Here are 100 books that A Taste of Gold and Iron fans have personally recommended if you like
A Taste of Gold and Iron.
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I’ve been obsessed with sci-fi romance since I was a kid watching the Klingon wedding of Worf and Jadzia Dax in Star Trek: Deep Space Nine. I love the idea of mashing these two distinct genres together. While sci-fi and romance both explore the human condition, sci-fi goes wide while romance is intimate. I think this makes the crossover of these two genres work especially well. My foremost inspiration for sci-fi romance is Lois McMaster Bujold, who offers a masterclass in how to deftly weave compelling romance into a sci-fi setting without sacrificing any action or political intrigue.
This book is unhinged in the best way. I love Gideon’s unique voice. Around her is a deadly-serious necromancer murder mystery with interplanetary stakes, and she cares more about cracking dirty jokes and finally eating some warm food. Her relationship with her arch-nemesis/only friend Harrow leaps off the page.
I love the scene where they get into a pool so Harrow can finally confess to Gideon her darkest secret—so hot and so disturbing all at the same time. While this book isn’t technically a romance and the genre feels more like a horror fantasy set in space, I couldn’t resist putting it on the list. As Gideon says to Harrow, “One flesh, one end, bitch.”
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
A heartfelt romantic fantasy set in a whimsical traveling theatre troupe—where the newest member is fleeing home, and the lead actor is hiding a dangerous fae curse.
Vai Delvecchio, escaping a family scandal, joins the eccentric Quicksand Theatre Company, where magic fuels both stage tricks and real-world consequences. As they…
I grew up when the space race was starting, and I became fascinated by all things regarding the planets, rockets, and the cosmos. For several years, I lived in the Houston area and spent hours and hours at the Johnson Space Center, where the history and future of space exploration are on display. The books on my list represent a major theme in my writing, which is futuristic in concept and asks the question: what we would do if our planet became uninhabitable. The answer provides the canvas to explore the advantages of technology, but most importantly, the determination of the human spirit.
I love books that are clever, imaginative, and portray a particular person or character as the main theme. This book does it for me.
The character is a murderer robot, but I came to like him and his weird but insightful perspective. I could see his world through his eyes. I felt sorry for him by the end of the book and was rooting for him. That was great.
I always like a bit of technology thrown in, but not have it be the main story or too complicated that it gets in the way of the characters. The writing was especially good, and I found myself turning page after page, engrossed in the story.
All Systems Red by Martha Wells begins The Murderbot Diaries, a new science fiction action and adventure series that tackles questions of the ethics of sentient robotics. It appeals to fans of Westworld, Ex Machina, Ann Leckie's Imperial Raadch series, or lain M. Banks' Culture novels. The main character is a deadly security droid that has bucked its restrictive programming and is balanced between contemplative self discovery and an idle instinct to kill all humans. In a corporate dominated s pa cef a ring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by…
I’ve been drawn to LGBT+ characters and themes long before I knew that was a thing that a person could be—and longer still before I realized that it was something that might apply to me. Science fiction and fantasy helped me to explore identities and ways of existing within the world that were fundamentally different from my own and that instilled a love of the genre that I’ll always treasure.
Confession time: I tend to be picky about mermaid stories because life under the sea is such a dramatic difference from our reality that it’s often hard to really reflect that difference. In this book, you never forget that these people aren’t human, and you never lose their connection to the sea. It’s everywhere, from the way they think about distances to their relationships with the other creatures around them to the way Yetu’s disabilities are handled.
In the same way, the trauma that created their people was always lingering at the forefront of my mind as I read, even when it wasn’t the subject at hand. This is another one where my experience was elevated even further by the audiobook, as narrated by Daveed Diggs.
WINNER OF THE LAMBDA LITERARY LGBTQ SCIENCE FICTION/FANTASY/HORROR AWARD
The water-breathing descendants of African slave women tossed overboard have built their own underwater society-and must reclaim the memories of their past to shape their future in this brilliantly imaginative novella inspired by the Hugo Award-nominated song "The Deep" from Daveed Diggs's rap group clipping.
Yetu holds the memories for her people-water-dwelling descendants of pregnant African slave women thrown overboard by slave owners-who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one-the historian. This demanding role has been bestowed on…
Awakening the handsome prince is supposed to end the fairy tale, not begin it. But the Highvalley witches have rarely done things the way they're supposed to. On the north Pacific island of Eidolonia, hidden from the world by enchantments, Prince Larkin has lain in a magical sleep since 1799…
When I was in high school, someone handed me a copy of The Hitchhiker’s Guide to the Galaxy. I haven’t been the same since. I couldn’t believe what I was reading. It was packed to the gills with action, adventure, wild ideas, and, above all, humor. Every sentence made me giggle. Every observation made my jaw drop. Plus, loving this book made me feel like I belonged to a weird little club. When I started to write The Dragon Squisher, my first thought was to do “a Douglas Adams thing” but for fantasy. Then I thought: Maybe I should see if someone’s done this already.
This was my introduction to Discworld, and I couldn’t have asked for a better entry point. Although it features a cameo from series-favorite Commander Vimes, this is an excellent standalone story. It’s Pratchett, so the writing, humor, observations, and world-building are god-tier.
But I love the humanity and the compassion and the quiet, seething anger that underlies this tale of a nation gone berserk. Humorous fantasy simply doesn’t get better than this.
A new stage adaptation of one of Pratchett's best-selling novels The Monstrous Regiment in question is made up of a vampire (reformed and off the blood, thank you), a troll, Igor (who is only too happy to sew you a new leg if you aren't too particular about previous ownership), a collection of misfits and a young woman discovers that a pair of socks shoved down her pants is a good way to open up doors in a man's army."One of the funniest English authors alive" (Independent)
I am a Scottish Ottoman historian who has lived half my life in Istanbul. Realising that the archive-based research of my PhD and after was read by too few, I wrote Osman's Dream, which has been translated into several languages and is read generally, as well as by students. I am fascinated by the 'where' of history, and follow historical routes the slow way, by foot or on horseback, to reach the sites where events occurred. That's the thing about living where the history you study happened: its traces and artefacts are all around, every day. I hope I have brought a sense of Ottoman place to Osman's Dream.
Evliya Çelebi's Book of Travels has remained a well-kept secret—until now. Evliya was a seventeenth-century Ottoman courtier who wandered the empire and beyond for over 40 years and recorded his adventures in what is considered to be the longest travel account in world literature. This well-chosen selection of excerpts from his entertaining and informative masterpiece brings glimpses of the many climes and cultures he explored to an English-speaking readership, while luring us irresistibly into his idiosyncratic world.
'Evliya Celebi was the widest-eyed, most intensely curious ... and prolific travel writer the Ottoman world ever produced. A learned and perceptive gentleman-observer from courtly Istanbul at the height of its power, Evilya's work records and preserves an entire world otherwise lost to history. A proper edition of his massive work has long been overdue, and Robert Dankoff magnificently translates the highlights ... a book which is likely to change for ever our perceptions of the Ottoman Empire.' - William Dalrymple
I am a Scottish Ottoman historian who has lived half my life in Istanbul. Realising that the archive-based research of my PhD and after was read by too few, I wrote Osman's Dream, which has been translated into several languages and is read generally, as well as by students. I am fascinated by the 'where' of history, and follow historical routes the slow way, by foot or on horseback, to reach the sites where events occurred. That's the thing about living where the history you study happened: its traces and artefacts are all around, every day. I hope I have brought a sense of Ottoman place to Osman's Dream.
This lavishly-illustrated volume takes a broad look at Ottoman culinary culture, holding up a mirror to the empire as reflected in the food and foodways of its people, from sultans to commoners. It offers a sweeping panorama of the evolution of culinary traditions that drew on the practices of the many societies inhabiting the Ottoman lands. The author lives in and travels widely in Turkey, encountering dishes that have ancient roots and finding food-related customs that survive until the present day. This is no book of recipes, but a compendium of richer food for thought.
The Ottoman Empire was one of the largest and longest-lasting empires in history. In this powerful and complex empire, the production and consumption of food reflected the lives of people from sultans to soldiers. Food bound people of different classes and background together, defining identity and serving symbolic functions in the social, religious, political and military spheres. Bountiful Empire: A History of Ottoman Cuisine examines the foodways of the Ottoman Empire as they changed and evolved over more than five centuries. The book starts with an overview of the earlier culinary traditions in which Ottoman cuisine was rooted, such as…
A human child raised by the fae is an uncommon thing. But Rafi was such a child.
Now grown, half-fae but mortal, he lingers on the edge of human society in Miryoku, a nearby town sharing a border with fae territory. He doesn’t want to join the human world properly;…
Having lived in North America, Europe, and the Middle East, and visited many, many more countries, I am a traveler first and foremost. I travel because I like getting to know different types of people and seeing how they live and how they think about the world and about their place in it. As a historian, I can travel back in time to places even more exotic than one can visit today. My favorite place is the Mediterranean world in the Middle Ages – an exciting environment where Christians, Muslims, and Jews from Africa, Europe, and Asia, came together sometimes in conflict, but as often as not in collaboration or friendship.
Focusing on the period beginning with 1571’s epic battle of Lepanto and extending through the so-called “Northern Invasion” of the English and the Dutch into the Mediterranean, this book examines the central role piracy played in the emergence of an “Ottoman Mediterranean” as a legal space shaped by multiple, ever-shifting factors. In this wide-ranging and beautifully written study, archival sources spanning both religious and imperial spheres of law become windows onto the astonishing complexity of an early modern Mediterranean in which there were “no hard and fast lines separating Christian and Muslim spheres, but rather a culture of legal pluralism in which merchants, travelers, and seamen took advantage of multiple overlapping jurisdictions.” Evocatively written, blending narrative and analysis, White brings this exciting age to vivid life.
The 1570s marked the beginning of an age of pervasive piracy in the Mediterranean that persisted into the eighteenth century. Nowhere was more inviting to pirates than the Ottoman-dominated eastern Mediterranean. In this bustling maritime ecosystem, weak imperial defenses and permissive politics made piracy possible, while robust trade made it profitable. By 1700, the limits of the Ottoman Mediterranean were defined not by Ottoman territorial sovereignty or naval supremacy, but by the reach of imperial law, which had been indelibly shaped by the challenge of piracy.
Piracy and Law in the Ottoman Mediterranean is the first book to examine…
Emrah Sahin is a specialist in the history of religious interactions and international operations in Islam and Muslim-Christian relations. He received a Ph.D. from McGill University, a Social Science and Humanities Research Award from Canada, the Sabancı International Research Award from Turkey, and the Teacher of the Year Award from the University of Florida. He is currently with the University of Florida as a board member in Global Islamic Studies, an affiliate in History, a lecturer in European Studies, a college-wide advisor, and the coordinator of the federal Global Officer program.
Kafadar’s classic is a compelling prose unraveling the sources and fundamentals of the Ottoman state. It helps navigate the state’s existentialist search for order between Europe and the Orient. I like this book also because it comes from a culturally versed author well trained in multiple countries, disciplines, and traditions. Its focus on early conversations makes it one of my top picks in the Ottoman Empire and the Wider World.
This text analyzes medieval as well as modern historiography from the perspective of a cultural historian, demonstrating how ethnic, tribal, linguistic, religious and political affiliations were all at play in the struggle for power in Anatolia and the Balkans during the late Middle Ages. This examination of the rise of the Ottoman Empire - the longest-lived political entity in human history - shows the transformation of a tiny frontier enterprise into a centralized imperial state that saw itself as both leader of the world's Muslims and heir to the Eastern Roman Empire.
I am fascinated by how societies conduct war. Who is expected to fight, and how are they organized? How is technology developed, implemented, and improvised in the heat of battle? And, most importantly, how do its participants make sense of the carnage around them? History is replete with tales of savagery and courage, of honor and depravity. Perilously few of these have been formed into novels, leaving an incomplete and disjointed understanding of thousands of years of struggle. Many authors, including those listed here, paved the path for holistic depictions of historical battle fiction – my hope is to contribute tales from oft-neglected societies, beginning with Belisarius and the 6th-Century Roman Empire.
The Great Siege of Malta – a nearly four-month struggle in 1565, should be essential for any military historian to understand. Sadly, its treatment in fiction has been ludicrously underserved.
Enter Ironfire. Mr. Ball’s work builds slowly, showing the reader how various elements of the Ottoman Army (the Janissaries, in particular) were acquired, trained, and readied for war. Likewise, a failing legacy of crusade, as well as a decline in support for religious military orders, plague Christian leadership in Malta. Ball’s ‘slow burn’ narrative ignites into the island’s famous siege by a massive and well-equipped Ottoman army, facing a motley band of knights and Maltese locals reliant upon blades and fire to desperately hold their walls. Ironfire is a master class on premodern siege warfare in fiction.
From the acclaimed author of Empires of Sand comes a mesmerizing new adventure that Jean Auel cites as “crowded with events that both forecast and mirror the conflicts of today.” Sweeping from the drawing rooms of Paris to the palace of Suleiman the Magnificent to the dark hold of a slave ship racing across the sea, here is a dazzling story of love and valor, innocence and identity, an epic novel of the clash of civilizations on a barren island where the future was forged.
The Mediterranean, the sixteenth century: Lying squarely in the midst of the vital sea lanes…
"New generation Holmes and Watson - if Holmes was adorable and Watson was a beautiful woman."
Set in an alternate and progressive Victorian London, anarchist Charles Shilling and noblewoman Amelia Florin inadvertently cross paths and join forces to catch a notorious serial killer. Romance, murder, and mystery abound as the…
I’m a professor of history at the University of Nevada, Las Vegas where I teach and write about topics ranging from feminism to World War. I became interested in the history of the Armenian Genocide because my grandmother was a survivor. Other books I’ve written include: Women Making News: Gender and Journalism in Modern Britain; Smyrna’s Ashes: Humanitarianism, Genocide and the Birth of the Middle East and The British Empire and the Armenian Genocide.
Reading this book you will come to understand the extent of the suffering brought on by World War I to Ottoman society.
I particularly like Akin’s retelling of the experience of ordinary people who lived through the ordeal. Accounts of the war by soldiers and survivors of the nearly decade-long conflict that engulfed Ottoman lands add texture and shape to the military narrative that began in 1914 and only came to an end with the signing of the Treaty of Lausanne in 1923.
The Ottoman Empire was unprepared for the massive conflict of World War I. Lacking the infrastructure and resources necessary to wage a modern war, the empire's statesmen reached beyond the battlefield to sustain their war effort. They placed unprecedented hardships onto the shoulders of the Ottoman people: mass conscription, a state-controlled economy, widespread food shortages, and ethnic cleansing. By war's end, few aspects of Ottoman daily life remained untouched.
When the War Came Home reveals the catastrophic impact of this global conflict on ordinary Ottomans. Drawing on a wide range of sources-from petitions, diaries, and newspapers to folk songs…
