Will I love Yellowface?

I loved RF Kuang's Babel last year, and I loved this complete change of pace this year! Kuang addresses issues of cultural appropriation, race, representation, authorship, and scandal. She also manages to make the book compelling in spite of it's rather loathsome main character and subvert some fictional tropes that readers might expect.

This is the book that introduced me to Kuang's writing. It is sinister, funny, dark, sharp, and sad. It unflinchingly explores issues of diversity and privilege within a great story.

I admire Kuang's complex characters and her ability to make us see things from another person's perspective. Whether we like them or agree with them is another matter and that's interesting in itself.

Highly compelling voice and confident narrative style, both of which made this contemporary novel a compulsive read. As an author part of the traditional publishing industry, I also found this semi-exposé very relatable.

I was able to understand the New York publishing business by being carried along in the process by the main and other characters, who were pretty relatable.

R.F. Kuang's Yellowface is the old standby, a book about books, a writer writing about writing. I'm mainly a playwright, and there are more plays than I can count about playwriting. It's interesting to see this placed in the context of the cutthroat and (like theatre) increasingly identity-politics driven world of publishing. The main character June, who is white (and a struggling writer) struggles with her friendship with her incredibly successful writer friend Athena (who is Chinese), but in a sudden moment of crisis doesn't act to prevent Athena's death. Then she notices Athena's new unpublished novel on the desk...… show more.

Whoa Girl! Two Snaps Up!!!

Loud burst of laughter in a stew of snide snickers, mixed with a healthy dash of schadenfreude makes for deep waters to swim in for anyone who has written ( or intends to write) a book.

Plenty of opportunity for self and social reflection between the laughs and keeping up with the inevitable.

As an author myself, it was interesting to see the inside workings of the publicity surrounding a book release.

What a send-up of the publishing world and cancellation culture. I loved it.

This book is so horribly, deliciously meta. 

This was a book I’d meant to read since it was released, but I never did. Then I was asked about the accuracy of Kuang’s depiction of the publishing industry and curiosity made me crack it open. Kuang crafts a slow-moving trainwreck that you can’t turn away from, even though, at times, you desperately wish to. It gave me hives and heart palpitations. Twice, I fell asleep listening to it and had nightmares.

It wasn’t just the industry descriptions that produced such a visceral reaction. Instead, it’s because Kuang nails that emotional author… show more.

It's easy to begin this novel and finish it in one sitting. A page-turner in every sense of the word with a message that will resonate with writers from marginalised backgrounds.

One white author steals the work of her dead Asian friend and passes it off as hers. This book is shocking, twisty, unputdownable.