Here are 21 books that The Unseen World fans have personally recommended once you finish the The Unseen World series.
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Here are words I like for their feel, especially when they describe fantasy: surprise; twist; subvert. I am generally a mild-mannered writer, but I do love the passing strange. By that I mean, twisty, not shocking. Surprising and intriguing, but grounded in a relatable story. A story with something wondrous and unexpected but also deeply human. I’ve written eighteen fantasy and science fiction novels, and each time, though I am creating a strange—hopefully wondrous, place—central in the story are people who desire, fear, love, and strive.
I love stories set in modern times, with the fae living—secretly—in the local woods. It reminds me of the uncanny in real life, and the possibility of adventure.
The pleasure of this rendition of the fae-next-door is that the human realm is brought fully to life and slowly entwines with the fantastical. Also: It gradually dawned on me that the human thread of the story is a fairy tale in its own right. That really twisted my expectations.
Imogen and her sister Marin escape their cruel mother to attend a prestigious artists' retreat, but soon learn that living in a fairy tale requires sacrifices, whether it be art or love in this critically acclaimed debut novel from "a remarkable young writer" (Neil Gaiman, American Gods).
Imogen has grown up reading fairy tales about mothers who die and make way for cruel stepmothers. As a child, she used to lie in bed wishing that her life would become one of these tragic fairy tales because she couldn't imagine how a stepmother could be worse than her mother now. As…
I have loved gothic and ghostly tales ever since my grandmother showed me a haunted house and told me stories about fairies and changelings. You can often find me browsing in vintage markets and bookshops searching for the perfect find. I have published two gothic middle-grade novels. Welcome To Dead Town is about 12-year-old Raven McKay, who is put into foster care in the town of Grave’s Pass when her parents disappear. But Grave’s Pass isn’t an ordinary town. It’s a town where the living and the dead live side by side. Read below to find out about the next book in the series.
I love the unsettling feeling of fear and menace from the opening page. I was immediately drawn into the world of Will Stanton on Midwinter’s Eve. Even neighbors and rooks are behaving strangely.
I didn’t know what to expect, but I felt something out of this world would happen. Nothing could have prepared me for the magic of the Old Ones and the evil forces of the Dark. I loved the snow, the family dynamics, the folklore, and Susan Cooper’s enthralling prose.
On the Midwinter Day that is his eleventh birthday, Will Stanton discovers a special gift-- that he is the last of the Old Ones, immortals dedicated to keeping the world from domination by the forces of evil, the Dark. At once, he is plunged into a quest for the six magical Signs that will one day aid the Old Ones in the final battle between the Dark and the Light. And for the twelve days of Christmas, while the Dark is rising, life for Will is full of wonder, terror, and delight.
My passion for mythic stories began as early as the age of five, when my father had me tested and found I was reading over two hundred words a minute. He quickly saw the need to feed my thirsty young mind and placed epic fantasy books (most beyond my comprehension) in my tiny hands. As for my absorption with stories that impact the soul, I'd have to say my strongest interest came from my need for it. That need has shaped me and shaped my writing, much more than any list of qualifications, which include being a licensed minister, a professional pianist and cinematic composer, and now a published author.
This book was like a fisherman with bait on the hook. I was the fish; the fantasy setting and the author’s magnificent ability with words were the bait.
Mary Stewart was, of course, the sportswoman out to snag something in my soul. I was prepared to be entertained, but the story carried a surprising amount of weight, asking questions like What do we live for? Can humanity ever be enough? Merlin came into an understanding of his place in the world — not through romance or fantasy adventures as we so typically read — but through internal revelation.
With his journey, I was invited into soulful reflection and some uncomfortable truths of my own. In the end, I decided Mary Stewart knew very well what she was doing. The stinker.
Vivid, enthralling, absolutely first-class - Daily Mail
So begins the story of Merlin, born the illegitimate son of a Welsh princess in fifth century Britain, a world ravaged by war. Small and neglected, with his mother unwilling to reveal his father's identity, Merlin must disguise his intelligence - and hide his occasional ability to know things before they happen - in order to keep himself safe.
While exploring the countryside near his home, Merlin stumbles across a cave filled with books and papers and hiding a room lined with crystals. It is…
Why do I love books set in cemeteries? Maybe it’s because I grew up living right next to one and still do. I spent hours as a child wandering around and even playing hide and seek among the tombstones. It’s a place where the living and dead meet, a place of mourning, memories, and peace. Cemeteries have so many superstitions and lore surrounding them. The stories written about them can be spooky, mysterious, sad, heartfelt, and any number of things, so the ideas are endless.
I loved this book from the first page. There’s something both eerie and comforting about a boy raised by ghosts in a graveyard. I was enamored by the atmosphere, soft fog, ancient tombstones, and strange creatures lurking just out of sight.
Gaiman has a gift for writing stories that feel like old folktales, but are still fresh and full of heart. I didn’t want it to end because I fell in love with the idea of this unconventional “family” protecting a boy as he grows up surrounded by the dead. It’s dark, magical, and unexpectedly warm.
When a baby escapes a murderer intent on killing his entire family, who would have thought it would find safety and security in the local graveyard? Brought up by the resident ghosts, ghouls and spectres, Bod has an eccentric childhood learning about life from the dead. But for Bod there is also the danger of the murderer still looking for him - after all, he is the last remaining member of the family. A stunningly original novel deftly constructed over eight chapters, featuring every second year of Bod's life, from babyhood to adolescence. Will Bod survive to be a man?
From early on, I found myself captivated by the concept of a dystopic future for humanity. Years later, a 20+ year police career cemented the notion that people are not inherently good and that if a dystopic future is at all possible–we as a species will make it a reality. My love of science fiction, especially all forms of dystopia, combined with a hard-earned street-level grit and a love of action. Whether writing solo or with my amazing co-author, Dr. Gareth Worthington, I often inject these elements into my stories. I hope you enjoy the books on this list as much as I did!
I don’t think cyberpunk as we know it would exist without William Gibson’s Neuromancer. If PKD jump-started the genre, then Gibson advanced it in ways previously unimaginable.
I love the tone and texture of this book. Written in a gritty urban style, the mixture of atmosphere and wacky characters vividly paints the concept of high-tech and low-life that underpins the cyberpunk genre. Plus, it has “street samurai”–I mean, let’s go!
The book that defined the cyberpunk movement, inspiring everything from The Matrix to Cyberpunk 2077.
The sky above the port was the color of television, tuned to a dead channel.
William Gibson revolutionised science fiction in his 1984 debut Neuromancer. The writer who gave us the matrix and coined the term 'cyberspace' produced a first novel that won the Hugo, Nebula and Philip K. Dick Awards, and lit the fuse on the Cyberpunk movement.
More than three decades later, Gibson's text is as stylish as ever, his noir narrative still glitters like chrome in the shadows and his depictions of…
I’ve always loved a good crime drama/suspense thriller novel–the way they keep you glued to the pages, and you think you’ll just sit down for a quick couple of chapters before dinner, and the next thing you realize, it's 12am, and you’re on the last chapter. The depth of the character studies that you get with this genre is the other reason I enjoy it so much, there’s nothing worse than having main characters that are one dimensional and unreachable as a reader. I have always tried to create this kind of character depth and gripping narrative in my own books.
What I enjoyed most about this book was the story and plot that the author wove together.
This story takes thrilling, unexpected twists that kept me engaged with the characters and the plot. Its intensity is matched by its excellent pacing, delivering surprises at every turn.
Just when I thought I'd figured out where it's headed, it veers in another direction.
'An epic drama reminiscent of the best classic Hong Kong gangster films but set in a fantasy metropolis so gritty and well-imagined that you'll forget you're reading a book' KEN LIU
'Gripping!' ANN LECKIE, author of Ancillary Justice and The Raven Tower
'Lee's astute worldbuilding raises the stakes for her vivid and tautly-described action scenes' SCOTT LYNCH, author of The Lies of Locke Lamora
*****Shortlisted for the Nebula Awards, the Locus Awards, the Aurora Awards, the Sunburst Awards and an Amazon.com Best Book of the Month*****
I grew up on a trail mix-style melange of 80’s action movies, Stephen King and The Lord of the Rings (with a special melancholy fondness also for The Once and Future King). High and low brow and everything in between that turned into a fascination for science fiction crossed with military adventure and doomed–or at least long-suffering–heroes. War is getting increasingly technological, detached, and even surreal, with drones, satellites, and hackers now increasingly on the front. But even as tactics and weapons change, the carnage doesn’t. From The Iliad to today, wars and the people who fight and die in them make for stories worth telling.
The first half of this book is top-tier, straight-up, future-guy-in-power-armor-mashes-his-way-through-an-endless-bug-army sci-fi. And it’s awesome! I love it! But the second half goes somewhere you wouldn’t expect at all about how someone who survived the unsurvivable might retire (and maybe get the itch to put the armor back on for a nobler cause).
That second half feels a bit jarring at first, given the narrative simplicity of the first half, but it works. And builds to the sequel that, sadly, we’ll never get, as Steakley died before he finished it. I also love this book because Steakley was from Dallas, and we don’t have a ton of great science fiction authors here!
Felix is an Earth soldier, encased in special body armour designed to withstand Earth's most implacable enemy - a bio-engineered, insectoid alien horde. But Felix is also equipped with internal mechanisms that enable him and his fellow soldiers to survive battle situations that would normally destroy a man's mind. This is a remarkable novel of the horror, the courage and the aftermath of combat - and how the strength of the human spirit can be the greatest armour of all.
I am interested in social justice issues, and the books in my list deal with these issues. My background is in finance, but I’ve tried to use this knowledge to help others. I serve on the board of two not-for-profit organizations, one a dance company that works with at-risk teens in various countries, and the other is an animal sanctuary that takes in farm animals that have been abused. I consider myself very fortunate and privileged, and it's important to remember not everyone has had the opportunities I have had. I feel it’s crucial to connect with others, understand where they’re coming from, and help if you can.
I liked this book because it examines the role loyalty and social customs play in our lives. As soldiers are transported from location to location, the laws of relativity step in to move the characters decades into the future.
In that time, social customs have changed, and things that we thought were important no longer are. It shows how vulnerable we are to custom and tradition. In the end, it is the personal that is important, not the bigger cause.
The monumental Hugo and Nebula award winning SF classic-- Featuring a new introduction by John Scalzi
The Earth's leaders have drawn a line in the interstellar sand--despite the fact that the fierce alien enemy they would oppose is inscrutable, unconquerable, and very far away. A reluctant conscript drafted into an elite Military unit, Private William Mandella has been propelled through space and time to fight in the distant thousand-year conflict; to perform his duties and do whatever it takes to survive the ordeal and return home. But "home" may be even more terrifying than battle, because, thanks to the time…
I grew up playing outside during the day, reimagining the worlds I had read about the night before. With my imagination at full steam, I would hike, camp, fish, and hunt until I was tuckered out. Being somewhat isolated, I found solace in the characters in my regular reading, comforted by their humanity, foibles, and triumphs alike. I identified with overcoming adversity in order to survive. Book fueled the fire within me to choose the light over dark.
I loved The Voyage of the Dawn Treader because I felt like I was truly sailing into the unknown.
I imagined myself standing on the deck, watching strange islands appear on the horizon, and I shared the excitement and fear of discovery.
I admired how Edmund and Lucy grew braver, and I found myself rooting for Eustace as he struggled to change—I saw parts of myself in his stubbornness and his transformation. I felt lifted by Reepicheep’s unshakable courage and hope. I loved how every challenge reminded me that I, too, can face the unknown and keep moving toward the light.
A beautiful paperback edition of The Voyage of the Dawn Treader, book five in the classic fantasy series, The Chronicles of Narnia. This edition is complete with cover and interior art by the original illustrator of Narnia, Pauline Baynes.
A king and some unexpected companions embark on a voyage that will take them beyond all known lands. As they sail farther and farther from charted waters, they discover that their quest is more than they imagined and that the world's end is only the beginning.
The Voyage of the Dawn Treader is the fifth book in C. S. Lewis's classic…
I was twelve years old when I first read Jane Eyre, the beginning of my love for gothic fiction. Murder mysteries are fine, but add a remote location, a decaying old house, some tormented characters, ancient family secrets, and I’m all in. Traditional Gothic, American Gothic (love this painting), Australian Gothic, Mexican Gothic (perfect title by the way), I love them all. The setting in gothic fiction is like a character in itself, and wherever I travel, I’m drawn to these locations, all food for my own writing.
It’s the voice that gets me with We Have Always Lived in the Castle.
Merricat Blackwood is such a strange, chilling young narrator. Mysterious and vaguely unsettling, I could never be sure whether to believe her version of events. Or not.
Plus, it has some of my favourite story ingredients: a family tragedy, a murder trial, an unwelcome visitor, and a little bit of magic.
Living in the Blackwood family home with only her sister, Constance, and her Uncle Julian for company, Merricat just wants to preserve their delicate way of life. But ever since Constance was acquitted of murdering the rest of the family, the world isn't leaving the Blackwoods alone. And when Cousin Charles arrives, armed with overtures of friendship and a desperate need to get into the safe, Merricat must do everything in her power to protect the remaining family.
