Here are 29 books that Lady Julia Grey Mysteries fans have personally recommended once you finish the Lady Julia Grey Mysteries series.
Book DNA is a community of authors and super-readers sharing their favorite books with the world.
I've always been fascinated by stories about married couples, especially when there are secrets in the marriage. My series The Rannoch Fraser Mysteries follows Mélanie and Malcolm Rannoch, whose marriage began when Mélanie, a French agent, married British agent Malcolm to spy on him during the Napoleonic Wars. As the Rannochs investigate mysteries, they grapple with personal and political betrayals and the secrets between them.
I love this whole series, but what drew me to the first book was the story of a young widow unraveling the secrets of her late husband.
It’s poignant to see her only fall in love with him after he's gone. But at the same time it's fascinating to see her finding herself even as she learns that the man she was married to was far more complicated than she realized.
From New York Times bestselling author Tasha Alexander comes a stunning novel of historical suspense set in Victorian England, meticulously researched and with a twisty plot that involves stolen antiquities, betrayal, and murder
Lady Emily's first mystery . . .
For Emily, accepting the proposal of Philip, the Viscount Ashton, was just an easy way to escape her stifling home life and overbearing mother. So when her new husband dies on safari soon after the wedding, she feels little grief. After all, she barely knew the man.
Now, nearly two years later, she discovers that Philip was a far different…
I’ve always been drawn to stories where women defy expectations and carve out power in a world that seeks to silence them. As a writer of historical mysteries, I love exploring unconventional heroines—women who take risks, uncover secrets, and refuse to conform. The best mysteries blend atmosphere, intelligence, and a touch of rebellion, and I seek out books that do just that. Whether it’s a detective disguising her true identity or a woman outwitting society’s constraints, these stories inspire me. My book was born from this passion, and I hope readers who love fiercely independent heroines and richly layered mysteries will enjoy this list as much as I do.
From the first page, I was obsessed with Veronica Speedwell. She’s sharp and fearless and refuses to let Victorian society define her. I love a heroine who takes control of her own fate, and Veronica does so with wit and intelligence.
This book pulled me in so completely that I stayed up way too late reading, completely enthralled by the chemistry between Veronica and Stoker, the twists in the mystery, and the world Raybourn creates. It reminded me why I love historical mysteries—smart, complex women pushing against the limits of their time.
After burying her spinster aunt, the orphaned Veronica Speedwell intends to resume her world travels in pursuit of scientific inquiry-and the occasional romantic dalliance. As familiar with hunting butterflies as she is fending off admirers, Veronica wields her butterfly net and a sharpened hatpin with equal aplomb.But fate has other plans, as Veronica discovers when she thwarts her own abduction with the help of an enigmatic German baron with ties to her mysterious past. The baron offers her sanctuary in the care of his friend Stoker-a reclusive natural historian as intriguing as he is bad-tempered. But before the baron can…
At one time, it was commonplace for male mystery writers to devote a substantial amount of plot to romance; for example, Wilkie Collins, The Woman in White or Dashiell Hammett, The Maltese Falcon. In recent years, this tradition has eroded to the point where romantic mysteries are primarily written by women. I think romance spices up mysteries. In Death is Potential, Kate Swift is more invested in solving the murder mystery because she is protecting her lover.
I like this series set in wartime London. Electra “Ellie” McDonnell, a safecracker, is in business with her Uncle Mick, they rob homes of the rich.
After they are arrested, the handsome Major Ramsay has a deal for Ellie: if she will help him, he’ll let her, and her uncle walk free. A straightforward deal, except for the romantic complication.
As the Blitz continues to ravage London, Ellie McDonnell is approached by British Intelligence officer Major Ramsey with a new assignment. She is to travel under an assumed identity to the port city of Sunderland and there await further instructions. Ellie, ever-ready to aid her country, heads north, her safecracking tools in tow. But before she can rendezvous with the major, she witnesses an unnatural death. A man falls dead in the street in front of her, with a mysterious missive clutched in his hand. Ellie's instincts tell her that the man's death is connected in some way to her…
At one time, it was commonplace for male mystery writers to devote a substantial amount of plot to romance; for example, Wilkie Collins, The Woman in White or Dashiell Hammett, The Maltese Falcon. In recent years, this tradition has eroded to the point where romantic mysteries are primarily written by women. I think romance spices up mysteries. In Death is Potential, Kate Swift is more invested in solving the murder mystery because she is protecting her lover.
I like this series because it is well written and the author – J.K. Rowling writing as Robert Galbraith – always features clever plot twists.
The Cormoran Strike series features an on again, off again romance between private investigator Cormoran Strike and his partner, Robin Ellacott. In the latest installment, The Running Grave, Cormoran and Robin are hired by a wealthy man whose son has joined a cult.
Robin joins the cult and moves into its rural Norfolk headquarters. The chapters devoted to her cult experience are well-written and creepy. Too bad there’s not more sex.
'The work of a master storyteller' Daily Telegraph
'One of crime's most engaging duos' Guardian ________
Private Detective Cormoran Strike is contacted by a worried father whose son, Will, has gone to join a religious cult in the depths of the Norfolk countryside.
The Universal Humanitarian Church is, on the surface, a peaceable organisation that campaigns for a better world. Yet Strike discovers that beneath the surface there are deeply sinister undertones, and unexplained deaths.
In order to try to rescue Will, Strike's business partner Robin Ellacott decides to infiltrate the cult and she travels to Norfolk to live incognito…
History has always interested me, in part because it helps explain how we got where we are. I have a bachelor of music in music history, which is where I first became aware of how small things—the invention of the quill pen—can ripple into huge consequences. Tack onto that an inclination toward political science and law, plus a family full of bench scientists, and it’s easy to see how stories set in the past that focus on whodunit, how, and why fascinate me. Both reading and writing against that tapestry educates me, entertains me, and gives me a glimpse of our capacity to transcend all difficulties for the sake of truth and justice.
Early on, what the then-publisher sought, and what the characters preferred apparently diverged, because a few of the titles have an “alternate universe” relationship with the main mystery world.
That didn’t bother me one bit, when the characters and the historical aspects of Napoleonic Britain are so well drawn. Grant is particularly adept at exploring the odd corners of this time period—the diplomatic convolutions, New World repercussions, and sociological upheaval in Britain itself following Waterloo.
As the series progresses, the main protagonists build a community of sleuths, and the relationships complexify right along with the politics. Absolutely wonderful!
Including novellas (two of them prequels), this series is closing in on 30 titles.
Europe's elite have gathered at the glittering Congress of Vienna--princes, ambassadors, the Russian tsar--all negotiating the fate of the continent by day and pursuing pleasure by night. Until Princess Tatiana, the most beautiful and talked about woman in Vienna, is found murdered during an ill-timed rendezvous with three of her most powerful conquests. . .
Suzanne Rannoch has tried to ignore rumors that her new husband, Malcolm, has also been tempted by Tatiana. As a protégé of France's Prince Talleyrand and attaché for Britain's Lord Castlereagh, Malcolm sets out to investigate…
Ever since I read the work of Charlotte Bronte, Jane Austen, and Georgette Heyer at an impressionable age, nineteenth-century England has fascinated me. My mother, a lifelong reader, is responsible for sparking this obsession. She never cared that I wanted to read “grown-up books” or later tried to discourage me from majoring in English. After college, I went on to teach British literature to high school students and to write two mystery series, one set during the Regency period, the other taking place half a century later. This new Victorian series introduces a bored spinster who finds her purpose in life as a detective.
Every so often, I meet a charming, humane fictional character who seems like someone I would very much like to have a long conversation with. The gentlemanly amateur detective Charles Lenox is just such a man. And, in fact, he does seem to spend an awful lot of time having tea with his friends in this novel, set in 1865 London.
But that doesn’t stop Mr. Lenox from using his impressive wits to solve the murder of a housemaid, who is dead in an apparent suicide. I love this series by author Charles Finch and eagerly await each new installment.
At one time, it was commonplace for male mystery writers to devote a substantial amount of plot to romance; for example, Wilkie Collins, The Woman in White or Dashiell Hammett, The Maltese Falcon. In recent years, this tradition has eroded to the point where romantic mysteries are primarily written by women. I think romance spices up mysteries. In Death is Potential, Kate Swift is more invested in solving the murder mystery because she is protecting her lover.
I love this series because each book couples an interesting mystery with a juicy romantic interlude.
Elly Griffiths wrote fifteen novels featuring indomitable forensic anthropologist, Ruth Galloway. Ruth solves mysteries in the English community of Norfolk while dealing with her passionate attraction to married DCI Harry Nelson.
Each of the first 14 books ended with a romantic cliffhanger. Book 15, the last of this wonderful series, brings the tortured romance to a steamy conclusion.
The unmissable new book in the Dr Ruth Galloway Mysteries. Ruth and Nelson are working on a murder case in which Cathbad emerges as the prime suspect. Can they uncover the truth in time to save their friend?
'GALLOWAY NOW SEEMS AS REAL AS MARPLE AND MORSE' The Times
'SET IN DIVINE NORTH NORFOLK. INTENSELY ATMOSPHERIC AND GREAT' India Knight
When builders renovating a cafe in King's Lynn find a human skeleton behind a wall, they call for DCI Harry Nelson and Dr Ruth Galloway, Head of Archaeology at the nearby University of North Norfolk. Ruth is preoccupied with the…
At one time, it was commonplace for male mystery writers to devote a substantial amount of plot to romance; for example, Wilkie Collins, The Woman in White or Dashiell Hammett, The Maltese Falcon. In recent years, this tradition has eroded to the point where romantic mysteries are primarily written by women. I think romance spices up mysteries. In Death is Potential, Kate Swift is more invested in solving the murder mystery because she is protecting her lover.
I love this series because I treasure the original Sherlock Holmes books.
Sherry Thomas reinvents Holmes as a smart and passionate young woman. Down on her luck, Charlotte Holmes sets up a detective consulting business using her imaginary brother, Sherlock. She fools everyone except her longtime friend, Lord Ingram.
After a period of tortured adjustment, Charlotte and Ingram become lovers. Sadly, they cannot spend much time together, because they are pursued by the evil Moriarity.
Charlotte Holmes's life is in peril when her brilliant deductive skills are put to the test in her most dangerous investigation yet, locked aboard a ship at sea.
After feigning her own death in Cornwall to escape from Moriarty’s perilous attention, Charlotte Holmes goes into hiding. But then she receives a tempting offer: Find a dossier the crown is desperately seeking, and she might be able to go back to a normal life.
Her search leads her aboard the RMS Provence. But on the night Charlotte makes her move to retrieve the dossier, in the midst of a terrifying storm…
I grew up loving stories set in the 1800s. I read Little Women six times, determined to become a writer just like Jo March. Eventually, I became one, writing everything from newspaper articles to medical brochures, short stories, and nine mystery novels. I set my latest book in 1819 Regency England. The myriad rules governing every aspect of proper behavior for “gently bred women” meant that any female refusing to conform faced scandal and ostracism from society. Any woman who managed to forge a life of her own design had to be strong, determined, and feisty—just the kind of female I want to read and write about.
Unlike my other book choices, Why Kings Confess has a male protagonist, Sebastian St. Cyr. In my opinion, a very good historical mystery series got even better when Sebastian married Hero Jarvis, the brilliant and outspoken daughter of Sebastian’s mortal enemy, Lord Jarvis, a ruthless advisor to the crown. Hero writes searing investigative articles on societal injustice and, despite being heavily pregnant, participates actively in Sebastian’s work. In this book they investigate the brutal death of a man who was part of a secret delegation sent by Napoleon to determine the possibility of peace with Britain. The author is a historian who manages to seamlessly incorporate a lot of fascinating information about Regency England.
The gruesome murder of a young French physician draws aristocratic investigator Sebastian St. Cyr and his pregnant wife, Hero, into a dangerous, decades-old mystery as a wrenching piece of Sebastian’s past puts him to the ultimate test.
Regency England, January 1813: When a badly injured Frenchwoman is found beside the mutilated body of Dr. Damion Pelletan in one of London’s worst slums, Sebastian finds himself caught in a high-stakes tangle of murder and revenge. Although the woman, Alexi Sauvage, has no memory of the attack, Sebastian knows her all too well from an incident in his past—an act of wartime…
Reading historical mysteries with a touch of romance is a delicious chocolate dessert after a day of work. I’m the author of 16 romantic suspense novels. Why not double the excitement with both romance and mystery/suspense. I began reading mysteries because my mother read them. Once I’d read all the Nancy Drews, I moved on to Erle Stanley Gardner and Agatha Christie. I wrote a few mystery manuscripts that remain in a box in the attic, but then all-grown-up me discovered romantic suspense novels and found my niche. I love throwing the hero and heroine together under extraordinary circumstances and pitting them against a clever villain.
Another first in series, this book, set in 19th century London, introduces Rosalind Thorne.
Nearly ruined after her father abandoned the family, she makes her living by managing the affairs of society women. There are probably more murders in these stories than among the tonin reality, but the mysteries keep things lively.
And the romance? Attractions to her old love, now a duke, and an attractive Bow Street investigator add deliciously to the intrigue. I have just read book 4 and need to find the next. Enjoy!
Inspired by the novels of Jane Austen, this new mystery series set in 19th-century London introduces the charming and resourceful Rosalind Thorne, a woman privy to the secrets of high society—including who among the ton is capable of murder...
The daughter of a baronet and minor heiress, Rosalind Thorne was nearly ruined after her father abandoned the family. To survive in the only world she knew, she began to manage the affairs of some of London society’s most influential women, who have come to rely on her wit and discretion.
So, when artistocratic wastrel Jasper Aimesworth is found dead in…
