80 Books Like Throne of the Crescent Moon

This might be cheating a little, as the ‘dragon’ in this book is actually a giant robot-like mecha that is piloted by human soldiers, but I couldn’t leave this list without a mention of Iron Widow.

This is a fierce feminist fantasy re-imagining of China’s only female sovereign, Wu Zetian, and it absolutely pulls no punches. A furiously paced story of vengeance and redemption, this book was a thrill from start to finish.

I picked this up expecting a revenge fantasy story based on what I’d heard, but what I got was something far more brutal.

Much like my #3 pick, this story doesn’t flinch. It dissects power, identity, and the cost of survival with narrative precision. Watching Rin’s descent was nearly voyeuristic; it felt wrong, but you couldn’t help but watch.

This book is an excellent example of fantasy that doesn’t need to pull its punches. It can confront uncomfortable topics head-on and still leaves room for humanity and consequences.

There’s not enough Muslim historical fantasy in the world, and this one is so lavish and full of aching romance—my favorite kind! It takes us from 18th-century Cairo, where con-girl Nahri accidentally summons centuries-old deava warrior Dara, to the fabled City of Brass, its walls covered in enchanted statues, home to rival clans of djinn.   

I love how the tribes of Deavabad reflect different parts of the Islamic world and its pre-Islamic culture. For example, the main djinn faith reflects Islam, whereas the deava faith with its fire temple reflects the Zoroastrianism of ancient Persia. It’s a complex, believable world in which I can immerse myself, full of revelations, betrayals, tugs of loyalty, and dilemmas of love.

The Viper stalks at night. Esha the rebel’s highly trained assassin tasked with the murder of General Hotha and the undermining of King Vardaan’s rule. Kunal is an equally impressive soldier, the nephew of Hotha, and on the hunt for the Viper. When their paths cross, sparks fly, and loyalties are tested. 

Y.A. is ahead of general fantasy for representation, both of BIPOC and LGBTQA*. The Tiger at Midnight is heavily inspired by Hindu mythology and Indian cultures, bringing an incredible setting to an excellent Y.A. story. And the cover is absolutely stunning.

Karen Foxlee is—hands down—one of my favorite writers ever. She writes so beautifully and compassionately about what it feels like to be lost or sad or afraid, and Ophelia and the Marvelous Boy is no exception. This retelling of The Snow Queen takes place in a snowbound museum filled with arcane objects. The main character, Ophelia, is grieving the loss of her mother. And even though she doesn’t consider herself very brave, she volunteers for a quest that will change the world—and begin to heal her heart. I love this book for its gentleness, its beauty, its snowy cosiness, and its powerful portrayal of a girl moving within—and through—grief. 

This book was an emotional rollercoaster ride filled with everything I love about epic fantasy, but without the stereotypical cookie-cutter women. Set in an alternate ancient middle east, where sultans rule and magic is elemental, Naime is the only child of the declining sultan. She’s smart, self-controlled, a powerful air mage, and dedicated to the prosperity of her kingdom. Unfortunately, the king’s council is mired in tradition and opposed to a woman on the throne. With the threat of invasion from a technologically superior anti-magic nation, Naime must navigate the web of political intrigue to broker an alliance with the neighboring warrior realm. Enter Makram, brother to their king and one of the powerful (and feared) death mages. As obstacles are thrown in Naime’s way, success is not guaranteed. There were moments I had to pause to breathe, the tension was so high. I loved every minute.

This book is just fun, but it’s also a weird kind of fun. Short and to the point, it follows two monstrous men as they wreak deadly havoc on a dark little town. It leans heavily on the media’s history of queer-coding villains in stories and allows the characters to be unapologetically evil. Readers who enjoy this book will find themselves thinking the pair are strangely cute together, all the while trying to remember that they’re very dangerous. It’s great as an audiobook and makes the perfect palate cleaners between longer books. 

Terry Pratchett’s Discworld hooked me from the very first pages—cliché as that may sound, it’s true. Virtually the entire book (as well as others from the Discworld) I read with a smile on my face.

Pratchett’s unique humor, his satirical take on human nature, the imaginative world of Discworld, and his reflections on reality come together in a brilliant mix that made me read… and read… and read.

I loved this 2019 mainly theoretical study because of the ambition it reflected and the major advances it provided. Lawson’s distinctions between revolutionary situations, revolutionary trajectories, and revolutionary outcomes provide an innovative framework for understanding revolutions.

Its analytical methodology, combined with some case studies, constitutes an immensely rich and engaging study of revolution, which helped to clarify much of my own thinking on this subject. This combination of theory and case studies made this a joy to read.

I found this comparative study of England, France and Russia an elegant and theoretically sophisticated analysis of three of what are considered to be the “great revolutions”.

It is a 2014 reworking of the 1938 classic by Crane Brinton and, like its predecessor, its great strength is in its comparative historical analysis. I loved the depth of historical analysis of each of the case studies, with sufficient detail to enable me at times to reach different conclusions from the author.

It was also able to go beyond Brinton’s original, in terms both of its historical detail and theoretical sweep. Its ambition, grounded in the case studies, was exhilarating.