, fairy tales, and folk stories about the wild woman archetype told and analyzed by Dr. Clarissa Pinkola Estés.
The result is a powerful exploration of the female psyche and experience, of women’s power and knowing, of intuition, femininity, and the ways in which we can reconnect to that power within each of us.
A favorite quote: “There is no 'supposed to be' in bodies. The question is not size or shape or years of age, or even having two of everything, for some do not. But the wild issue is, does this body feel, does it have right connection to pleasure, to heart, to soul, to the wild? Does it have happiness, joy? Can it, in its own way move, dance, jiggle, sway, thrust? Nothing else matters.”
First published three years before the print edition of Women Who Run With the Wolves made publishing history, this original audio edition quickly became an underground bestseller. For its insights into the inner life of women, it established Dr. Clarissa Pinkola Estes as one of the most important voices of our time in the fields of Jungian psychology, myth, and women's mysteries.
Drawing from her work as a psychoanalyst and cantadora ("keeper of the old stories"), Dr. Estes uses myths and folktales to illustrate how societies systematically strip away the feminine spirit. Through an exploration into the nature of the…
I had a difficult past; from living in war, poverty, and doing various jobs to help with the family economy, to losing my life, imprisonment, and exile. I was one of millions of Iranians who were trapped in a prison called “oppression” by a dictatorial and totalitarian regime. They called us “the burnt generation.” Despite all the hardships, I immigrated to America, became a successful scientist, and achieved all my goals. Then I told myself to write my biography to inspire and motivate people all around the world and convey this universal message to them: protect your freedom, cherish your democracy, and never forget the ones left behind.
Behrouz described his journey with beauty and exemplary courage in the Manus prison. This book is reiminisent of my life story and the lives of millions of Iranians trapped in a prison called “oppression.” This biography speaks of the importance of life and the need for every human being to tell their own story.
I narrated life in Iran in shocking detail of cruelty, destruction, discrimination, humiliation, and constant surveillance, and like many Iranians, found beauty in simple things like rain and paper flowers that soothed us in our loneliness and misery.
This is a testament to the power of writing to overcome difficulties and loneliness.
The Award-winning International Bestselling Story of One Man's Six Year Detention in Australia
'A powerfully vivid account of the experiences of a refugee: desperation, brutality, suffering, and all observed with an eye that seems to see everything and told in a voice that's equal to the task.' - Phillip Pullman
In 2013, Kurdish journalist Behrouz Boochani sought asylum in Australia but was instead illegally imprisoned in the country's most notorious detention centre on Manus Island. This book is the result.
Boochani spent nearly five years typing passages of this book one text at a time from a secret mobile phone…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Growing up very pale in a sun-washed Australian coastal town, I often found myself retreating to the cool shadows. It was in the darkness that I felt most at home—which may be why I’ve always been drawn to stories with a darker edge. My fascination with creatures in those frightening tales—immortal, dark, and possessed of terrible appetites—led to Winter’s Shadow, my debut YA novel, and the reason I still write today. I love books that blur the line between horror and the mundane—tales that feel like nightmares recalled in the comforting light of day. These are the stories that linger, and this list is a love letter to them.
When I first read Interview with the Vampire (I was 12), I was struck by how Anne Rice made darkness beautiful. The mood, the grief, the sensuality—it all felt so rich and strange and alive.
I didn’t just want to read about Louis and Lestat; I wanted to live inside that shadowed world, however painful. The power of her vampires was alluring, even as their sadness confused me. How could being immortal be such a torment?
This book taught me that supernatural fiction could be poetic, philosophical, even transcendent. There’s a reason this novel endures.
It made me want to write stories where beauty and horror dance together in candlelight.
From #1 New York Times bestselling author Anne Rice, this sensuously written spellbinding classic remains 'the most successful vampire story since Bram Stoker's Dracula' (The Times)
In a darkened room a young man sits telling the macabre and eerie story of his life - the story of a vampire, gifted with eternal life, cursed with an exquisite craving for human blood.
When Interview with the Vampire was published the Washington Post said it was a 'thrilling, strikingly original work of the imagination . . . sometimes horrible, sometimes beautiful, always unforgettable'. Now, more than forty years since its release, Anne…
I read almost any genre, but fantasy is what I love most, both reading and writing. Stories are magic, but when they have actual magic in them, I’m hooked. Having studied both Film and Creative Writing at university, I love to go in-depth on storytelling and have reviews aplenty on my website if you want further recommendations. The books I’ve chosen for this list have incredibly unique worlds full of bizarre magic. When I enter a new world, I want it to be exactly that: new and exciting with a touch of the surreal. To me, these books showcase magic at its most vivid and creative.
I very nearly stopped reading this book–even though it’s so short as it starts off unbelievably abstract. I didn’t know what was going on, and the descriptions only added to the confusion. But I’m so glad I kept going.
The main character does amnesia in the most charming way, and discovering his past and the strange world he seems both lost in and totally at home in was absolutely enchanting. This has stuck with me ever since, like the most vivid fever dream.
Winner of the 2021 Women's Prize for Fiction A SUNDAY TIMES & NEW YORK TIMES BESTSELLER
The spectacular new novel from the bestselling author of JONATHAN STRANGE & MR NORRELL, 'one of our greatest living authors' NEW YORK MAGAZINE __________________________________ Piranesi lives in the House. Perhaps he always has.
In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend,…
I grew up hearing stories about my grandfather, who was the blacksmith in Saratoga, California, from the 1920s to the 1940s, and I wanted to write a novel about him. As I began to research his life, a world opened up to me. I learned how the suburbs I’d grown up in were built on one of the world’s greatest fruit-growing regions, and the story about my grandfather grew into a story about the profound changes we’ve wrought upon the land. That novel, The Blossom Festival, was the beginning of my lifelong engagement with the peoples and places of my home state that I’ve carried through in all the books I’ve written.
I love East of Eden because it shows California both as the promised land and the fallen world.
Adam Trask, who moves his family west after serving in the Indian wars, is one of so many Americans who sought the California dream and ended up with something different—understanding that we can not return to Eden, but have to find a way to live in the world as it is.
I also love Steinbeck’s rendering of the California landscape and climate. He describes them out of his deeply lived experience. Reading this book takes me home. The essential California novel.
California's fertile Salinas Valley is home to two families whose destinies are fruitfully, and fatally, intertwined. Over the generations, between the beginning of the twentieth century and the end of the First World War, the Trasks and the Hamiltons will helplessly replay the fall of Adam and Eve and the murderous rivalry of Cain and Abel.
East of Eden was considered by Steinbeck to be his magnum opus, and its epic scope and memorable characters, exploring universal themes of love and identity, ensure it remains one of America's most enduring novels. This edition features a stunning new cover by renowned…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I used to steal Tolkien and Piers Anthony books from my older brother’s bookcase and burn through library world mythology sections like a ravenous beast. When I reached college in the 1990s, I realized “world” mythology had usually meant “Western” myths, and that’s when I became a Japanese Studies major and dove headfirst into feudal Japan: kitsune, dragons, dream-eaters, tengu, and other fantastical creatures. I was in love. Perfectly natural that when I started writing novels, my brain conjured romantic fantasy based on East Asian myths. Hope you’re ready to fall in love as well, with the Japanese version of fox spirits—kitsune!
In 2000, there were few English-language fantasy books based on Japanese myths. I opened this one, and instantly, Heian Period Feudal Japan came alive in a lyrical, mesmerizing way, unlike the dry history books.
And unlike the fantasy I’d grown up with, the main voice of the book was a woman—a complicated, imperfect magical kitsune who also felt like a human woman. This book made me hungrier for more non-Western myths as a lens through which to view my own concepts of womanhood.
Based on the award - winning short story Fox Magic, Kij Johnson's THE FOX WOMAN is a haunting novel of love and magic, of Kitsune, the young fox kit who catches a glimpse of a Japanese nobleman and resolves to snare his heart. Kitsune embarks on a journey that will change her, her family, and all the humans she encounters...and the magic she conjures will transform all of their lives forever. Set against the backdrop of medieval Japanese society, THE FOX WOMAN is both a retelling of the classic Japanese animal fable and a stunning exploration of what it means…
Soap operas may have no actual relation to soap—the term comes from radio dramas that were sponsored by soap companies—but they’re certainly related to opera, full of melodrama and grandiosity. With my second novel, a multi-generational family saga, my goal was to write a literary soap opera. I wanted it to be finely crafted, attuned to language and characterization, but also dishy, riddled with heightened drama, vivid personalities, and theatrical events. Below are five literary soap operas I studied while writing my own.
The same way hearing “soap opera” used as a pejorative upsets me so much I want to fake my own death, frame my estranged father for murder, and wrest control of his business empire, hearing “fairy tale” used that way makes me want to wave a wand and turn the detractors of science fiction and fantasy into horny toads.
John Crowley’s Little, Big, winner of the World Fantasy Award, is not only a fairy tale with actual fairies, but also one that’s an actual tale. So many novels described as literary forget to tell a story. This is not one of them. In Little, Big, you’ll meet the charismatic Drinkwater family; I would say more, but it’s best if you see for yourself where this tale takes them.
Edgewood is many houses, all put inside each other, or across each other. It's filled with and surrounded by mystery and enchantment: the further in you go, the bigger it gets.
Smoky Barnable, who has fallen in love with Daily Alice Drinkwater, comes to Edgewood, her family home, where he finds himself drawn into a world of magical strangeness.
Crowley's work has a special alchemy - mixing the world we know with an imagined world which seems more true and real. Winner of the WORLD FANTASY AWARD, LITTLE, BIG is eloquent, sensual, funny and unforgettable, a true Fantasy Masterwork.
My psychotherapist has always described me as a black and white thinker. Good and evil. Happy or sad. Up or down. I struggle with shades of gray in my day-to-day life. Which is maybe the reason I am drawn to literature that explores morally ambiguous characters and settings. Not only does every book on this list have no clear hero or villain, but each story forces the reader to question what they think they know about right and wrong. I may be a black and white thinker in every practical sense, but I read and write about people and situations that occupy that very human space of in-between.
Want to laugh out loud? Then read The Princess Bride. I’m sure you’ve seen the classic movie version, but you owe it to yourself to go back to the source material by William Goldman. I never knew a book could be so funny!
The narrative stretches the boundaries of storytelling, taking the reader down a path that is touching, scary, and hilarious in turns. I loved the absurdist characters. I loved even more Goldman’s clear, comic voice throughout.
William Goldman’s beloved story of Buttercup, Westley, and their fellow adventurers.
This tale of true love, high adventure, pirates, princesses, giants, miracles, fencing, and a frightening assortment of wild beasts was unforgettably depicted in the 1987 film directed by Rob Reiner and starring Fred Savage, Robin Wright, and others. But, rich in character and satire, the novel boasts even more layers of ingenious storytelling. Set in 1941 and framed cleverly as an “abridged” retelling of a centuries-old tale set in the fabled country of Florin, home to “Beasts of all natures and descriptions. Pain. Death. Brave men. Coward men. Strongest…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m a medieval historian, and I’ve written academic books and articles about the history of the medieval world, but I have also written two historical novels. I became interested in history in general and the Middle Ages in particular from reading historical fiction as a child (Jean Plaidy!). The past is another country, and visiting it through fiction is an excellent way to get a feel for it, for its values, norms, and cultures, for how it is different from and similar to our own age. I’ve chosen novels that I love that do this especially well, and bring to light less well-known aspects of the Middle Ages.
Hild plunged me into the rough and tumble world of seventh-century Anglo-Saxon England through the eyes of its title character, a young woman with unusual abilities who is dangerously close to the crown of one of its kings and who protects herself by becoming his seer.
I appreciated how Griffith evoked the texture of life in this period, its beauty and its roughness, bringing me into its mead halls and forests and onto its sea cliffs. She also draws out the cultural and linguistic diversity of the Anglo-Saxon world and the conflicts this created between Celts and Saxons, mixed with pressure from Franks across the Channel and the Latin Church in Rome.
Hild is born into a world in transition. In seventh-century Britain, small kingdoms are merging, usually violently. A new religion is coming ashore; the old gods' priests are worrying. Edwin of Northumbria plots to become overking of the Angles, ruthlessly using every tool at his disposal: blood, bribery, belief. Hild is the king's youngest niece. She has the powerful curiosity of a bright child, a will of adamant, and a way of seeing the world - of studying nature, of matching cause with effect, of observing human nature and predicting what will happen next - that can seem uncanny, even…
