Books like The Voyage of the Dawn Treader — picked by fans

When curating a list of whimsical book recommendations, one must surely start with the epitome of whimsy herself, Miss Anne Shirley!

With her big words, vast scope for imagination, and appreciation for nature's marvels, Anne with an E is one of my favorite fictional bosom friends. A true kindred spirit, I could visit daily without tiring of her poetical musings.

I love how Anne matures as a character while still maintaining her sense of wonder, and I love how her wonder—her whimsical ability to see a simple lake as an enchanting Lake of Shining Waters—inspires me to romance my own life and search for the wondrous cloaked in the familiar.  

I would have thought to list another book here, and for sure, there are truly many books to be read that could easily be listed here, and despite that, this is listing Tolkien’s works for a third time; the truth simply stands in my library that his works are simply that great. 

So far be it that the renowned book of The Lord of the Rings be not included. I had been introduced to Tolkien and fantasy’s more serious nature by my dad and grandfather with readings of The Hobbit, and by it, I was already enamored with the world of Middle-earth, as Bilbo was my hero.

I loved the classic animated cartoon adaptations back then by Rankin and Bass, and Bakshi, which at the time was my main exposure to The Lord of the Rings, along with commentaries from my dad, until I finally read it at the time… show more.

This is perhaps the best-known and most obvious choice illustrating Nature’s healing powers. Mary, an orphaned girl, moves in with an estranged, reclusive uncle on his isolated English estate. Lonely and bereaved, Mary spends her days exploring both the house and extensive gardens, when one day she discovers a secret garden, locked away behind a wall.

This garden, tucked away and neglected for many years, is the key to Mary’s healing. Through quiet deliberation, she begins to bring the garden back to life and, in turn, finds new life in herself. The healing of the uncle is perhaps the most mystical scene in the book for me, brought about by a quiet moment beside a trickling stream, where he has an epiphany of heart healing. I find the book’s mixture of nature and mystery beguiling.

One boy alone in the wilderness—without any outside contact—is a crash course in “survival skills,” but this education also comes with a shift in philosophy that harkens back to paleo times when humans lived directly with the land.

When I read this book, I was coming of age in my relationship with the forest and was determined to learn about my ties to atavism and my potential as a defector from modern civilization. Though this book’s realities are stretched by the imagination, the soul of that human/wilderness relationship shines through.

Like the other authors on my list, Pratchett is outright funny, endlessly inventive, and he finds a way to weave a satisfying plot through all the absurdity.

This is a fantasy that takes place in a world that is a disc, not a globe. In this context, there’s a lot of room for satire and commentary on the foibles of mankind. Since the main character is a policeman of sorts, the book features crimes, villains, and mysteries. Part of a series, some of which I really enjoyed, others I didn’t.

The world in Chalice isn’t flat. Or spherical. Or any particular shape. This is a world of little bubble domains embedded in surrounding chaos and the story is all about protecting one of those domains. This book is like a dream. It’s slow and graceful and, well, dreamy. I like the bees. And the honey. I’m not especially fond of honey in the real world, but I love the honey in this story. Some stories are instant “comfort reads". Chalice is one of those. It’s like wrapping up in a fuzzy robe in front of a fire with a mug of hot chocolate. If you’re in the mood for a warm story, beautifully told, you could hardly do better.

The Pyramids of London has the most ornate, baroque alternative-history setting of any novel in the entire history of fantasy novels. Seriously. To start with, every kind of mythology is true in whatever region that mythology developed. Also, the pharaohs of Egypt have been vampires for thousands of years. Plus, when they die, vampires might become stars. Which are also gods. Plus France is ruled by the Fae. At night, when the Fae Court of the Moon arises in Paris, gravity suddenly drops dramatically.

Insert a murder mystery into this wildly ornate setting, plus fully realized characters you both believe in and root for, and off you go, on a fantastic journey through a world that is like nothing you’ve ever seen before.

This is a highly propulsive and emotionally engaging novel with a sympathetic protagonist at its core.

It could be considered a portal fantasy, but I'd categorize it, along with the other books on this list, as “speculative,” because it doesn’t fit neatly into either the fantasy or science fiction genres and is anchored in contemporary or near-future realism.

Piranesi’s beautifully executed theme, about how a dramatic change in perspective can lead to a deeper appreciation for the beauty and nobility abiding beneath the ugliness of humanity and our one and only world, is one for the ages.

This highly original and beautiful book is destined to endure as one of the classics of early twenty-first century literature.

Magic is real. To wield it requires sacrifice.

Its allegiance shifts and changes over time. To hold it, Houses of Magic put on an epic tournament at every Turning, where their best and brightest act as champions in battle. But what the champions don’t know, because their elders have never taught them, is that the magic itself draws from a dark source, and that source is crumbling.

Powerful magician Sydney has emerged from The House of Shadows to fight for a sponsor who wishes to establish his own house. But Sydney has first-hand experience with the darkness.

And she doesn’t want to help restore the establishment. She wants to burn it to the ground.

A fast-moving, gritty, wholly satisfying read. 

I loved this book from the first page. There’s something both eerie and comforting about a boy raised by ghosts in a graveyard. I was enamored by the atmosphere, soft fog, ancient tombstones, and strange creatures lurking just out of sight.

Gaiman has a gift for writing stories that feel like old folktales, but are still fresh and full of heart. I didn’t want it to end because I fell in love with the idea of this unconventional “family” protecting a boy as he grows up surrounded by the dead. It’s dark, magical, and unexpectedly warm.