Books like The Ministry of Time

In a near-future world where one can purchase emotionally intelligent androids or “artificial friends” (AFs) to keep children company, we take the AF’s perspective. Klara, who begins as a display item in a department store, is adopted by Josie, a girl with what seems to be a fatal illness, and dedicates herself to trying to save Josie’s life.

Like all AF's, Klara has been programmed to observe and learn, and she seems to have exceptional abilities in this regard. She also possesses an especially kind disposition, keen emotional intelligence, and a number of other qualities that make her feel more human than most of the actual humans in the story.

For me, Klara is one of the great characters in recent literature, and her unique perspective is one of the things that make this immersive speculative novel such a pleasure to read. 

This book is unhinged in the best way. I love Gideon’s unique voice. Around her is a deadly-serious necromancer murder mystery with interplanetary stakes, and she cares more about cracking dirty jokes and finally eating some warm food. Her relationship with her arch-nemesis/only friend Harrow leaps off the page.

I love the scene where they get into a pool so Harrow can finally confess to Gideon her darkest secret—so hot and so disturbing all at the same time. While this book isn’t technically a romance and the genre feels more like a horror fantasy set in space, I couldn’t resist putting it on the list. As Gideon says to Harrow, “One flesh, one end, bitch.”

This is a highly propulsive and emotionally engaging novel with a sympathetic protagonist at its core.

It could be considered a portal fantasy, but I'd categorize it, along with the other books on this list, as “speculative,” because it doesn’t fit neatly into either the fantasy or science fiction genres and is anchored in contemporary or near-future realism.

Piranesi’s beautifully executed theme, about how a dramatic change in perspective can lead to a deeper appreciation for the beauty and nobility abiding beneath the ugliness of humanity and our one and only world, is one for the ages.

This highly original and beautiful book is destined to endure as one of the classics of early twenty-first century literature.

This book inspired my love of sci-fi romance. I adore the characters and the deceptively simple premise. Cordelia Naismith is a badass survey captain stranded on a wild planet with only her enemy, Aral Vorkosigan, known as The Butcher of Komarr, for company.

As they trek through the wilderness, Cordelia gets to know Aral and realizes her assumptions about him are all wrong. Originally published in 1986, this book launches the Vorkosigan Saga—my favorite sci-fi series. What I love about this book is how Bujold takes the time to let Cordelia and Aral get to know each other as people and bond on a deep emotional and intellectual level. They may be on opposite sides of a war, but they recognize the humanity in each other.

This book feels like a warm hug. Disreputable playboy Prince Kiem must marry his cousin’s windower, Jainan, to keep the interplanetary peace. I loved watching Kiem and Jainan’s relationship unfold and was SO HAPPY when they finally admitted their feelings to one another. And I loved seeing a variation of my favorite trope—there was only one tent—that played an important role in getting them together.

Maxwell doesn’t shy away from dealing with heavy topics like domestic violence and imperialism, while keeping the tone fun. From the podcast My Word as Vorkosigan, I learned that Everina Maxwell is a fellow Lois McMaster Bujold superfan, and I wasn’t surprised! Like Bujold, Maxwell uses a sci-fi setting to explore grounded relationships with snappy dialogue and exciting action. 

I loved the fun enemies-to-lovers-back-to-enemies romance between “memory merchant” Liv and rookie foreman Adrian, set against a disturbingly realistic dystopia. In the world of the Metro, people have traded security for real experiences.

They’ve never tasted real food, spent time in nature, or seen the stars. Instead, they are constantly grinding to keep up their productivity scores. I was drawn to the critique of the gig economy and the use of technology to maximize efficiency over humanity. Dystopian sci-fi is back, baby!

McEwan is one of my favorite writers, and as I was reading this, I was trying to figure out why I love his work so much.

There's just something so immersive about it: the way he uses language, the vividness of his characters, the descriptive and emotional accuracy and density of his moment-by-moment storytelling.

What We Can Know is a love story interwoven with a tense, high-stakes "thrillerish" plot powered by a heart-pounding narrative drive and sense of cold inevitability similar to those found in the author's other great novels, like Amsterdam and Atonement.

What sets this book apart from the others is its speculative, futuristic angle. To say more would be to spoil the fun, so I'll leave it there. Read this book, you won't regret it!

This novel blends genres in a masterful way.

It’s magical realism, romance, fantasy, horror, and action-adventure. And none of the genres is given short shrift. Again, a magical society threatens the world as we know it, as well as the main character. The main character, a flawed human being, learns her own worth, rises above her limitations, and finds the courage to act. And to love. 

I found this novel to be rich in ideas, a wonderful insight into the early days of WWII in London, full of delightfully quirky characters, truly scary in a real-stakes way (not the cheap-scare thriller way), and truly moving.

Caveat to the reader: it ends on a cliffhanger. If you can’t bear waiting, don’t start this novel until the next one is published. 

I came across this book via the film Somewhere in Time, starring Christopher Reeve and Jane Seymour. Then I discovered that this heart-achingly romantic story of love across the ages was based on a book by science fiction writer Matheson, who also wrote I Am Legend. As with Kindred, the main character goes back in time from the 1970s.

What I especially loved was the mechanism for the time travel–immersing yourself in everything about the time you wanted to go back to, including clothes, money, and even the furnishings and decoration of the room in which you’re in, and then imagining yourself there. I spent many hours as a teenager trying to enact the same method to go back in time. Sadly, I wasn’t successful.

Sometimes I want to be emotionally destroyed and when I do, this is the series I return to. Kenyon has a way of developing her fantasy world and those who inhabit it so fully that reading this series feels less like an escape and more like an immersion. This series is a different take on the vampire genre, bringing in Greek mythology to expand the lore of Kenyon’s world. The heroines are strong, the heroes are perfectly flawed, and this is the series I turn to when I want to feel every emotion on the spectrum.