Here are 92 books that The Locked Tomb Series fans have personally recommended once you finish the The Locked Tomb Series series.
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I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
From the first page, this story felt intimate and infinite all at once.
It’s written like a love letter and a battlefield, all at once. What I loved most was how it turned connection into an act of defiance, how two people trapped by duty and ideology choose to reach across time anyway.
Every line feels deliberate, like poetry disguised as science fiction. I was completely undone by how much humanity could fit into such a small space.
It reminded me that love, friendship, and understanding don’t need to make sense to be real; they just need to be chosen, again and again.
WINNER OF The Hugo and Nebula Awards for Best Novella, the Reddit Stabby Award for Best Novella AND The British Science Fiction Association Award for Best Novella
SHORTLISTED FOR 2020 Theodore Sturgeon Memorial Award The Ray Bradbury Prize Kitschies Red Tentacle Award Kitschies Inky Tentacle Brave New Words Award
'A fireworks display from two very talented storytellers' Madeline Miller, author of Circe
Co-written by two award-winning writers, This Is How You Lose the Time War is an epic love story spanning time and space.
Among the ashes of a dying world, an agent of the Commandant finds a letter. It…
I’ve been obsessed with sci-fi romance since I was a kid watching the Klingon wedding of Worf and Jadzia Dax in Star Trek: Deep Space Nine. I love the idea of mashing these two distinct genres together. While sci-fi and romance both explore the human condition, sci-fi goes wide while romance is intimate. I think this makes the crossover of these two genres work especially well. My foremost inspiration for sci-fi romance is Lois McMaster Bujold, who offers a masterclass in how to deftly weave compelling romance into a sci-fi setting without sacrificing any action or political intrigue.
This book feels like a warm hug. Disreputable playboy Prince Kiem must marry his cousin’s windower, Jainan, to keep the interplanetary peace. I loved watching Kiem and Jainan’s relationship unfold and was SO HAPPY when they finally admitted their feelings to one another. And I loved seeing a variation of my favorite trope—there was only one tent—that played an important role in getting them together.
Maxwell doesn’t shy away from dealing with heavy topics like domestic violence and imperialism, while keeping the tone fun. From the podcast My Word as Vorkosigan, I learned that Everina Maxwell is a fellow Lois McMaster Bujold superfan, and I wasn’t surprised! Like Bujold, Maxwell uses a sci-fi setting to explore grounded relationships with snappy dialogue and exciting action.
'A chilling account of a dark past wrapped in the warm blanket of a promising future . . . A pleasure to read' Ann Leckie
'Sparks fly' NPR
'A stunning new space opera debut' K. B. Wagers
The Iskat Empire rules its vassal planets through a system of treaties - so when Prince Taam, key figure in a political alliance, is killed, a replacement must be found. His widower, Jainan, is rushed into an arranged marriage with the disreputable aristocrat Kiem, in a bid to keep rising hostilities between two worlds under control. But Prince Taam's death may not have…
I am a queer writer whose early love of science fiction and fantasy gave me an outlet for my creativity and new ways of seeing myself in the world. It was A Wrinkle in Time by Madeleine L’Engle and Timeline by Michael Crichton that first introduced me to time and space travel in fiction, but it was the new Doctor Who and shows like Twelve Monkeys that made me realize how mad and wonderful stories about time and space travel could be. And once I came to terms with my own queer identities, I saw an obvious space for my own contribution to the time travel canon.
The Space Between Worlds is less time travel than it is parallel dimensional travel but I think it’s worth fibbing for.
Cara is a traverser – someone who can travel between different versions of her world. She retrieves data about those worlds – what went wrong and what went right – and brings it back to her own for study. She can do this because the Caras in these worlds are all dead. Except when one isn’t, royally mucking up her job.
This book is gritty and queer (though I’m not going to promise an ending wrapped up in a bow) and the method of travel the author created makes for a unique and thought-provoking read.
The Sunday Times bestseller. Winner of the Kitschies Golden Tentacle award.
A stunning science fiction debut, The Space Between Worlds is both a cross-dimensional adventure and a powerful examination of identity, privilege, and belonging.
'My mother used to say I was born reaching, which is true. She also used to say it would get me killed, which it hasn't. Not yet, anyway.'
Born in the dirt of the wasteland, Cara has fought her entire life just to survive. Now she has done the impossible, and landed herself a comfortable life on the lower levels of the wealthy and walled-off Wiley…
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
When I finished this book, I was a little heartbroken because I didn’t want to leave that crew.
I love how Chambers builds a world that doesn’t put heroes on a pedestal—a world full of ordinary, flawed people trying to understand one another while doing extraordinary work in an uncaring universe.
It taught me about quiet courage, the kind that doesn’t need destiny to feel meaningful. It made me believe again that kindness and curiosity can be forms of rebellion.
I come back to the Wayfarer whenever I need reminding that connection, not perfection, is what makes us human.
SHORTLISTED FOR THE BAILEY'S WOMEN'S PRIZE FOR FICTION
'A quietly profound, humane tour de force' Guardian
The beloved debut novel that will restore your faith in humanity
#SmallAngryPlanet
When Rosemary Harper joins the crew of the Wayfarer, she isn't expecting much. The ship, which has seen better days, offers her everything she could possibly want: a small, quiet spot to call home for a while, adventure in far-off corners of the galaxy, and distance from her troubled past.
But Rosemary gets more than she bargained for with the Wayfarer. The crew is a mishmash of species and personalities, from Sissix,…
I’ve always loved a good crime drama/suspense thriller novel–the way they keep you glued to the pages, and you think you’ll just sit down for a quick couple of chapters before dinner, and the next thing you realize, it's 12am, and you’re on the last chapter. The depth of the character studies that you get with this genre is the other reason I enjoy it so much, there’s nothing worse than having main characters that are one dimensional and unreachable as a reader. I have always tried to create this kind of character depth and gripping narrative in my own books.
What I enjoyed most about this book was the story and plot that the author wove together.
This story takes thrilling, unexpected twists that kept me engaged with the characters and the plot. Its intensity is matched by its excellent pacing, delivering surprises at every turn.
Just when I thought I'd figured out where it's headed, it veers in another direction.
'An epic drama reminiscent of the best classic Hong Kong gangster films but set in a fantasy metropolis so gritty and well-imagined that you'll forget you're reading a book' KEN LIU
'Gripping!' ANN LECKIE, author of Ancillary Justice and The Raven Tower
'Lee's astute worldbuilding raises the stakes for her vivid and tautly-described action scenes' SCOTT LYNCH, author of The Lies of Locke Lamora
*****Shortlisted for the Nebula Awards, the Locus Awards, the Aurora Awards, the Sunburst Awards and an Amazon.com Best Book of the Month*****
My dad and Uncle (who was not my uncle!) were both WWII veterans; I was fortunate to receive an artist’s grant to gather stories from WWII veterans in Minnesota and told several at concerts honoring the anniversary of D-Day. My counseling background unexpectedly came into play as their stories left me understanding their heroism, sacrifice, shell shock, and grief. These vets grew up never leaving a circle about a hundred miles across and were suddenly thrown into a foreign country and war. I was compelled to research and write about the 1930’s, life on the farm, young romance, and trying to heal PTSD after the war.
Every now and then, I discover a book that has imagined a world and/or a character that takes me by surprise, and I can’t stop reading about them. Again, it’s all about character! In this book, I met a human cyborg enslaved by a computer program and built as a security unit rented out to corporate groups exploring planets for profit.
This sentient cyborg frees itself from enslavement, hilariously staves off the boredom of security work by watching its favorite media series, and as it watches characters in these shows, begins to learn about human behavior. I enjoyed the awkward, touching way it developed friendships and emotional connections. The character, which calls itself Murderbot, presents as if it’s on the spectrum.
Its first-person narration is snarky, occasionally hilarious, and endearing as it slowly learns what it means to have friendships. And oh, it finds all this wildly inconvenient, hates eye…
All Systems Red by Martha Wells begins The Murderbot Diaries, a new science fiction action and adventure series that tackles questions of the ethics of sentient robotics. It appeals to fans of Westworld, Ex Machina, Ann Leckie's Imperial Raadch series, or lain M. Banks' Culture novels. The main character is a deadly security droid that has bucked its restrictive programming and is balanced between contemplative self discovery and an idle instinct to kill all humans. In a corporate dominated s pa cef a ring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by…
I’ve been obsessed with sci-fi romance since I was a kid watching the Klingon wedding of Worf and Jadzia Dax in Star Trek: Deep Space Nine. I love the idea of mashing these two distinct genres together. While sci-fi and romance both explore the human condition, sci-fi goes wide while romance is intimate. I think this makes the crossover of these two genres work especially well. My foremost inspiration for sci-fi romance is Lois McMaster Bujold, who offers a masterclass in how to deftly weave compelling romance into a sci-fi setting without sacrificing any action or political intrigue.
I loved the fun enemies-to-lovers-back-to-enemies romance between “memory merchant” Liv and rookie foreman Adrian, set against a disturbingly realistic dystopia. In the world of the Metro, people have traded security for real experiences.
They’ve never tasted real food, spent time in nature, or seen the stars. Instead, they are constantly grinding to keep up their productivity scores. I was drawn to the critique of the gig economy and the use of technology to maximize efficiency over humanity. Dystopian sci-fi is back, baby!
A PUBLISHERS WEEKLY AND KIRKUS REVIEWS BEST BOOK OF THE YEAR • “[A] high-stakes story packed with slow-burn pining and plentiful tension.”—Publishers Weekly, starred review
A cunning teen memory merchant falls for the handsome rookie officer on her tail in this swoony dystopian romance that's “one to watch” (Amie Kaufman, New York Times bestselling author of The Isles of the Gods)
In 2364, eighteen-year-old Liv Newman dreams of a future beyond her lower-class life in the Metro. As a Proxy, she uses the neurochip in her brain to sell memories to wealthy clients. Maybe a few illegally, but money equals…
I’ve been drawn to LGBT+ characters and themes long before I knew that was a thing that a person could be—and longer still before I realized that it was something that might apply to me. Science fiction and fantasy helped me to explore identities and ways of existing within the world that were fundamentally different from my own and that instilled a love of the genre that I’ll always treasure.
I’m a sucker for so many things in this book—strong socio-political worldbuilding, a royal family with actual duties that they carry out onscreen, a gay bodyguard romance, an enemies-to-lovers plot arc, a character being an absolute badass thanks to coping strategies they developed to deal with a debilitating mental illness.
I was particularly impressed with the way the political intrigue and the romance were balanced with and woven into one another.
A sweeping fantasy romance inspired by the Ottoman Empire, A Taste of Gold and Iron by Alexandra Rowland is perfect for fans of A Marvellous Light and The Goblin Emperor.
'A delicious tangle of romance, fealty and dangerous politics' - Tasha Suri, author of The Jasmine Throne
One false coin could topple an empire.
Kadou, the shy prince of Arasht, has no intention of wrestling for imperial control with his sister, the queen. Yet he remains at odds with one of the most powerful ambassadors at court - the father of the queen's new child. Then a hunting party goes…
I’ve been obsessed with sci-fi romance since I was a kid watching the Klingon wedding of Worf and Jadzia Dax in Star Trek: Deep Space Nine. I love the idea of mashing these two distinct genres together. While sci-fi and romance both explore the human condition, sci-fi goes wide while romance is intimate. I think this makes the crossover of these two genres work especially well. My foremost inspiration for sci-fi romance is Lois McMaster Bujold, who offers a masterclass in how to deftly weave compelling romance into a sci-fi setting without sacrificing any action or political intrigue.
I adored this book. I fell in love with the male main character, Commander Graham Gore, a Victorian explorer brought into a near-future London via a time travel machine. The author deftly handles how Graham might experience the modern world. His relationship with the narrator is complex and fascinating, and gets very sexy!
Bradley explores themes of colonialism, climate change, and identity within a thrilling time travel plot and swoony romance. I think her style of sci-fi romance—exploring big ideas within interesting, exciting stories with characters you root for—could be the next big thing in publishing. I can’t wait to see what she writes next.
A time travel romance, a spy thriller, a workplace comedy, and an ingenious exploration of the nature of power and the potential for love to change it all: Welcome to The Ministry of Time, the exhilarating debut novel by Kaliane Bradley.
In the near future, a civil servant is offered the salary of her dreams and is, shortly afterward, told what project she’ll be working on. A recently established government ministry is gathering “expats” from across history to establish whether time travel is feasible—for the body, but also for the fabric of space-time.
I have always been eager to read weird, speculative, sapphic stories, but they were difficult to find throughout my early life. As a teenager, I started to write them, creating what I hoped to see in the world, and I haven’t stopped since. I’m thrilled to see that this niche is becoming more common and celebrated, particularly in the more experimental short fiction space. As an adult, I’ve had many weird, speculative, sapphic short stories and novelettes published, including one that won the Best of the Net award and two that were shortlisted for Brave New Weird: The Best New Weird Horror.
This is an ambitious story about a sexually-transmitted otherworldly city, and Valente expertly delivers on that concept.
When this book was first published in 2009, it was rare and controversial to have bisexual main characters and multiple sapphic trysts in a speculative novel. It was, therefore, one of the first weird, sapphic books I ever read, and I was absolutely delighted to discover it.
While thoroughly weird in content, the prose is poetic and lush, and the overall strange, beautiful tone of this novel has stayed with me throughout most of my adult life.
In the Cities of Coin and Spice and In the Night Garden introduced readers to the unique and intoxicating imagination of Catherynne M. Valente. Now she weaves a lyrically erotic spell of a place where the grotesque and the beautiful reside and the passport to our most secret fantasies begins with a stranger’s kiss.…
Between life and death, dreaming and waking, at the train stop beyond the end of the world is the city of Palimpsest. To get there is a miracle, a mystery, a gift, and a curse—a voyage permitted only to those who’ve always believed there’s another world…
