Here are 40 books that The Cemetery of Forgotten Books fans have personally recommended once you finish the The Cemetery of Forgotten Books series.
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When I learned, at seventeen, of my father’s Jewish heritage, I flung myself headlong into reading about Judaism. Naturally, this led me to the Holocaust and World War II, and my novels are inspired by family stories from this harrowing time. While doing research, I traveled to Germany and London, interviewed WWII veterans, and read countless memoirs, academic nonfiction tomes, and historical fiction books about this era. I now speak at libraries and to community organizations about the Ritchie Boys, Secret Heros of WWII. People sometimes tell me concentration camp stories are too disturbing, so I recommend books about Jewish survival, heroism, and everyday life during the Third Reich.
I was immediately hooked by this brilliant novel because of its unusual omniscient narrator, the Grim Reaper. Death, stressed out by the surfeit of “clients” he must deal with during World War II, reveals himself to be a sensitive narrator who sees everything. He especially keeps his eye on a young German girl, her loving foster parents, and the Jewish man they hide and protect.
I fell in love with these characters as they struggled with moral decisions, wartime hardship, danger, and tragedy. Despite the realistic portrayal of German life during WWII, I found this book to be an uplifting read.
'Life affirming, triumphant and tragic . . . masterfully told. . . but also a wonderful page-turner' Guardian 'Brilliant and hugely ambitious' New York Times 'Extraordinary' Telegraph ___
HERE IS A SMALL FACT - YOU ARE GOING TO DIE
1939. Nazi Germany. The country is holding its breath. Death has never been busier. Liesel, a nine-year-old girl, is living with a foster family on Himmel Street. Her parents have been taken away to a concentration camp. Liesel steals books. This is her story and the story of the inhabitants of her street when the bombs begin to fall.
I’m chronically ill. Whether I’m swept up, terrified, swooning, or trying to solve a mystery, I love my fiction to take me elsewhere. The dichotomy of wanting to share my experiences, discuss disability, open up the conversation around the topic, and have others lose themselves in story has been a fine line I’ve walked with all of my work. With Joyce, I wanted to bring grief and disability to life in a more resonate way. The words pain and fatigue mean drastically different things to different people. When magic is involved, it transcends your definition or mine, allowing us to focus on the experience with less personal context.
There is something special about Heather Webber’s work—all of it, mind you. But South of the Buttonwood Tree has something a little extra.
It’ll break your heart on the same page you’re laughing. Her characters become people you’ve known your whole life by the end of the first chapter. By the end of the book, you’re leaving friends and family behind to live their lives without you—that’s how rich the story is.
There is no getting bogged down in details, yet you have them all. The story flows in a rhythm that feels warm and comforting but not so formulaic that you know what to expect when you read the first word. She really hits that comfort spot I know I need, and you might too.
Blue Bishop has a knack for finding lost things. No one is more surprised than Blue, however, when she comes across a newborn baby in the woods, just south of a very special buttonwood tree.
Sarah Grace Landreneau Fulton is at a crossroads. She has always tried so hard to do the right thing, but her own mother would disown her if she ever learned half of Sarah Grace's secrets.
The unexpected discovery of the newborn baby girl will alter Blue's and Sarah Grace's lives forever. Both women will uncover long-held secrets that reveal exactly who they really are -…
I am a Minnesota writer of cozy mysteries and contemporary fiction. I love the magical and care deeply about nature, the environment, and what is happening due to climate change. My novel was a chance to combine both interests. I wrote the first draft of Up There during the pandemic. While we were locked down, I spent time with a character who could fly. But while she was free, I discovered she was still lost. I spent so much of that year walking in the woods—thinking about how our world is changing, how confusing it is, and how we all are a little lost in these times.
On a quiet street in Dublin, a lost bookshop is waiting to be found… Who could resist that?
I was glad I found this book and its author Evie Woods. She seduced me with her lovely writing and compelling characters. I loved the magical moments when a tree takes over a bedroom just to supply the occupant with books the tree thinks will help her.
I like the idea that no matter what baggage we carry—betrayal, abuse, lost love—we can grow, face our personal truth, and step into a wondrous world.
The Echo of Old Books meets The Lost Apothecary in this evocative and charming novel full of mystery and secrets.
'The thing about books,' she said 'is that they help you to imagine a life bigger and better than you could ever dream of.'
On a quiet street in Dublin, a lost bookshop is waiting to be found...
For too long, Opaline, Martha and Henry have been the side characters in their own lives.
But when a vanishing bookshop casts its spell, these three unsuspecting strangers will discover that their own stories are every bit as extraordinary as the ones…
When I was a boy, my adoptive father – a star pupil and friend of C.S. Lewis – heard I’d started reading the Sherlock Holmes stories. He bought every Sherlock Holmes book he could find. I remember lifting one to my nose and smelling the pages. I fell in love with books that day. I went on to earn a senior scholarship in English Literature at Cambridge University, and a PhD in storytelling. Since then, I have written over 50 books of my own and ghostwritten over 30 titles. I now host The Christian Storyteller Channel on YouTube, and I run BookLab, dedicated to helping emerging authors. My whole life is books.
I’m recommending this novel because it’s about the way you can sometimes find very special treasures in old bookshops.
I love the idea of writing a story about this because it’s happened to me. A few times during my life I’ve been in a second-hand bookshop and stumbled on a book that I didn’t even know existed – one that was just what I needed for that season of my life or that phase of my pursuit of truth.
I love The Echo of Old Books because it celebrates such book-related serendipities. And obviously I love it because it's my genre too – magical realism.
A novel about the magical lure of books and summoning the courage to rewrite our stories by the Amazon Charts bestselling author of The Keeper of Happy Endings and The Last of the Moon Girls.
Rare-book dealer Ashlyn Greer's affinity for books extends beyond the intoxicating scent of old paper, ink, and leather. She can feel the echoes of the books' previous owners-an emotional fingerprint only she can read. When Ashlyn discovers a pair of beautifully bound volumes that appear to have never been published, her gift quickly becomes an obsession. Not only is each inscribed with a startling incrimination,…
I’ve been fascinated by social history since childhood, although I didn’t know that was what it was called, back then. When I did a postgraduate Masters in Folk Life Studies, it helped to confirm my love of books that, in skilfully fictionalising historical events, allow us to see them through the eyes of people most closely affected by them: ordinary people leading their lives throughout difficult and dangerous times or finding themselves in extraordinary relationships. It’s what I try to do in my own work, fiction and non-fiction alike. My book recommendations here are the kind of books I wish I had written.
This was another novel I came across while researching a book of my own.
Galt’s novel is written in the voice of the minister (i.e. priest) of a rural kirk. It is observant, moving, and at times hilarious, the story of a lowland parish and its inhabitants from 1760 to 1809, as seen through the eyes of the minister. It is also an account of a life well lived - ‘douce’ would be the Scots word for the sober and sedate narrator - crammed with interesting, gossipy, everyday details.
I’ve lived in a similar village for many years and it made me realise how little has changed here in rural Ayrshire over the 200 years since The Annals was written!
The Anno Domini one thousand seven hundred and sixty, was remarkable for three things in the parish of Dalmailing.—First and foremost, there was my placing; then the coming of Mrs Malcolm with her five children to settle among us; and next, my marriage upon my own cousin, Miss Betty Lanshaw, by which the account of this year naturally divides itself into three heads or portions.
I’ve been fascinated by social history since childhood, although I didn’t know that was what it was called, back then. When I did a postgraduate Masters in Folk Life Studies, it helped to confirm my love of books that, in skilfully fictionalising historical events, allow us to see them through the eyes of people most closely affected by them: ordinary people leading their lives throughout difficult and dangerous times or finding themselves in extraordinary relationships. It’s what I try to do in my own work, fiction and non-fiction alike. My book recommendations here are the kind of books I wish I had written.
I came across this novel when I was researching my book, although I had been aware of author Neal Ascherson’s expert writing about Poland and Ukraine for many years.
This is a big, engrossing piece of fiction, based on real events, moving deftly between wartime Scotland and Poland, skilfully portraying the complexities of conflict. As well as an engrossing story, it is one of the best evocations I have read of the unholy muddle of war, where so much that happens is down to fallible human beings trying to cope with appalling situations.
For me, it also made sense of so much that I had found hard to understand about my Polish family history but I suspect anyone whose forebears were refugees might find it enlightening and moving.
A STORY OF SABOTAGE, BETRAYAL AND THE TERRIBLE SADNESS OF EXILE.
'Remarkable'The Times.
'A magnificent novel'The Times.
'Gripping'The Spectator.
Scotland, 1940: The Fronsac, a French warship, blows up in the Firth of Clyde. The disaster is witnessed by three locals. Jackie, a young girl who thinks she caused the explosiong by running away from school. Her mother Helen, a spirited woman married to a dreary young officer; and their lodger, a Polish soldier whose country has just been erased from the map by Hitler and Stalin.
All their lives will be changed by the death of the Fronsac.
I’m chronically ill. Whether I’m swept up, terrified, swooning, or trying to solve a mystery, I love my fiction to take me elsewhere. The dichotomy of wanting to share my experiences, discuss disability, open up the conversation around the topic, and have others lose themselves in story has been a fine line I’ve walked with all of my work. With Joyce, I wanted to bring grief and disability to life in a more resonate way. The words pain and fatigue mean drastically different things to different people. When magic is involved, it transcends your definition or mine, allowing us to focus on the experience with less personal context.
Some say this book is horror. I recommend it not as a horror book, but as a glimpse into illness, grief, and uncertainty through the lens of magical realism.
I see the moments along the way that are scary, but for me, those are just jump pads to the action of living, of existing, of the complicated state of being unwell, and how love will allow you to accept more than you thought you were capable of.
Does Julia know she showcased the slow decline of a chronically ill person in the way she did? I do not know. But as a chronically ill person myself, I saw poignant vignettes of tenderness around the topic.
Though the dual storylines, the unknown, the fear, are interesting and creative, it’s the quiet moments between two women who love each other, just wondering what’s next, that will stay with you.
Named as book to look out for in 2022 by Guardian, i-D, Autostraddle, Bustle, Good Housekeeping, Stylist and DAZED.
Miri thinks she has got her wife back, when Leah finally returns after a deep sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home.
To have the woman she loves back should mean a return…
Books have the power to do so much more than to simply entertain. I believe it’s my job as a fiction writer to condense research of complex subjects into understandable language and then play it out in story. My Enter the Between fiction series introduces readers to the world of metaphysics—the bridge between the seen and the unseen, science, and spirituality—which serves as a key to understanding consciousness, death, and the meaning of life. I’ve spent twenty years researching contemporary paganism, holistic theory, quantum mechanics, and transpersonal psychology to come up with stories that bridge science and spirituality with paranormal, supernatural underpinnings, and contemplative messaging that aims toward a kinder, wiser, more peaceful world.
I’m willing to bet thatDean Koontz would be the first to admit that, like many of his characters, he’s a little weird. But in a good way. Weird like those knowledgeable about quantum physics, synchronicity, and artificial intelligence. Weird like those into Edgar Allan Poe, T.S. Eliot, Werner Eisenberg, and Carl Jung. And weird like authors who use the last line of their stories to leave their readers with unsettling questions long after the reading is through. In my opinion, this very quality, this weirdness, applied to the art of fiction, results in tales that not only entertain but make a captivating read. The Big Dark Sky is an example of both, with its unforgettable characters, especially Jimmy Two Eyes and Artimis (the most intriguing—and scary—of them all), and the thought-provoking scientific, psychological, and philosophical concepts woven into the tale.
A group of strangers bound by terrifying synchronicity becomes humankind's hope of survival in an exhilarating, twist-filled novel by Dean Koontz, the #1 New York Times bestselling master of suspense.
As a girl, Joanna Chase thrived on Rustling Willows Ranch in Montana until tragedy upended her life. Now thirty-four and living in Santa Fe with only misty memories of the past, she begins to receive pleas-by phone, through her TV, in her dreams: I am in a dark place, Jojo. Please come and help me. Heeding the disturbing appeals, Joanna is compelled to return to Montana, and to a strange…
I’ve been writing about women and girls who rock the boat for two decades. I’ve written about it from my own point of view, in award-winning essays, and from imagined points of view, in almost-award-winning women’s contemporary novels. Now, I’ve tackled it in the YA genre. I want to keep on exploring what it means to buck the system and live to tell the tale. We’re still making up for men writing women’s voices, for women’s voices going unheard. I’m trying to do my part to ask, what if we heard about history from the women’s point of view?
Another unlikely heroine, but only because she sees ghosts—okay, okay, maybe also because seeing ghosts or even talking about them is strictly forbidden in Rita Todacheene’s Navajo culture.
I loved this book so, so much for both its detail and its unusual premise. Todacheene’s ghosts haunt her and play an active part in her investigations as a forensic photographer. And, since the author was a forensic photographer herself, the work rings true and sharp. Ghosts aside, she also has to contend with her own culture, a struggle with which I’m intimately familiar.
I also loved the way that Emerson structured this book—Todacheene’s beloved cameras, acting as framing devices, guide us through her timeline, and she keeps on learning things about herself even as we go from the most advanced camera to the oldest possible film-based option. I can’t wait to read the second in this series to see what our…
This blood-chilling debut set in New Mexico’s Navajo Nation is equal parts gripping crime thriller, supernatural horror, and poignant portrayal of coming of age on the reservation.
Rita Todacheene is a forensic photographer working for the Albuquerque police force. Her excellent photography skills have cracked many cases—she is almost supernaturally good at capturing details. In fact, Rita has been hiding a secret: she sees the ghosts of crime victims who point her toward the clues that other investigators overlook.
As a lone portal back to the living for traumatized spirits, Rita is terrorized by…
I’ve loved mystery novels since picking up my older sister’s Agatha Christie collection as a pre-teen. Over the years I’ve come to love novels with badass women detectives, especially when the world-building pulls you into a place and time that is almost an additional character, where you can feel the weather, smell the buildings, and taste the fear. And it certainly doesn’t hurt to add a social justice angle. Having read so many, I finally decided to write my own mystery set in the East Los Angeles neighborhood of Boyle Heights where I grew up, not anywhere near the Hollywood version.
There’s a freeway sign on the way to Palm Springs that directs you to “Other Desert Cities.” I love that sign because it so captures the desert, and so does Katherine V. Forrest in her 10th installment of a Kate Delafield mystery. Brought out of retirement by threats from an innocent woman she put in jail when she was a cop, Delafield must marshal her defenses and her feelings to return to the arid tranquility she thought she’d found.
