Here are 77 books that The Felse Investigations fans have personally recommended once you finish the The Felse Investigations series.
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Bad things happen to good people every day, and it seems unfair. I’ve lost friends to cancer, heart disease, and accidents, and I always wonder why it had to be someone who was decent and good and kind. At the same time, other people get away with all sorts of crimes, including murder. I can’t change the way the world works. So, in my own books and the books I like to read, the good guys might have some tough times, but in the end, they win. And the bad guys get what they deserve.
I love learning how people lived in other times via historical fiction, and Cadfael, a Benedictine monk who practiced healing arts in England in the 1100s, is one of my favorite characters.
I like hearing his opinions about the civil war that raged at that time and the church’s role in it. I like the fact that he’s a bit of a maverick who pushes beyond the bounds of his role as a monk to solve mysteries.
In the gentle Shrewsbury spring of 1140 the midnight matins at the Benedictine abbey suddenly reverberates with an unholy sound - a hunt in full cry. Pursued by a drunken mob, the quarry is running for its life. When the frantic creature bursts into the nave to claim sanctuary, Brother Cadfael finds himself fighting off armed townsmen to save a terrified young man. Accused of robbery and murder is Liliwin, a wandering minstrel who performed at the wedding of the local goldsmith's son. But his supposed victim, the miserly craftsman, is still alive, although a strongbox lies empty. Brother Cadfael…
I’ve always loved books where something in the past of the main storyline surges into its present, demanding that an old wrong be righted or an old mystery solved. It’s why my first degree was in Social and Political Sciences (Psychology major) instead of English Literature or Creative Writing: I knew that learning how to writewould be useless if I didn’t understand the things I wanted to write about. The role of the past in shaping our present – our behaviours, sense of self, relationships – is endlessly fascinating, and stories that unpick this are often the ones that surprise me the most with their insight into the human condition.
Vivid, surprising, and psychologically astute, The Wicked Girls stands out among a plethora of books with a similar premise.
There are no easy answers or pat solutions here. This is a book that asks interesting questions and offers a range of answers, through the characters, for readers to ponder. On the police procedural side, Kate Atkinson’s Case Histories treads a similar line, but Marwood’s protagonist is a journalist, which offers a less common ‘way in’ to the investigation along with a less familiar set of challenges. [If you love Children’s fiction, check out the phenomenal Diana Wynne Jones’ Eight Days of Luke to match this theme (then, if you love it, Charmed Life and Howl’s Moving Castle), plus Jenny Nimmo’s The Rinaldi Ring and Berlie Doherty’s White Peak Farm.]
“The suspense keeps the pages flying, but what sets this one apart is the palpable sense of onrushing doom.” —Stephen King, “The Best Books I Read This Year”
The Edgar Award-winning psychological thriller that asks the question: how well can you truly know anyone?
On a fateful summer morning in 1986, two eleven-year-old girls meet for the first time. By the end of the day, they will both be charged with murder. Twenty-five years later, journalist Kirsty Lindsay is reporting on a series of sickening attacks on young female tourists in a seaside vacation town when her investigation leads her…
Ever since I was a little girl, I’ve loved history, devoured mystery fiction, and scribbled my own stories. Today I combine all those passions by writing books in classic mystery-suspense style, but set in the place and the period of history that fascinates me the most: the American West. I firmly believe that the Old West should be treated not merely as a myth or a set of tropes, but a historical period in its own right, and so I love to use it as the setting for character-driven stories drawing on my favorite elements of the mystery genre.
Whitney is one of the best-known American writers of romantic suspense, and her debut novel in the genre leans more strongly into the mystery side of the equation, kicking off with the narrator discovering her jilting ex-fiancee's body in the elaborate display window of the department store where she works. The plot may be a tad melodramatic but the vintage 1940s glamor is fun as she hunts clues and flees danger amid the lavish evening gowns and jewelry, the echoing elevators and corridors of the store.
A Chicago department store is the scene of gruesome crime in this mystery by a New York Times–bestselling Edgar Award winner.
Linell Wynn, copywriter for Chicago department store Cunningham’s, knows how to put a clever spin on everything. But she’s at a loss for words when, after closing time, she finds a corpse in a window display. There he is, as cold and lifeless as a mannequin, his skull pulverized with a golf club: valued store manager Michael “Monty” Montgomery. And while red might be the color for the new spring season, Linell never expected to see quite so much…
Ever since I was a little girl, I’ve loved history, devoured mystery fiction, and scribbled my own stories. Today I combine all those passions by writing books in classic mystery-suspense style, but set in the place and the period of history that fascinates me the most: the American West. I firmly believe that the Old West should be treated not merely as a myth or a set of tropes, but a historical period in its own right, and so I love to use it as the setting for character-driven stories drawing on my favorite elements of the mystery genre.
Laura March is serving as temporary guardian of a little refugee girl who may be the next heir to a fortune when a man claiming to be the child’s father turns up at her door—and when shortly afterward he turns up dead, Laura is both a suspect and a target for the real killer in this atmospheric whodunit. The fun of this one lies in its wintry 1950s Chicago setting: the foggy streets, high-rise apartment buildings, corner phone booths and drugstores, and department stores decorated for Christmas.
From one of the most prolific authors of the Golden Age of mystery: “A nice example of [Eberhart’s] powers . . . Intelligently complicated” (The New Yorker). When Conrad Stanley dies, Laura is the only heir not concerned with her slice of his estate. Orphaned at a young age, she was Stanley’s ward, and cannot celebrate the death of the only father she ever knew. The executors of Stanley’s will find that he had a Polish relative, Conrad Stanislowski, who is due part of the inheritance. A search for Stanislowski produces only his daughter: eight-year-old Jonny, who comes to Chicago…
Ever since I was a little girl, I’ve loved history, devoured mystery fiction, and scribbled my own stories. Today I combine all those passions by writing books in classic mystery-suspense style, but set in the place and the period of history that fascinates me the most: the American West. I firmly believe that the Old West should be treated not merely as a myth or a set of tropes, but a historical period in its own right, and so I love to use it as the setting for character-driven stories drawing on my favorite elements of the mystery genre.
Traveling across Europe by train, Iris Carr re-enters her compartment to find that a friendly, talkative spinster who had befriended her has disappeared—and no one else will admit she was ever there at all. Why? The answer must be found before the train reaches its destination, and Ethel Lina White crafts a nail-biting race against time while also delving deep into the motivations of a tight cast of characters—exploring what leads some people to lie, and how an initially isolated and self-centered heroine becomes someone desperate to uncover the truth.
Oldtown is a historic place where rich people live. The sisterhood also lives there. The group, known as the ""Black Nuns"", had healing powers. But in Oldtown, the killer works, and a series of murders plunged the inhabitants into blind, reckless horror.
My whole family shared a love for classic British mysteries, especially light-hearted, witty ones. With the enduring popularity of Agatha Christie and Dorothy L. Sayers, people sometimes forget there were lots of other great writers from the “golden age” of mysteries. I first found most of these books on my parents’ bookshelves when I was a bored teenager growing up in snowy central Maine. Several of the paperbacks were so well-worn the cellophane was peeling off their covers. For me, reading classic mysteries is like listening to Mozart—they are endlessly stirring and fascinating, and in the end, order is restored, and all is right with the world.
This book is one of my favorite mysteries of all time. It addresses one of the great unsolved mysteries in English history: Did Richard III kill the princes in the tower? Tey’s sleuth, Alan Grant, is a dogged investigator, and, in the hospital with a broken leg, he treats this historical mystery like a contemporary murder. His step-by-step investigation pulled me in and convinced me that Richard Plantagenet has been mistreated by history.
Miss Tey is so convincing that she inspired me to write the (very innocent) ghost of Richard III into one of my own mystery novels after the monarch’s body was found under a Midlands car park in 2012.
_________________________ Josephine Tey's classic novel about Richard III, the hunchback king whose skeleton was famously discovered in a council car park, investigates his role in the death of his nephews, the princes in the Tower, and his own death at the Battle of Bosworth.
Richard III reigned for only two years, and for centuries he was villified as the hunch-backed wicked uncle, murderer of the princes in the Tower. Josephine Tey's novel The Daughter of Time is an investigation into the real facts behind the last Plantagenet king's reign, and an attempt to right what many believe to be the…
I’ve always loved books where something in the past of the main storyline surges into its present, demanding that an old wrong be righted or an old mystery solved. It’s why my first degree was in Social and Political Sciences (Psychology major) instead of English Literature or Creative Writing: I knew that learning how to writewould be useless if I didn’t understand the things I wanted to write about. The role of the past in shaping our present – our behaviours, sense of self, relationships – is endlessly fascinating, and stories that unpick this are often the ones that surprise me the most with their insight into the human condition.
The ‘crime’ in Animal Dreams is a legal technicality, and this is a literary contemporary novel rather than a crime one, but its narrative drive comes from the same need to untangle the past to set the characters free (or as free as they can be) in the present.
The writing is glorious – rich, deep, surprising, layered – reaching levels of technical mastery that few other writers even glimpse. There are several point-of-view characters and, unlike most books with this structure, Kingsolver wrings every last drop of drama and interest from the nuances this offers.
Instead of longing to get back to a preferred perspective, the reader revels in how vivid, how real, each character feels in turn. If you love LP Hartley’s The Go-Between, you’ll probably adore this.
Set in the southwestern mining town of Grace, Arizona, this novel revolves around Codi, her sister Hallie and their severe and distant father, Doc Homer. The author has previously written "The Bean Trees" and "Homeland", the latter a collection of short stories.
Ever since I was a little girl, I’ve loved history, devoured mystery fiction, and scribbled my own stories. Today I combine all those passions by writing books in classic mystery-suspense style, but set in the place and the period of history that fascinates me the most: the American West. I firmly believe that the Old West should be treated not merely as a myth or a set of tropes, but a historical period in its own right, and so I love to use it as the setting for character-driven stories drawing on my favorite elements of the mystery genre.
This is one of those special books that made me think, “Oh my…I want to write like this.” The blend of old-world atmosphere, 1950s glamor, and gorgeously descriptive, suspenseful writing is magical. Linda Martin, a young Englishwoman with a secret of her own to guard, takes the post of governess to the small heir of a French chateau—a fairytale setting, but disturbing tensions run beneath its surface, and before long Linda finds herself caught up in a desperate attempt to foil a dangerous plot.
A tense thrillerabout an English girl who becomes governess to a young French heir to great estates in Savoy. Having deceived her employers about her ability to speak French, she discovers that they are trying to kill her young charge.
I was twelve years old when I first read Jane Eyre, the beginning of my love for gothic fiction. Murder mysteries are fine, but add a remote location, a decaying old house, some tormented characters, ancient family secrets, and I’m all in. Traditional Gothic, American Gothic (love this painting), Australian Gothic, Mexican Gothic (perfect title by the way), I love them all. The setting in gothic fiction is like a character in itself, and wherever I travel, I’m drawn to these locations, all food for my own writing.
So much so that I’ve read it several times since I first encountered it as a teenager. (Plus watched both movie versions, twice each.)
The first line, "Last night I dreamt I went to Manderley again," drew me in and refused to let go. I wanted to return to Manderley. I wanted to find out what dark secrets would be revealed there. The unnamed, naive young heroine is haunted by the all-pervading presence of her husband’s first wife, Rebecca… and so was I.
And although some of the social attitudes are jarring to a 21st-century reader, and although I know the plot by heart now… I will still return to it.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
I am a longtime Los Angeles trial lawyer, as well as a writer and librettist. I graduated with honors from the University of California at Santa Cruz and from the Santa Clara University School of Law where I was a member of the Law Review. Me and my wife, Susan, are the parents of six children and live in Santa Monica, California. My previous novel, The Logic Bomb, a legal thriller, was published in 2015.
I’m a fan of the series and the Derek Jacobi television adaptations. This is my favorite. It is filled with thrills and mystery, but, similarly, transcends its genre origins to become a stirring tale of a crucial time in English history.
It shows Cadfael both as a brilliant detective and a deeply sensitive human being.
It is winter 1139 and the tranquil life in the monastery gardens in Shrewsbury is again interrupted by violence. Raging civil war has sent refugees fleeing north from Worcester. Among them are two orphans from a noble family, a boy of thirteen and an eighteen year old girl of great beauty, with their companion, a young Benedictine nun. But the trio have disappeared somewhere in the wild countryside. Cadfael fears for these three lost lambs, but his skills are needed to tend to a wounded monk, found naked and bleeding at the roadside. Why this holy man has been attacked…
