61 books like The Poppy War

I have never read a book like Babel, that is so deeply entrenched in histories of colonialism, and also sheds so much light on the inequities of our world today.

We see how well-meaning people get sucked into power, and it causes each reader to reflect on how the decisions we make daily can put us on different trajectories.

Babel is such a forceful vision, with beautiful writing and inspiring imagination.

My favorite fantasy novels are those that take place in real and recognizable worlds because they allow me to imagine more clearly what it could be like if the marvelous, the magical, and the mythical were just as real as the kitchen sink and the laundry basket.

Susanna Clark’s iconic first novel, set against the turmoil of the Napoleonic Wars, is built upon a recognizable and very credibly created backdrop of social and economic unrest, bloody conflict, and international politics—at the heart of which is the quest of the eponymous Strange and Norrell to bring real magic back to the world. 

The two magicians are the only people able to make the magic work—and as they become more successful in their endeavors, they become the most famous men of their day—helping the Duke of Wellington to defeat Napoleon and setting the country on its heels with their… show more.

This book is so horribly, deliciously meta. 

This was a book I’d meant to read since it was released, but I never did. Then I was asked about the accuracy of Kuang’s depiction of the publishing industry and curiosity made me crack it open. Kuang crafts a slow-moving trainwreck that you can’t turn away from, even though, at times, you desperately wish to. It gave me hives and heart palpitations. Twice, I fell asleep listening to it and had nightmares.

It wasn’t just the industry descriptions that produced such a visceral reaction. Instead, it’s because Kuang nails that emotional author spot in the Venn Diagram between your writing as a piece of your soul and your writing as commerce. Also, she’s only 28. And I’m not bitter about that at all.  

This one is the lighter of the bunch. It felt like stepping into familiar territory: A classic fantasy trilogy with echoes of Sanderson, and maybe even a serving of Orson Scott Card(?).

The magic system is layered, but nowhere near as intricate as something Sanderson would write, and that’s okay. What stood out to me was how it handled memory and moral complexity without leaning into grimdark or soul-crushing despair.

It struck a good middle ground. Not too light. Not too bleak. Just a well-written, accessible epic that still has emotional weight without overwhelming you.

I read this book during the summer of 2021 when a lot of pandemic restrictions were still in place, and I wasn’t going anywhere. Reading Bacchanal made me feel like I was on a road trip, traveling across the dusty American southwest in the 1930s.

Veronica G. Henry’s debut features a traveling carnival making its way across middle America during the Great Depression. But the carnival isn’t all fun and games—behind the scenes, a hungry demon runs the show, and Liza might be in danger of becoming the creature’s next meal.

Bacchanal features a cast of interesting humans and demons, and the book really shines when it showcases real-life personages such as Stephanie St. Clair, a Black crime boss in 1920s Harlem. I love how danger lurks around every corner in this novel, with the traveling carnival offering up a mix of scares and delights.   

I loved a number of things about Pennyblade. For starters, the main character’s (Kyra’s) race, the Commrach, who are like elves, are ruthless libertines and hedonists. 

The Pennyblade world is a fascinating and grim place where same sex relationships are punishable by death and the action, which is visceral and very explicit, just keeps coming.

I really liked that this is a novel about prejudices, it appealed to me as someone from an ethnic minority group who grew up in London in the late 1970s / early 80s and experienced racism.

Fortunately, Pennyblade has plenty of humour which makes the grimdark nature of the book more palatable.

The first big draw of this novel is the characterisation.

The protagonists and antagonists are all wonderfully sketched, giving them depth and life, especially Tormalin the Oathless, of a vampire-like race, and Lady Vincenza de Grazon – eccentric old scholar and wine fiend. The book is full of humour and the plot is well drawn with perfect pacing. 

At the heart of the novel is a mystery – where are the Jurelia – the fearsome race that invaded millennia ago, and are they going to return? What will happen when they do?

Finally, Williams has created an intriguing world full of powerful oppressed witches alongside steam trains and the remnants of the previous Jurelia invasion.

I love science fiction which incorporates skilled protagonists against larger forces—the David/Goliath theme. Part of a space opera series about a political and military family from two different planets, there is political intrigue, battles, and an epic story.

Though technology and space play a role, the character development and portrayal are excellent: complex, realistic, and relatable. The protagonist, Miles, is brilliant but physically flawed. Much of the story is a well-written mystery as Miles, on an ambassadorial visit to a foreign planet, tries to uncover the culprit and purpose of a murder and the politics behind it. At the same time, he must try not to get caught by his hosts or punished by his own government, since he is only there as a representative. Highly recommended!

The Viper stalks at night. Esha the rebel’s highly trained assassin tasked with the murder of General Hotha and the undermining of King Vardaan’s rule. Kunal is an equally impressive soldier, the nephew of Hotha, and on the hunt for the Viper. When their paths cross, sparks fly, and loyalties are tested. 

Y.A. is ahead of general fantasy for representation, both of BIPOC and LGBTQA*. The Tiger at Midnight is heavily inspired by Hindu mythology and Indian cultures, bringing an incredible setting to an excellent Y.A. story. And the cover is absolutely stunning.

Sometimes, you just want to retire and have a nice, quiet cup of tea. And world-ending magical plots keep getting in the way. Adoulla Mahmoud, once the best Ghul hunter alive, is just trying to retire. Unfortunately, the world has other plans for him. Alongside the pious warrior Raseed bas Raseed, and the shapeshifting Zamia Badawi, Adoulla faces the greatest threat yet. One that could destroy not just his favorite teahouse, but the world. 

While there is some good-natured humor within this book, Saladin Ahmed establishes right away with a torture-scene prologue that Throne of the Crescent Moon will be dark and gory. I love the magic system and the Arabia-inspired world. The only downside to this book is that Ahmed doesn’t seem to be working on the sequel.